Reviews in Artreview, October, December, January, March, April and May issues, 2005–2006.
Now and Then, Art Now at Tate Britain, 2004.
This was Tomorrow: Art and the 60s, exhibition catalogue, Tate Britain, 2004 (Richard Hamilton, Swingeing London 67, p.135–5).
Art Now: Claire Barclay, exhibition leaflet, Tate Britain, 2004.
Turner Prize 2004 (Jeremy Deller).
Turner Prize 2005 (Gillian Carnegie and Jim Lambie).
Art Now: Michael Fullerton, exhibition leaflet, Tate Britain 2005.
Art Now: Melanie Smith, exhibition leaflet, Tate Britain 2006.
Review: 'Christina Mackie exhibition', Untitled, June 2005.
'Contemporary Art in London', Sotheby's Institute, London, July 2005.
'Working in a Public Institution', Sotheby's Institute, London, November 2005.
Art Now (ongoing)
Turner Prize, Tate Britain 2006.
Howard Hodgkin, Tate Britain 2006.
Turner Prize Retrospective, Tate Britain 2007.
Wyndham Lewis, Tate Publishing, 2004.
Edited Picture of Britain, exhibition catalogue, Tate Britain, 2005.
'Benevolus and the Thing - Edward Benlowes at Brent Hall', online essay for Memory Maps', V&A website, 2006.
Review: 'The Verbals by Iain Sinclair', The Use of English, Spring 2004.
Review: 'Renaissance Literary Criticism, ed. Gavin Alexander', The Use of English, Autumn 2004.
Review: 'Chris Baldick, The Modern Movement', The Use of English, Autumn 2005.
Review: 'Claire Preston, Thomas Browne and the Writing of Early Modern Science', The Use of English, Spring 2006.
Paper, Wyndham Lewis conference, Courtauld Institute of Art, University of London, January 2005.
Paper, Bloomsbury conference, National Portrait Gallery, London, October 2005.
Lead teacher on six-week core course on 'Stoicism', London Consortium, Winter/Spring 2004–5 and Winter/Spring 2005–6.
Supervisor of Ph.D and Mres theses, London Consortium.
Curator, Wyndham Lewis Portraits, National Portrait Gallery, and related exhibition of imaginative works by Wyndham Lewis at Tate Britain 2008.
'Drawing on Prynne: Tacit Conversations with Ian Friend and his Work', for volume of essays on JH Prynne (forthcoming).
'Death of a Cleaner', in Iain Sinclair ed., City of Disappearances, London 2006 (forthcoming).
Edited, The Gothic Reader: A Critical Anthology, Tate Publishing, 2006, 320pp.
With essay contributions by Christopher Frayling and Marina Warner, Gothic Nightmares: Fuseli, Blake and the Romantic Imagination, exhibition catalogue, Tate Britain, 2006, 224pp.
Bodybuilding: Reforming Masculinities in British Art, 1750–1810, Yale University Press, New Haven and London 2005, 384pp.
'Patriotism, Virtue and the Problem of the Hero: The Society's Promotion of High Art in the 1760s', in Susan Bennett ed., Cultivating the Human Faculties: James Barry Commemorated, [privately published and online] RSA/William Shipley Group, 2005, pp.31–40.
'Von Füssli bis Frankenstein: Blidende Kunst im Kontext des “Gothic”' in Franziska Lentzsch et al., Füssli: The Wild Swiss, exhibition catalogue, Zurich Kunsthaus 2005, pp.245–66.
'Simon Starling', short essay for Turner Prize 2005: Darren Almond, Gillian Carnegie, Jim Lambie, Simon Starling, exhibition broadsheet, Tate Britain 2005.
Review: 'Sculpture and the Two Art Histories', Oxford Art Journal, vol.27, no.1, 2004, pp.249–53.
'Taste, Travel and the Reform of Culture in the 1760s', Drawing on the Past: William Weddell and the Transformation of Newby Hall, Leeds City Art Gallery 2004, pp.41–55.
'Henry Fuseli and Gothic Spectacle', conference paper at Sensation: Viewing Gainsborough's Cottage Door, The Hungington, San Marino, April 2006.
'James Barry and the Reform of Culture in 1770', conference paper at James Barry 1741–1806: The Great Historical Painter, Crawford Art Gallery, Cork and Royal Society of Arts, London, February 2006.
'The Wild Swiss' Henry Fuseli and the Image of the Artist in the 1770s', conference paper at Self Portraiture: Making, Medium, Mirroring, National Portrait Gallery, London, November 2005.
'George Stubbs and the Art of Anatomy', paper at the British Sporting Art Trust Stubbs symposium, Agnews, London, July 2005.
'Reason, Unreason and Sculpture Space: Reynolds' Tenth Discourse Revisited', conference paper at The Guises of Reason: Taste and Aesthetics 1650–1830, California Institute of Technology, Los Angeles, May 2005.
Member of the executive council of British Society for Eighteenth-Century Studies.
Member of editorial advisory board of Immediations: The Research Journal of the Courtauld Institute of Art.
Member of editorial advisory board of Visual Culture in Britain.
'The Society and the Graphic Arts: George Vertue (1684–1756) and his Legacy' in Susan Pearce ed., Visions of Antiquity: Society of Antiquaries Tercentenary Volume (forthcoming).
The Blake Book, Tate Publishing (forthcoming).
'The British Artist, 1570–1870', in David Bindman ed., History of British Art, Tate Publishing (forthcoming).
Edited Michael Landy: Semi-Detached, exhibition catalogue, Tate Publishing, 2004, including 'Everything must go', pp.12–23.
'GF Watts and the National Gallery of British Art' in Representations of GF Watts: Art Making in Victorian Culture, eds. Colin Trodd and Stephanie Brown, Ashgate, 2004, pp.153–68.
'The Symbolic Language of GF Watts' in The Vision of GF Watts, ed. Veronica Franklin Gould, Watts Gallery, 2004, pp.23–7.
Round Table Discussion: 'What happened to History Painting in Victorian Britain?', Visual Culture in Britain, vol.6, no.1, 2005, pp.6–7.
'The Snake Body in Victorian Art', Early Popular Visual Culture, vol.3, no.2, September 2005, pp.151–64.
'James Tissot and London', James Tissot and the Masters, exhibition catalogue, Musée des Beaux-Arts de Nantes, 2005, pp.71–89.
'Geological Ethics and the Pre-Raphaelite Landscape', at Pre–Raphaelitism and Science conference, Tate Britain, March 2004.
'The Studio Model', lecture given at The Artist's Model, study day, National Portrait Gallery, London, January 2006.
External examiner for Ph.D thesis, Aberdeen University, January 2006.
Essay on late-nineteenth century portraiture in Remapping British Art and Architecture c1400–2000, eds. Dana Arnold and David Peters Corbett, Routledge (forthcoming).
Catalogue of Victorian Paintings for Ponce Museum of Fine Arts, Puerto Rico (forthcoming).
Co-editor (with Katharine Stout), Art & the 60s: This was Tomorrow, exhibition catalogue, Tate Britain, 2004, including essay 'This was Tomorrow', pp.8–41.
Co-editor (with David Fraser Jenkins), Gwen John and Augustus John, exhibition catalogue, Tate Britain, 2004, National Museum and Gallery, Cardiff.
Trevor Bell: Beyond Materiality, Paintings and Drawings 1967–2004, exhibition catalogue, Tate St Ives, 2004.
'Ben Nicholson Painting 1943', in Mary E. Murray ed., Collecting Modernism: European Masterworks from the Munson–Williams-Proctor Arts Institute, exhibition catalogue, Munson-Williams-Proctor Arts Institute, Utica, NY, April–September 2005; Museum of Art, Ball State University, Muncie, Indiana., November 2005–March 2006; New Mexico Museum of Fine Arts, Santa Fe, September 2006–January 2007.
'Barbara Hepworth's Material Practice', in Barbara Hepworth, exhibition catalogue, Institut Valencià d'Art Modern, Valencia, September–November 2004, pp.87–109.
'Barbara Hepworth: Le Rapport à la matière', in Barbara Hepworth, exhibition catalogue, Musée des Beaux–Arts de Nancy, January–April 2006, pp.112–24.
'Peter Lanyon: Forty Years On', Mariners Gallery, St Ives, for Little Parc Owles Trust, September 2004.
'1975: Bryan Wynter and the Demise of St Ives', Mariners Gallery, St Ives, for Little Parc Owles Trust, September 2005.
The Drawing Book, Black Dog Publishing, 2006
Tate Triennial 2006, exhibition catalogue, Tate Britain, 2006, pp.26, 84, 96, 100, 104, 114, 134, 146.
Waste Material, The Drawing Room, London, 2005, p.2
Art Now: Karin Ruggaber, exhibition leaflet, Tate Britain, June 2006.
'Drawing off the Page', conference, Academie der Kunste, Berlin, October 2005.
'Tate Triennial 2006', Tate Britain, May 2006.
Board member of Tannery Arts.
Associate Director of The Drawing Room, London.
Drawing off the Page, Collection of Academie der Kunste, Berlin (forthcoming).
'Out of Order', Richard Deacon: Out of Order 2005, exhibition catalogue, Tate St Ives, 2005, p.24–31.
Edited, with Beatrix Ruf, Tate Triennial 2006: New British Art, exhibition catalogue, Tate, 2006, including texts on Peter Doig, Kaye Donachie, Michael Fullerton, Muzi Quawson, Eva Rothschild, Rebecca Warren and Nicole Wermers.
Curator, Jake and Dinos Chapman
Curator, Sculpture Department at St Martin's School of Art during the 1960s.
