Frank Auerbach (b.1931) Rebuilding the Empire Cinema, Leicester Square 1962 © Frank Auerbach
Frank Auerbach
Rebuilding the Empire Cinema, Leicester Square
1962

The most significant private collection of paintings and drawings by one of Britain’s greatest living artists, Frank Auerbach, goes on display at Tate Britain today. The works were collected by Lucian Freud throughout his life and hung in Freud’s house in London until his death in 2011. 

Lucian Freud collected these paintings and drawings over many years, building what is thought to be the most important private collection of Auerbach’s work. Earlier this year, this collection was accepted in lieu of inheritance tax by HM Government and has been acquired for the nation by Arts Council England, to be allocated to public museums and galleries. 

The works on display span Auerbach’s career from his student days in the late 1940s up to 2007. The artist has repeatedly returned to the same subjects over decades, constantly finding new and different ways to explore the indefinable qualities and raw sensations stimulated by the forms and structures he sees. The collection encompasses two subjects to which he has constantly returned – landscapes of London and portraits of friends and relatives of the artist who have sat for Auerbach for long periods of time. It also includes a group of five sketches, including birthday cards which show the friendship and respect that Auerbach and Freud had for each other.  

The portraits on display comprise works on paper of an intimate group of sitters, mainly of Estella (Stella) Olive West (‘E.O.W.’), his principal model between the early 1950s and 1973, and his wife Julia. They include the celebrated charcoal Head of E.O.W. 1956 and Head of Julia 1985-86, another remarkable, larger than life drawing in charcoal and chalk.

Auerbach has painted landscapes primarily of north London and particularly Camden Town, where he has been living and working for the past sixty years. The display includes seven landscapes, such as Rebuilding the Empire Cinema, Leicester Square 1962 showing Auerbach’s interest in the rebuilding of London in the post-war years; and Mornington Crescent – Winter morning 1989, charged with the zigzagging energy of the moving clouds and bare trees.

Frank Auerbach was born in Berlin in 1931 and came to England in 1939. He studied painting at St Martin’s School of Art, London, from 1948 to 1952, and attended David Bomberg’s drawing classes at the Borough Polytechnic. He studied at the Royal College of Art from 1952 to 1955. In 1986, at the XLII Venice Biennale, Auerbach was awarded the Golden Lion prize, shared with the German painter Sigmar Polke. Monographic exhibitions of his work have since been hosted at various prominent venues including Yale Center for British Art, New Haven (1991) the Royal Academy of Arts, London (2001) and the Rijksmuseum, Amsterdam (2013-14).

In June 2015, a major retrospective of Auerbach’s work will open at the Kunstmuseum, Bonn, before travelling to Tate Britain in autumn 2015. 

BP Spotlight – Frank Auerbach: Painting and Drawings from the Lucian Freud Estate is on display at Tate Britain until 9 November 2014. The display has been curated by Elena Crippa, Tate. 

For further information please contact Kate.Moores@tate.org.uk or Sara.Chan@tate.org.uk

Or call +44(0)20 7887 4906/8732. For high resolution images visit tate.org.uk/press

Tate Britain 

Tate Britain houses the national collection of British art from 1500 to the present day. Situated on Millbank, London, it is one of Tate’s four major sites and welcomes 1.5 million visitors every year. Following the opening of the new gallery at Bankside, the building became Tate Britain in 2000, alongside Tate Modern, Tate Liverpool and Tate St Ives. A new Tate Britain was unveiled in 2013 following a £45 million development which has transformed the oldest part of the Grade II building and created new spaces for display, education and social activities. www.tate.org.uk 

BP’s support for UK Arts & Culture

2014 marks the 25th anniversary of the BP and Tate partnership.  Across this time BP has enabled Tate Britain to present the national collection of British Art to the public for free.  Over 35 million people have now seen the BP Displays since they were unveiled in January 1990 and BP’s continued support allows Tate to regularly change the displays so the public can enjoy the breadth of the world’s greatest collection of British Art. 

BP has supported arts and culture in the UK for over 35 years and currently focuses its support on long-term partnerships with four world class institutions; The British Museum, The National Portrait Gallery, The Royal Opera House and Tate Britain. More than 50 million people across the UK engaged with BP supported activities during this time.  BP’s investment of almost £10 million in extending its long term partnerships until 2017, represents one of the most significant long-term corporate investments in UK arts and culture.

The Acceptance in Lieu (AIL) Scheme

The Acceptance in Lieu (AIL) Scheme allows those who have a bill for Inheritance Tax to pay the tax by transferring important cultural, scientific or historic objects to the nation.  Material accepted under the scheme is allocated to public collections and is available for all.

The Arts Council 

Arts Council England champions, develops and invests in artistic and cultural experiences that enrich people’s lives. We support a range of activities across the arts, museums and libraries – from theatre to digital art, reading to dance, music to literature, and crafts to collections. Great art and culture inspires us, brings us together and teaches us about ourselves and the world around us. In short, it makes life better. Between 2011 and 2015, we will invest £1.4 billion of public money from government and an estimated £1 billion from the National Lottery to help create these experiences for as many people as possible across the country. www.artscouncil.org.uk

A full list of accepted items is available, please contact alison.millar@artscouncil.org.uk