• Dante Gabriel Rossetti, 'The Beloved ('The Bride')' 1865-6
    Dante Gabriel Rossetti
    The Beloved ('The Bride') 1865-6
    Oil on canvas
    support: 825 x 762 mm
    frame: 1220 x 1110 x 83 mm
    Purchased with assistance from Sir Arthur Du Cros Bt and Sir Otto Beit KCMG through the Art Fund 1916

Tate Britain
12 September 2012 – 13 January 2013
Open daily 10.00 – 18.00, and until 22.00 every Friday
Admission £14.00 (£12.20 concessions) or £15.50 (£13.50 concessions) including Gift Aid       

Combining rebellion and revivalism, scientific precision and imaginative grandeur, the Pre-Raphaelite Brotherhood shook the art world of mid-nineteenth-century Britain. This autumn, Tate Britain stages the largest survey of the group since 1984, offering a rare chance to see around 180 works brought together. Exploring their revolutionary ideas about art and society, this exhibition sets out to show that the Pre-Raphaelites were Britain’s first modern art movement. It includes famous and less familiar Pre-Raphaelite paintings as well as sculpture, photography and the applied arts.

Led by Dante Gabriel Rossetti, William Holman Hunt and John Everett Millais, the Pre-Raphaelites rebelled against the art establishment of their day. Their unflinchingly radical style, inspired by the purity of early Renaissance painting, defied convention, provoked critics and entranced audiences.

Today, renowned for their exquisitely detailed, vividly coloured style, the works of the Pre-Raphaelites are among the best known of all English paintings. This exhibition traces developments from their formation in 1848 through to their late Symbolist creations of the 1890s. It shows that whether their subjects were taken from modern life or literature, the New Testament or classical mythology, the Pre-Raphaelites were committed to the idea of art’s potential to change society. In pieces such as Madox Brown’s The Last of England 1852–5 (Birmingham Museums and Art Gallery) they served this aim by representing topical social issues and challenging prevailing attitudes. Other artworks, including Burne-Jones’s King Cophetua and the Beggar Maid 1884 (Tate), took a different approach, embracing beauty and ornamentation as a resistance to an increasingly industrialised society.  

Pre-Raphaelites: Victorian Avant-Garde offers the chance to see well-known paintings such as Ophelia 1851-2 (Tate) by John Everett Millais (1829–1896) and The Scapegoat 1854–5 (National Museums Liverpool) by William Holman Hunt (1827–1910). Highlights include masterpieces rarely seen in the UK such as Rossetti’s Found 1854–5/1859–81 (Delaware Art Museum, USA), Burne-Jones’s Perseus series (Staatsgalerie, Stuttgart) and Holman Hunt’s psychedelic The Lady of Shalott 1886-1905 (Wadsworth Atheneum, Connecticut). Spectacular late works by Hunt, Millais, Rossetti and Madox Brown are also united for the exhibition.

In contrast to previous Pre-Raphaelite surveys, this exhibition juxtaposes paintings with works in other media including textiles, stained glass and furniture, showing the influence of Pre-Raphaelitism in the early development of the Arts and Crafts movement and the socialist ideas of the poet, designer and theorist, William Morris (1834–1896). Bringing together furniture and objects designed by Morris‘s firm, of which many Pre-Raphaelite artists were part, it demonstrates how Morris’s iconography for British socialism ultimately evolved out of Pre-Raphaelitism. Highlights include Philip Webb and Burne-Jones’s The Prioress’s Tale wardrobe 1858 and the embroideries made by Jane and May Morris for William Morris’s bed at Kelmscott Manor c.1891.

Pre-Raphaelites: Victorian Avant-Garde is curated by Tim Barringer, Paul Mellon Professor of the History of Art, Yale University; Jason Rosenfeld, Distinguished Chair and Professor of Art History at Marymount Manhattan College, New York; Alison Smith, Lead Curator, 19th Century British Art at Tate Britain. It is accompanied by a catalogue from Tate Publishing. The exhibition will tour to the National Gallery of Art, Washington DC (17 February – 19 May 2013), The Pushkin State Museum of Fine Arts, Moscow (Summer 2013) and the Mori Art Center, Tokyo (Spring 2014).


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Supported by The Pre-Raphaelites Exhibition Supporters Group and Tate Patrons