Tate today announced important new international networks, building links with artists, curators and organisations in the Middle East, Latin America and Asia. Tate also announced today the launch of two new Acquisitions Committees focusing on Russia & Eastern Europe and South Asia. To reflect changing global perspectives, Tate’s aim is to build the collection from as wide a geographical reach as possible, to deepen knowledge through international research and exchange expertise with colleagues in museums and visual art organisations across the world.
These new relationships include an ambitious curatorial partnership in Brazil and a museum training programme to support the National Museum of Oman.
Since 2000, Tate has been working to extend the collection by acquiring works from beyond Europe and north America. To do this we have been building Acquisitions Committees with knowledge of modern and contemporary art in the Middle East and North Africa (MENAAC), the Asia-Pacific (APAC), Africa (AAC) and Latin America (LAAC). We have recently launched two new Acquisitions Committees focusing on Russia & Eastern Europe (REEAC) and South Asia (SAAC), bringing Tate the most extensive network of global patrons of any museum.
A number of key recent acquisitions went on display this year at Tates galleries. These included at Tate Liverpool, Kader Attias Untitled (Ghardaia) 2009; at Tate Modern, a display of Saloua Raouda Choucairs painting and sculptures, Mahmoud Bakhshi Moakhars Air Pollution of Iran 2004-6, Susumu Koshimizus From Surface to Surface 1971, remade 1986; and at Tate St Ives, Yto Barradas Palm Sign 2010. Recent acquisition highlights are Hala Elkoussys On red nails, palm trees and other icons - Al Archief (Take 2) 2009, an installation recreating a typical Cairo home; Apichatpong Weerasethakuls Primitive 2009 which examines racial migration in a Thai border town and Mathias Goeritzs Message 1959, commissioned for a house in Mexico City designed by Luis Barragan in the 1940s.
Research is at the heart of Tates engagement with the Asia-Pacific. This is marked with the launch of Tate Research Centre: Asia-Pacific. A generous grant of $750,000 from the AW Mellon Foundation will support the first three years of the programme, creating an intellectual hub for Tates activities in the region and strengthening Tates network of institutions and individuals in Asia and beyond. This Research Centre will focus initially on modern and contemporary art in China, Japan and Korea, and broaden to the wider regions of East and Southeast Asia and the Pacific.
Tate has established an enduring partnership with the Pinacoteca do Estado de São Paulo in Brazil, encompassing a number of major collaborative projects, including the jointly curated Mira Schendel exhibition which will open at Tate Modern in 2013 and at Pinacoteca in 2014. Building on the recent successful partnership with Oman, Tate is developing a training programme for staff at the new National Museum in Oman, focused on visitor services, collection management, museum management and learning to be delivered in both Muscat and London in 2013.
Tates programme of touring exhibitions continues to grow. We will tour Turner: the Making of a Master to Adelaide, Canberra, Kobe and Tokyo. In 2011/12 Tates international loans programme almost doubled with 516 works lent to 25 countries outside the UK, shown at 132 venues.
Notes to Editor
Tate’s global reach is supported by a number of Acquisitions Committees. Tate’s North America Acquisitions Committee (NAAC) has been operating since 2001. Tate’s Latin American Acquisitions Committee (LAAC) was launched in 2002, the Asia-Pacific Acquisitions Committee (APAC) was launched in 2007, the Middle East North Africa Acquisitions Committee (MENAAC) was launched in 2009, the Photography Acquisitions Committee (PAC) was launched in 2010 and the African Acquisitions Committee (AAC) was launched in 2011. Two new Acquisitions Committees were announced in November 2012: South Asia (SAAC) and the Russia & Eastern Europe Acquisitions Committee (REEAC).
Touring dates for Turner: the Making of a Master
Organised by Tate in association with Art Exhibitions Australia, Art Gallery of South Australia and the National Gallery of Australia
Art Gallery of South Australia, Adelaide (AGSA) 8 February – 19 May 2013
National Gallery of Australia, Canberra (NGA) – 4 June – 8 September 2013
Organised by Tate in association with TokyoMetropolitanArt Museum, KobeCityMuseum and The Asahi Shimbun.
TokyoMetropolitanArt Museum (TMAM) – 8 October 2013–18 December 2013 (tbc)
KobeCityMuseum (KCM) – January 2014 –13 April 2014