Works of art intended to form part of a forthcoming exhibition at Tate that may be covered by immunity from seizure are listed below.

Part 6 of the Tribunals, Courts and Enforcement Act 2007 provides immunity from seizure for cultural objects which are loaned from overseas to temporary public exhibitions in approved museums or galleries in the UK where conditions are met when the object enters the UK.

The conditions are:

  • The object is usually kept outside the UK
  • The object is not owned by a person who is resident in UK
  • Importing the object does not contravene any law
  • The object is brought into UK for the purpose of a temporary public exhibition at an approved museum or gallery
  • The museum or gallery has published information about the object.

All works currently being proposed for or covered by immunity from seizure in the UK are linked to the Arts Council’s website.

If you have any further enquiries, please write to:

Immunity from seizure
Director’s Office
Tate
Millbank
London SW1P 4RG

Any specific enquiries concerning works in private collections included in Tate exhibitions should be directed to Matthew Gale, Head of Displays, Tate Modern.

Artworks currently at Tate

The EY Exhibition: Wifredo Lam

Tate Modern (London, UK) from 14 Sep 2016 until 08 Jan 2017.

Wifredo Lam
(1902-1982, born: Sagua la Grande, died: Paris)

Wifredo Lam, Hanging Houses, III, 1927

X55818
Hanging Houses, III

[Paisaje de Cuenca] 1927
painting
Ink on paper on canvas
support: 940 x 1180 mm frame: 1020 x 1260 mm
The Rudman Trust
Provenance:
The artist;
M. Sánchez-Covisa, Madrid;
Private collection, Spain;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: Spain
Identifying marks: Signed lower right.
Catalogue raisonné no. 27.11

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Still Life, II, 1927

X59134
Still Life, II

[Bodegón, II] 1927
painting
Oil paint on canvas
support: 600 x 800 mm
The Rudman Trust
Provenance:
The artist;
Private collection, New York;
Private collection, Neuss (Germany);
Sotheby’s New York, 19 Nov 1987;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: Spain
Identifying marks: Signed lower right
Catalogue raisonné no. 27.02

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Composition, II, 1931

X55821
Composition, II

[Composición, II] 1931
painting
Oil paint on canvas
support: 760 x 700 mm frame: 845 x 794 x 32 mm
The Rudman Trust
Provenance:
The artist;
Private collection, Vilanova i La Geltrú (Spain);
Private collection, Barcelona;
Collection M.-A. and M. Capriles, Caracas, 1991;
Christie’s, New York, 17-18th November 2004;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: Spain
Identifying marks: Signed and dated lower right.
Catalogue raisonné no. 31.01

This work has a complete provenance for the period 1933-45.

Wifredo Lam, The Window, I, 1935

X55822
The Window, I

[La ventana, I] 1935
painting
Oil paint on canvas
support: 960 x 840 mm frame: 1200 x 1070 x 63 mm
Collection of Pérez Art Museum Miami, gift of Jorge M. Pérez
Provenance:
The artist;
Private collection, Madrid;
Private collection, Geneva (by 1976);
Pérez Art Museum, Miami.

Nationality of the artist: Cuban
Place of manufacture: Spain
Catalogue raisonné no. 35.02

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled (Scene from the Spanish Civil War), 1937

X59700
Untitled (Scene from the Spanish Civil War)

[Sin titulo (Escena de la Guerra Civil española)] 1937
on paper, unique
Gouache on paper mounted on canvas
support: 2155 x 1300 mm frame: 2220 x 1450 x 65 mm
Es Baluard Museu d'Art Modern i Contemporani de Palma, Serra Collection deposit, Mallorca
Provenance:
The artist;
Gifted by the above to a private collection; Private collection, Palma de Mallorca, Spain;
Collection Es Baluard, Museu d'Art Modern i Contemporani de Palma, Serra Collection deposit, Mallorca.

Nationality of the artist: Cuban
Place of manufacture: Spain
Catalogue raisonné no. 37.13

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, circa 1937

X62208
Untitled

[Sans titre] circa 1937
on paper, unique
Watercolour and gouache on paper
support: 1550 x 1260 mm
Private collection
Provenance:
The artist;
Acquired from the above by Fritz Engelhorn Collection in the late 1930s;
Private collection.

Nationality of the artist: Cuban
Place of manufacture: Spain
Catalogue raisonné no. 37.52

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Self-Portrait, II, 1938

X56101
Self-Portrait, II

[Autoportrait, II] 1938
painting
Gouache on paper mounted on canvas
support: 870 x 600 mm frame: 940 x 670 mm
The Rudman Trust
Provenance:
The artist;
Private collection, Barcelona;
Christie's, New York, 19 November 1991;
Private collection, Monterray, Mexico;
Sotheby’s New York, 24 November 2014;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: Spain
Catalogue raisonné no. 38.01

This work has a complete provenance for the period 1933-45.

Wifredo Lam, The Awakening, I, 1938

X56130
The Awakening, I

[Le Réveil, I] 1938
painting
Gouache on paper mounted on canvas
support: 1000 x 710 mm frame: 1150 x 870 mm
Private collection
Provenance:
The artist;
Collection Silvia Luzzatto, Paris (by at least 1976);
Galerie Loeb;
Acquired from the above by a private collection.

Nationality of the artist: Cuban
Place of manufacture: France
Identifying marks: Signed and dated lower left
Catalogue raisonné no. 38.72

This work has a complete provenance for the period 1933-45.

Wifredo Lam, The Offering, 1939

X56133
The Offering

[L'Offrande] 1939
on paper, unique
Charcoal on paper mounted on wood
support: 1040 x 740 mm frame: 1320 x 1010 mm
Private collection, Key Biscayne, Florida
Provenance:
The artist;
Galerie Loeb, Paris (Florence Loeb), 2006;
Private collection;
Cernuda Arte, Coral Gables, Florida;
Private collection, Key Biscayne, Florida.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. D-39.08

This work has a complete provenance for the operative period 1933-45.

Wifredo Lam, The Table, 1939

X56134
The Table

[La Table] 1939
on paper, unique
Charcoal on paper mounted on wood
support: 1050 x 740 mm frame: 1320 x 1010 mm
Cernuda Arte, Coral Gables, Florida
Provenance:
The artist;
Galerie Loeb, Paris;
Cernuda Arte, Coral Gables, Florida;
Latin American Advisors, Florida;
Private collection;
Cernuda Arte, Coral Gables, Florida.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. D-39.09

This work has a complete provenance for the operative period 1933-45.

Wifredo Lam, Reclining Nude, 1939

X56136
Reclining Nude

[Nu couché] 1939
painting
Tempera on paper mounted on canvas
support: 1070 x 1480 mm frame: 1156 x 1556 x 43 mm
Musée de Grenoble, purchased from the artist with the assistance of the FRAM in 1981
Provenance:
The artist;
Acquired directly from the above by Musée de Grenoble, Grenoble (France), 1981.

Nationality of the artist: Cuban
Place of manufacture: France
Identifying marks: Signed and dated lower right, a posteriori
Traces of previous signature lower right
Signed and dated on back: Wi Lam 39
Catalogue raisonné no. 39.35

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Mother and Child, II, 1939

X56138
Mother and Child, II

[Mère et enfant, II] 1939
on paper, unique
Gouache on paper
support: 1041 x 737 mm frame: 1165 x 860 x 38 mm
The Museum of Modern Art, New York. Purchase. Accession number: 652.1939
Provenance:
The artist;
Galerie Pierre, Paris, by 1939 when shown in the exhibition ‘Wifredo Lam, peintures’;
J.D. Rockefeller Jr., New York;
The current owner.

Nationality of artist: Cuban
Identifying marks: not recorded
Place of manufacture: not recorded


This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, 1939

X59135
Untitled

[Sans titre] 1939
painting
Oil paint on canvas
support: 1150 x 800 mm
The Rudman Trust
Provenance:
The artist;
Private collection, Cuba;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: France
Catalogue raisonné no. 39.49

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, circa 1940

X56139
Untitled

[Sans titre] circa 1940
on paper, unique
Gouache on paper
support: 600 x 480 mm frame: 750 x 605 x 38 mm
Private collection
Provenance:
The artist;
Private collection, Paris;
Private collection, since at least 2010.

Nationality of the artist: Cuban
Place of manufacture: France
Identifying marks: Traces of signature lower left
Catalogue raisonné no. 40.27

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, 1940

X58687
Untitled

[Sans titre] 1940
on paper, unique
Ink and watercolour on paper
support: 164 x 156 mm frame: 440 x 435 mm
Private collection
Provenance:
The artist;
Estate of André Breton;
Private collection.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. D-40.01

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Alice, Mermaid of Dreams - Star, 1941

X58688
Alice, Mermaid of Dreams - Star

[Alice, Sirène de rêves - étoile] 1941
on paper, unique
Graphite and ink on paper
support: 326 x 251 mm frame: 430 x 330 x 30 mm
Musée Cantini, Marseille
Provenance:
The artist;
André Breton;
Musée Cantini, Marseille, 2003.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. D-41-J-Alice

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Lautréamont, Genie of Dreams - Star, 1941

X58689
Lautréamont, Genie of Dreams - Star

[Lautréamont, Génie de rêves - étoile] 1941
on paper, unique
Graphite and ink on paper
support: 324 x 251 mm frame: 430 x 330 x 30 mm
Musée Cantini, Marseille
Provenance:
The artist;
André Breton;
Musée Cantini, Marseille, 2003.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. D-41-J.Lautréamont.

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Anamu, 1942

X56160
Anamu

1942
painting
Oil paint on canvas
support: 1524 x 1270 mm frame: 1746 x 1480 x 76 mm
Museum of Contemporary Art, Chicago, gift of Joseph and Jory Shapiro, 1991.26
Provenance:
The artist;
Pierre Matisse Gallery, New York;
F.J. Steegmuller, New York;
J. Shapiro, Chicago, by 1976;
Museum of Contemporary Art, Chicago. Gift of J. Shapiro, Chicago.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Identifying marks: Signed and dated lower right.
Catalogue raisonné no. 42.117

This work has a complete provenance for the period 1933-45.

Wifredo Lam, The Sombre Malembo, God of the Crossroads, 1943

X58544
The Sombre Malembo, God of the Crossroads

[Le Sombre Malembo, Dieu du carrefour] 1943
painting
Oil paint on canvas
support: 1530 x 1264 mm frame: 1692 x 1435 x 70 mm
The Rudman Trust
Provenance:
The artist;
Pierre Matisse Gallery, New York, 1944;
J. Shapiro, Chicago, 1976;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Identifying marks: Signed and dated lower right.
Catalogue raisonné no. 43.06

This work has a complete provenance for the operative period 1933-45.

Wifredo Lam, Untitled, 1943

X58704
Untitled

[Sin titulo] 1943
on paper, unique
Pastel and ink on tracing paper
support: 140 x 115 mm frame: 177.8 x 177.8 mm
Collection of the Lowe Art Museum, University of Miami. Bequest of Lydia Cabrera, 91.0295.15
Provenance:
The artist;
Given by the above to Lydia Cabrera;
Bequested by the above to the Lowe Art Museum, University of Miami.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-43.05

This work has a complete provenance for the period 1933-45.

Wifredo Lam, [Nativity; Nacimiento], 1943

X58705
[Nativity; Nacimiento]

[Sin titulo] 1943
on paper, unique
Ink, graphite and pastel on tracing paper
support: 181 x 219 mm frame: 228.6 x 254 mm
Collection of the Lowe Art Museum, University of Miami. Bequest of Lydia Cabrera, 91.0295.02
Provenance:
The artist;
Given by the above to Lydia Cabrera;
Bequested by the above to the Lowe Art Museum, University of Miami.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-43.10

This work has a complete provenance for the period 1933-45.

Wifredo Lam, [Dog; Perro], 1943

X58706
[Dog; Perro]

[Sin titulo] 1943
on paper, unique
Ink and pastel on tracing paper
support: 171 x 219 mm frame: 228.6 x 254 mm
Collection of the Lowe Art Museum, University of Miami. Bequest of Lydia Cabrera, 91.0295.13
Provenance:
The artist;
Given by the above to Lydia Cabrera;
Bequested by the above to the Lowe Art Museum, University of Miami.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-43.11

This work has a complete provenance for the period 1933-45.

Wifredo Lam, [Caiman Eating an Elephant; Caiman comiéndose un elefante], 1943

X58707
[Caiman Eating an Elephant; Caiman comiéndose un elefante]

[Sin titulo] 1943
on paper, unique
Ink and watercolour on paper
support: 238 x 159 mm frame: 279.4 x 203.2 mm
Collection of the Lowe Art Museum, University of Miami. Bequest of Lydia Cabrera, 91.0295.11
Provenance:
The artist;
Given by the above to Lydia Cabrera;
Bequested by the above to the Lowe Art Museum, University of Miami.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-43.12

This work has a complete provenance for the period 1933-45.

Wifredo Lam, [Annuciation; Anuciacion], 1943

X58708
[Annuciation; Anuciacion]

[Sin titulo] 1943
on paper, unique
Ink, graphite and pastel on tracing paper
support: 187 x 222 mm frame: 228.6 x 279.4 mm
Collection of the Lowe Art Museum, University of Miami. Bequest of Lydia Cabrera, 91.0295.01
Provenance:
The artist;
Given by the above to Lydia Cabrera;
Bequested by the above to the Lowe Art Museum, University of Miami.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-43.13

This work has a complete provenance for the period 1933-45.

Wifredo Lam, [Homage to a Mud Turtle; Homenaje a Jicotea], 1943

X58709
[Homage to a Mud Turtle; Homenaje a Jicotea]

[Sin titulo] 1943
on paper, unique
Ink and pastel on tracing paper
support: 172 x 210 mm frame: 228.6 x 254 mm
Collection of the Lowe Art Museum, University of Miami. Bequest of Lydia Cabrera, 91.0295.21
Provenance:
The artist;
Given by the above to Lydia Cabrera;
Bequested by the above to the Lowe Art Museum, University of Miami.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-43.14

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, 1943

X58901
Untitled

[Sans titre] 1943
on paper, unique
Oil paint on paper
support: 1060 x 840 mm frame: 1270 x 1030 x 40 mm
Private collection, courtesy of Mary-Anne Martin Fine Art, New York
Provenance:
The artist;
Private collection, Havana;
Mary-Anne Martin Fine Art, New York;
Acquired from the above by a private collection.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Catalogue raisonné no. 43.17

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, circa 1944

X59136
Untitled

[Sans titre] circa 1944
on paper, unique
Oil paint on paper
support: 1060 x 840 mm frame: 1320 x 1090 mm
Private collection
Provenance:
The artist;
Private collection, Havana;.
Collection Galleria Ferrari, Treviglio (Italy), 1962;
Cernuda Arte, Coral Gables, Florida;
Private collection, Washington, D.C.;
Cernuda Arte, Coral Gables, Florida;
Private collection, New York.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: Drawing on back.
Catalogue raisonné no. 44.17

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Cover of the exhibition catalogue 'Wifredo Lam' at the Pierre Matisse Gallery, New York, 1945, 1945

X56182
Cover of the exhibition catalogue 'Wifredo Lam' at the Pierre Matisse Gallery, New York, 1945

[Sans titre] 1945
on paper, unique
Gouache and ink on paper
support: 610 x 800 mm frame: 910 x 1100 x 63 mm
Private collection, Chicago
Provenance:
The artist;
Pierre Matisse;
Acquired from the above by the vendor at Christie's New York, 2008;
Christie's New York, 29 May 2008;
Private collection, Chicago.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Estate accession no. D-45.25

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, 1945

X58546
Untitled

[Sans titre] 1945
on paper, unique
Oil paint on paper mounted on canvas
support: 730 x 940 mm frame: 900 x 1100 mm
Private collection
Provenance:
The artist;
Pierre Loeb, Paris;
Private collection, Paris.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Identifying marks: Signed, dated and dedicated lower left on the side: 'Pour notre chère amie Silvia, La Havane, 1945.'
Catalogue raisonné no. 45.18

This work has a complete provenance for the operative period 1933-45.

Wifredo Lam, Moths and Candles, 1946

X58548
Moths and Candles

1946
on paper, unique
Graphite and ink on paper
support: 510 x 620 mm
The Museum of Modern Art, New York. David Rockefeller Latin American Fund. Accession number: 100.1971
Provenance:
The artist;
[Albert] Loeb and Krugier Gallery, New York.
The current owner. Puchased from the above, 1971.

Nationality of artist: Cuban
Identifying marks: Signed, date and located: "Wifredo Lam / 9-1-46 / Haiti' and inscribed 'Pour le Dr. Wergrof. Wifredo Lam, New York, 1946'
Place of manufacture: Haiti

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Yoruba Ritual, 1946

X58715
Yoruba Ritual

1946
on paper, unique
Ink on paper
support: 318 x 241 mm frame: 686 x 482 x 50 mm
Ann and Douglas Logan Collection, courtesy of Forma Fine Arts
Provenance:
The artist;
Helena Benitez, Saarbruck;
Galerie Albert Loeb, Paris;
Pyramid Gallery, Washington, D.C.;
M. Gutierrez Fine Art, Miami, by 1993;
Ann and Douglas Logan Collection, courtesy of Forma Fine Arts by 2014.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Estate accession no. D-46.28

This work was made after the operative period 1933-45.

Wifredo Lam, Fishing Horn, 1946

X58717
Fishing Horn

[Côr de Pêche] 1946
on paper, unique
Ink on paper mounted on board
support: 511 x 625 mm frame: 810 x 890 mm
Cernuda Arte, Coral Gables, Florida
Provenance:
The artist;
The London Gallery;
Estate of Roland Penrose;
Mayor Gallery, London;
Private collection, San Francisco;
Sotheby’s New York, 17 Nov 2011;
Cernuda Arte, Coral Gables, Florida.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Estate accession no. D-46.40

This work was made after the operative period 1933-45.

Wifredo Lam, Untitled, 1947

X58719
Untitled

[Sans titre] 1947
on paper, unique
Ink on paper
support: 343 x 415 mm support: 540 x 610 mm
Collection Galerie Lelong
Provenance:
The artist;
Collection Galerie Lelong.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-47.01

This work was made after the operative period 1933-45.

Wifredo Lam, Untitled, 1947

X58720
Untitled

[Sans titre] 1947
on paper, unique
Ink and watercolour on paper
support: 315 x 475 mm frame: 540 x 720 mm
Collection MJS, Paris
Provenance:
The artist;
Pierre Matisse Gallery;
Acquavella Galleries, New York;
Gallery Bourdon, 1970s;
Collection MJS (Paris).

Nationality of the artist: Cuban
Place of manufacture: not recorded
Identifying marks: signed and dated lower right.
Estate accession no. D-47.06

This work was made after the operative period 1933-45.

Wifredo Lam, Untitled, 1947

X58721
Untitled

[Sans titre] 1947
on paper, unique
Ink on paper
support: 476 x 317 mm frame: 680 x 545 mm
Collection Galerie Lelong
Provenance:
The artist;
Acquavella Galleries;
Collection Galerie Lelong.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-47.08

This work was made after the operative period 1933-45.

Wifredo Lam, Untitled, 1947

X58722
Untitled

[Sans titre] 1947
on paper, unique
Ink on paper
support: 242 x 317 mm frame: 430 x 506 mm
Collection Galerie Lelong
Provenance:
The artist;
Acquavella Galleries;
Collection Galerie Lelong.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-47.12

This work was made after the operative period 1933-45.

Wifredo Lam, Untitled, 1947

X58724
Untitled

[Sans titre] 1947
on paper, unique
Watercolour on paper
support: 230 x 318 mm frame: 430 x 518 mm
Collection Galerie Lelong
Provenance:
The artist;
Acquavella Galleries;
Collection Galerie Lelong.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-47.31

This work was made after the operative period 1933-45.

Wifredo Lam, Untitled, 1947

X58725
Untitled

[Sans titre] 1947
on paper, unique
Watercolour and ink on paper
support: 229 x 305 mm frame: 429 x 305 mm
Collection Galerie Lelong
Provenance:
The artist;
Acquavella Galleries;
Collection Galerie Lelong.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-47.32

This work was made after the operative period 1933-45.

Wifredo Lam, Rumblings of the Earth, 1950

X56235
Rumblings of the Earth

[La Rumeur de la terre] 1950
painting
Oil paint on canvas
support: 1517 x 2845 mm
Solomon R. Guggenheim Museum, New York, gift of Mr and Mrs Joseph Cantor, 1958
Provenance:
The artist;
Alexandre Iolas Gallery;
J. Cantor Collection, Indianapolis (United States) before 1958;
The Solomon R. Guggenheim Museum, New York, 1959. Gift of J. Cantor, Indianapolis (United States).

Nationality of the artist: Cuban
Place of manufacture: Cuba
Identifying marks: Unsigned, undated
Catalogue raisonne no. 50.53

This work was made after the operative period 1933-45.

Wifredo Lam, Horse-Headed Woman, 1950

X62246
Horse-Headed Woman

[Femme-Cheval] 1950
painting
Oil paint on canvas
support: 1233 x 1080 mm
The Rudman Trust
Provenance:
The artist;
Private collection, Havana;
Ramon G. Osuna, Washington D.C. (by 1964);
Pyramid Galleries, Washington DC;
Marta Gutierrez Fine Arts, Miami;
J. Martinez Cañas, Miami (by 1977);
Donald M. Kendall Sculpture Gardens (Pepsi Cola, United States), Purchase, New York, 1985;
Christie’s New York, 12 November 2015;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Identifying marks: Signed and dated lower right
Catalogue raisonné no. 50.05

This work was made after the operative period 1933-45.

Wifredo Lam, Crossed Hands, 1951

X58550
Crossed Hands

[Les Mains croisées] 1951
painting
Oil paint on canvas
support: 1300 x 960 mm frame: 1380 x 1030 mm
The Rudman Trust
Provenance:
The artist;
Pierre Matisse Gallery, New York;
Private collection, Mexico;
CDS Gallery, New York;
The Rudman Trust, 1991.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: Signed and dated lower left
Catalogue raisonné no. 51.08

This work was made after the operative period 1933-45.

Wifredo Lam, Fresco, 1951

X58552
Fresco

[Fresque] 1951
relief
Gouache on cement
support: 2055 x 1771 mm frame: 2060 x 1800 mm
Private collection
Provenance:
The artist;
J.A. Vasquez, Havana, 1951;
Private collection, Zaragosa (Spain);
Cernuda Arte, Coral Gables, Florida;
Private collection, New York.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Identifying marks: Signed and dated lower right: LAM-1951
Catalogue raisonné no. 51.05

This work was made after the operative period 1933-45.

Wifredo Lam, Totem to the Moon, 1955

X58553
Totem to the Moon

[Totem à la lune] 1955
painting
Oil paint on canvas
support: 2540 x 670 mm frame: 2610 x 740 mm
The Rudman Trust
Provenance:
The artist;
Bill Copley, New York;
Galerie Albert Loeb, Paris, by 1976;
The Rudman Trust, by 1992.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: Signed and dated lower left, a posteriori: 1957
Catalogue raisonné no. 55.44

This work was made after the operative period 1933-45.

Wifredo Lam, Cardinal Harps, also titled: The Visitors (Nénomita), 1948-1957

X56198
Cardinal Harps, also titled: The Visitors (Nénomita)

[Arpas cardinales; Les visiteurs (Nénomita)] 1948-1957
painting
Oil paint and charcoal on canvas
support: 2121 x 1962 mm
The Menil Collection, Houston
Provenance:
The artist;
Alexandre Iolas, New York;
Private collection, New York;
The Menil Collection, Houston (United States).

Nationality of the artist: Cuban
Place of manufacture: Cuba
Catalogue raisonné no. 48.16

This work was made after the operative period 1933-45.

Wifredo Lam, Totem for the Moon, 1957

X58559
Totem for the Moon

[Totem pour la lune] 1957
painting
Oil paint on canvas
support: 2550 x 680 mm frame: 2630 x 760 mm
The Rudman Trust
Provenance:
The artist;
Bill Copley, New York;
Galerie Albert Loeb, Paris;
Private collection, Paris;
The Rudman Trust, by 1992.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Catalogue raisonné no. 57.01

This work was made after the operative period 1933-45.

Wifredo Lam, The Undesirable, 1962

X56247
The Undesirable

[L'indésirable] 1962
painting
Oil paint on canvas
support: 1460 x 2150 mm frame: 1505 x 2223 x 60 mm
Musée d'Art Moderne de la Ville de Paris
Provenance:
The artist;
Galerie Jan Krugier, Geneva (by 1963, until at least 1966);
Purchased from the above by Musée d'Art Moderne de la Ville de Paris, Paris,1968.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: Signed and dated lower right
Catalogue raisonné no. 62.32

This work was made after the operative period 1933-45.

Wifredo Lam, The Soulless Children, 1964

X56249
The Soulless Children

[Les Enfants sans âme] 1964
painting
Oil paint on canvas
support: 2100 x 2490 mm frame: 2137 x 2538 x 60 mm
Royal Museums of Fine Arts of Belgium, Brussels. Inv. 7722.
Provenance:
The artist;
Galerie Jan Krugier (by 1966);
Collection Musées Royaux des Beaux-Arts de Belgique, Bruxelles, via the artist, Paris, 1969.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: Signed and dated lower right
Catalogue raisonné no. 64.18

This work was made after the operative period 1933-45.

Wifredo Lam, The Witnesses, 1968

X58565
The Witnesses

[Les Témoins] 1968
painting
Oil paint on canvas
support: 1000 x 1200 mm frame: 1340 x 1540 x 95 mm
Private collection
Provenance:
The artist;
Collection A. and P. Tronche, Paris (by 1970, until at least 1996);
Galleria Seno, Milan;
Private collection, 1970s;
Sold Sotheby’s Paris, 5 December 2012;
Private collection.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: Signed and dated lower right
Catalogue raisonné no. 68.11

This work was made after the operative period 1933-45.

Wifredo Lam, The Abalochas Dance for Dhambala, the God of Unity, 1970

X58567
The Abalochas Dance for Dhambala, the God of Unity

[Les Abalochas dansent pour Dhambala, dieu de l'unité] 1970
painting
Oil paint on canvas
support: 2130 x 2440 mm frame: 2206.6 x 2540 x 82.5 mm
Private collection, courtesy of McClain Gallery
Provenance:
The Estate of the artist;
Galerie Leong, Paris;
Private collection, Aspen (United States);
Sotheby's New York, November 2010;
Private collection.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: signed on back
Catalogue raisonné no. 70.72

This work was made after the operative period 1933-45.

Wifredo Lam
(1902-1982, born: Sagua la Grande, died: Paris)
André Breton
(1896-1966, born: Normandy, died: Paris)
Victor Brauner
(1903-1966)
Jacqueline Lamba
(1910-1993)
Oscar Domínguez
(1906-1957)
Max Ernst
(1891-1976, born: Brühl, died: Paris, active: Sedona, Chinon, New York, Cologne, Paris, Bonn)
Jacques Hérold
(1910 - 1987)
André Masson
(1896-1987, born: Haute-Corse, died: Paris)

Wifredo Lam, André Breton, Victor Brauner, Jacqueline Lamba, Oscar Domínguez, Max Ernst, Jacques Hérold and André Masson, Collective Drawing, 1940

X58684
Collective Drawing

[Dessin collectif] 1940
on paper, unique
Ink, photomontage and colour crayon on paper
support: 298 x 226 mm frame: 430 x 330 x 30 mm
Musée Cantini, Marseille
Provenance:
The artist;
André Breton;
Musée Cantini, Marseille, 2003.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. DCM-40.06

This work has a complete provenance for the period 1933-45.

Wifredo Lam
(1902-1982, born: Sagua la Grande, died: Paris)
André Breton
(1896-1966, born: Normandy, died: Paris)
Oscar Domínguez
(1906-1957)
Max Ernst
(1891-1976, born: Brühl, died: Paris, active: Sedona, Chinon, New York, Cologne, Paris, Bonn)
Jacques Hérold
(1910 - 1987)
Jacqueline Lamba
(1910-1993)
André Masson
(1896-1987, born: Haute-Corse, died: Paris)
Victor Brauner
(1903-1966)

Wifredo Lam, André Breton, Oscar Domínguez, Max Ernst, Jacques Hérold, Jacqueline Lamba, André Masson and Victor Brauner, Collective Drawing, 1940

X58683
Collective Drawing

[Dessin collectif] 1940
on paper, unique
Ink and colour pencil on paper
support: 230 x 298 mm frame: 330 x 430 x 30 mm
Musée Cantini, Marseille
Provenance:
The artist;
André Breton;
Musée Cantini, Marseille, 2003.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. DCM-40.05

This work has a complete provenance for the period 1933-45.

Edward Krasinski

Tate Liverpool (Liverpool, UK) from 21 Oct 2016 until 05 Mar 2017.

Edward Krasinski
(1925-2004, born: Lutsk, died: Warsaw)

Edward Krasinski, Untitled, 1962

X61409
Untitled

1962
sculpture
Wood, wire, ping-pong ball and acrylic paint
Object: 855 x 445 x 325 mm
Collection Philipp and Christina Schmitz-Morkramer, Hamburg
Provenance:
Current owner acquired directly from artists' estate via Foksal Gallery Foundation, Warsaw, 2015.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Composition in Space IX, 1963

X61057
Composition in Space IX

1963
sculpture
Acrylic paint, wood, wire
Object: 530 x 540 x 150 mm
Private Collection, Turin, Italy
Provenance:
Current owner acquired directly from artists' estate via Foksal Gallery Foundation, Warsaw, 2014.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Untitled, 1967

X63335
Untitled

1967
sculpture
Wood, paint, wire
Object: 525 x 2270 x 170 mm
Private Collection, Turin, Italy
Provenance:
Current owner acquired directly from artists' estate via Foksal Gallery Foundation, Warsaw, 2016.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, L3, 1969

X64182
L3

1969
sculpture
Book, cables, paint
Object: 175 x 135 x 90 mm
National Gallery, Prague
Provenance:
Artist; Acquired from the artist by the current owner, through ‘Art Center’, by auction at DESA, 1971.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Intervention, c. 1974

X63728
Intervention

c. 1974
painting
Oil paint and adhesive tape on fibreboard
Support: 995 x 695 mm
Signum Foundation, Poznan
Provenance:
Artist; Collection of Mr Gianni Palvarini, Bolzano, Italy; Sold at Auction by Agra Art Warsaw to the current owner, 2007.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Intervention, 1975

X60795
Intervention

1975
painting
Acrylic paint and adhesive tape on fibreboard
Support: 700 x 500 mm
Leon Wyczólkowski District Museum in Bydgoszcz
Provenance:
Artist; current owner acquired from the artist by auction at DESA pp Auction House, Warsaw, 1978.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Intervention I, 1976

X61410
Intervention I

1976
painting
Fibreboard, acrylic, blue adhesive tape
Support: 1000 x 700 mm
Collection Philipp and Christina Schmitz-Morkramer, Hamburg
Provenance:
Artist; Collection of Janusz Zagrodzki; Current owner acquired from Galeria Starmach, Krakow, 2014.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Intervention, 1978

X63726
Intervention

1978
painting
Paint and adhesive tape on hardboard
support: 400 x 300 x 130 mm
Anna and Jerzy Starak Collection
Provenance:
Current owner acquired from Polswiss Art Auction House Warsaw, 2014.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Spatial Intervention, 1990

X63727
Spatial Intervention

1990
painting
Paint and adhesive tape on hardboard
object: 996 x 698 x 195 mm
Anna and Jerzy Starak Collection
Provenance:
Current owner acquired from Polswiss Art Auction House Warsaw, 2013.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Intervention, 1991

X63406
Intervention

1991
painting
Acrylic paint on board
Support: 1000 x 700 mm
Leon Wyczólkowski District Museum in Bydgoszcz
Provenance:
Current owner purchased from the artist, 1993.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Intervention, 1991

X63407
Intervention

1991
painting
Acrylic paint on board
Support: 1000 x 700 mm
Leon Wyczólkowski District Museum in Bydgoszcz
Provenance:
Current owner purchased from the artist, 1993.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Yves Klein: Theatre of the Void

Tate Liverpool (Liverpool, UK) from 21 Oct 2016 until 05 Mar 2017.

Yves Klein
(1928-1962, born: Nice, died: Paris)

Yves Klein, Untitled Pink Sponge Sculpture (SE 207), 1959

X62396
Untitled Pink Sponge Sculpture (SE 207)

1959
sculpture
Pure pigment and synthetic resin on natural sponge with metal stem and stone base
Object: 450 x 280 mm
Private Collection
Provenance:
Artist; Private Collection, Sao Paulo; Anon. sale, Sotheby’s London, 26 June 1986, lot 640; Private Collection, Japan; Galerie Bonnier, Geneva; Private Collection, Europe 1998; Sold to the current owner, Anon. sale, Christie's King Street London, 11 February 2015.
Nationality of the artist: French
Identifying Marks: Signed and dated on the underside.
This work was made after the operative period 1933-45.

Paul Nash

Tate Britain (London, UK) from 26 Oct 2016 until 05 Mar 2017.

Paul Nash
(1889-1946, born: London, died: Dorset)

Paul Nash, Mineral Objects, 1935

X61333
Mineral Objects

1935
painting
Oil on canvas
object: 508 x 610 mm
Yale Center for British Art, Paul Mellon Fund
Provenance:
Margaret Nash; her sale Sotheby's 6 April 1960 (no. 86); purchased by Matthiesen; Redfern Gallery; Governor and Company of the Bank of England, 1960; Ivor Braka Ltd.; Purchased by The Yale Center for British Art in 1998.
Nationality of artist: British
Identifying marks: signed with monogram, centre right
Place of manufacture: not recorded
Catalogue raisonné: Andrew Causey, 'Paul Nash' (Oxford, 1980), no. 815.

Robert Rauschenberg

Tate Modern (London, UK) from 30 Nov 2016 until 02 Apr 2017.

John Chamberlain
(1927-2011, born: Rochester, died: New York)
David Novros
(born 1941)
Claes Oldenburg
(born 1929, born: Stockholm)
Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)
Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
Forrest Myers
(born 1941)

John Chamberlain, David Novros, Claes Oldenburg, Robert Rauschenberg, Andy Warhol and Forrest Myers, The Moon Museum, 1969

X63843
The Moon Museum

1969
on paper, print
Lithograph of tantalum nitride film on ceramic wafer
image: 14 x 19 mm support: 10 x 19 mm
The Museum of Modern Art, New York. Gift of Ruth Waldhauer, 1993
Provenance:
The artists;
Billy Klüver;
Gift of Ruth Waldhauer to The Museum of Modern Art, New York, 1993.
Nationality of Artists: American
Identifying marks: Unknown
Place of manufacture: USA
Exhibition history: Adding it Up: Print Acquisitions 1970- 1995, The Museum of Modern Art, New York, Paul J. Sachs and Tatyana Grosman Galleries, 27 May – 5 September 1995; 1969, P.S.1, 25 October 2009 – 5 April 2010.
This work was made after the operative period 1933-45.

Peter Moore
(1932-1993)
Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)

Peter Moore and Robert Rauschenberg, Spring Training (Once Again Festival) 18 September 1965 [Lucinda Childs, Rauschenberg, and turtles with flashlights], 1965

X63710
Spring Training (Once Again Festival) 18 September 1965 [Lucinda Childs, Rauschenberg, and turtles with flashlights]

1965
on paper, print
Photograph, gelatin silver print on paper
image: 231.8 x 177.8 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Notes and photographers stamp on verso
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Peter Moore and Robert Rauschenberg, Spring Training, One Again Festival, 18 September 1965, 1965

X63807
Spring Training, One Again Festival, 18 September 1965

1965
supporting material
Photograph, print on paper
image: 203.2 x 254 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Yvonne Rainer

Yvonne Rainer, Yvonne Rainer - Performance chart, 1980

Z06389
Yvonne Rainer - Performance chart

1980
supporting material
Print on paper

The Getty Research Institute, Los Angeles
Provenance:
The artist, Yvonne Rainer;
Acquired by the J. Paul Getty Trust, 2006.
Nationality of Artist: American
Identifying marks: ID number 2006.M.24.271
Place of manufacture: USA
No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)

Robert Rauschenberg, Duet [Anagram (A Pun)], 1998

X62212
Duet [Anagram (A Pun)]

1998
painting
Inkjet pigment transfer on polylaminate
support: 2464 x 1549 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg, Palazzo dei Diamanti, Ferrara, Feb. 29–June 6, 2004.
In the Studio: Paintings (West Twenty-first Street) and In the Studio: Photographs (Madison Avenue), Gagosian Gallery, New York, Feb. 17–April 18, 2015.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Performance Notebook [aqua cover], 1963-6

Z06297
Performance Notebook [aqua cover]

1963-6
on paper, unique
Ink on paper, O-ring binding with 33 sheets
object: 254 x 177.8 x 25.4 mm displayed: 254 x 377.8 x 19.1 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, This Is the First Half of a Print Designed to Exist in Passing Time, 1948

X58273
This Is the First Half of a Print Designed to Exist in Passing Time

1948
on paper, unique
Graphite on tracing paper, and fourteen ink woodcut prints on paper, bound with twine and stapled
support: 308 x 225 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Tracing paper, 14 sheets of paper, bound with twine and stapled
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Graphic Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 1 April 1–10 May 1970, Art Gallery, State University of New York, Albany, 1 July –14 Aug; Marion Koogler McNay Art Institute, San Antonio, Aug. 30–Oct. 4; Museum of Contemporary Art, Chicago, 31 Oct.–13 Dec. 1970, exh. brochure with introduction by Lawrence Alloway;
Robert Rauschenberg: The Early 1950s, Corcoran Gallery of Art, Washington, D.C., June 15–Aug. 11, 1991; Menil Collection, Houston, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993;
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9; Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999, plate 1, p.45;
The Anarchy of Silence: John Cage and Experimental Art, Museu d’Art Contemporani de Barcelona, Oct. 22, 2009–Jan. 10, 2010, Henie Onstad Art Centre, Høvikodden, Norway, Feb. 25–May 30, 2010; There Will Never Be Silence: Scoring John Cage’s 4'33", Schunck, Heerlen, Netherlands, Sept. 3–Nov. 28, 2010, Museum of Modern Art, New York, Oct. 12, 2013–June 22, 2014.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled [Black Painting], 1951

X56260
Untitled [Black Painting]

1951
painting
Enamel and paper on four canvas panels
overall: 2211 x 4331 mm
Whitney Museum of American Art, New York; Gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President
Provenance:
The artist;
Whitney Museum of American Art, New York; Gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President, by 2002.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Walter Hopps, Robert Rauschenberg: The Early 1950s, exh.cat., Washington, D.C., Corcoran Gallery of Art, Houston, The Menil Collection, Chicago, Museum of Contemporary Art, San Francisco Museum of Modern Art, New York, Solomon R. Guggenheim Museum, 1991-3, plate 39, p.91.
This work was made after the operative period 1933-45.

Robert Rauschenberg, White Painting [seven panels], 1951

X57505
White Painting [seven panels]

1951
painting
Latex house paint on canvas
support, each: 1829 x 457 mm overall: 1829 x 3175 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Tracing paper, 14 sheets of paper, bound with twine and stapled
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg, Jewish Museum, New York, March 31–May 12, 1963. Exh.
cat. with essay by Alan R. Solomon;
White Paintings 1951, Leo Castelli, New York, Oct. 12–26, 1968;
Robert Rauschenberg: Selections, Fort Worth Art Center, Jan. 5–Feb. 2, 1969;
White Paintings, 1951, Ace Gallery, Venice, Calif., April 10–30, 1973. Traveled to
Ace Gallery, Vancouver, June 1–16;
Rauschenberg: The White and the Black Paintings 1949–1952, Gagosian Gallery, New York,
April 18–May 31, 1986. Exh. cat. with introduction by Roberta Bernstein;
Twentieth-Century Art: Selections for the Tenth Anniversary of the East Building, National Gallery of Art, Washington, D.C., Dec. 13, 1988–Dec. 31, 1990;
Robert Rauschenberg: The Early 1950s, Corcoran Gallery of Art, Washington, D.C., June 15–Aug. 11, 1991. Organized by the Menil Collection, Houston, Traveled to the Menil Collection, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of
Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993;
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999, plate 17, p.59;
The Global Guggenheim: Selections from the Extended Collection, Solomon R. Guggenheim Museum, New York, Feb. 9–April 22, 2001;
Black Mountain College: Una aventura americana, Museo Nacional Centro de Arte Reina Sofía, Madrid, Oct. 28, 2002–Jan. 13, 2003;
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York, , March 5–May 19, 2004;
Rauschenberg: Collecting and Connecting, Nasher Museum of Art, Duke University, Durham, N.C.,
Aug. 28, 2014–Jan. 11, 2015, exh. website. Accessed 13 May 2015 http://shuffle.rauschenbergfoundation.org/exhibitions/nasher/.

This work was made after the operative period 1933-45.

Robert Rauschenberg, N.Y.C. (Stop), 1951, printed later

X58310
N.Y.C. (Stop)

1951, printed later
on paper, print
Photograph, gelatin silver print on paper
support: 381 x 381 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: The Early 1950s, Corcoran Gallery of Art, Washington, D.C.,
June 15–Aug. 11, 1991. Organized by the Menil Collection, Houston. Traveled to the Menil Collection, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993. Exh. brochure with essay by Walter Hopps. Exh. cat.
(Houston: The Menil Collection and Houston Fine Art Press) by Hopps.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled [John Cage, Black Mountain], 1952, printed later

X58285
Untitled [John Cage, Black Mountain]

1952, printed later
on paper, print
Photograph, gelatin silver print on paper
image: 374.7 x 374.7 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: The Early 1950s, Corcoran Gallery of Art, Washington, D.C., June 15–Aug. 11, 1991. Organized by the Menil Collection, Houston. Traveled to the Menil Collection, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993.
Starting at Zero: Black Mountain College 1933–57, Kettle’s Yard, University of Cambridge.
Jan. 28–April 2, 2006.
Black Mountain College: Collaborations and Interdisciplinary Dialogues, Asheville Art Museum, Asheville. Jan. 12-May 13, 2007.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Tangier Street (II), 1952, printed 1980s

X58296
Tangier Street (II)

1952, printed 1980s
on paper, print
Photograph, gelatin silver print on paper
image: 381 x 381 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Mirages d’Orient, Grenades et Figues de Barbarie: Chassé-croisé en Méditerranée (Oriental Mirages, Pomegranates and Prickly Pears: Mediterranean Comings and Goings), Collection Lambert, Avignon, Dec. 9, 2012–April 28, 2013. Exh. cat. (in English and French) edited by Éric Mézil.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled [North African collage], c.1952

X58299
Untitled [North African collage]

c.1952
on paper, unique
Engraving and glue on paper mounted on paperboard
support: 254 x 178 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: The Early 1950s, Corcoran Gallery of Art, Washington, D.C.,
June 15–Aug. 11, 1991. Organized by the Menil Collection, Houston. Traveled to the Menil Collection, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993;
Robert Rauschenberg: North African Collages and Scatole Personali c. 1952,Craig F. Starr Gallery, New York, June 4–Aug. 10, 2012.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled [North African collage], c.1952

X58300
Untitled [North African collage]

c.1952
on paper, unique
Engravings, painted paper, tissue paper, fabric, graphite, gouache and glue on paper
support: 200 x 219 mm
Private collection
Provenance:
The artist;
Acquired by Susan Weil;
Consigned to Christie's, New York, 2013;
Acquired by the current owner, 2013.
Nationality of Artist: American
Identifying marks: Work includes paper, tissue paper, fabric
Place of manufacture: North Africa and USA
Catalogue Raisonné:
Walter Hopps, Robert Rauschenberg: The Early 1950s, exh.cat., Washington, D.C., Corcoran Gallery of Art, Houston, The Menil Collection, Chicago, Museum of Contemporary Art, San Francisco Museum of Modern Art, New York, Solomon R. Guggenheim Museum, 1991-3, plate 81, p.132-3;
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, The Menil Collection, Houston, Museum Ludwig, Cologne, Guggenheim Museum, Bilbao, September 1997-March 1999, p. 68, pl. 29; http://www.christies.com/lotfinder/Drawings-Watercolors/robert-rauschenberg-untitled-5684051-details.aspx?lid=1
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled (Scatole personali [Personal boxes]), c.1952

X58303
Untitled (Scatole personali [Personal boxes])

c.1952
sculpture
Lidded painted wood box with twig and beetle
object: 38 x 76 x 54 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Bob Rauschenberg: Scatole e Feticci Personali, Galleria dell’Obelisco, Rome, March 3–10. Traveled to Galleria d’Arte Contemporanea, Florence as Scatole e costruzioni contemplative di Bob Rauschenberg, opened March 14, 1953;
Robert Rauschenberg: The Early 1950s, Corcoran Gallery of Art, Washington, D.C., June 15–Aug. 11, 1991. Organized by the Menil Collection, Houston. Traveled to the Menil Collection, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of
Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993.
Worlds in a Box, City Art Centre, Edinburgh, May 28–July 16, 1994. Organized by South Bank Centre, London, for the Arts Council of Great Britain. Traveled to Graves Art Gallery, Sheffield, July 30–Sept. 24; Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, Oct. 10–Nov. 30; Whitechapel Art Gallery, London, Dec. 9, 1994–Feb. 12, 1995.
Robert Rauschenberg: Sculpture, Modern Art Museum of Fort Worth, Oct. 22–Dec. 31, 1995. Traveled to Museum of Contemporary Art, Miami, April 25–June 9, 1996.
Art i utopia: L’acció restringida (Art and Utopia: Action Restricted), Museu d’Art Contemporani de Barcelona, June 3–Sept. 12, 2004. Traveled to Museé des Beaux-Arts de Nantes (as L’Action restreinte: L’art moderne selon Mallarmé), April 9–July 3, 2005. Exh. cat. (in English and Spanish) by Jean-François Chevrier.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled (Scatole personali [Personal boxes]), c.1952

X58307
Untitled (Scatole personali [Personal boxes])

c.1952
sculpture
Paint, feather and material in painted wood box with hinged lid
unconfirmed: 38 x 211 x 67 mm
Private collection
Provenance:
The artist;
Private collection.
Nationality of Artist: American
Identifying marks: Various types of media
Place of manufacture: Italy
Catalogue Raisonné (select):
American Academy in Rome, American Art in Italian Private Collections, 27 May 27 – 30 June, exh. cat., reproduced plate 10;
Palazzo dei Diamanti, Ferrara, Rauschenberg, 29 February – 6 June 2004, exh. cat., reproduced p.113.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled [North African collage], c.1952

X60510
Untitled [North African collage]

c.1952
on paper, unique
Printed paper on paper, fabric, feathers, and glue on paper mounted on paperboard
support: 254 x 174.6 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: The Early 1950s, Corcoran Gallery of Art, Washington, D.C.,
June 15–Aug. 11, 1991. Organized by the Menil Collection, Houston. Traveled to the Menil Collection, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993.
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Travelled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999.
Robert Rauschenberg: North African Collages and Scatole Personali c. 1952, Craig F. Starr Gallery, New York, June 4–Aug. 10, 2012.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled [North African collage], c.1952

X60511
Untitled [North African collage]

c.1952
on paper, unique
Engravings, paper, fringed tissue paper, graphite, and glue on paper mounted on paperboard
support: 254 x 178 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: The White and the Black Paintings 1949–1952, Gagosian Gallery, New York, April 18–May 31, 1986;
Robert Rauschenberg: The Early 1950s, Corcoran Gallery of Art, Washington, D.C., June 15–Aug. 11, 1991. Organized by the Menil Collection, Houston. Traveled to the Menil Collection, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993.
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum
Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999.
Robert Rauschenberg: North African Collages and Scatole Personali c. 1952, Craig F. Starr Gallery, New York, June 4–Aug. 10, 2012.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Erased de Kooning Drawing, 1953

X56095
Erased de Kooning Drawing

1953
on paper, unique
Traces of drawing media on paper with label and gilded frame
object: 641.4 x 552.5 x 12.7 mm
San Francisco Museum of Modern Art. Purchase through a gift of Phyllis C. Wattis
Provenance:
The artist;
Purchased by the San Francisco Museum of Modern Art, through a gift of Phyllis Wattis, 1998.

Nationality of Artist: American
Identifying marks: Willem de Kooning drawing on reverse of paper, framed
Place of manufacture: USA

Catalogue Raisonné (select): Robert Rauschenberg Werke 1950 – 1980, Staatliche Kunsthalle Berlin, 23 March – 4 May 1980, exh.cat. no. 99, Robert Rauschenberg, Fundaciōn Juan March, Madrid, 8 February – March 1985, plate 4; Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 63, p.92; SFMOMA website https://www.sfmoma.org/artwork/98.298.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Automobile Tire Print, 1953

X56096
Automobile Tire Print

1953
on paper, unique
Paint on 20 sheets of paper mounted on fabric
support: 419.1 x 6718.3 mm
San Francisco Museum of Modern Art. Purchase through a gift of Phyllis C. Wattis
Provenance:
The artist;
Purchased by the San Francisco Museum of Modern Art, through a gift of Phyllis Wattis, 1998.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

Catalogue Raisonné (select): Robert Rauschenberg Werke 1950 – 1980, Staatliche Kunsthalle Berlin, 23 March – 4 May 1980, exh.cat. no. 99, Robert Rauschenberg, Fundaciōn Juan March, Madrid, 8 February – March 1985, plate 4; Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 63, p.92; SFMOMA website https://www.sfmoma.org/artwork/98.296.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled (Elemental Sculpture), 1953

X56218
Untitled (Elemental Sculpture)

1953
sculpture
Hinged steel flange, stone, steel strap, and iron bolt
unconfirmed: 346.1 x 463.6 x 231.8 mm
San Francisco Museum of Modern Art. Purchase through a gift of Phyllis C. Wattis
Provenance:
The artist;
Purchased by the San Francisco Museum of Modern Art, through a gift of Phyllis Wattis, 1998.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

Catalogue Raisonné (select): Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 50, p.80; SFMOMA website https://www.sfmoma.org/artwork/98.305.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Dirt Painting (For John Cage), 1953

X57507
Dirt Painting (For John Cage)

1953
sculpture
Dirt and mold in wood box
object: 393.7 x 406 x 63.5 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg, Jewish Museum, New York, March 31–May 12, 1963. Exh.
cat. with essay by Alan R. Solomon.
Robert Rauschenberg: Selections, Fort Worth Art Center, Jan. 5–Feb. 2, 1969.
Exh. cat. with introduction by Henry T. Hopkins.
Robert Rauschenberg, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C.,
Oct. 30, 1976–Jan. 2, 1977. Traveled to Museum of Modern Art, New York, March 25–May 17, 1977; San Francisco Museum of Modern Art, June 24–Aug. 21, 1977; Albright-Knox Art Gallery, Buffalo, Sept. 25–Oct. 30, 1977; Art Institute of Chicago, Dec. 3, 1977–Jan. 15, 1978.
Robert Rauschenberg: The Early 1950s,Corcoran Gallery of Art, Washington, D.C., June 15–Aug. 11, 1991. Organized by the Menil Collection, Houston. Traveled to the Menil Collection, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of
Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993.
L’Informe: Mode d’emploi, Centre Georges Pompidou, Musée National d’Art Moderne, Paris,
May 22–Aug. 26, 1996.
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999.
The Anarchy of Silence: John Cage and Experimental Art, Museu d’Art Contemporani de Barcelona
Oct. 22, 2009–Jan. 10, 2010. Traveled to Henie Onstad Art Centre, Høvikodden, Norway, Feb. 25–May 30, 2010; Schunck, Heerlen, Netherlands, Sept. 3–Nov. 28, 2010.
Dancing Around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp, Philadelphia Museum of Art, Oct. 30, 2012–Jan. 21, 2013.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Pink Clay Painting (to Pete [Paul Taylor]), 1953

X57508
Pink Clay Painting (to Pete [Paul Taylor])

1953
sculpture
Clay in wood frame
support: 222 x 222 x 54 mm
The Menil Collection, Houston. Purchased with funds provided by the Scaler Foundation, in memory of Frances Dittmer
Provenance:
The artist;
Private collection;
Acquired by the current owner, 2014.
Nationality of Artist: American
Identifying marks: Clay
Place of manufacture: USA
Catalogue Raisonné (select): Unknown
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled (Gold Painting), c.1953

X57509
Untitled (Gold Painting)

c.1953
sculpture
Gold and silver leaf on fabric, newspaper, paint, wood, paper, glue, and nails on wood in wood-and-glass frame
support: 266.7 x 292.1 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: The Early 1950s, Corcoran Gallery of Art, Washington, D.C., June 15–Aug. 11, 1991. Organized by the Menil Collection, Houston. Traveled to the Menil Collection, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993.
L’Informe: Mode d’emploi, Centre Georges Pompidou, Musée National d’Art Moderne, Paris May 22–Aug. 26, 1996.
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999.
Part Object Part Sculpture, Wexner Center for the Arts, Ohio State University, Columbus, Oct. 30, 2005–Feb. 26, 2006.
Robert Rauschenberg: The Fulton Street Studio, 1953–54, Craig F. Starr Gallery, New York, April 4–May 23, 2014.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Soles, c.1953

X58360
Soles

c.1953
sculpture
Three balls of compacted dirt, stone, polished blue stone, and Roman fresco fragment, each individually wrapped in fabric and string, in painted wood box
displayed: 76 x 432 x 114 mm
Collection Jasper Johns
Provenance:
The artist;
Jasper Johns.
Nationality of Artist: American
Identifying marks: Signature ‘Rauschenberg 52’ on bottom of wooden box, stencilled ‘SOLES’ on bottom of box
Place of manufacture: Europe and USA
Catalogue Raisonné (select):
Robert Rauschenberg: The Early 1950s, The Corcoran Gallery of Art, Washingon, D.C., The Menil Collection, Houston; The Museum of Contemporary Art, Chicago, San Francisco Museum of Modern Art 1991–2;
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 47, p.77.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled (Elemental Sculpture), c. 1953

X58362
Untitled (Elemental Sculpture)

c. 1953
sculpture
Wooden block and iron spike
object: 276 x 79 x 73 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: The Early 1950s, Corcoran Gallery of Art, Washington, D.C., June 15–Aug. 11, 1991. Organized by the Menil Collection, Houston. Traveled to the Menil Collection, Sept. 28, 1991–Jan. 5, 1992; Museum of Contemporary Art, Chicago, Feb. 8–April 19, 1992, San Francisco Museum of Modern Art, May 14–Aug. 16, 1992; Guggenheim Museum SoHo, New York, Oct. 24, 1992–Jan. 24, 1993.
Robert Rauschenberg: Sculpture, Modern Art Museum of Fort Worth, Oct. 22–Dec. 31, 1995. Traveled to Museum of Contemporary Art, Miami, April 25–June 9, 1996.
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999.
Robert Rauschenberg, Gagosian Gallery, West Twenty-first Street, New York, Oct. 29, 2010–Jan. 15, 2011.
Robert Rauschenberg: The Fulton Street Studio, 1953–54, Craig F. Starr Gallery, New York, April 4–May 23, 2014.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Charlene, 1954

X56089
Charlene

1954
painting
Oil paint, charcoal, paper, fabric, newspaper, wood, plastic, mirror, and metal on Homosote, mounted on wood, with electric light
support: 2261 x 2845 x 89 mm
Collection Stedelijk Museum, Amsterdam
Provenance:
The artist;
Ileanna Sonnabend Gallery, Paris by 1964;
Acquired by the Stedelijk Museum, Amsterdam, 14th July 1965.

Nationality of Artist: American
Identifying marks: Various types of media
Place of manufacture: USA

Catalogue Raisonné (select):
Robert Rauschenberg: Paintings, Drawings and Combines, 1949 – 1964, Whitechapel Gallery, London 4 February – 8 March 1964, exh.cat. plate 3 [Lent by Ileanna Sonnabend Gallery, Paris];
Robert Rauschenberg, Stedelijk Museum, Amsteram, 23 February – 7 April 1968, plate 4 [Stedelijk Museum];
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 73, p.104–5;
Paul Schimmel, Robert Rauschenberg: Combines, The Metropolitan Museum of Art, New York, 20 December 2005 – 2 April 2006; The Museum of Contemporary Art, Los Angleles, 21 May – 11 September 2006 exh.cat. plate 20, p.34;
Stedelijk Museum website http://www.stedelijk.nl/en/artwork/4476-charlene.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Yoicks [Red Painting], 1954

X56094
Yoicks [Red Painting]

1954
painting
Enamel, cotton, paper, and newsprint on two separately stretched canvases
overall: 2442 x 1830 mm
Whitney Museum of American Art, New York; Gift of the artist
Provenance:
The artist;
Gifted to the Whitney Museum of American Art, New York.
Nationality of Artist: American
Identifying marks: On two separate canvases
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 68, p.96.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Short Circuit, 1955

X56090
Short Circuit

1955
painting
Oil paint, fabric, and paper on wood supports and cabinet with two hinged doors containing a painting by Susan Weil and a reproduction of a Jasper Johns Flag painting by Sturtevant
unconfirmed: 1035 x 952 x 108 mm
The Art Institute of Chicago, Through prior purchase of the Grant J. Pick purchase fund; through prior bequest of Sigmund E. Edelstone; Frederick W. Renshaw Acquistion fund; Estate of Walter Aitken; Alyce and Edwin DeCosta, Walter E. Heller Foundation, and Ada Turnbull Hertle funds; Wirt D. Walker Trust; Marian and Samuel Klasstorner, Mrs. Clive Runnells, Alfred and May Tiefenbronner Memorial, Boles C. and Hyacinth G. Drechney, Charles H. and Mary F. Worcester Collection, Mary and Leigh Block Endowment, Gladys N. Anderson, Benjamin Argile Memorial, Director's, and Joyce Van Pilsum funds.
Provenance:
Acquired by the Art Institute of Chicago, through prior purchase of the Grant J. Pick purchase fund; through prior bequest of Sigmund E. Edelstone; Frederick W. Renshaw Acquistion fund; Estate of Walter Aitken; Alyce and Edwin DeCosta, Walter E. Heller Foundation, and Ada Turnbull Hertle funds; Wirt D. Walker Trust; Marian and Samuel Klasstorner, Mrs. Clive Runnells, Alfred and May Tiefenbronner Memorial, Boles C. and Hyacinth G. Drechney, Charles H. and Mary F. Worcester Collection, Mary and Leigh Block Endowment, Gladys N. Anderson, Benjamin Argile Memorial, Director's, and Joyce Van Pilsum funds, 2011.
Nationality of Artist: American
Identifying marks: Includes a painting by Susan Weil, a flag painting by Sturtevant, a Judy Garland autograph, an image of Abraham Lincoln, and a postcard of grazing cows. Formerly titled ‘Construction with Jasper Johns Flag’
Place of manufacture: USA
Catalogue Raisonné (select):
Fourth Annual Exhibition of Paintings and Sculpture, Stable Gallery, New York, 26 April – 21 May 1955;
Paul Schimmel, Robert Rauschenberg: Combines, The Metropolitan Museum of Art, New York, 20 December 2005 – 2 April 2006; The Museum of Contemporary Art, Los Angleles, 21 May – 11 September 2006 exh.cat. plate 22, p.289-290 [collection of the artist];
Art Institute of Chicago website, http://www.artic.edu/aic/collections/artwork/209926.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Bed, 1955

X56098
Bed

1955
painting
Oil paint, graphite, toothpaste, and red fingernail polish on pillow, quilt, and sheet on wood supports
unconfirmed: 1911 x 800 x 203 mm
The Museum of Modern Art, New York. Gift of Leo Castelli in honor of Alfred H. Barr, Jr, 1989
Provenance:
The artist, 1955–9;
Acquired by Leo Castelli, New York, July 1959;
Gifted to The Museum of Modern Art, New York, 1989.
Nationality of Artist: American
Identifying marks: Pillow and quilt
Place of manufacture: USA
Catalogue Raisonné (select): Robert Rauschenberg, Leo Castelli Gallery, New York, 3 – 29 March 1958; Festival of Two Worlds, Spoleto, Italy, 17 April – 10 September 1958; … Robert Rauschenberg: Paintings, Drawings and Combines, 1949 – 1964, Whitechapel Gallery, London 4 February – 8 March 1964, exh.cat. plate no.7; Robert Rauschenberg: paintings 1953–1964, Walker Art Center, Minneapolis, 3 May – 6 June 1965, no.2; Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998; The Menil Collection, Contemporary Arts Museum, and the Museum of Fine Arts, Houston, 12 February – 17 May 1998;
Paul Schimmel, Robert Rauschenberg: Combines, The Metropolitan Museum of Art, New York, 20 December 2005 – 2 April 2006; The Museum of Contemporary Art, Los Angleles, 21 May – 11 September 2006; Musee national d’art moderne, Centre Georges Pompidou, Paris 25 October 2006 – 21 January 2007; Moderna Museet, Stockholm 17 February – 6 May 2007, exh.cat. p.39, plate 23.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Monogram: Preliminary Study I, 1955

X58439
Monogram: Preliminary Study I

1955
on paper, unique
Graphite on paper
unconfirmed: 302 x 222 mm
Collection Jasper Johns
Provenance:
The artist;
Jasper Johns.
Nationality of Artist: American
Identifying marks: Unsigned
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, fig.146, p.555.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled, 1955

X62167
Untitled

1955
painting
Oil paint, house paint, paper, fabric, and printed reproductions with sock and parachute on canvas
unconfirmed, each: 1727 x 1397 mm
The Art Institute of Chicago, Gift of Edlis|Neeson Collection
Provenance:
The artist;
Acquired by Suzi Gablik, New York, 1956;
Acquired by Jasper Johns, May 1967;
Transferred by exchange to Brooke Alexander, Inc., 1989;
Acquired by S. I. Newhouse, New York, 1989?;
Acquired by Stefan Edlis, Chicago, 1996;
Gifted to the Art Institute of Chicago, 2015.

Nationality of Artist: American
Identifying marks: Various types of media
Place of manufacture: USA

Catalogue Raisonné (select):
Robert Rauschenberg, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., then The Museum of Modern Art, New York, San Francisco Museum of Modern Art, Albright-Know Art Gallery, Buffalo, New York, 1977, Art Institute of Chicago, 1977–8, pp. 90, cat. 46 (ill.).;
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998; The Menil Collection, Contemporary Arts Museum, and the Museum of Fine Arts, Houston, 12 February – 17 May 1998, plate 89, p.120;
Paul Schimmel, Robert Rauschenberg: Combines, The Metropolitan Museum of Art, New York, 20 December 2005 – 2 April 2006; The Museum of Contemporary Art, Los Angleles, 21 May – 11 September 2006 exh.cat. plate 32, p.289-290 [collection of the artist];
http://www.artic.edu/aic/collections/artwork/229354.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled (Gold Painting), 1955

X62414
Untitled (Gold Painting)

1955
painting
Gold leaf on fabric, newspaper, and glue on canvas, in wood-and-glass frame
frame: 349 x 337 x 44 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999.
Unpainted Paintings, Luxembourg and Dayan, New York, March 3–May 27, 2011.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Rhyme, 1956

X58438
Rhyme

1956
painting
Oil paint, fabric, necktie, paper, enamel, graphite and synthetic polymer paint on canvas
support: 1226 x 1044 mm
The Museum of Modern Art, New York. Fractional and promised gift of Agnes Gund in honor of Richard E. Oldenburg, 1994
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York;
Acquired by Ileana Sonnabend, New York by 1963;
Acquired by Agnes Gund, New York;
Fractional and promised gift of Agnes Gund in honor of Richard E. Oldenburg to The Museum of Modern Art, New York, 1994.
Nationality of Artist: American
Identifying marks: Work includes necktie
Place of manufacture: USA
Catalogue Raisonné (select): Robert Rauschenberg: Oeuvres 1954–61, Ileana Sonnabend, 1 February – 16 February 1963; Paintings, Drawings and Combines, 1949 – 1964, Whitechapel Gallery, London 4 February – 8 March 1964, exh.cat. plate no. 10; Robert Rauschenberg: Paintings, Drawings and Combines, 1949 – 1964, Whitechapel Gallery, London 4 February – 8 March 1964, exh.cat. plate no. 10; Robert Rauschenberg, National Collection of Fine Arts, Smithonian Institution, 30 October 1976 – 2 January 1977, no. 38; Paul Schimmel, Robert Rauschenberg: Combines, The Metropolitan Museum of Art, New York, 20 December 2005 – 2 April 2006, plate 40.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Dante, 'The Inferno', trans. by John Ciardi [Rauschenberg's own copy], 1956

Z06743
Dante, 'The Inferno', trans. by John Ciardi [Rauschenberg's own copy]

1956
on paper, print
Book, print on paper
object: 177.8 x 108 x 25.4 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
Purchased by the artist 1950s;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Identifying marks: Torn spine and annotations on pages
Place of manufacture: USA
Catalogue Raisonné (select):
No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Factum I, 1957

X56092
Factum I

1957
painting
Oil paint, ink, graphite, crayon, paper, fabric, newspaper, printed reproductions, and painted paper on canvas
support: 1562 x 908 mm
The Museum of Contemporary Art, Los Angeles, The Panza Collection
Provenance:
The artist;
Count Panza di Biumo, Milan;
Acquired by The Museum of Contemporary Art, Los Angeles - The Panza Collection.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: Paintings, Drawings and Combines, 1949 – 1964, Whitechapel Gallery, London 4 February – 8 March 1964, exh.cat. plate 28 [Lent by Count Panza di Biumo, Milan];
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998; The Menil Collection, Contemporary Arts Museum, and the Museum of Fine Arts, Houston, 12 February – 17 May 1998, plate 91, p.122.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Factum II, 1957

X56220
Factum II

1957
painting
Oil paint, ink, graphite, crayon, paper, fabric, newspaper, printed reproductions, and painted paper on canvas
support: 1559 x 902 mm
The Museum of Modern Art, New York. Purchase and an anonymous gift and Louise Reinhardt Smith Bequest (both by exchange), 1999
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York;
Acquired by Morton G. Neumann, Chicago;
Transferred to The Morton G. Neumann Trust, Chicago;
Purchased by The Museum of Modern Art, New York, and an anonymous gift and Louise Reinhardt Smith Bequest (both by exchange), 1999.
Nationality of Artist: American
Identifying marks: None
Place of manufacture: USA
Catalogue Raisonné (select): Robert Rauschenberg, Leo Castelli Gallery, New York, 3 – 29 March 1958; Festival of Two Worlds, Spoleto, Italy, 17 April – 10 September 1958; Collage Show, Douglas College, New Brunswick, New Jersey, 20 November – 22 December 1959; School of New York: Some Younger Artists, The Stable Gallery, New York, 15 December 1959 – 9 January 1960; travel funded by American Federation of Arts; Six Painters and the Object, Solomon R. Guggenheim Museum, New York, 14 March – 12 June 1963; New York Painting and Sculpture: 1940–1970, The Metropolitan Museum of Art, New York, 18 October 1969–8 February 1970; The Morton G. Neumann Family Collection, National Museum of Art, Washington, D.C., 31 August 1980 – 11 January 1981; Robert Rauschenberg, Fundaciōn Juan March, Madrid, 8 February – March 1985; High & Low: Modern Art and Popular Culture, The Museum of Modern Art, New York, 7 October 1990 – 15 January 1991, The Art Institute Chicago, 20 February – 12 May 1991, The Museum of Contemporary Art, Los Angeles, 21 June – 15 September 1991; Making Choices, The Museum of Modern Art, New York, 16 March – 26 September 2000; Open Ends, The Museum of Modern Art, New York, 28 September 2000 – 4 March 2001; A Room of Their Own: From Rothko to Rauschenberg, The Museum of Contemporary Art, Los Angeles, 11 February 2001 – 31 March 2002; Mid-Century Masterworks from the Collection, The Museum of Contemporary Art, Los Angeles, 20 July 2003 – 26 January 2004; Paul Schimmel, Robert Rauschenberg: Combines, The Metropolitan Museum of Art, New York, 20 December 2005 – 2 April 2006; The Museum of Contemporary Art, Los Angleles, 21 May – 11 September 2006; Musee national d’art moderne, Centre Georges Pompidou, Paris 25 October 2006 – 21 January 2007; Moderna Museet, Stockholm 17 February – 6 May 2007, exh.cat. plate 70.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno, 1958

X57513
Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno

1958
on paper, print
Solvent transfer, graphite, gouache, and colored pencil on paper
image: 368 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation, 1963
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, 1958

X60602
Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno

1958
on paper, unique
Solvent transfer, graphite, gouache, and colored pencil on cut-and-pasted paper on paper
image: 367 x 291 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno, 1958

X60603
Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno

1958
on paper, unique
Transfer drawing, torn and pasted paper, watercolor, graphite and wash on paper
image: 367 x 291 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno, 1958

X60604
Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno

1958
on paper, unique
Transfer drawing, cut and pasted paper, graphite, gouache, and watercolor on paper
image: 368 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno, 1958

X60605
Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno

1958
on paper, unique
Transfer drawing, watercolor, graphite, crayon, and gouache on paper
image: 367 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno, 1958

X60606
Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno

1958
on paper, unique
Transfer drawing, gouache, graphite, watercolor, and wash on paper
image: 366 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Gift for Apollo, 1959

X56210
Gift for Apollo

1959
sculpture
Oil paint, wood, fabric, newspaper, printed reproductions on wood with metal bucket, metal chain, door knob, L brackets, metal washer, nail and rubber wheels with metal spokes
unconfirmed: 1111 x 749 x 1041 mm
The Museum of Contemporary Art, Los Angeles, The Panza Collection
Provenance:
The artist;
Acquired by The Museum of Contemporary Art, Los Angeles - The Panza Collection.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: Combines, The Metropolitan Museum of Art, New York, 20 December 2005 – 2 April 2006; The Museum of Contemporary Art, Los Angleles, 21 May – 11 September 2006 exh.cat. plate 107, p.300.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Winter Pool, 1959

X57511
Winter Pool

1959
sculpture
Oil paint, paper, fabric, wood, metal, sandpaper, tape, printed paper, printed reproductions, handheld bellows, and found painting, on two canvases, with ladder
overall: 2299 x 1511 x 102 mm
Jointly owned by Steven A. Cohen and The Metropolitan Museum of Art; Promised Gift of Steven A. Cohen, and Purchase, Lila Acheson Wallace Gift, Bequest of Gioconda King, by exchange, Anonymous Gift and Gift of Sylvia de Cuevas, by exchange, Janet Lee Kadesky Ruttenberg Fund, in memory of William S. Lieberman, Mayer Fund, Norman M. Leff Bequest, and George A. Hearn and Kathryn E. Hurd Funds, 2005 (2005.390)
Provenance:
The artist;
Leo Castelli Gallery, New York, until 1960;
Acquired by Count Giuseppe Panza di Biumo, Milan, 6 June 1960;
Consigned to Leo Castelli gallery, 1963;
Acquired by Victor and Sally Ganz, 22 May 1963;
Consigned to Sotheby's, New York, 10 November 1988, no. 8;
Acquired by Mr. and Mrs. Peter M. Brant, Greenwich, Conn., 1988;
Acquired by David Geffen, by 1997;
Consigned to Gagosian Gallery, New York, November 2005;
Acquired Steven A. Cohen and The Metropolitan Museum of Art; Promised Gift of Steven A. Cohen, and Purchase, Lila Acheson Wallace Gift, Bequest of Gioconda King, by exchange, Anonymous Gift and Gift of Sylvia de Cuevas, by exchange, Janet Lee Kadesky Ruttenberg Fund, in memory of William S. Lieberman, Mayer Fund, Norman M.
Leff Bequest, and George A. Hearn and Kathryn E. Hurd Funds, 2005.
Nationality of Artist: American
Identifying marks: ladder
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg, Leo Castelli Gallery, New York, 29 March–16 April 1960, no catalogue;
4 Amerikanare: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz, Moderna Museet, Stockholm, 17 March–6 May 1962, no. 33;
Robert Rauschenberg, The Jewish Museum, New York, 31 March 31–12 May 1963, no. 28;
XXXII International Biennial Exhibition of Art: Four Younger Artists, United States Pavilion, Venice, 20 June–18 October 1964, no. 28;
Pop Art Redefined, Hayward Gallery, London, 9 July – 3 September 1969, no. 115;
Robert Rauschenberg, Tate Gallery, London, 28 April – 14 June 1981, no. 19;
Robert Rauschenberg: A Retrospective, 19 September 1997 – 7 January 1998, Solomon R. Guggenheim Museum, New York, no. 113 [lent by David Geffen, Los Angeles];
Robert Rauschenberg: Combines, The Metropolitan Museum of Art, New York, 20 December 2005–2 April 2006, unnumbered cat., pl. 111 [lent by David Geffen, Los Angeles);
http://www.metmuseum.org/art/collection/search/494509.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Sketch for Monogram, 1959

X58440
Sketch for Monogram

1959
on paper, unique
Watercolour and graphite on paper
support: 485.8 x 288.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
3D into 2D: Drawing for Sculpture, New York Cultural Center, Jan. 19–March 11, 1973. Organized in collaboration with Fairleigh Dickinson University, Hackensack, N.J. Traveled to Art Gallery, Kingsborough Community College, City University of New York, Brooklyn; Vancouver Art Gallery; National Gallery of Canada, Ottawa, Aug. 3–Sept. 3; Allen Memorial Art Museum, Oberlin College, Ohio, Oct. 13–Nov. 18; Art Galleries, University of California, Santa Barbara, Jan. 14–Feb. 3, 1974;
University Art Museum, University of California, Berkeley, May–June 23, 1974.
Poets of the Cities: New York and San Francisco, 1950–1965, Dallas Museum of Fine Arts, Nov. 20–Dec. 29, 1974. Organized in collaboration with Southern Methodist University, Dallas. Traveled to San Francisco Museum of Modern Art, Jan. 31–March 23, 1975; Wadsworth Atheneum, Hartford, Conn., April 23–June 1, 1975.
Two Hundred Years of American Sculpture, Whitney Museum of American Art, New York, March 16–Sept. 26, 1976.
Robert Rauschenberg, Museum of Modern Art, New York, March 25–May 17, 1977; San Francisco Museum of Modern Art, June 24–Aug. 21, 1977; Traveled to Albright-Knox Art Gallery, Buffalo, Sept. 25–Oct. 30, 1977; Art Institute of Chicago, Dec. 3, 1977–Jan. 15, 1978.
Robert Rauschenberg: Das zeichnerische Werk, 1949–1979, Kunsthalle Tübingen, Germany, May 5–June 24. Traveled to Kunstmuseum Hannover mit Sammlung Sprengel, Hanover, Germany, Aug. 19–Sept. 23.
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto VII: Circle Four, The Hoarders and The Wasters: Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60607
Canto VII: Circle Four, The Hoarders and The Wasters: Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, graphite, watercolor, and colored pencil on paper
image: 366 x 291 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60608
Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, graphite, watercolor, gouache, and crayon on paper
image: 368 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60609
Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, cut and pasted paper, watercolor, gouache, and crayon
image: 368 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60610
Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, graphite, gouache, and crayon on paper
image: 368 x 291 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60611
Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, wash, and graphite on paper
image: 368 x 290 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60612
Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, wash, colored pencil, graphite, gouache, and black chalk on paper
image: 368 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno, 1959-1960

X60613
Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, graphite, colored pencil, watercolor, and black chalk on paper
image: 368 x 289 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60614
Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, gouache, graphite and red chalk on paper
image: 367 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60615
Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, watercolor, and graphite on paper
image: 368 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60616
Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, wash, graphite, colored pencil, and gouache on paper
image: 367 x 291 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, 1959-1960

X60617
Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, wash, and graphite on paper
image: 369 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60618
Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, wash, pencil, gouache, and crayon on paper
image: 368 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60619
Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, graphite and wash on paper
image: 367 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XX: Circle Eight, Bolgia 4, The Fortune Tellers and Diviners from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60620
Canto XX: Circle Eight, Bolgia 4, The Fortune Tellers and Diviners from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, wash, and graphite on paper
image: 369 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60621
Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, cut and pasted paper, graphite, colored pencil, wash on paper
image: 367 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60622
Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, graphite and wash on paper
image: 367 x 293 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60623
Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, graphite, gouache, watercolor, and wash on paper
image: 367 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60624
Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, watercolor, and graphite on paper
image: 367 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60625
Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, wash, watercolor, colored pencil, and graphite on paper
image: 366 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60626
Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, wash, and graphite on paper
image: 367 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60627
Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, gouache, and graphite on paper
image: 367 x 291 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60628
Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, graphite, watercolor, gouache, and colored pencil on paper
image: 368 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60633
Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, pastel, gouache, watercolor, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno, 1959-1960

X60634
Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, gouache, and graphite on paper
image: 368 x 293 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, 1959-1960

X60635
Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, colored pencil, gouache, and graphite on paper
image: 368 x 293 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60636
Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, watercolor, and graphite on paper
image: 368 x 292 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60638
Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, and graphite on paper
image: 369 x 293 mm frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60639
Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, watercolor, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Ace, 1962

X56111
Ace

1962
painting
Oil paint, paper, cardboard, paint-can label, umbrella, doorknob, fabric, wood, nails, and metal on canvas
overall: 2743 x 6096 mm
Collection of the Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox, Jr., 1963
Provenance:
The artist;
Leo Castelli gallery, New York;
Acquired by the current owner by 1964.
Nationality of Artist: American
Identifying marks: Various types of media
Place of manufacture: USA
Catalogue Raisonné (select):
66th Annual Exhibition: American Painting and Sculpture, The Art Institute of Chicago, 26 January – 3 March 1963; Robert Rauschenberg: Paintings, Drawings and Combines, 1949 – 1964, Whitechapel Gallery, London 4 February – 8 March 1964, exh.cat. plate 28 [Lent by Albright-Knox Gallery, Buffalo]; Robert Rauschenberg, Tate Gallery, London, 1981; Paul Schimmel, Robert Rauschenberg: Combines, The Metropolitan Museum of Art, New York, 20 December 2005 – 2 April 2006; The Museum of Contemporary Art, Los Angleles, 21 May – 11 September 2006 exh.cat. plate 160, p.184-5.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Crocus, 1962

X56224
Crocus

1962
painting
Oil paint and silkscreen ink on canvas
support: 1524 x 914 mm
Private collection
Provenance:
The artist;
Leo Castelli Gallery, New York, 1962;
Acquired by Ira Young, Vancouver, 1982;
Consigned to James Goodman Gallery, New York, 1989;
Acquired by Mr and Mrs S.I. Newhouse, Jr, 1990;
Consigned to Lucy Mitchell Innes, Inc;
Acquired by the current owner, February 1996.

Nationality of Artist: American
Identifying marks: Signed on reverse
Place of manufacture: USA

Catalogue Raisonné (select):
Black and White, The Jewish Museum, New York, n.p.;
Rauschenberg, Staatliche Kunsthalle Berlin, exh.cat., 1980, cat.no. 25, p.385 [lender listed as Leo Castelli gallery];
Robert Rauschenberg: The Silkscreen Paintings 1962–64, Whitney Museum of American Art, 1990, p.130 [lender listed as Mr and Mrs S.I. Newhouse, Jr];
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 172, p.176.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Scanning, 1963

X56227
Scanning

1963
painting
Oil paint and silkscreen ink on canvas
support: 1416 x 1854 mm
Helen and Charles Schwab
Provenance:
The artist;
Pace Wildenstein Gallery, New York, 1998;
Acquired by the current owner, 1998.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
The Obsessive Image: 1960–1968, Institute of Contemporary Arts, London, April 10–May 29, 1968;
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998; The Menil Collection, Contemporary Arts Museum, and the Museum of Fine Arts, Houston, 12 February – 17 May 1998, plate 197, p.178 [collection of the artist]; Robert Rauschenberg, San Francisco Museum of Modern Art, 7 May 7 – 7 September, 1999;
75 Years of Looking Forward: The Anniversary Show, San Francisco Museum of Modern Art, 19 December 2009 – 16 January 2011.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Estate, 1963

X58384
Estate

1963
painting
Oil paint and screenprint ink on canvas
support: 2438 x 1773 mm frame: 2508 x 1854 x 76 mm
Philadelphia Museum of Art. Gift of the Friends of the Philadelphia Museum of Art, 1967
Provenance:
The artist;
Leo Castelli Gallery, New York, 1963;
Purchased by the Friends of the Philadelphia Museum of Art, 1967.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965, plate 27, p.46; American Painting Since World War II, Delaware Art Museum, Wilmington, 1971, n.p.; Twenty-Five Years of American Painting: 1948 – 1973, Des Moines Art Center, 1973, n.p., no.36; Robert Rauschenberg: The Silkscreen Paintings 1962–64, Whitney Museum of American Art, 1990, plate 20, p.142; Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 179, p.187.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Dry Cell, 1963

X58387
Dry Cell

1963
sculpture
Silkscreened ink and oil on Plexiglas, with metal coat hanger, wire, string, sound transmitter, circuit board, and batter-powered motor, on metal folding camp stool
displayed: 381 x 305 x 391 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Werke 1950–1980, Staatliche Kunsthalle, Berlin, March 23–May 4, 1980. Traveled to Kunsthalle Düsseldorf, June 7–July 13; Louisiana Museum of Modern Art, Humlebaek, Denmark, Sept. 20–Nov. 25; Städel, Frankfurt, Dec. 4, 1980–Jan. 18, 1981; Städtische Galerie im Lenbachhaus, Munich, Feb. 4–April 5, 1981; Tate Gallery, London (as Robert Rauschenberg), April 29–June 14, 1981.
Soundings, Neuberger Museum of Art, State University of New York, Purchase, Sept. 20–Dec. 23, 1981.
Digital Visions: Computers and Art, Everson Museum of Art, Syracuse, Sept. 18–Nov. 8, 1987. Traveled to Contemporary Arts Center, Cincinnati, Ohio, Nov. 27, 1987–Jan. 9, 1988; IBM Gallery of Science and Art, New York, April 26–June 18, 1988; Center for the Fine Arts, Miami, Aug. 13–Sept. 25, 1988.
The Nature of the Machine, An Exhibition of Kinetic and Biokinetic Art, Chicago Cultural Center, April 3–May 30, 1993.
Robert Rauschenberg: Haywire, Technologische Hauptwerke aus den sechziger Jahren (Haywire, major technological works from the 1960s), Aktionsforum Praterinsel, Munich, March 22–May 19, 1997.
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999.
E.A.T.—The Story of Experiments in Art and Technology, NTT InterCommunication Center, Tokyo, April 11–June 29, 2003.
Rauschenberg, Palazzo dei Diamanti, Ferrara, Feb. 29–June 6, 2004.
Teknologi för Livet: Om Experiments in Art and Technology, Norrköpings Konstmuseum, Norrköping, Sweden, Sept. 12–Nov. 7, 2004.
Robert Rauschenberg: Works from the 1960s, Galleri Faurschou, Copenhagen, April 7–July 2, 2005.
Robert Rauschenberg: Silkscreen Paintings, 1962–63, Craig F. Starr Associates, New York, March 24–May 13, 2006.
Robert Rauschenberg—Jean Tinguely: Collaborations, Museum Tinguely, Basel, Oct. 14, 2009–Jan. 17, 2010.
Robert Rauschenberg, Gagosian Gallery, West Twenty-first Street, New York, Oct. 29, 2010–Jan. 15, 2011.
Radio Waves: New York “Nouveau Réalisme” and Rauschenberg,Sperone Westwater, New York, Sept. 17–Nov. 2, 2013.
E.A.T. – Experiments in Art and Technology, Payne Gallery, Moravian College, Bethlehem, Jan. 16 – Feb. 28, 2014.
E.A.T.: Experiments in Art and Technology, Museum der Moderne Salzburg Mönchsberg, July 25–Nov. 1, 2015.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Tracer, 1963

X62100
Tracer

1963
painting
Oil paint and silkscreen ink on canvas
support: 2136.8 x 1524 x 50.8 mm frame: 2146.3 x 1533.5 x 50.8 mm
The Nelson-Atkins Museum of Art, Kansas City, Missouri (Purchase: The Nelson Gallery Foundation)
Provenance:
The artist;
Leo Castelli Gallery, New York, 1963;
Mrs Frank Titelman, West Palm Beach, Florida, 1964–1984;
Purchased by the Nelson-Atkins Museum of Art from Mrs Titelman through dealer, Barbara Divver Fine Art, New York, 1984.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: Paintings, Drawings and Combines, 1949 – 1964, Whitechapel Gallery, London 4 February – 8 March 1964, exh.cat. plate 39 [lent by the artist, incorrectly listed as 1964]; American Pop Art, Whitney Museum of American Art, New York, 1974, no.58; Robert Rauschenberg: The Silkscreen Paintings 1962–64, Whitney Museum of American Art, 1990, plate 31, pp.103, 151.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Pelican notes [recto], 1963

Z05773
Pelican notes [recto]

1963
supporting material
Graphite on paper
object: 279.4 x 215.9 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Pelican notes [verso], 1963

Z05774
Pelican notes [verso]

1963
supporting material
Graphite on paper
object: 279.4 x 215.9 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Pelican, 1963

Z06431
Pelican

1963
time-based media
Film, black and white, sound
duration: 1min, 55sec duration: 1min, 37sec
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: Unknown
Identifying marks: N/A
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Persimmon, 1964

X56228
Persimmon

1964
painting
Oil paint and silkscreen ink on canvas
support: 1676 x 1270 mm
Private collection
Provenance:
The artist;
Leo Castelli Gallery, New York, 1964;
Toiny Castelli, New York, 1964;
Private collection, 1998.
Nationality of Artist: American
Identifying marks: Signed, titled and dated on reverse
Place of manufacture: USA
Catalogue Raisonné (select):
Man, Glory, Jest, and Riddle: A Survey of the Human Form Through the Ages, 1964, no. 278;
American Pop Art, Whitney Museum of American Art, New York, 1974, no.57;
Colección Leo Castelli, Fundación Juan March, 1988, no.38.
Robert Rauschenberg: The Silkscreen Paintings 1962–64, Whitney Museum of American Art, 1990, p.150;
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 182, p.191.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Shades, 1964

X58388
Shades

1964
sculpture
Multiple with six lithographs on Plexiglas panels: one mounted permanently and five interchangeably in a slotted aluminium frame, and illuminated by an intermittant light bulb
displayed: 384 x 368 x 299 mm
The Museum of Modern Art, New York. Gift of the Celeste and Armand Bartos Foundation, 1964
Provenance:
The artist;
Universal Limited Art Editions, West Islip, New York.
Acquired by The Museum of Modern Art, New York, 1964 by gift from Celeste and Armand Bartos Foundation.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 245.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Retroactive II, 1964

X58576
Retroactive II

1964
painting
Oil paint and silkscreen ink on canvas
unconfirmed: 2134 x 1524 mm
Collection Museum of Contemporary Art Chicago Partial gift of Stefan T. Edlis and H. Gael Neeson 1998.49
Provenance:
The artist;
Galerie Ileana Sonnabend, Paris 1964;
Leo Castelli Gallery, New York, 1966;
Mary Harari, Johannesburg, 1966;
Sotheby’s New York, 23 October 1975, no. 428;
Galerie Beyeler, Basel, 1975;
François de Menil, Paris, 1976;
Feigen, Inc., New York, 1982;
Stefan T. Edlis, 1982;
Partially gifted to current owner by Museum of Contemporary Art Chicago. Partial gift of Stefan T. Edlis and H. Gael Neeson.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Salon de Mai, Galerie Ileana Sonnabend, 1964 (no catalogue);
Two Hundred Years of American Painting from Private Chicago Collections, Terra Museum of American Art, Evanston, Illinois, 1983;
Robert Rauschenberg: The Silkscreen Paintings 1962–64, Whitney Museum of American Art, 1990, plate 62, p.155.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Shot Put Notes, 1964

Z05892
Shot Put Notes

1964
on paper, unique
Graphite on paper
object: 423.6 x 127 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Five New York Evenings Notebook [notes on Shot Put and Elgin Tie], c.1964

Z05893
Five New York Evenings Notebook [notes on Shot Put and Elgin Tie]

c.1964
on paper, unique
Spiral-bound notebook, 40 pages
object: 165.1 x 114.3 mm displayed: 168.3 x 228.6 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg, 1960s;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Concert for New Paltz flyer [premiere of Shot Put], 1964

Z06296
Concert for New Paltz flyer [premiere of Shot Put]

1964
on paper, print
Print on paper
object: 355.6 x 215.9 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Map Room II, c.1965

Z05765
Map Room II

c.1965
supporting material
Notes on paper

Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Paper is brittle and one page is torn in top left corner
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Spring Training supply list, c.1965

Z05794
Spring Training supply list

c.1965
supporting material
Graphite on lined paper
object: 241.3 x 152.4 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Spring Training supply list, c.1965

Z05795
Spring Training supply list

c.1965
supporting material
Graphite on lined paper
object: 241.3 x 152.4 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Paper is creased, left corner is torn, and left edge has several tears
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Map Room II Notes, c.1965

Z05820
Map Room II Notes

c.1965
supporting material
Graphite on lined paper, 3 sheets
object: 317.5 x 203.2 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Paper is brittle and one page is torn in top left corner
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Spring Training, 1965

Z06432
Spring Training

1965
time-based media
Film, black and white, sound
duration: 52sec
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: Unknown
Identifying marks: Media file
Place of manufacture: USA
Catalogue Raisonné (select): Rauschenberg: A Retrospective, Guggenheim Museum, 1997
This work was made after the operative period 1933-45.

Robert Rauschenberg, Map Room II, 1965

Z06433
Map Room II

1965
time-based media
Film, black and white, no sound
duration: 4min, 48sec
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: Unknown
Identifying marks: Digital file
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, 9 Evenings programme [featuring Open Score description], 1966

X63811
9 Evenings programme [featuring Open Score description]

1966
supporting material
Catalogue, print on paper, folded
unconfirmed: 419.1 x 538.5 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Folded down centre
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Linoleum [instructions and costumes], c. 1966

Z05755
Linoleum [instructions and costumes]

c. 1966
supporting material
2 sheets, print on paper, facsimile copies
object: 279.4 x 215.9 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Linoleum Notes, 1966

Z05756
Linoleum Notes

1966
supporting material
Graphite on paper
object: 279.4 x 212.7 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Paper is creased down the centre, both horizontally and vertically
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Open Score archival material [Instructions 1-10 'Men take off jackets'], c.1966

Z05760
Open Score archival material [Instructions 1-10 'Men take off jackets']

c.1966
supporting material
Graphite on paper
object: 215.9 x 212.7 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: 1966 Festival for Theater and Engineering letterhead on verso
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Open Score notes [Stage lighting & directions: 'House dark'], c.1966

Z05762
Open Score notes [Stage lighting & directions: 'House dark']

c.1966
supporting material
Graphite on paper
object: 279.4 x 212.7 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Open Score notes [Stage lighting & directions 'Mass enters'], c.1966

Z05763
Open Score notes [Stage lighting & directions 'Mass enters']

c.1966
supporting material
Graphite on paper
object: 317.5 x 203.2 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, E.A.T. programme, c.1966

Z06302
E.A.T. programme

c.1966
on paper, print
Print on paper, stapled
object: 254 x 203.2 mm displayed: 254 x 406.4 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, E.A.T. programme draft [p.1 'Raison d'etre'], c.1966

Z06303
E.A.T. programme draft [p.1 'Raison d'etre']

c.1966
on paper, print
Ink and graphite on paper
object: 254 x 203.2 mm displayed: 254 x 406.4 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, E.A.T. programme draft [pp.2-3 'Background' & 'Programme'], c.1966

Z06304
E.A.T. programme draft [pp.2-3 'Background' & 'Programme']

c.1966
on paper, print
Facsimilie of Ink and graphite on paper
object: 254 x 406.4 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Robert Rauschenberg's notes for 'Open Score', 1966

Z06376
Robert Rauschenberg's notes for 'Open Score'

1966
supporting material
Handwritten text on paper

The Getty Research Institute, Los Angeles
Provenance:
The artist;
Billy Klüver;
Acquired by the J. Paul Getty Trust, 1993.
Nationality of Artist: American
Identifying marks: ID number 940003.6.2
Place of manufacture: USA
Exhibition history: 9 Evenings Reconsidered, MIT List Art Center, 2006.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Linoleum, 1966

Z06434
Linoleum

1966
time-based media
Film, black and white, sound
duration: 14min, 21sec
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: Unknown
Identifying marks: Media file
Place of manufacture: USA
Catalogue Raisonné (select): Rauschenberg: A Retrospective, Guggenheim Museum, 1997
This work was made after the operative period 1933-45.

Robert Rauschenberg, Rauschenberg note on E.A.T., c.1967

Z05317
Rauschenberg note on E.A.T.

c.1967
supporting material
Handwritten text on paper

The Getty Research Institute, Los Angeles
Provenance:
The artist;
Billy Klüver;
Acquired by the J. Paul Getty Trust, 1993.
Nationality of Artist: American
Identifying marks: ID number d 940003.45
Place of manufacture: USA
No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Urban Round programme, 1967

Z06298
Urban Round programme

1967
on paper, print
Print on paper
object: 215.9 x 177.8 mm displayed: 215.9 x 355.6 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Folded
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Linoleum programme, 1968

Z06299
Linoleum programme

1968
on paper, unique
Print on paper
object: 215.9 x 355.6 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Creases throughout, and two dark brown stains in bottom left
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Signs, 1970

X63844
Signs

1970
on paper, print
Screenprint on paper
image: 894 x 679 mm frame: 1092 x 864 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: Stoned Moon Series, Jan. 11–Feb. 2, 2008, Madison Museum of Contemporary Art, Sept. 12, 2009–Jan. 3, 2010, and Signs of the Times: Robert Rauschenberg’s America, Sept. 13, 2009–Jan. 3, 2010.
From Portraits to Tweets: Imagery, Technology and the US Presidency, Emily Lowe Gallery, Hofstra University Museum, Hempstead, Feb. 3–May 8, 2015.
This work was made after the operative period 1933-45.

Robert Rauschenberg, 'Signs' announcement, Automation House and Castelli Graphics, June 1970, 1970

Z06939
'Signs' announcement, Automation House and Castelli Graphics, June 1970

1970
on paper, print
Printed ink on paper, double sided
support: 279.4 x 228.6 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, 'Currents' announcement, Automation House and Castelli Graphics, June 1970, 1970

Z06940
'Currents' announcement, Automation House and Castelli Graphics, June 1970

1970
on paper, print
Printed ink on paper, folded
support: 228.6 x 457.2 mm displayed: 228.6 x 228.6 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Nabisco Shredded Wheat (Cardboard), 1971

X58055
Nabisco Shredded Wheat (Cardboard)

1971
sculpture
Cardboard
unconfirmed: 1778 x 2413 x 279 mm
The Museum of Modern Art, New York. Gift of Robert Rauschenberg Foundation, and Committee on Painting and Sculpture Funds, 2013
Provenance:
The artist;
Gift of Robert Rauschenberg Foundation, and Committee on Painting and Sculpture Funds to The Museum of Modern Art, New York, 2013.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Cardboards and Related Pieces, The Menil Collection, Houston, 23 February – 13 May 2007, pp.31, 83.
This work was made after the operative period 1933-45.

Robert Rauschenberg, National Spinning / Red / Spring (Cardboard), 1971

X58058
National Spinning / Red / Spring (Cardboard)

1971
sculpture
Cardboard, wood, string and steel
object: 2540 x 2502 x 216 mm
The Menil Collection, Houston. Purchased with funds contributed by The Brown Foundation, Inc., and the following Menil Board of Trustees: Louisa Stude Sarofim, Frances R. Dittmer, Estate of James Elkins, Jr., Windi Grimes, Agnes Gund, Janie C. Lee, Isabel S. Lummis, Roy Nolen, Charles Wright, Michael Zilkha
Provenance:
The artist;
Acquired by the Menil Collection, with funds contributed by The Brown Foundation, Inc., and the following Menil Board of Trustees: Louisa Stude Sarofim, Frances R. Dittmer, Estate of James Elkins, Jr., Windi Grimes, Agnes Gund, Janie C. Lee, Isabel S. Lummis, Roy Nolen, Charles Wright, Michael Zilkha, 2005.
Nationality of Artist: American
Identifying marks: Cardboard
Place of manufacture: USA
Catalogue Raisonné (select): Robert Rauschenberg: Cardboards and Related Pieces, Menil Collection, 2007, p.94.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled [cardboard], 1972

X60309
Untitled [cardboard]

1972
sculpture
Corrugated cardboard, rubber and adhesive tape on wood
object: 1330 x 2720 x 280 mm
MACBA Collection. MACBA Foundation - Gratitude: MACBA. Museu d'Art Contemporani de Barcelona
Provenance:
The artist;
Consigned to Leo Castelli Gallery, New York, 1972;
Acquired by Alfred Schmela, 1972;
On loan to Sammlung Collection Mönter;
Consigned to Galerie Gmurzynska, Cologne, Germany, by 1988;
Purchased by the current owner [MACBA Foundation], 1988.

Nationality of Artist: American
Identifying marks: Work includes rubber and adhesive tape
Place of manufacture: USA

Catalogue Raisonné:
MACBA Collection I, Museu d'Art Contemporani de Barcelona, Spain, 1995–6; Robert Rauschenberg: Carboards and Related Pieces, The Menil Collection, Huston, USA, 2007; Peripherical look and collective body, Museion, Bolzano, Italy, 2008; Volum! Works from the collections of Fundació “La Caixa” and MACBA, Museu d'Art Contemporani de Barcelona, Spain, 2011–12; The Weight of Gesture, Fundació “La Caixa” Barcelona, Spain, 2016.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled (Venetian), 1973

X58248
Untitled (Venetian)

1973
sculpture
Cardboard and rope
object: 660 x 7036 x 305 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg Overseas Culture Interchange: ROCI MEXICO, Museo Rufino Tamayo Arte Contemporáneo Internacional, Mexico City, April 17–June 23, 1985.
Rauschenberg Overseas Culture Interchange: ROCI CHILE, Museo Nacional de Bellas Artes, Santiago, July 17–Aug. 18, 1985.
Rauschenberg Overseas Culture Interchange: ROCI VENEZUELA, Museo de Arte Contemporáneo de Caracas, Sept. 12–Oct. 27, 1985.
Rauschenberg Overseas Culture Interchange: ROCI CHINA,National Art Museum of China, Beijing, Nov. 18–Dec. 5, 1985.
Rauschenberg Overseas Culture Interchange: ROCI TIBET, Tibet Exhibition Hall, Lhasa, Dec. 2–23, 1985.
Rauschenberg Overseas Culture Interchange: ROCI JAPAN,Setagaya Museum of Art, Tokyo, Nov. 22–Dec. 8, 1986.
Rauschenberg Overseas Culture Interchange: ROCI CUBA, Museo Nacional de Bellas Artes, Castillo de la Real Fuerza, and Casa de las Américas, Galería Haydée Santamaría, Havana, Feb. 10–April 3, 1988.
Rauschenberg Overseas Culture Interchange: ROCI USSR, Central House of Artists, Tretyakov Gallery, Moscow, Feb. 2–March 5, 1989.
Rauschenberg Overseas Culture Interchange: ROCI BERLIN, Neue Berliner Galerie, Altes Museum, Berlin, March 10–April 1, 1990.
Rauschenberg Overseas Culture Interchange: ROCI MALAYSIA, Balai Seni Lukis Negara (National Art Gallery), Kuala Lumpur, May 21–June 21, 1990.
Robert Rauschenberg: Sculpture, Modern Art Museum of Fort Worth, Oct. 22–Dec. 31, 1995. Traveled to Museum of Contemporary Art, Miami, April 25–June 9, 1996.
Magic Markers: Objects of Transformation, Des Moines Art Center, Iowa, Feb. 1–April 20, 2003.
Robert Rauschenberg: Cardboards and Related Pieces, The Menil Collection, Houston, Feb. 23–May 13, 2007.
Robert Rauschenberg: Travelling ’70–’76, Museu de Arte Contemporânea de Serralves, Porto, Portugal, Oct. 26, 2007–March 30, 2008. Traveled to Haus der Kunst, Munich, May 9–Sept. 14, 2008; Museo d’Arte Contemporanea Donnaregina, Naples, Oct. 23, 2008–Jan. 19, 2009.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Glacier (Hoarfrost), 1974

X58129
Glacier (Hoarfrost)

1974
sculpture
Solvent transfer on satin and chiffon with pillow
object: 3048 x 1880 x 149 mm
The Menil Collection, Houston
Provenance:
The artist;
Menil Collection, Houston, by 1997.
Nationality of Artist: American
Identifying marks: Satin, chiffon and pillow
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 292, p.354.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Mirage (Jammer), 1975

X58202
Mirage (Jammer)

1975
sculpture
Sewn fabric
object: 2032 x 1752.6 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg, Galleria Civica d’Arte Moderna, Ferrara, Jan. 18–March 7, 1976. Traveled to Forte di Belvedere, Florence, Sept. 11–Oct. 19, 1976.
Rauschenberg Overseas Culture Interchange: ROCI TIBET, Tibet Exhibition Hall, Lhasa, Dec. 2–23, 1985.
Rauschenberg Overseas Culture Interchange: ROCI JAPAN, Setagaya Museum of Art, Tokyo, Nov. 22–Dec. 8, 1986.
Rauschenberg Overseas Culture Interchange: ROCI CUBA, Museo Nacional de Bellas Artes, Castillo de la Real Fuerza, and Casa de las Américas, Galería Haydée Santamaría, Havana, Feb. 10–April 3, 1988.
Rauschenberg Overseas Culture Interchange: ROCI USSR, Central House of Artists, Tretyakov Gallery, Moscow, Feb. 2–March 5, 1989.
Rauschenberg: Carnal Clocks, Cardboards, Jammers, Sonnabend Gallery, New York, Jan. 6–Feb. 17, 1996.
Robert Rauschenberg: A Retrospective, Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999.
Robert Rauschenberg: Travelling ’70–’76, Museu de Arte Contemporânea de Serralves, Porto, Portugal, Oct. 26, 2007–March 30, 2008. Traveled to Haus der Kunst, Munich, May 9–Sept. 14, 2008; Museo d’Arte Contemporanea Donnaregina, Naples, Oct. 23, 2008–Jan. 19, 2009.
Jammers, Gagosian Gallery, Britannia Street, London, Feb. 16–March 28, 2013.
Rauschenberg: Collecting and Connecting,Nasher Museum of Art, Duke University, Durham, N.C., Aug. 28, 2014–Jan. 11, 2015.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Quarterhorse (Jammer), 1976

X58251
Quarterhorse (Jammer)

1976
sculpture
Sewn fabric and cloth-covered rattan poles
displayed: 1511 x 4280 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg, Forte di Belvedere, Florence, Sept. 11–Oct. 19, 1976.
Rauschenberg Overseas Culture Interchange: ROCI MEXICO, Museo Rufino Tamayo Arte Contemporáneo Internacional, Mexico City, April 17–June 23, 1985.
Rauschenberg Overseas Culture Interchange: ROCI CHILE,Museo Nacional de Bellas Artes, Santiago, July 17–Aug. 18, 1985.
Rauschenberg Overseas Culture Interchange: ROCI VENEZUELA, Museo de Arte Contemporáneo de Caracas, Sept. 12–Oct. 27, 1985.
Rauschenberg Overseas Culture Interchange: ROCI CHINA, National Art Museum of China, Beijing, Nov. 18–Dec. 5, 1985.
Rauschenberg Overseas Culture Interchange: ROCI JAPAN,Setagaya Museum of Art, Tokyo, Nov. 22–Dec. 8, 1986.
Rauschenberg Overseas Culture Interchange: ROCI CUBA, Museo Nacional de Bellas Artes, Castillo de la Real Fuerza, and Casa de las Américas, Galería Haydée Santamaría, Havana, Feb. 10–April 3, 1988.
Rauschenberg Overseas Culture Interchange: ROCI USSR, Central House of Artists, Tretyakov Gallery, Moscow, Feb. 2–March 5, 1989.
Rauschenberg Overseas Culture Interchange: ROCI BERLIN, Neue Berliner Galerie, Altes Museum, Berlin, March 10–April 1, 1990.
Rauschenberg Overseas Culture Interchange: ROCI MALAYSIA, Balai Seni Lukis Negara (National Art Gallery), Kuala Lumpur, May 21–June 21, 1990.
Robert Rauschenberg: Travelling ’70–’76, Museu de Arte Contemporânea de Serralves, Porto, Portugal, Oct. 26, 2007–March 30, 2008. Traveled to Haus der Kunst, Munich, May 9–Sept. 14, 2008; Museo d’Arte Contemporanea Donnaregina, Naples, Oct. 23, 2008–Jan. 19, 2009.
Jammers, Gagosian Gallery, Britannia Street, London, Feb. 16–March 28, 2013.
Kunst und Textil: Stoff als Material und Idee in der Moderne von Klimt bis heute (Art and Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present), Kunstmuseum Wolfsburg, Germany, Oct. 12, 2013–March 2, 2014. Traveled to Staatsgalerie Stuttgart, March 21–June 22, 2014.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Albino (Jammer), 1975

X62213
Albino (Jammer)

1975
sculpture
Four rattan poles (partially cloth-covered), bleached muslin
displayed: 2311.4 x 4724.4 x 609.6 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg, Forte di Belvedere, Florence, Sept. 11–Oct. 19, 1976.
Intuition/(Im)precision, Galerie Thaddaeus Ropac, Salzburg, Oct. 2–Nov. 10, 2004.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled (Spread), 1983

X61876
Untitled (Spread)

1983
painting
Solvent transfer, acrylic and collage on wood panel, with umbrellas
object: 1886 x 2457 x 889 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg Overseas Culture Interchange: ROCI MEXICO, Museo Rufino Tamayo Arte Contemporáneo Internacional, Mexico City, April 17–June 23, 1985.
Rauschenberg Overseas Culture Interchange: ROCI CHILE, Museo Nacional de Bellas Artes, Santiago, July 17–Aug. 18, 1985.
Rauschenberg Overseas Culture Interchange: ROCI VENEZUELA, Museo de Arte Contemporáneo de Caracas, Sept. 12–Oct. 27, 1985.
Rauschenberg Overseas Culture Interchange: ROCI CHINA,National Art Museum of China, Beijing, Nov. 18–Dec. 5, 1985.
Rauschenberg Overseas Culture Interchange: ROCI JAPAN, Setagaya Museum of Art, Tokyo, Nov. 22–Dec. 8, 1986.
Rauschenberg Overseas Culture Interchange: ROCI CUBA, Museo Nacional de Bellas Artes, Castillo de la Real Fuerza, and Casa de las Américas, Galería Haydée Santamaría, Havana, Feb. 10–April 3, 1988.
Rauschenberg Overseas Culture Interchange: ROCI USSR, Central House of Artists, Tretyakov Gallery, Moscow, Feb. 2–March 5, 1989.
Rauschenberg Overseas Culture Interchange: ROCI BERLIN, Neue Berliner Galerie, Altes Museum, Berlin, March 10–April 1, 1990.
Rauschenberg Overseas Culture Interchange: ROCI MALAYSIA, Balai Seni Lukis Negara (National Art Gallery), Kuala Lumpur, May 21–June 21, 1990.
Rauschenberg Overseas Culture Interchange, National Gallery of Art, Washington, D.C., May 12–Sept. 2.
Robert Rauschenberg, Gagosian Gallery, West Twenty-first Street, New York, Oct. 29, 2010–Jan. 15, 2011.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Poster for ROCI MEXICO, 1985

X58829
Poster for ROCI MEXICO

1985
on paper, print
Offset lithograph on paper
support: 876 x 610 mm frame: 1070 x 792.2 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Posters, Bob Rauschenberg Gallery, Edison College, Fort Myers, Jan. 11–Feb. 2, 2008.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Poster for ROCI CHILE, 1985

X58831
Poster for ROCI CHILE

1985
on paper, print
Offset lithograph on paper
support: 876 x 610 mm frame: 1070 x 792.2 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Posters, Bob Rauschenberg Gallery, Edison College, Fort Myers, Jan. 11–Feb. 2, 2008.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Poster for ROCI VENEZUELA, 1985

X58832
Poster for ROCI VENEZUELA

1985
on paper, print
Offset lithograph on paper
support: 876 x 610 mm frame: 1070 x 792.2 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Posters, Bob Rauschenberg Gallery, Edison College, Fort Myers, Jan. 11–Feb. 2, 2008.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Poster for ROCI CHINA, 1985

X58834
Poster for ROCI CHINA

1985
on paper, print
Offset lithograph on paper
support: 873 x 610 mm frame: 107 x 792.2 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Posters, Bob Rauschenberg Gallery, Edison College, Fort Myers, Jan. 11–Feb. 2, 2008.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Glut Data, 1986

X58255
Glut Data

1986
sculpture
Riveted metal parts
object: 1080 x 2311 x 457 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Gluts, Leo Castelli, New York, Nov. 1–29, 1986.
Robert Rauschenberg: Neue Arbeiten, Galerie Denise René Hans Mayer, Düsseldorf, April 21–June 10, 1987.
Robert Rauschenberg: Gluts, Peggy Guggenheim Collection, Venice, May 30–Sept. 20. Traveled to Museum Tinguely, Basel, Oct. 14, 2009–Jan. 17, 2010; Guggenheim Museum, Bilbao, Feb. 12–Sept. 12, 2010; Villa e Collezione Panza, Varese, Oct. 14, 2010–Feb. 27, 2011.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Poster for ROCI JAPAN, 1986

X58836
Poster for ROCI JAPAN

1986
on paper, print
Offset lithograph on paper
support: 876 x 610 mm frame: 1070 x 792.2 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Posters, Bob Rauschenberg Gallery, Edison College, Fort Myers, Jan. 11–Feb. 2, 2008.
This work was made after the operative period 1933-45.

Robert Rauschenberg, 'Man of the Year: Deng Xiaoping', TIME, 6 January 1986, 1986

Z06443
'Man of the Year: Deng Xiaoping', TIME, 6 January 1986

1986
on paper, print
Magazine, print on paper
object: 273.1 x 203.2 mm displayed: 273.1 x 412.8 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
Acquired by Rauschenberg, 1986;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg, Stop Side Early Winter Glut, 1987

X58049
Stop Side Early Winter Glut

1987
sculpture
Riveted metal road signs, car parts, and gas-station signs
displayed: 1099 x 1168 x 864 mm
The Museum of Modern Art, New York. Gift of Robert Rauschenberg Foundation and Marie-Josée and Henry R. Kravis, 2013
Provenance:
The artist;
Gift of Robert Rauschenberg Foundation and Marie-Josée and Henry R. Kravis to The Museum of Modern Art, New York, 2013.
Nationality of Artist: American
Identifying marks: Not known
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Gluts, Peggy Guggenheim Collection, Venice, 30 May – 20 September 2009, pp.76–7.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Sunset Glut, 1987

X58092
Sunset Glut

1987
sculpture
Assembled metal and plastic
object: 1543 x 2108 x 721 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: Gluts, Barbara Mann Performing Arts Hall Wall, Edison Community College, Fort Myers, Fla., March 26–May 7, 1987.
Summer Gluts, Texas Gallery, Houston, Nov. 10–Dec. 6, 1987.
Robert Rauschenberg: Gluts, Feigen, Chicago, Oct. 12–Nov. 24, 1990.
Contemporary Master Works, Feigen, Chicago, May 15–June 20, 1992.
Robert Rauschenberg, Institut Valencia d’Art Modern, March 17–May 15, 2005.
Robert Rauschenberg: Gluts, Peggy Guggenheim Collection, Venice, May 30–Sept. 20. Traveled to Museum Tinguely, Basel, Oct. 14, 2009–Jan. 17, 2010; Guggenheim Museum, Bilbao, Feb. 12–Sept. 12, 2010; Villa e Collezione Panza, Varese, Oct. 14, 2010–Feb. 27, 2011.
Robert Rauschenberg: Botanical Vaudeville, Inverleith House, Royal Botanic Garden, Edinburgh, July 27–Oct. 2, 2011. Organized in collaboration with Robert Rauschenberg Foundation and Gagosian Gallery, New York.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Balcone Glut (Neapolitan), 1987

X58093
Balcone Glut (Neapolitan)

1987
sculpture
Assembled metal parts
object: 2419 x 1391 x 540 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Neapolitan Glut, Galleria Lucio Amelio, Naples, April 24–May 30, 1987.
Robert Rauschenberg: Gluts, Galerie Isy Brachot, Brussels, May 18–Sept. 3, 1988.
Robert Rauschenberg, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, May 7–
July 10, 1994.
Rauschenberg Room, Bayerische Staatsgemäldesammlungen, Munich, Sept. 10–end of Sept, 1994.
Robert Rauschenberg: Sculpture, Modern Art Museum of Fort Worth, Oct. 22–Dec. 31, 1995. Traveled to Museum of Contemporary Art, Miami, April 25–June 9, 1996.
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999.
Rauschenberg: Neapolitan Glut, Galleria Lucio Amelio, Naples, April 24–May 30, 1987.
Robert Rauschenberg: Gluts, Galerie Isy Brachot, Brussels, May 18–Sept. 3, 1988.
Robert Rauschenberg, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, May 7–July 10, 1994.
Rauschenberg Room, Bayerische Staatsgemäldesammlungen, Munich, Sept. 10–end of Sept, 1994.
Robert Rauschenberg: Sculpture, Modern Art Museum of Fort Worth, Oct. 22–Dec. 31, 1995. Traveled to Museum of Contemporary Art, Miami, April 25–June 9, 1996.
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Poster for ROCI CUBA, Museo Nacional, 1988

X58838
Poster for ROCI CUBA, Museo Nacional

1988
on paper, print
Silkscreen and offset lithograph on foil paper
support: 902 x 603 mm frame: 1070 x 792.2 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Posters, Bob Rauschenberg Gallery, Edison College, Fort Myers, Jan. 11–Feb. 2, 2008.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Poster for ROCI CUBA, Castillo de la Fuerza, 1988

X58840
Poster for ROCI CUBA, Castillo de la Fuerza

1988
on paper, print
Silkscreen and offset lithography on foil paper
support: 902 x 603 mm frame: 1070 x 792.2 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Posters, Bob Rauschenberg Gallery, Edison College, Fort Myers, Jan. 11–Feb. 2, 2008.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Poster for ROCI CUBA, Casa de las Americas, 1988

X58841
Poster for ROCI CUBA, Casa de las Americas

1988
on paper, print
Silkscreen and offset lithography on foil paper
support: 902 x 603 mm frame: 1070 x 792.2 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Posters, Bob Rauschenberg Gallery, Edison College, Fort Myers, Jan. 11–Feb. 2, 2008.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Yellow Ranch (Rancho Amarillo) / ROCI CUBA, 1988

X64851
Yellow Ranch (Rancho Amarillo) / ROCI CUBA

1988
sculpture
Enamel and acrylic on galvanized steel
support: 1848 x 2153 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg Overseas Culture Interchange: ROCI CUBA, Museo Nacional de Bellas Artes, Castillo de la Real Fuerza, and Casa de las Américas, Galería Haydée Santamaría, Havana, Feb. 10–April 3, 1988. , Rauschenberg Overseas Culture Interchange: ROCI BERLIN, Neue Berliner Galerie, Altes Museum, BerlinMarch 10–April 1, 1990.
Rauschenberg Overseas Culture Interchange, National Gallery of Art, Washington, D.C., May 12–Sept. 2.
Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, Sept. 19, 1997–Jan. 7, 1998, Guggenheim Museum SoHo, New York, Sept. 19, 1997–Jan. 4, 1998, and Guggenheim Museum at Ace Gallery, New York, Sept. 19–Nov. 9. Traveled to the Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Feb. 13–May 17, 1998; Museum Ludwig, Cologne, June 27–Oct. 11, 1998; Guggenheim Museum, Bilbao, Nov. 21, 1998–March 7, 1999.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Poster for ROCI USSR, 1989

X58842
Poster for ROCI USSR

1989
on paper, print
Offset lithograph on paper
support: 975 x 648 mm frame: 1070 x 792.2 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Posters, Bob Rauschenberg Gallery, Edison College, Fort Myers, Jan. 11–Feb. 2, 2008.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Poster for ROCI BERLIN, 1990

X58843
Poster for ROCI BERLIN

1990
on paper, print
Offset lithograph on paperboard
support: 965 x 622 mm frame: 1070 x 792.2 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Posters, Bob Rauschenberg Gallery, Edison College, Fort Myers, Jan. 11–Feb. 2, 2008.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Poster for ROCI MALAYSIA, 1990

X58844
Poster for ROCI MALAYSIA

1990
on paper, print
Offset lithograph on paper
support: 880 x 616 mm frame: 1070 x 792.2 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Posters, Bob Rauschenberg Gallery, Edison College, Fort Myers, Jan. 11–Feb. 2, 2008.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Holiday Ruse (Night Shade), 1991

X58234
Holiday Ruse (Night Shade)

1991
painting
Screen-printed chemical-resistant varnish, water, and Aluma-Black on tarnished aluminum
support: 2159 x 6121 mm
The Menil Collection, Houston
Provenance:
The artist;
Menil Collection, Houston.
Nationality of Artist: American
Identifying marks: In five parts
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 444, p.504.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Poster for ROCI USA, 1991

X59002
Poster for ROCI USA

1991
on paper, print
Silkscreen on aluminum coated paper
support: 670 x 994 mm frame: 792.2 x 1070 x 34.9 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Rauschenberg: Posters, Bob Rauschenberg Gallery, Edison College, Fort Myers, Jan. 11–Feb. 2, 2008.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Cy + Roman Steps (I-V), 1952, printed c.1997

X58288
Cy + Roman Steps (I-V)

1952, printed c.1997
on paper, print
5 photographs, gelatin silver prints on paper
unconfirmed: 508 x 2032 mm frame: 728.6 x 574.7 mm
San Francisco Museum of Modern Art. Purchase through a gift of Phyllis C. Wattis
Provenance:
The artist;
Purchased by the San Francisco Museum of Modern Art, through a gift of Phyllis Wattis, 1998.

Nationality of Artist: American
Identifying marks: 5 photographs, framed
Place of manufacture: USA

Catalogue Raisonné (select): Richard Gruber, Robert Rauschenberg: Through the Lens, University of Missouri, Kansas City 1997; Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 39, pp.72– 3; Yve-Alain Bois, Robert Rauschenberg Fotografie 1949–1985, Galleria Lawrence Rubin, 1999; SFMOMA website https://www.sfmoma.org/artwork/98.297.A-E.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Port of Entry [Anagram (A Pun)], 1998

X62214
Port of Entry [Anagram (A Pun)]

1998
painting
Pigmented ink transfer on paper on aluminum panels
unconfirmed, each: 3143.3 x 4572 mm
San Francisco Museum of Modern Art. Purchase through a gift of Phyllis C. Wattis
Provenance:
The artist;
Purchased by the San Francisco Museum of Modern Art, through a gift of Phyllis Wattis, 1999.

Nationality of Artist: American
Identifying marks: Made up of three panels with cleats
Place of manufacture: USA

Catalogue Raisonné (select):Rauschenberg: Anagrams (A Pun), Pace Wildenstein, New York, 19 March – 17 April 1999, exh.cat. no.4; SFMOMA website https://www.sfmoma.org/artwork/99.360.A-C.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Triathlon (Scenario), 2005

X62211
Triathlon (Scenario)

2005
painting
Inkjet pigment transfer on polylaminate
unconfirmed: 2172 x 3061 x 51 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
Robert Rauschenberg: Scenarios and the Ancient Incident, PaceWildenstein, New York, Oct. 27–Nov. 25.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled (Scenario), 2006

X58740
Untitled (Scenario)

2006
painting
Inkjet pigment transfer on polylaminate
unconfirmed: 2172 x 3061 x 51 mm
Robert Rauschenberg Foundation, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select):
No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)
Unknown Artist

Robert Rauschenberg and Unknown Artist, Sound-wired tennis rackets for Open Score, 1966

X63815
Sound-wired tennis rackets for Open Score

1966
on paper, print
Photograph, print on paper
image: 203 x 254 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): Not known
This work was made after the operative period 1933-45.

Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)
Rudy Burckhardt
(1914-1999)

Robert Rauschenberg and Rudy Burckhardt, Second State of Monogram (1956-58), c.1958

X63791
Second State of Monogram (1956-58)

c.1958
supporting material
Photograph, print on paper
image: 254 x 203.4 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg, 1950s;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: N/A
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Rudy Burckhardt, Installation view, Rauschenberg's 'Oracle' (1962-5), Leo Castelli Gallery, 1965

X63713
Installation view, Rauschenberg's 'Oracle' (1962-5), Leo Castelli Gallery

1965
on paper, print
Photograph, print on paper
image: 190.5 x 247.7 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Photographer's stamp on verso
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)
Kay Harris

Robert Rauschenberg and Kay Harris, Rauschenberg in his Front Street studio with Interview (1955), Untitled (c.1954), Bed (1955), second state of Monogram (1955-59; second state 1956-58), and Odalisk (1955/1958) in New York, 1958, 1958

X63793
Rauschenberg in his Front Street studio with Interview (1955), Untitled (c.1954), Bed (1955), second state of Monogram (1955-59; second state 1956-58), and Odalisk (1955/1958) in New York, 1958

1958
supporting material
Photograph, print on paper
image: 238.1 x 352.4 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg, 1950s;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: N/A
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)
Pontus Hultén
(1924 - 2006)

Robert Rauschenberg and Pontus Hultén, 9 Evenings: Theatre & Engineering, October 1966 [programme], 1966

Z06292
9 Evenings: Theatre & Engineering, October 1966 [programme]

1966
on paper, unique
Print on paper
object: 419.1 x 273.1 mm displayed: 419.1 x 546.1 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Folded down centre
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)
Stig T. Karlsson
(1930-2015)

Robert Rauschenberg and Stig T. Karlsson, Rauschenberg and cow performing 'Elgin Tie', Five New York Evenings, Moderna Museet, 1964

X63708
Rauschenberg and cow performing 'Elgin Tie', Five New York Evenings, Moderna Museet

1964
on paper, print
Photograph, print on paper
image: 238.1 x 184.2 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)
Hans Malmberg
(1927 - 1977)

Robert Rauschenberg and Hans Malmberg, Elgin Tie, 1964

X63803
Elgin Tie

1964
supporting material
Photograph, print on paper
image: 238.1 x 304.8 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Hans Malmberg, Elgin Tie, 1964

X63804
Elgin Tie

1964
supporting material
Photograph, print on paper
image: 304.8 x 200 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Hans Malmberg, Elgin Tie, 1964

X63805
Elgin Tie

1964
supporting material
Photograph. print on paper
image: 196.9 x 298.5 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Hans Malmberg, Elgin Tie, 1964

X63806
Elgin Tie

1964
supporting material
Photograph, print on paper
image: 203.2 x 254 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)
Peter Moore
(1932-1993)

Robert Rauschenberg and Peter Moore, Pelican, First New York Theater Rally, abandoned television studio, Broadway and Eighty-first Street, 1965

X63703
Pelican, First New York Theater Rally, abandoned television studio, Broadway and Eighty-first Street

1965
on paper, print
Photograph, print on paper
image: 203 x 254 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg, 1960s;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Peter Moore, Spring Training (Once Again Festival) 18 September 1965 [Lucinda Childs, Rauschenberg, and turtles with flashlights], 1965

X63709
Spring Training (Once Again Festival) 18 September 1965 [Lucinda Childs, Rauschenberg, and turtles with flashlights]

1965
on paper, print
Photograph, gelatin silver print on paper
image: 177.8 x 241.3 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Notes and photographer's stamp on verso. top edge has creases and a small tear
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Peter Moore, Map Room II, 1965

X63796
Map Room II

1965
supporting material
Photograph, print on paper
image: 190.5 x 241.3 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Inscription and photographer's stamp on verso
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Peter Moore, Map Room II, 1965

X63797
Map Room II

1965
supporting material
Photograph, gelatin silver print on paper
image: 165.1 x 241.3 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Inscription, photogrpaher's stamp, and RR's stamp on verso
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Peter Moore, Map Room II, 1965

X63798
Map Room II

1965
supporting material
Photograph, gelatin silver print on paper
image: 158.8 x 241.3 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Inscription, photogrpaher's stamp, and RR's stamp on verso
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Peter Moore, Open Score, 1966

X63327
Open Score

1966
(no classification assigned)
Photograph, print on paper
image: 203 x 254 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Peter Moore, 9 Evenings: Theater & Engineering [Group shot of the participants in front of the Sixty-ninth Regiment Armory], 1966, printed 1980s or 90s

X63712
9 Evenings: Theater & Engineering [Group shot of the participants in front of the Sixty-ninth Regiment Armory]

1966, printed 1980s or 90s
on paper, print
Photograph, gelatin silver print on paper
image: 339.7 x 241.3 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Has several creases and tears, especially along the right side, but image is still fully visible
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Peter Moore, Linoleum, 1966

X63810
Linoleum

1966
supporting material
Photograph, vintage print on paper
image: 200 x 254 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Vintage print with photographer's stamp on verso. Has minor damage on surface and corners
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Peter Moore, Open Score, 1966

X63814
Open Score

1966
supporting material
Photograph, print on paper
image: 203 x 254 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Peter Moore, Open Score, 1966

X63817
Open Score

1966
on paper, print
Photograph, print on paper
image: 203 x 254 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Peter Moore, Urban Round, 1967

X63813
Urban Round

1967
supporting material
Photograph, print on paper
image: 250.1 x 203.2 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)
Elisabeth Novick

Robert Rauschenberg and Elisabeth Novick, Pelican, First New York Theater Rally, abandoned television studio, Broadway and Eighty-first Street [Carolyn Brown, Alex Hay, and Robert Rauschenberg], 1965

X63704
Pelican, First New York Theater Rally, abandoned television studio, Broadway and Eighty-first Street [Carolyn Brown, Alex Hay, and Robert Rauschenberg]

1965
on paper, print
Photograph, print on paper
image: 279.4 x 352.4 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg, 1960s;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Elisabeth Novick, Pelican, First New York Theater Rally, abandoned television studio, Broadway and Eighty-first Street [Robert Rauschenberg, Carolyn Brown and Alex Hay], 1965

X63705
Pelican, First New York Theater Rally, abandoned television studio, Broadway and Eighty-first Street [Robert Rauschenberg, Carolyn Brown and Alex Hay]

1965
on paper, print
Photograph, print on paper
image: 203 x 254 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg, 1960s;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Elisabeth Novick, Pelican, First New York Theater Rally, abandoned television studio, Broadway and Eighty-first Street [Robert Rauschenberg and Alex Hay], 1965

X63707
Pelican, First New York Theater Rally, abandoned television studio, Broadway and Eighty-first Street [Robert Rauschenberg and Alex Hay]

1965
on paper, print
Photograph, print on paper
image: 342.9 x 235 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg, 1960s;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Elisabeth Novick, Pelican contact sheet, 1965

X63799
Pelican contact sheet

1965
supporting material
Photograph, print on paper
image: 215.9 x 279.4 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg, 1960s;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Elisabeth Novick, Pelican contact sheet, 1965

X63800
Pelican contact sheet

1965
time-based media
Photograph, print on paper
image: 215.9 x 279.4 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg, 1960s;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)
Steve Schapiro
(born 1934)

Robert Rauschenberg and Steve Schapiro, Linoleum, 1966

X63808
Linoleum

1966
supporting material
Photograph, print on paper
image: 203.4 x 254 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg and Steve Schapiro, Linoleum, 1966

X63809
Linoleum

1966
supporting material
Photograph, print on paper
image: 203.4 x 254 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.

Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)
Susan Weil
(born 1930)

Robert Rauschenberg and Susan Weil, Pelican, 1963-1966

X63801
Pelican

1963-1966
supporting material
Photograph, print on paper
image: 254 x 203.2 mm
Robert Rauschenberg Foundation Archives, New York
Provenance:
The artist;
Robert Rauschenberg, 1960s;
The Robert Rauschenberg Revocable Trust, 2008;
Transferred to The Robert Rauschenberg Foundation, 2012.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné (select): No exhibition history
This work was made after the operative period 1933-45.