Richard Tuttle, I Don't Know . The Weave of Textile Language
© Andrew Dunkley, Tate Photography

The UK’s largest ever survey of the renowned American sculptor and poet Richard Tuttle takes place in London this October. It comprises a major exhibition at the Whitechapel Gallery surveying five decades of his career, a large-scale sculptural commission in Tate Modern’s Turbine Hall and a new publication. Entitled I Don’t Know, Or The Weave of Textile Language., this unique project has been specially devised by the artist and focuses on the particular importance of textiles in his work.

Richard Tuttle (b 1941) came to prominence in the 1960s, combining sculpture, painting, poetry and drawing. He has become revered for his delicate and playful approach, often using such humble, everyday materials as cloth, paper, rope and plywood. For this project, Tuttle has taken as his starting point one of the unsung heroes of everyday life: textiles.

Textiles are commonly associated with craft and fashion, yet woven canvas lies behind many of the world’s most acclaimed works of art and textiles are of increasing interest to artists today. I Don’t Know, Or The Weave of Textile Language. investigates the importance of this material throughout history, across Tuttle’s remarkable body of work and into the latest developments in his practice.

Exhibition

14 October – 14 December 2014(Press view: 13 October 2014, 9am – 1pm)
Free

The Whitechapel Gallery presents a major exhibition surveying Richard Tuttle’s career from the 1960s to today. He is renowned for being one of the first artists to make the radical gesture of taking the canvas off the stretcher and hanging it directly on the wall in works such as Purple Octagonal 1967, as well as making provocative sculptures such as Third Rope Piece 1974, the intimate scale of which directly responds to traditional ideas of monumental art.

Showcasing works selected in close dialogue with the artist the exhibition centres on his use of fibre, thread and textile and offers a fascinating introduction to Tuttle’s influential body of work. The exhibition will include Looking for the Map 8 2013-14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

Rather than displaying the works chronologically, the artist will instead position works in a formal relationship to each other and in direct response to the architectural framework of Whitechapel Gallery’s historic exhibition spaces. A concern with colour, line and movement runs through Tuttle’s intuitive presentation which will occupy both ground and first floor galleries, featuring works ranging in scale from the intricate series of Section, Extension wall pieces to the 3-metre long floor-based sculpture Systems VI 2011.

Commission

14 October 2014-6 April 2015(Press view:13 October 2014,9am – 1pm)
Free

Alongside this exhibition, Tate Modern presents a newly commissioned sculpture in its iconic Turbine Hall from 14 October 2014 to 6 April 2015. Principally constructed of fabric, it is be the largest work ever created by the artist, measuring over twelve metres in height. It will bring together a group of specially-made fabrics, each of which combines natural and man-made fibres to create different textures in bright colours. These will be suspended from the ceiling as a sculptural form, contrasting with the solid industrial architecture of the Turbine Hall, to create a huge volume of joyous colour and fluidity.

Publication

A new book is published as part of this project, drawing on Tuttle’s knowledge as a longstanding collector of textiles from around the world. It includes contributions by the artist and new essays by Magnus af Petersen, Chief Curator, Whitechapel Gallery and Achim Borchardt-Hume, Head of Exhibitions, Tate Modern. The publication brings together photographs of Tuttle’s personal collection of textiles, images of works from the Whitechapel Gallery exhibition, and documentation of the sculpture at Tate Modern. 

Notes to Editor

Richard Tuttle was born in New Jersey in 1941, and now lives and works between Maine, New Mexico and New York. His work is held in major private and public collections around the world and recent retrospectives have been held at the San Francisco Museum of Modern Art; the Whitney Museum of American Art, New York; the Museum of Contemporary Art,Chicago and the Los Angeles Museum of Contemporary Art.

I Don’t Know, Or The Weave of Textile Language is curated by Magnus af Petersens, Chief Curator, Whitechapel Gallery and Achim Borchardt-Hume, Head of Exhibitions, Tate Modern with Poppy Bowers, Assistant Curator, Whitechapel Gallery and Hansi Momodu-Gordon, Assistant Curator, Tate Modern.

The publication is designed by Mark Thomson and is published by Tate Publishing in association with the Whitechapel Gallery. Price £24.99.

Whitechapel Gallery Visitor Information
Admission free
Opening times: Tuesday – Sunday, 11am – 6pm, Thursdays, 11am – 9pm
Whitechapel Gallery, 77 – 82 Whitechapel High Street, London E1 7QX
Nearest London Underground Station: Aldgate East, Liverpool Street, Tower Gateway DLR
T: +44 (0)20 7522 7888, info@whitechapelgallery.org, whitechapelgallery.org


Tate Modern Visitor Information
Admission free
Open daily 10.00 – 18.00 and until 22.00 on Friday and Saturday.
Tate Modern, Bankside, London SE1 9TG
Nearest London Underground Stations: Southwark, Blackfriars, London Bridge
For public information call +44 (0)20 7887 8888, visit tate.org.uk, follow @tate

Contact

Tate Modern: Duncan Holden or Cecily Carbone
Call +44 (0)20 7887 4939 / 8731
Email Duncan.Holden@tate.org.uk / Cecily.Carbone@tate.org.uk

Whitechapel Gallery: Rachel Mapplebeck or Anna Jones
Call +44 (0)20 7522 7880 / 7871
Email RachelMapplebeck@whitechapelgallery.org AnnaJones@whitechapelgallery.org