Edited, Emma Dexter, Frida Kahlo, exhibition catalogue, Tate Modern, London 2005, 232pp., including '''All Art is at Once Surface and Symbol': A Frida Kahlo Glossary', pp.55–79.
assume vivid astro focus featuring Dick Jewell 'butch queen realness with a twist in pastel colours video show', exhibition broadsheet, Tate Liverpool 2005, pp.2–4.
Inverting the Map: Latin American Art from the Tate Collection, exhibition leaflet, Tate Liverpool, 2005.
Edited Making History: Art and Documentary in Britain from 1929 to Now, exhibition catalogue, Tate Liverpool, 2006, 104pp., including 'Time Present and Time Past' pp.9–79.
Curator, Jake and Dinos Chapman exhibition, Tate Liverpool 2006.
Curator, Helio Oiticica, exhibition, Tate Modern 2007.
Capital of Culture Collection Displays, Tate Liverpool 2008.
Chair of National Creative Partnerships evaluation seminar, October Gallery, London, February 2005.
Participant in Embedding Diversity seminar, engage, National Gallery, London, March 2005.
Life Long Learning through Culture, presentation (British Council/Government Office North West, Liverpool), June 2005.
Catalyst conference/seminar, Liverpool John Moores University, Liverpool, September 2005.
Amsterdam and Rotterdam: Identities, Intangible Heritage and Interculturalisation. Museums Tell Many Stories, Learning Partnership, The Netherlands, Italy, Ireland, UK 2006–7.
Presentation at The Pacific Edge Regional Arts Australia conference, Queensland, September 2006.
Editor, A Secret History of Clay: From Gauguin to Gormley, exhibition catalogue, Tate Liverpool, 2004, 110pp., including 'Terra Incognita', pp.13–23.
'What Significance has Ceramics in Today's Art?', Keramik Magazin, no.3, June–July 2004. Edited Richard Wentworth, exhibition catalogue, Tate Liverpool, 2004, 90pp., including 'In Medias Res', pp.72–5.
'A View from the Outside', in New Horizon of Ceramic Art, exhibition catalogue, World Ceramic Biennale, Icheon, Korea, 2005, pp.12–21.
'A Secret History of Clay', exhibition conference, Tate Liverpool, June 2004.
'What Significance Does Ceramics Have in Today's Art?', Europäisches Industriemuseum für Porzellan EIMP, Rosenthal Ceramic Factory, Annual Conference, Selb, Germany, September 2004.
'A View from the Outside', keynote speech, World Congress of Ceramics, Icheon, South Korea, April, 2005.
Masterclass in Master in Ceramic Design workshop, Savona, Italy, April, 2005.
'Art of our Time', Warrington Literary & Philosophical Society, Warrington, December, 2005.
Curator of the following exhibitions at Tate Liverpool: Chinese Contemporary Art; Patrick Caulfield and John Armleder.
Rhinegold: Art from Cologne, exhibition brochure, Tate Liverpool, 2004, with texts on Matti Braun, Lothar Hempel, Georg Herold Michael Krebber, Freidrich Kunath, Kalin Lindena and Cosima von Bonin.
Review: 'Carol Rama', Contemporary, no.73, 2005, p.75.
Editor Bruce Nauman: Make Me Think Me, exhibition catalogue, Tate Liverpool, 2006.
Texts on Monica Bonvicini, Chen Chei-Jen, Esra Ersen, Simryn Gill, Toba Khedoori, Teresa Margolles, Lee Mingwei, Gianni Motti, Philippe Parreno, Julianne Swartz, Brian Tolle, Tsui Kuang-Yu, Jun Yang for Liverpool Biennial 2006 exhibition catalogue, Tate Liverpool, 2006.
Curatorial Practice, Artist–Teacher MA, Liverpool John Moores University, January 2006.
CAIR Fellow, Liverpool John Moores University 2006–7.
Exhibitions at Tate Liverpool: Bruce Nauman Make Me Think Me 2006, and tour to MADRE, Naples 2006–7: Liverpool Biennial, The International 2006, Peter Blake 2007.
