Joseph Beuys: Actions, Vitrines, Environments, exhibition leaflet (with Simon Bolitho), Tate Modern, February 2005, 20pp.
Henri Rousseau: Jungles in Paris, exhibition leaflet (with Simon Bolitho), Tate Modern, November 2005, 24pp.
Level 2 Gallery: Simryn Gill, exhibition leaflet, Tate Modern, March 2006, 10pp.
Fischli Weiss / Flowers & Questions: A Retrospective, exhibition leaflet, Tate Modern.
Mentor for Curating Contemporary Art MA course, Royal College of Art and Tate Modern, 2006.
Edited Albers and Moholy-Nagy: From the Bauhaus to The New World, exhibition catalogue, Tate Modern, London, Kunsthalle Bielefeld, Whitney Museum of American Art, New York 2006–7, 190pp., including 'Two Bauhaus Histories', pp.66–78.
Entries on Josef Albers, Marcel Duchamp, Dan Flavin, Christian Marclay, László Moholy-Nagy, Bauhaus, collage, readymade and sampling in Frances Morris ed., Tate Modern Handbook, Tate Publishing 2006.
'Trouble in Utopia', Open University Study Day, Tate Modern, April 2006.
'Beyond Media', research seminar, Tate Modern, June 2006.
'Albers and Moholy-Nagy as Teachers', research seminar, Tate Modern, June 2006.
'In Conversation with Francesco Vezzoli', Whitechapel Art Gallery, London, April 2006.
'Marlene Redux', panel discussion, Tate Modern, June 2006.
Mentor for Curating Contemporary Art MA course, Royal College of Art and Tate Modern, 2006.
External examiner, Ruskin School of Drawing, Oxford University, June 2006.
Edited Luc Tuymans, exhibition catalogue, Tate Modern, 2004, including 'The Interconnectedness of All Things: Between History, Still Life and the Uncanny'.
Edited Bruce Nauman - Raw Materials (Unilever), exhibition catalogue, Tate Modern, 2004, 144pp., including 'Bruce Nauman's Raw Materials'.
Edited Frida Kahlo, exhibition catalogue, Tate Modern, 2005, including 'The Universal Dialectics of Frida Kahlo'.
Vitamin D, New Perspectives in Drawing, Phaidon Press, London 2005, 352pp., including 'To Draw is to be Human'.
'Curating at Tate Modern', Essex University, December 2004, and Christies Contemporary Art Course, January 2005.
'Cruel and Tender', High Museum, Atlanta, October 2005.
Mentor for RCA Curating Course, 2005–6.
Nesta Mentor for artist Joy Gregory 2004–6.
Mentor for Inspire Fellow at Tate Modern 2005–7.
Jury member for the Deutsche Börse Photography Prize 2006.
Jury member for young artists Present Future section of Turin's Artissima Fair, November 2004 and 2005.
Curator, Pierre Huyghe Celebration Park, exhibition, Tate Modern, 2006.
Curator, Level 2 Gallery Series, September 2006 – July 2007.
Essay 'Visualising the Taboo: “The Body Inside” Outside', in Sheila Maddison, Richard Creed and J. Chuhan eds., The Body Inside, Centre for Art International Research (CAIR), Liverpool School of Art and Design (forthcoming).
Anthology of artists' texts about clay in Simon Groom ed., A Secret History of Clay: From Gauguin to Gormley, Tate Publishing (forthcoming).
'Curatorial Perspectives: Changing Contexts, Constructing Meanings', Liverpool John Moores University, February 2006 and April 2005.
Teaching: Curatorial Practice Tutorials, Liverpool John Moores University, February 2006.
Louise Bourgeois, Tejiendo el Tiempo, exhibition catalogue, Centro de Arte Contemporaneo de Malaga, November 2004, pp.8–33.
Edited Henri Rousseau: Jungles in Paris, exhibition catalogue, Tate Modern, 2005, including 'Henri Rousseau', pp.13–27.
'Looking at Henri Rousseau', Artnews, November 2005.
Jeff Wall and Andreas Gursky, in Jane Armstrong and Mark Haworth–Booth eds., The Folio Society Book of 100 Greatest Photographs, London 2006.
Edited Tate Modern: The Handbook, London, 2006, including 'From Then to Now and Back Again: Tate Modern Collection Displays', pp.20–30.
'Louise Bourgeois, Stitches in Time', MOCA Miami, February 2005.
'Art Since 1900: The Debate', panel discussion, April 2005, Tate Modern, London with Briony Fer, Mark Godfrey, Hal Foster and Benjamin Buchloh.
'The Exotic in the Modern: From Gauguin and Rousseau to Surrealism', introduction to Tate Modern Conference, December 2005.
'Radical Thinking: Museum Architecture, Collection, Knowledge', Konstfack, Stockholm, March 2006.
Head of Tate Modern module, Curating Contemporary Art, MA, Royal College of Art
Mentor for AMA programme, Museums Association.
Curator, David Smith, Tate Modern 2006.
Curator, Louise Bourgeois, Tate Modern 2007.
Co–authored 'Chronology', Edward Hopper, exhibition catalogue, Tate Modern, 2004, pp.226–35.
'The Work of Catherine Bertola', Workplace, Arts Editions North, 2004, pp.22–8.
Selected 'Artists Writings' and co–authored 'Chronology' in Albers and Moholy-Nagy: From the Bauhaus to the New World, exhibition catalogue, Tate Modern, 2006, pp.154–69.
'Selection of Film and Video works in Tate's Collection', Goldsmiths College, London, November 2004.
'Selection of Film and Video works by Emerging Contemporary Artists', Goldsmiths College, London, May 2005.
Curator, Unofficial Deposited Records, Elsebeth Jørgensen and Pia Rönicke's project for the hoardings on the southern perimeter of Tate Modern, 2005–6.
Curator, The Room Drawing, Dan Perjovschi Commission for the Members Room, Tate Modern 2006.
Edited Edward Hopper, exhibition catalogue, Tate Modern, 2004, 256pp., including 'Preface' and 'The Elation of Sunlight', pp.8–9, pp.12–31.
'The Curator's Circle: Creating Identity', in Art Basel Conversations, June 2005, pp.145–7.
Herzog and de Meuron: An Exhibition, exhibition leaflet, Tate Modern 2005.
'In the Studio: Beyond the Threshold', TATE ETC., Summer 2005, pp.40–5.
'Jeff Wall: A View from an Apartment', in Sophie Howarth ed., Singular Images: Essay on Remarkable Photographs, Tate Publishing, 2005, pp.119–23.
Edited Jeff Wall Photographs 1978–2004, exhibition catalogue, Tate Modern, 2005, 80pp., including 'Foreword' and 'The Labouring Eye', p.5, pp.7–19.
'Raw Materials: Tate Modern Programme', in Frances Morris ed., Tate Modern The Handbook, Tate Publishing, 2006, pp.32–43.
'Creating Identity: Tate Modern, Curator's Circle panel, Art Basel Miami Beach, December 2004.
'Curating Architecture Exhibitions', Foundation for Architecture Centres, Tate Modern, July 2005.
Re-thinking Arts Education in the Twentieth Century symposium, hosted by Columbia University, Tate Modern, July 2005.
'At the Threshold: The Art of Jeff Wall', Marion Stroud Arts Residency, Maine, July 2005.
'Curator's Comment', Jeff Wall symposium, Tate Modern, November 2005.
Three post–graduate Masters classes, 'Systems and Professionalism in Museum of Contemporary Art', University of Turin, in collaboration with Castello di Rivoli, November 2005.
Panel member, Southwark Council Architecture Design Review Panel, bi-monthly from January 2006.
Visual art specialist for selection panel for Random Dance Akili Residencies, Kenya, September 2005.
Merce Cunningham Dance Company, co–selector of six visual artists for Cunningham's dance 'Event', Barbican Arts Centre, London, July 2005.
Mentor for Curating Contemporary Art MA course, Royal College of Art and Tate Modern, 2004–5, 2005–6.
Board member of CIMAM (Comité International pour les Musées et les Collections d'Art Moderne).
Research and initiator of conference topic, 'Private / Public', CIMAM, November 2006.
Research, Juan Muñoz, Tate Modern 2008.
