Tate Britain  Level 2
20 June – 15 September 2002

In June 2002, Tate Britain will present the largest retrospective to date of the work of Lucian Freud. Freud is recognised as an artist of unique distinction who, over six decades, has redefined portraiture and the nude through works of extraordinary vitality and presence. He is arguably the greatest living realist painter.

The exhibition, sponsored by UBS Warburg, is unprecedented in its scope and will bring together key works from Freud’s entire career, including over one hundred and forty paintings, drawings and etchings, some new, many never before exhibited. In particular it will provide an exciting opportunity to see the exceptionally productive period of the last twenty years in the context of earlier decades.

Freud was born in Berlin in December 1922, and came to England with his family in 1933. He studied briefly at the Central School of Art in London and, to more effect, at Cedric Morris’s East Anglian School of Painting and Drawing in Dedham. Following this, he served as a merchant seaman in an Atlantic convoy in 1941. His first solo exhibition, in 1944 at the Lefevre Gallery, featured the now celebrated The Painter’s Room 1944. In the summer of 1946, he went to Paris before going on to Greece for several months. Since then he has lived and worked in London.

Freud’s subjects are often the people in his life; friends, family, fellow painters, lovers, children. As he has said ‘The subject matter is autobiographical, it’s all to do with hope and memory and sensuality and involvement really’. Paintings in the exhibition will range from Girl with Roses 1948 to Garden, Notting Hill Gate 1997, and highlights include the marvellous series of portraits of his mother, portraits of fellow painters John Minton, Michael Andrews and Frank Auerbach, and other major works including Large Interior W11 (after Watteau) 1981-3. Sharp pictures of his youth will contrast with the works of his maturity, paintings filled with life and liveliness, each in its way a celebration.

‘I paint people’, Freud has said, ‘not because of what they are like, not exactly in spite of what they are like, but how they happen to be’.

The exhibition is selected by William Feaver, author of an eagerly-awaited biography of the artist. It will be accompanied by a fully illustrated catalogue with text by the selector and a contribution from Frank Auerbach. The exhibition will tour to Fundació la Caixa, Barcelona, in the autumn of 2002 and the The Museum of Contemporary Art, Los Angeles, in 2003. The exhibition is sponsored by UBS Warburg.

Open daily 10.00-17.40
Last admission 17.00

Contact

For further information please contact Tate Press Office:
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