Works of art intended to form part of a forthcoming exhibition at Tate that may be covered by immunity from seizure are listed below.

Part 6 of the Tribunals, Courts and Enforcement Act 2007 provides immunity from seizure for cultural objects which are loaned from overseas to temporary public exhibitions in approved museums or galleries in the UK where conditions are met when the object enters the UK.

The conditions are:

  • The object is usually kept outside the UK
  • The object is not owned by a person who is resident in UK
  • Importing the object does not contravene any law
  • The object is brought into UK for the purpose of a temporary public exhibition at an approved museum or gallery
  • The museum or gallery has published information about the object.

All works currently being proposed for or covered by immunity from seizure in the UK are linked to the Arts Council’s website.

If you have any further enquiries, please write to:

Immunity from seizure
Director’s Office
Tate
Millbank
London SW1P 4RG

Artworks currently at Tate

The EY Exhibition: Sonia Delaunay

Tate Modern (London, UK) from 15 Apr 2015 until 09 Aug 2015.

Sonia Delaunay
(1885-1979, born: Gradizhsk, died: Paris, active: Paris)

Sonia Delaunay, Two Young Finnish Girls, 1907

X51678
Two Young Finnish Girls

[Deux fillettes finlandaises] 1907
painting
Oil paint on canvas
unconfirmed: 605 x 790 mm frame: 822 x 1040 x 83 mm
Kunsthalle Emden - Stiftung Henri und Eske Nannen und Schenkung Otto van de Loo
Provenance:
The artist (d.1979);
Charles Delaunay, by descent;
Galerie Gmurzynska, Koln;
Acquired from the above by Henri Nannen, 1982
Kunsthalle Emden – Stiftung Henri und Eske Nannen und Schenkung Otto van de Loo
Nationality of artist: French
Identifying marks: F. 1545 (with ball pen), verso (stretcher) top center numbered
Place of manufacture: not recorded
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Finnish Woman, 1907

X52216
Finnish Woman

[Finlandaise] 1907
painting
Oil paint on canvas
unconfirmed: 410 x 240 mm unconfirmed, frame: 540 x 373 x 35 mm
Fondation Jean et Suzanne Planque, on loan to Musée Granet, Aix-en-Provence
Provenance:
The artist;
Gift of the artist to Jean Planque, 1956;
Fondation Jean and Suzanne Planque, on loan to Musée Granet, (Aix-en-Provence)
Nationality artist: French
Identifying marks: none or not recorded
Place of manufacture: not recorded
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Philomène, 1907

X53004
Philomène

1907
painting
Oil paint on canvas
unconfirmed, frame: 410 x 330 mm unconfirmed, frame: 597 x 530 mm
Private collection, Courtesy Artvera's Gallery
Provenance:
The artist;
Galerie Sapone, Nice, 1978;
Acquired from the above by Collection Edythe and Saul Klinov, Muttontown, New York, 1978;
Sold by Christie's London: Tuesday, February 2, 2010 [Lot 00021]
Impressionist/Modern Evening Sale;
Private collection, Europe
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Portrait of Tchouiko, 1907

X53039
Portrait of Tchouiko

[Portrait de Tchouiko] 1907
painting
Oil paint on canvas
unconfirmed, each: 534 x 460 mm
Private collection
Provenance:
The artist (d.1979);
Private Collection
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Portrait of the Painter Kalher, 1907

X53040
Portrait of the Painter Kalher

[Portrait du peintre Kalher] 1907
painting
Oil on canvas
unconfirmed, each: 440 x 550 mm
Private collection
Provenance:
The artist (d.1979);
Private Collection
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Finnish Woman, 1907-8

X51680
Finnish Woman

[La Finlandaise] 1907-8
painting
Oil paint on canvas
unconfirmed: 560 x 410 mm
The Israel Museum, Jerusalem. Gift of Arturo Schwarz, Milan
Provenance:
The artist;
Arturo Schwarz, Milan, 1960s?;
The Israel Museum, Jerusalem, 1999
Nationality artist: French
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Yellow Nude, 1908

X52217
Yellow Nude

[Nu jaune] 1908
painting
Oil paint on canvas
unconfirmed: 650 x 983 mm frame: 895 x 1222 x 32 mm
Musée des Beaux-Arts de Nantes
Provenance:
The artist (d.1979);
Galerie de Varenne, Paris, 1985?;
Purchased from the above by Musée des Beaux-Arts, Nantes, France with the participation of FRAM, 1987
Nationality artist: French
Identifying marks: S.D.R.DR 1908
Place of manufacture: not recorded
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Eiffel Tower headed paper, 1913

X51669
Eiffel Tower headed paper

[Papier à en têteTour Eiffel] 1913
on paper, unique
Watercolour on paper
unconfirmed: 255 x 210 mm
Private collection
Provenance:
The artist;
Acquired from the artist by the current owner, 1960s
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Electric Prisms, 1913

X52149
Electric Prisms

[Prismes électriques] 1913
painting
Oil paint on canvas
unconfirmed: 560 x 470 mm
Davis Museum at Wellesley College, Wellesley, Massachusetts, Gift of Mr and Mrs Henry Clifford, Gift of Mr Theodore Racoosin
Provenance:
The artist;
Der Sturm Gallery?;
Rose Fried Gallery, 1955;
Purchased by Mr and Mrs Henry Clifford;
Purchased by Mr Theodore Racoosin and given to the Davis Museum at Wellesley College, Wellesley, Massachusetts, 1956
Nationality artist: French
Place of manufacture: not recorded
Identifying marks: signed, lower right Sonia Delaunay
This work appears to have remained with Nell Walden during the period 1933-1945.

Sonia Delaunay, Magic City, 1913

X52739
Magic City

1913
painting
Oil paint on canvas
unconfirmed: 641 x 533 mm unconfirmed, frame: 860 x 760 mm
Private collection
Provenance:
The artist (d.1979);
Estate of the artist;
Christie's New York: Wednesday, May 5, 2010 [Lot 00348], Impressionist/Modern Day Sale;
Acquired from the above by the current owner, 2010
Nationality artist: French
Identifying marks: Magic City (recto); Portrait de Laurent Monnier (verso). Painted in 1913 (recto); Painted in 1923-1924 (verso)
Place of manufacture: not recorded
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Cover of the Prose of the Trans-Siberian, Paris
, 1913

X53041
Cover of the Prose of the Trans-Siberian, Paris

[Couverture de la Prose du Transsibérien, Paris] 1913
sculpture
Oil on leather
unconfirmed, each: 237 x 202 mm
Private collection
Provenance:
The artist (d.1979);
Private collection
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Simultaneous dress, 1913

X53042
Simultaneous dress

[Robe simultanée] 1913
sculpture
Fabric patchwork
unconfirmed, each: 1450 mm
Private collection
Provenance:
The artist (d.1979);
Private Collection
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Simultaneous gilet, 1913

X53043
Simultaneous gilet

[Gilet simultané] 1913
(no classification assigned)
Fabric patchwork
object: 630 x 435 mm
Private collection
Provenance:
The artist (d.1979);
Private Collection
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Study of Colours, Paris, 1912-1913

X53046
Study of Colours, Paris

[Étude de couleurs, Paris] 1912-1913
on paper, unique
Colour pencil on paper
unconfirmed, each: 131 x 147 mm
Private collection
Provenance:
The artist (d.1979);
Private Collection
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Study for Le Bal Bullier, 1913

X54177
Study for Le Bal Bullier

[Étude pour Le Bal Bullier] 1913
on paper, unique
Pastel on paper
unconfirmed: 305 x 197 mm
Private collection, Milan
Provenance:
The artist;
Acquired from the above by André Emmerich, New York;
Acquired from the above by Mr Henry Reed, 1982;
Sale, Christie's, New York, 8 May 2002, lot 118;
Christie's London: Thursday, June 22, 2006 [Lot 00442] Impressionist and Modern Works on Paper
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Study for The Crowd, boulevard Saint-Michel, 1914

X51828
Study for The Crowd, boulevard Saint-Michel

[Étude de foule, boulevard Saint Michel] 1914
on paper, unique
Pastel on paper
unconfirmed: 255 x 220 mm unconfirmed, frame: 451 x 390 x 40 mm
Courtesy Leonard Hutton Galleries
Provenance:
The artist (d.1979);
Estate of the artist;
Collection Guy Weelen;
Private European Collection;
Leonard Hutton Galleries, New York, 2012
Nationality of artist: French
Identifying marks: Signed and dated lower right: “Sonia Delaunay,1914”
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Electric Prisms no.41, 1913-1914

X52816
Electric Prisms no.41

[Prismes électriques no.41] 1913-1914
painting
Oil paint on canvas
unconfirmed: 540 x 460 mm frame: 660 x 588 mm
FNAC 28998 Centre national des arts plastiques (France)
Provenance:
The artist;
Acquired from the artist by Centre National des Arts Plastiques/Fonds National d'Art Contemporain, Paris, 1968
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Electric Prisms no. 841, Paris, 1914

X53044
Electric Prisms no. 841, Paris

[Prismes électriques no. 841, Paris] 1914
on paper, unique
Colour pencil on paper
unconfirmed, each: 223 x 224 mm
Private collection
Provenance:
The artist (d.1979);
Private Collection
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Simultaneous Contrasts no. 40, Paris, 1914

X53045
Simultaneous Contrasts no. 40, Paris

[Contrastes simultanés no. 40, Paris] 1914
on paper, unique
Collage and coulour pencil on paper
unconfirmed, each: 310 x 198 mm
Private collection
Provenance:
The artist (d.1979);
Private Collection
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Study for Zénith, Paris, 1913-1914

X53047
Study for Zénith, Paris

[Étude pour Zénith, Paris] 1913-1914
on paper, unique
Colour pencil on paper
unconfirmed, each: 198 x 254 mm
Private collection
Provenance:
The artist (d.1979);
Private Collection
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Study of light, Boulevard Saint-Michel, 1913-1914

X53460
Study of light, Boulevard Saint-Michel

[Etude de lumière, Boulevard Saint-Michel] 1913-1914
on paper, unique
Charcoal on paper
unconfirmed, each: 330 x 260 mm unconfirmed, frame: 520 x 410 mm
Private collection
Provenance:
The artist;
Acquired directly from the artist by the father of the vendor before 1960;
Sotheby's London: Wednesday, February 5, 2003 [Lot 00158]
Impressionist & Modern Art (Day Sale);
Private collection
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Study of light, Boulevard Saint-Michel, 1913-1914

X53461
Study of light, Boulevard Saint-Michel

[Etude de lumière, Boulevard Saint-Michel] 1913-1914
on paper, unique
Charcoal on paper
unconfirmed, each: 400 x 280 mm unconfirmed, frame: 520 x 400 mm
Private collection
Provenance:
The artist;
Acquired directly from the artist by the father of the vendor before 1960;
Sotheby's London: Wednesday, February 5, 2003 [Lot 00159]
Impressionist & Modern Art (Day Sale);
Private collection
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Disc, Portugal, 1915

X53048
Disc, Portugal

[Disque, Portugal] 1915
on paper, unique
Encaustic on paper
unconfirmed, each: 180 x 215 mm
Private collection
Provenance:
The artist (d.1979);
Private Collection
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Portuguese market, 1915

X54202
Portuguese market

1915
painting
Oil and wax on canvas
unconfirmed: 905 x 905 mm
The Museum of Modern Art, New York. Gift of Theodore R. Racoosin, 1955
Provenance:
[The artist?];
Rose Fried Gallery, New York, 1955;
Acquired from the above by Theodore R. Racoosin, New York, 1955
Gift of the above to The Museum of Modern Art, New York, 1955
Nationality of artist: French
Identifying marks: none or not recorded
Place of manufacture: not recorded
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Chanteur flamenco (Petit Flamenco), 1915

X57406
Chanteur flamenco (Petit Flamenco)

1915
painting
Oil and wax on canvas
unconfirmed: 915 x 915 mm
Sepherot Foundation, Liechtenstein
Provenance:
The artist (d.1979);
Private collection, Europe;
Sotheby’s private sale, 2007;
Sepherot Foundation, Liechtenstein, 2009
Nationality artist: French
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Headed paper, 1916

X51670
Headed paper

[Papier à en-tête] 1916
on paper, unique
Ink on paper
unconfirmed: 270 x 210 mm
Private collection
Provenance:
The artist;
Acquired from the artist by the current owner, 1960s
This work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Dancer, 1916

X51704
Dancer

[Danseuse] 1916
on paper, unique
Watercolour and pencil on paper
unconfirmed: 382 x 330 mm
Skissernas Museum - Museum of Artistic Process and Public Art, Lund, Sweden
Provenance:
The artist;
Purchased from the artist by Skissernas Museum – Museum of Artistic Process and Public Art, Lund, Sweden, 1965
Nationality of Artist: French
Identifying marks: Signed S Delaunay-Terk
Numbered 452 (lower right)
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Flamenco Singers, known as Grand Flamenco (Large Flamenco), 1915-16

X51819
Flamenco Singers, known as Grand Flamenco (Large Flamenco)

[Chanteurs de flamenco (dit Grand Flamenco)] 1915-16
painting
Wax and oil paint on canvas
unconfirmed: 1745 x 1430 mm unconfirmed, frame: 1935 x 1615 mm
CAM - Fundação Calouste Gulbenkian
Provenance:
The artist, 1975?
Acquired from the artist by Centro de Arte Moderna, Fundaçao Calouste Gulbenkian, Lisbon, Portugal, 1978
Nationality artist: French
Identifying marks: Signed Sonia Delaunay (verso lower left) and CHANTEURS FLAMENCO (recto)
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Flamenco Singers, known as Petit Flamenco (Small Flamenco), 1916

X51822
Flamenco Singers, known as Petit Flamenco (Small Flamenco)

[Chanteurs de flamenco (dit Petit Flamenco)] 1916
on paper, unique
Gouache on paper
unconfirmed: 361 x 421 mm unconfirmed, frame: 545 x 755 mm
CAM - Fundação Calouste Gulbenkian
Provenance:
The artist;
Acquired from the artist by Centro de Arte Moderna, Fundaçao Calouste Gulbenkian, Lisbon, Portugal, 1978
Nationality artist: French
Identifying marks: Signed Sonia Delaunay (verso lower left) and CHANTEURS FLAMENCO (recto)
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Cover design for L'Album no.1 (474), 1916

X51832
Cover design for L'Album no.1 (474)

[Projet de couverture pour L'Album no.1 (474)] 1916
on paper, unique
Gouache and wax with traces of pencil laid down on board
unconfirmed: 264 x 251 mm unconfirmed, frame: 457 x 470 x 38 mm
Courtesy Leonard Hutton Galleries
Provenance:
The artist (d.1979);
Royal Marks Galleries, New York;
Sotheby’s New York, (Sale 4444M, October 23, 1980);
Leonard Hutton Galleries, 1980
Nationality of artist: French
Numbered twice lower right (once faintly in pencil): “No 474”
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Cover design for the catalogue of the Stockholm exhibition, Self-Portrait, 1916

X53088
Cover design for the catalogue of the Stockholm exhibition, Self-Portrait

[Projet de couverture pour le catalogue de l'exposition de Stockholm, Autoportrait] 1916
on paper, unique
Gouache on paper
unconfirmed, each: 320 x 300 mm unconfirmed, frame: 545 x 755 mm
CAM - Fundação Calouste Gulbenkian
Provenance:
The artist;
Gift of the artist to Centro de Arte Moderna, Fundaçao Calouste Gulbenkian, Lisbon, Portugal, 1978
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Dancer, 1917

X52152
Dancer

[Danseuse] 1917
on paper, unique
Watercolour on paper
unconfirmed: 360 x 238 mm unconfirmed, frame: 575 x 470 mm
Private collection, courtesy Catherine Duret, Geneva
Provenance:
The artist (d.1979);
P. Granville, London;
E.J. Power, London;
Acquired from the above and thence by descent to the vendor;
Christie's London: Thursday, June 21, 2012 [Lot 00101] Impressionist/Modern Works on Paper;
Acquired from the above by Galerie Zlotowski, Paris;
Acquired from the above by the current owner, 2013
Nationality of artist: French
Identifying marks: Signed, dated and numbered lower right ‘Sonia Delaunay, 1917 no.468’
Place of manufacture: not recorded
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Costume Design for Cleopatra, 1918

X52201
Costume Design for Cleopatra

[Projet de costume pour Cléopâtre] 1918
on paper, unique
Watercolour, metallic paint and graphite on paper
unconfirmed: 470 x 327 mm frame: 737 x 584 x 38 mm
The Metropolitan Museum of Art, Bequest of William S. Lieberman
Provenance:
The artist;
William S. Lieberman collection, 1978?;
Bequest of William S. Lieberman to the Metropolitan Museum of Art, New York, USA, 2005
Nationality of artist: French
Identifying marks: none or not recorded
Place of manufacture: not recorded
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Two costume designs for the ballet Cléopâtre, Madrid, 1918

X53049
Two costume designs for the ballet Cléopâtre, Madrid

[Deux projets de costumes pour le ballet Cléopâtre, Madrid] 1918
on paper, unique
Ink and watercolour on paper
unconfirmed, each: 240 x 170 mm unconfirmed, each: 210 x 155 mm
Private collection
Provenance:
The artist (d.1979);
Private Collection
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Dress-Poem no.688, 1922

X52204
Dress-Poem no.688

[Robe-poème no.688] 1922
on paper, unique
Watercolour, gouache and pencil on paper
unconfirmed: 312 x 238 mm
The Museum of Modern Art, New York. Purchased, 1980
Provenance:
The artist (d.1979);
Acquired from the above by Jacques Damase – Galerie de Varenne, Paris;
Purchased from the above by The Museum of Modern Art, New York, 1980
Nationality of artist: French
Identifying marks: Inscribed upper left “N.688”
Place of manufacture: not recorded
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Dress-Poem for Tzara, 1923

X51671
Dress-Poem for Tzara

1923
on paper, unique
Watercolour on paper
unconfirmed: 311 x 193 mm
Private collection
Provenance:
The artist;
Acquired from the artist by the current owner, 1960s
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Dress-Poem no.1329, 1923

X52205
Dress-Poem no.1329

[Robe-poème no.1329] 1923
on paper, unique
Watercolour, pencil and gouache on paper
unconfirmed: 369 x 237 mm
The Museum of Modern Art, New York. Purchased, 1980
Provenance:
The artist (d.1979);
Acquired from the above by Jacques Damase – Galerie de Varenne, Paris;
Purchased from the above by The Museum of Modern Art, New York, 1980
Nationality of artist: French
Identifying marks: Inscribed lower right “687”
Place of manufacture: not recorded
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Matching hat and scarf with pockets, c.1924

X52811
Matching hat and scarf with pockets

[Écharpe à poches et bonnet assorti] c.1924
sculpture
Woollen serge embroidered with wool
object: 1650 x 250 mm object: 160 x 300 mm
Palais Galliera, Musée de la Mode de la Ville de Paris. Gift of Madame Annette Jean Coutrot
Provenance:
The artist;
Gift of the above to Monsieur et Madame Coutrot;
Gift of Madame Annette Jean Coutrot to Palais Galliera, Musée de la Mode de la Ville de Paris
This work has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Curtain, Simultané fabric no.146, c.1925

X51730
Curtain, Simultané fabric no.146

[Tissu simultané no.146, rideau] c.1925
painting
Printed cotton velour
unconfirmed, each: 2600 x 930 x 50 mm
Private collection, on loan to Villa Noailles, Hyères, France
Provenance:
The artist;
Charles and Marie-Laure de Noailles, c.1925;
Natalie Noailles, by descent, 2009;
Private collection, on loan to the Villa Noailles, Hyères
Nationality artist: French
Identifying marks: none or not recorded
Place of manufacture: France
This work has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Simultaneous Dresses (Three Women, Forms, Colours), 1925

X52220
Simultaneous Dresses (Three Women, Forms, Colours)

[Robes simultanées (Les trois femmes)] 1925
painting
Oil on canvas
unconfirmed: 1460 x 1140 mm unconfirmed, frame: 1685 x 1370 x 50 mm
Museo Thyssen-Bornemisza, Madrid
Provenance:
The artist;
Acquired from the artist by Nierenstein Collection, Brussels, 1975?;
Galerie Gmurzynska, Cologne;
Acquired from the above by Thyssen-Bornemisza Collection, 1981
Nationality artist: French
Identifying marks: none or not recorded
Place of manufacture: not recorded
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Fabric sample, 1925

X52812
Fabric sample

[Echantillon de tissus] 1925
sculpture


Palais Galliera, Musée de la Mode de la Ville de Paris. Gift of Madame Annette Jean Coutrot
Provenance:
The artist;
Gift of the above to Monsieur et Madame Coutrot;
Gift of Madame Annette Jean Coutrot to Palais Galliera, Musée de la Mode de la Ville de Paris
The work has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Scarf, Simultané fabric no.186, 1926

X52155
Scarf, Simultané fabric no.186

[Écharpe, tissu simultané no.186] 1926
(no classification assigned)
Silk
unconfirmed: 450 x 1480 mm
Private collection
Provenance:
The artist;
Acquired from the artist by the current owner, 1960s
Nationality of Artist: French
Identifying marks: none or not recorded
Place of manufacture: not recorded
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Headed paper, 1927

X52154
Headed paper

[Papier à en-tête] 1927
on paper, unique
Ink on paper
unconfirmed: 270 x 21 mm
Private collection
Provenance:
The artist;
Acquired from the artist by the current owner, 1960s
Nationality of Artist: French
Identifying marks: none or not recorded
Place of manufacture: not recorded
This work has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Loungewear jacket worn by Jean Coutrot, 1928

X52807
Loungewear jacket worn by Jean Coutrot

[Veste d'intérieur portée par Jean Coutrot] 1928
sculpture
Toile entirely covered with embroidery in wollen thread
object: 850 x 750 x 70 mm
Palais Galliera, Musée de la Mode de la Ville de Paris. Gift of Madame Annette Jean Coutrot
Provenance:
The artist;
Gift of the artist to Monsieur et Madame Coutrot;
Gift of Madame Annette Jean Coutrot to Palais Galliera, Musée de la Mode de la Ville de Paris
The work remained has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Bag, 1928

X52809
Bag

[Sac] 1928
sculpture
Wool embroidery
object: 200 x 200 x 30 mm
Palais Galliera, Musée de la Mode de la Ville de Paris. Gift of Madame Annette Jean Coutrot
Provenance:
The artist;
Gift of the artist to Monsieur et Madame Coutrot;
Gift of Madame Annette Jean Coutrot to Palais Galliera, Musée de la Mode de la Ville de Paris
The work remained has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, 'Harlequin' jacket, 1928

X52813
'Harlequin' jacket

[Veste "Arlequin"] 1928
sculpture
Crepe de Chine and printed silk

Palais Galliera, Musée de la Mode de la Ville de Paris. Gift of Madame Annette Jean Coutrot
Provenance:
The artist;
Gift of the above to Monsieur et Madame Coutrot;
Gift of Madame Annette Jean Coutrot to Palais Galliera, Musée de la Mode de la Ville de Paris
The work remained has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Bathing suit, c.1928

X54086
Bathing suit

[Maillot de bain] c.1928
sculpture
Knitted wool
object: 720 x 450 x 90 mm
Palais Galliera, Musée de la Mode de la Ville de Paris. Gift of Madame Annette Jean Coutrot
Provenance:
The artist;
Gift of the above to Monsieur et Madame Coutrot;
Gift of Madame Annette Jean Coutrot to Palais Galliera, Musée de la Mode de la Ville de Paris
The work has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Propeller, mural painting for the Palais de l'Air, International Exposition, Paris, 1937

X51698
Propeller, mural painting for the Palais de l'Air, International Exposition, Paris

[Hélice, décoration pour le Palais de l'Air, Exposition Internationale des arts et des techniques dans la vie moderne, Paris] 1937
painting
Tempera paint on canvas
unconfirmed: 2950 x 7000 mm
Skissernas Museum - Museum of Artistic Process and Public Art, Lund, Sweden
Provenance:
The artist;
Gift from the artist to Skissernas Museum – Museum of Artistic Process and Public Art, Lund, Sweden, 1965
Nationality of Artist: French
Identifying marks: Signed Sonia Delaunay (lower right)
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Aeroplane Engine, mural painting for the Palais de l'Air, International Exposition, Paris, 1937

X51700
Aeroplane Engine, mural painting for the Palais de l'Air, International Exposition, Paris

[Moteur d'avion, décoration pour le Palais de l'Air, Exposition Internationale des arts et des techniques dans la vie moderne, Paris] 1937
painting
Tempera paint on canvas
unconfirmed: 2950 x 7000 mm
Skissernas Museum - Museum of Artistic Process and Public Art, Lund, Sweden
Provenance:
The artist;
Gift from the artist to Skissernas Museum – Museum of Artistic Process and Public Art, Lund, Sweden, 1965
Nationality of Artist: French
Identifying marks: Signed Sonia Delaunay (lower right)
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Dashboard (Air Pavilion), mural painting for the Palais de l'Air, International Exposition, Paris, 1937

X51701
Dashboard (Air Pavilion), mural painting for the Palais de l'Air, International Exposition, Paris

[Tableau de bord, décoration pour le Palais de l'Air, Exposition Internationale des arts et des techniques dans la vie moderne, Paris] 1937
painting
Tempera paint on canvas
unconfirmed: 2950 x 7000 mm
Skissernas Museum - Museum of Artistic Process and Public Art, Lund, Sweden
Provenance:
The artist;
Gift from the artist to Skissernas Museum – Museum of Artistic Process and Public Art, Lund, Sweden, 1965
Nationality of artist: French
Identifying marks: Signed Sonia Delaunay (lower right)
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Rhythm no.5, 1939

X51672
Rhythm no.5

[Rythme no.5] 1939
on paper, unique
Gouache on paper
unconfirmed: 273 x 230 mm
Private collection
Provenance:
The artist;
Acquired from the artist by the current owner, 1960s
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Rhythm Colour no.1076, 1939

X52817
Rhythm Colour no.1076

[Rythme couleur no.1076] 1939
painting
Oil paint on canvas
unconfirmed, each: 1520 x 1580 mm
FNAC 28881 Centre national des arts plastiques (France)
Provenance:
The artist;
Acquired from the artist by Centre National des Arts Plastiques/Fonds National d'Art Contemporain, Paris, 1966
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Composition no.127a, 1943

X51673
Composition no.127a

1943
on paper, unique
Gouache on paper
unconfirmed: 221 x 233 mm
Private collection
Provenance:
The artist;
Acquired from the artist by the current owner, 1960s
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Composition no.10, 1943

X51674
Composition no.10

1943
on paper, unique
Gouache on paper
unconfirmed: 303 x 237 mm
Private collection
Provenance:
The artist;
Acquired from the artist by the current owner, early 1970s
The work remained with the artist until after 1945 and has a complete history of ownership in the period 1933-1945.

Sonia Delaunay, Rhythm, 1945

X54156
Rhythm

[Rythme] 1945
painting
Oil on canvas
unconfirmed: 1292 x 886 mm unconfirmed, frame: 1384 x 972 x 64 mm
Grey Art Gallery, New York University Art Collection. Gift of Mr. and Mrs. Myles Perrin, 1958
Provenance:
The artist;
Rose Fried Gallery, New York, 1955;
Gift of Mr and Mrs Myles Perrin to Grey Art Gallery, New York University Art Collection, 1958
Nationality artist: French
Place of manufacture: not recorded
Identifying marks: none or not recorded

The work was made in 1945 and has a complete history of ownership.

Sonia Delaunay, Composition no. 275, 1948

X51675
Composition no. 275

1948
on paper, unique
Gouache on paper
unconfirmed: 246 x 206 mm
Private collection
Provenance:
The artist;
Acquired from the artist by the current owner, 1960s
Nationality of Artist: French
Identifying marks: none or not recorded
Place of manufacture: not recorded
This work was made after 1945.

Sonia Delaunay, Cover design for L'Art abstrait, 1949

X51834
Cover design for L'Art abstrait

[Projet de couverture pour L'Art abstrait] 1949
on paper, unique
Gouache on paper
unconfirmed: 245 x 210 mm unconfirmed, frame: 460 x 415 x 350 mm
Courtesy Leonard Hutton Galleries
Provenance:
The artist (d.1979);
Estate of the artist;
Louis-Gabriel Clayeux, Paris;
Artcurial, Paris;
Acquired from the above by the present owner, September 1988;
Private Collection. Paris;
Christies Sale 2595, Lot 136, November 8, 2012;
Private collection, Paris;
Acquired from the above by Leonard Hutton Galleries, 2012
This work was made after 1945.

Sonia Delaunay, Coloured Rhythm no.131, 1953

X52206
Coloured Rhythm no.131

[Rythme coloré no.131] 1953
on paper, unique
Gouache and pencil on paper
unconfirmed: 536 x 685 mm
The Museum of Modern Art, New York. The Riklis Collection of McCrory Corporation, 1985
Provenance:
The artist;
Gimpel & Hanover Galerie, Zurich, 1965;
Purchased by the above by McCrory Corp., New York, November 1969;
Gift of the above to The Museum of Modern Art, 1983
Nationality artist: French
Identifying marks: none or not recorded
Place of manufacture: not recorded
This work was made after 1945.

Sonia Delaunay, Coloured rhythm, 1954

X51706
Coloured rhythm

[Rythme coloré] 1954
on paper, unique
Mixed media on paper
unconfirmed, each: 570 x 760 mm unconfirmed, frame: 940 x 1150 mm
Collection Würth, Germany
Provenance:
The artist;
Collection Würth, Germany
This work was made after 1945.

Sonia Delaunay, Coloured rhythm, 1959

X51712
Coloured rhythm

[Rythme coloré] 1959
on paper, unique
Gouache and chalk on paper
unconfirmed, each: 200 x 250 mm unconfirmed, frame: 500 x 565 mm
Collection Würth, Germany
Provenance:
The artist;
Collection Würth, Germany
This work was made after 1945.

Sonia Delaunay, Rythme coloré n° 872, 1959

X53463
Rythme coloré n° 872

1959
on paper, unique
Gouache and charcoal on paper
unconfirmed, each: 776 x 575 mm
Ortiz-Gurdian Collection
Provenance:
The artist, 1960;
Galerie Hybler, Copenhagen;
Acquired in Stockholm by private collection, 1980s?
Acquired by the current owner from Sotheby’s Auction, June 23, 2011
This work was made after 1945

Sonia Delaunay, Mallarmé, 1961

X51714
Mallarmé

1961
on paper, unique
Gouache on paper
unconfirmed, each: 650 x 500 mm unconfirmed, frame: 1000 x 760 mm
Collection Würth, Germany
Provenance:
The artist;
Collection Würth, Germany
This work was made after 1945.

Sonia Delaunay, Tzara, 1961

X51715
Tzara

1961
on paper, unique
Gouache on paper
unconfirmed, each: 660 x 505 mm unconfirmed, frame: 1000 x 760 mm
Collection Würth, Germany
Provenance:
The artist;
Collection Würth, Germany
This work was made after 1945.

Sonia Delaunay, Colour rhythm, Paris, 1966

X53008
Colour rhythm, Paris

[Rythme couleur, Paris] 1966
on paper, unique
Gouache, watercolour and black pencil on paper
unconfirmed, each: 769 x 568 mm
Private Collection
Provenance:
The artist (d.1979);
Anonymous sale, Kunsthallen Kunstauktioner, Copenhagen, 5 March 1992, lot 184;
Private European collector, 2012;
Private collection
Nationality of artist: French
Identifying marks: none or not recorded
Place of manufacture: not recorded
This work was made after 1945.

Sonia Delaunay, Syncopated Rhythm, known as The Black Snake, 1967

X52218
Syncopated Rhythm, known as The Black Snake

[Rythme syncopé, dit Le Serpent noir] 1967
painting
Oil paint on canvas
unconfirmed: 1250 x 2500 mm unconfirmed, frame: 1305 x 2555 x 40 mm
Musée des Beaux-Arts de Nantes
Provenance:
The artist (d.1979);
Charles Delaunay by descent;
Purchased from the above by Musée des Beaux-Arts, Nantes, France with the participation of FRAM, 1985
Nationality artist: French
Identifying marks: none or not recorded
Place of manufacture: not recorded
This work was made after 1945.

Sonia Delaunay, Rythme couleur, 1967

X53466
Rythme couleur

1967
painting
Oil on canvas
support: 1995 x 1500 mm frame: 2095 x 1600 x 50 mm
Private collection (Courtesy of Alon Zakaim Fine Art)
Provenance:
The artist (d.1979);
Estate of the artist;
Acquired from the above by Private Collection, Europe;
Sale: Sotheby's, New York, May 6, 2010, lot 125;
Private collection, Europe
Nationality of Artist: French
Identifying marks: none or not recorded
Place of manufacture: not recorded
This work was made after 1945.

Glenn Ligon: Encounters and Collisions

Tate Liverpool (Liverpool, UK) from 30 Jun 2015 until 18 Oct 2015.

Felix Gonzalez-Torres
(1957-1996, born: Guaimaro, died: Miami)

Felix Gonzalez-Torres, "Untitled" (USA Today), 1990

X57652
"Untitled" (USA Today)

1990
installation
Candies, individually wrapped in red, silver, and blue cellophane (endless supply)
Dimensions vary with installation. Ideal weight: 300 lbs (136 kg)
The Museum of Modern Art, New York. Gift of the Dannheisser Foundation.
Provenance:
Dannheisser Foundation; gift to The Museum of Modern Art, 1996.
Nationality of artist: American, born Cuba
Identifying marks: Neither signed nor dated
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Dietmar Elgar (ed), Felix Gonzalez-Torres: Catalogue Raisonné, two volumes, Ostfildern-Ruit, 1997, cat.no. 106.

Jasper Johns
(born 1930, born: Augusta)

Jasper Johns, Painting with Two Balls II, 1962

X57658
Painting with Two Balls II

1962
on paper, print
Lithograph
support: 777 x 573 mm
The Museum of Modern Art, New York. Gift of the Celeste and Armand Bartos Foundation.
Provenance:
Universal Limited Art Editions, West Islip, NY; The Museum of Modern Art, New York, 1962 (acquired the year it was made directly from the printer)
Nationality of artist: American
Identifying marks: Signed bottom right
Place of Manufacture: West Islip, New York, United States of America

Willem de Kooning
(1904-1997, born: Rotterdam, died: East Hampton, active: New York)

Willem de Kooning, Valentine, 1947

X57661
Valentine

1947
painting
Oil and enamel and paper on board
support: 922 x 615 mm
The Museum of Modern Art, New York. Gift of Mr. and Mrs. Gifford Phillips.
Provenance:
Charles Egan Gallery, New York, by 1948; Mr. Albert Lazar, Easton, CT; purchased from the above; Mr. and Mrs. Gifford Phillips, Los Angeles, CA; The Museum of Modern Art, New York; gift of the above, 1969.
Nationality of artist: American
Identifying marks: Signed top left: de Kooning
Place of Manufacture: New York, United States of America

Willem de Kooning, Black Untitled, 1948

X52168
Black Untitled

1948
painting
Oil and enamel on paper, mounted on wood
support: 759 x 1016 mm
The Metropolitan Museum of Art, New York. From the Collection of Thomas B. Hess, Gift of the heirs of Thomas B. Hess, 1984
Provenance:
The artist; Thomas B. Hess, New York (until d. 1978); his heirs (1978–84; joint ownership with MMA until 1992; their gift to MMA)
Nationality of artist: American
Identifying marks: Signed top left: de Kooning
Place of Manufacture: New York, United States of America

Glenn Ligon
(born 1960, born: Bronx)

Glenn Ligon, Untitled (I Lost My Voice I Found My Voice), 1991

X57338
Untitled (I Lost My Voice I Found My Voice)

1991
painting
Oil stick, gesso and graphite on panel
2032 x 762 mm
Emily Fisher Landau / Amart Investments LLC
Provenance:
The artist; Max Protetch Gallery, New York; purchased from the above, July 1991
Nationality of artist: American
Identifying marks: None
Place of Manufacture: New York, United States of America

Martin Wong
(1946 -1999)

Martin Wong, Stanton near Forsyth Street, 1983

X53747
Stanton near Forsyth Street

1983
painting
Synthetic polymer paint on canvas
overall: 1219 x 1626 mm
The Museum of Modern Art, New York. Gift of the Contemporary Arts Council of The Museum of Modern Art; Steven Johnson and Walter Sudol; and James Keith Brown and Eric Diefenbach
Provenance:
The artist; private collection, New Jersey, 1984-2008; private collection, London, from 2008; PPOW Gallery, New York; sold to The Museum of Modern Art, 2011.
Nationality of artist: American
Identifying marks: None
Place of Manufacture: New York, United States of America

Agnes Martin

Tate Modern (London, UK) from 03 Jun 2015 until 11 Oct 2015.

Agnes Martin
(1912-2004, born: Canada)

Agnes Martin, Untitled, 1952

X53950
Untitled

1952
on paper, unique
Ink on paper
support: 381 x 276 mm
Private Collection
Provenance:
The Artist;
Acquired from the artist by Private Collector in 2006.

Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, c. 1954

X51798
Untitled

c. 1954
painting
oil paint on canvas
object: 1219 x 1829 mm
Private Collection
Provenance:
The artist;
Purchased from the above by Private Collection in 1992.
Nationality of Artist: American, born Canada (1912-2004).
Identifying Marks: Signed, lower right: martin.
Place of Manufacture: Taos, New Mexico.
This work was made after the operative period 1933-45.
Exhibition History: Agnes Martin: Before the Grid, Harwood Museum of Art, University of New Mexico, Taos, 25 February –17 June 2012.

Agnes Martin, Untitled, c. 1955

X51794
Untitled

c. 1955
painting
oil paint on canvas
object: 1181 x 1683 mm
Private Collection
Provenance:
The artist;
Purchased from the above by Private Collection in 1997.
Nationality of Artist: American, born Canada (1912 – 2004)
Identifying Marks: Signed, lower left: martin
Place of Manufacture: Taos, New Mexico
This work was made after the operative period 1933-45.

Exhibition History: Agnes Martin: Before the Grid, Harwood Museum of Art, University of New Mexico, Taos, 25 February- 17 June, 2012.

Agnes Martin, Untitled, c. 1955

X51795
Untitled

c. 1955
painting
oil paint on canvas
object: 838 x 1346 mm
Private Collection, Houston, Texas
Provenance:
The Artist;
Eliot Porter Estate, Santa Fe, NM;
Washburn Gallery, New York;
Acquired from the above by Private Collection, Houston, Texas on 1st April 1997.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Harbor No. 1, 1957

X51800
Harbor No. 1

1957
painting
oil paint on canvas
object: 1264 x 1016 mm
Museum of Modern Art, New York. Gift of Agnes Gund and Committee of Painting and Sculpture Funds, 1996 469.1996
Provenance:
The Artist;
Robert Elkon Gallery, New York;
Joan T. Washburn Gallery, New York;
Purchased from the above by The Museum of Modern Art, New York, 1996.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Heather, 1958

X51803
Heather

1958
painting
oil paint on canvas
object: 1778 x 1778 mm
Private Collection
Provenance:
The artist;
Purchased from the above by Private Collection in 1997.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed on the reverse, c.l: a. martin; and inscribed, u.r. (arrow pointing up).
Place of Manufacture: New York, NY.
This work was made after the operative period 1933-45.
Exhibition History:
On the Square, PaceWildenstein, 32 East 57th Street, New York, 8 January – 13 February, 2010.
Agnes Martin: Trajectories, Dia:Beacon, New York, 1 December, 2007 – 1 September, 2008.
Agnes Martin: Closing the Circle, Early and Late, PaceWildenstein, 32 East 57th Street, New York, 10 February– 4 March, 2006.
Agnes Martin:"…unknown territory…" Paintings from the 1960s, Dia:Beacon, New York, 14 April –7 November, 2005.
…going forward into unknown territory… Agnes Martin's Early Paintings 195767,
Dia:Beacon, New York, 16 May, 2004 – 18 April, 2005.

Agnes Martin, Rain (Study), 1958

X51809
Rain (Study)

1958
painting
oil paint on canvas
object: 635 x 635 mm
Parrish Art Museum, Water Mill, New York, Gift of Robert Elkon, 1979.26
Provenance:
The Artist;
Betty Parsons, New York;
Frederick Ossario, New York
;Acquired from the above by Archives of American Art, Washington;
Acquired from the above by Parrish Art Museum, as Gift of Robert Elkon, New York, in 1979.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1958

X51812
Untitled

1958
painting
oil paint on canvas
object: 1651 x 1651 mm
Private Collection
Provenance:
The artist;
Purchased from the above by Private Collection in 1997.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: N/A.
Place of Manufacture: New York, NY.
This work was made after the operative period 1933-45.
Exhibition History: Agnes Martin, Thomas Ammann Fine Art, Zurich, 2 June - 30 September, 2008.

Agnes Martin, The Garden, 1958

X51817
The Garden

1958
sculpture
mixed medai (oil paint and found objects on wood)
object: 1346 x 254 x 51 mm
Des Moines Art Center's Louise Noun Collection of Art by Women, 2001.29
Provenance:
The artist;
Betty Parsons Foundation;
Christies, New York, 13 November 1986;
Louise Noun, Iowa, 1986;
Acquired from the above by Des Moines Art Center's, Iowa in 2001.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, The Laws, 1958

X51818
The Laws

1958
sculpture
mixed media: boat spikes and oil on wood
object: 2369 x 457 x 51 mm
Private Collection, Switzerland
Provenance:
The artist;
Pace Wildenstein Gallery, New York;
Acquired from the above by Private Collection, Switzerland, in 2003.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, Beach, 1958

X57101
Beach

1958
painting
Oil on canvas
object: 1219 x 965 mm
Private Collection, San Francisco
Provenance:
The artist;
Acquired from the artist by Rolf Nelson, Coentis Slip/Los Angeles, in 1960;
Kent Gallery, New York;
Purchased from Kent Gallery by Private Collector, San Francisco, on 10 October 1997.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, The Book, 1959

X51823
The Book

1959
painting
oil paint and paper mounted on canvas
object: 608 x 454 mm
The Menil Collection, Houston
Provenance:
The artist;
Betty Parsons Gallery, New York;
Acquired from the above by Christie's (Sale 5434/5436, 11/9/83, lot 167);
Acquired by the Menil Foundation, Inc., Houstan, in 1983.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1959

X52662
Untitled

1959
painting
oil paint on linen
object: 305 x 305 mm
Courtesy Pace Gallery
Provenance:
Acquired from the artist;
Purchased from the above by Pace Gallery in 1999.
Nationality of Artist: American, born Canada (1912-2004)
Identifying Marks: Inscribed verso "a. martin 1959"
Place of Manufacture: New York, NY
This work was made after the operative period 1933-45.
Exhibition History:
In the Round, Pace Gallery, 32 East 57th Street, New York, July 16–August 15, 2014.
Carte Blanche, Pace at Chesa Büsin, Zuoz, Switzerland, February 20–March 30, 2014.
Grisaille: Part II New York, Luxembourg & Dayan, New York, January 10–14, 2012.
50 Years at Pace, The Pace Gallery, 32 East 57th Street, New York, September 17–October 23, 2010.
3x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz and Agnes Martin. The Drawing Center, New York, March 19–May 21, 2005. Illustrated in catalogue, pp. 18 and 213, no. 87.

Agnes Martin, Untitled, 1959

X52666
Untitled

1959
painting
oil paint and ink on linen
image: 305 x 305 mm
Maxine and Stuart Frankel Private Collection
Provenance:
The Artist;
PaceWildenstein, New York;
Acquired from the above by Maxine and Stuart Frankel Foundation for Art, Michigan, in 2003.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: signed and dated verso, a martin 1959.
Place of Manufacture: United States.
This work was made after the operative period 1933-45.

Agnes Martin, The Heavenly Race (Running), ca. 1959

X54291
The Heavenly Race (Running)

ca. 1959
painting
Oil paint on canvas
object: 305 x 902 mm
Private Collection
Provenance:
The Artist;
Arne and Milly Glimcher, New York;
Acquired from the above by Private Collector in 2004.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1960

X52663
Untitled

1960
painting
oil paint and ink on linen
image: 305 x 305 mm
The Rachofsky collection
Provenance:
The Artist;
Pace Wildenstein Gallery, New York;
Purchased from the above by The Rachofsky Collection, Dallas, in 2001.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Aspiration, 1960

X53951
Aspiration

1960
on paper, unique
Pen and black ink on paper
object: 280 x 240 mm
Private Collection, New York
Provenance:
The artist;
Christie's, New York, 12 November 1991;
Acquired from the above by Sarah-Ann and Werner Kramarsky, New York, on 14 November 1991.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1960

X53954
Untitled

1960
on paper, unique
Ink on paper
object: 210 x 210 mm
Maxine and Stuart Frankel Private Collection
Provenance:
The artist;
Robert Elkon Gallery, New York;
James Corcoran Gallery, Los Angeles;
Vivian Horan Collection;
Private Collection, Santa Fe;
Hirschl and Adler, New York;
Acquired from the above by Maxine and Stuart Frankel, Private Collection, Michigan in 1997.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and dated verso, A Martin ’60.
Place of Manufacture: United States.
This work was made after the operative period 1933-45.

Agnes Martin, The Islands, 1961

X51816
The Islands

1961
painting
oil paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection
Provenance:
The artist;
Pace Gallery, New York;
Purchased from the above by Private Collection in 1991.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed, lower left: martin.
Place of Manufacture: New York, NY.
This work was made after the operative period 1933-45.
Exhibition History:
Agnes Martin: Before the Grid, Harwood Museum of Art, University of New Mexico, Taos, 25 February – 17 June 2012.
Elemental Form, L & M Arts, New York, 19 October- 9 December 2006.
New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, 14 July – 10 September 2006.
Agnes Martin:"…unknown territory…" Paintings from the 1960s, Dia:Beacon, New York, 14 April-7 November 2005.
…going forward into unknown territory… Agnes Martin's Early Paintings 1957-67, Dia:Beacon, New York,16 May 2004-8 April 2005.

Agnes Martin, Untitled, 1961

X53956
Untitled

1961
on paper, unique
Black ink on paper
image: 210 x 210 mm
Whitney Museum of American Art, New York; Promised gift of Emily Fisher Landau. P.2010.203
Provenance:
The Artist;
Robert Elkon Gallery, New York;
James Corcoran Gallery, Los Angeles;
Jeffrey Hoffeld & Co., New York;
Acquired from the above by Emily Fisher Landau, New York, in May 1985.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, c. 1961

X54445
Untitled

c. 1961
on paper, unique
ink and graphite on paper
image: 279 x 279 mm
Private Collection courtesy Pace Gallery
Provenance:
The artist;
Purchased from the above by Private Collection in 2003.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed, l.r.: a. martin.
Place of Manufacture: New York, NY.
This work was made after the operative period 1933-45.
Exhibition History:
Agnes Martin: Before the Grid, Harwood Museum of Art, University of New Mexico, Taos, February 25 –June 17, 2012.
Agnes Martin: Works on Paper, Peter Blum SoHo, New York, January 18 – March 15, 2008.
Felix GonzalezTorres and Agnes Martin, Andrea Rosen Gallery, New York, November 6 – December 20, 2006.
Agnes Martin: Closing the Circle, Early and Late, PaceWildenstein, 32 East 57th Street, New York, February 10 – March 4, 2006.
3 X Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz, and Agnes Martin, March 19 – May 21, 2005. Travelled to Santa Monica Museum of Art, California, June 10 – August 13, 2005 and Irish Museum of Modern Art, Dublin, January 24 – March 26, 2006.

Agnes Martin, Untitled, 1961

X57105
Untitled

1961
on paper, unique
Ink and wash on paper
object: 203 x 203 mm
Collection of Joel Wachs
Provenance:
The Artist;
Robert Elkon Gallery, New York;
Acquired from the above by Joel Wachs, New York, in c.1980.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Little Sister, 1962

X51840
Little Sister

1962
(no classification assigned)
oil paint, ink paint and brass nails on canvas on wood
object: 251 x 242 mm
Solomon R. Guggenheim Museum, New York Gift, Andrew Powie Fuller and Geraldine Spreckels Fuller Collection, 1999 2000.40
Provenance:
The artist;
Acquired by Solomon R. Guggenheim Museum, as a Gift of Andrew Powie Fuller and Geraldine Spreckels Fuller Collection, New York, 1999.

Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Walking, 1962

X53960
Walking

1962
on paper, unique
Ink on paper
object: 229 x 229 mm
Collection of Mary and Harold Zlot
Provenance:
Lenore Tawney, New York;
Private Collection, New York;
PaceWildenstein, New York,
Acquired from the above by Mary and Harold Zlot, San Francisco.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Friendship, 1963

X51856
Friendship

1963
painting
incised gold leaf and gesso on canvas
object: 1905 x 1905 mm
Museum of Modern Art, New York. Gift of Celeste and Armand P. Bartos, 1984 502.1984
Provenance:
The artist;
Robert Elkon Gallery, New York;
Purchased from the above by Celeste and Armand P. Bartos;
Gift of the above to The Museum of Modern Art, New York, 1984.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, A Grey Stone, 1963

X51857
A Grey Stone

1963
painting
oil paint on canvas
object: 1905 x 1905 mm
Private Collection
Provenance:
The Artist;
Robert Elkon Gallery, New York;
Acquired from the above by the Paula Cooper Gallery, New York, in 1968;
Private collection, New York;
Sotheby’s, New York, 2nd May 1995 (Contemporary Art Part I, Sale 6694, Lot 24);
Acquired from the above by Private collection;
Private Collection, New York;
Purchased from the above by Private Collection in 2012.

Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Exhibitions:
Hartford, Wadsworth Atheneum, Black, White and Grey, January 9-February 9, 1964.
Venice, Palazzo Grassi, Where Are We Going? Selections from the François Pinault Collection, April 30-October 1, 2006, p. 158 (illustrated).
Dinard, Palais des Arts, Qui a peur des artistes?, June 13-September 13, 2009, pp. 28-29 (illustrated).

Agnes Martin, Untitled, 1963

X53961
Untitled

1963
on paper, unique
Red ink and wash on paper
object: 210 x 210 mm
Emily Fisher Landau/Amart Investments LLC
Provenance:
The Artist;
Robert Elkon Gallery, New York;
James Corcoran Gallery, Los Angeles;
Jeffrey Hoffeld & Co., New York;
Acquired from the above by Emily Fisher Landau, New York, in May 1985.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, The Tree, 1964

X51860
The Tree

1964
painting
oil paint and pencil on canvas
object: 1829 x 1829 mm
Museum of Modern Art, New York. Larry Aldrich Foundation Fund, 1965 5.1965
Provenance:
The Artist;
Robert Elkon Gallery, New York;
Purchased from the above by The Museum of Modern Art, New York, in January 1965.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Drift of Summer, 1964

X53963
Drift of Summer

1964
on paper, unique
Ink on paper mounted on board
object: 305 x 305 mm
Courtesy Pace Gallery
Provenance:
Acquired from the artist;
Purchased from the above by Pace Gallery in 1999.
Nationality of Artist: American, born Canada (1912-2004)
Identifying Marks: Signed and dated on verso, top right
Place of Manufacture: New York, NY
This work was made after the operative period 1933-45.
Exhibition History:
Paper Band, Jason McCoy Gallery, New York, July 11–August 24, 2012.
Agnes Martin: Works on Paper, Peter Blum Gallery, New York, January 18–March 15, 2008.
Felix Gonzalez-Torres and Agnes Martin, Andrea Rosen Gallery, New York, November 10–December 20, 2006.
3x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz and Agnes Martin. The Drawing Center, New York, March 19–May 21, 2005. Traveled to: Santa Monica Museum of Art, California, June 10–August 13, 2005; Irish Museum of Modern Art, Dublin, January 24–March 26, 2006.
Agnes Martin Recent Works, Anthony d’Offay Gallery, London, March 1–April 6, 2001

Agnes Martin, The Peach, 1964

X54441
The Peach

1964
on paper, unique
Graphite and ink on paper mounted on board
object: 305 x 305 mm
The Greenberg Gallery, St.Louis, Mo
Provenance:
The artist;
Pace Gallery, New York;
Acquired from the above by the Greenberg Gallery, St. Louis, on 1st September 2014

Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Summer, 1964

X54447
Summer

1964
on paper, unique
Watercolor, ink and gouache on paper
object: 234 x 234 mm
Collection Patricia Lewy Gidwitz
Provenance:
The Artist;
Pace Gallery, 1989;
Acquired from the above by Private Collection, New York.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, The Rose, 1965

X51862
The Rose

1965
painting
acrylic paint, graphite and coloured pencil on canvas
object: 1829 x 1829 mm
Philadelphia Museum of Art: Centennial gift of the Woodward Foundation, 1975
Provenance:
The Artist;
Woodward Foundation, Washington, DC, 1975;
Acquired from the above by the Philadelphia Museum of Art, as a Centennial gift of the Woodward Foundation, in 1975.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, White Stone, 1965

X51863
White Stone

1965
painting
oil paint and graphite on canvas
object: 1829 x 1829 mm
Solomon R. Guggenheim Museum, New York Gift, Mr. Robert Elkon, 1969 69.1911
Provenance:
The artist;
Robert Elkon Gallery, New York;
Aquired from the above by the Solomon R. Guggenheim Museum, New York, in 1969.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Adventure, 1967

X51866
Adventure

1967
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection, Baltimore MD U.S.A
Provenance:
The artist;
Pace Wildenstein, New York;
Locksley-Shea Gallery, Minneapolis;
Acquired from the above by private collector, Baltimore, M.D. USA, in February 1988.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, Grass, 1967

X51867
Grass

1967
painting
acrylic and graphite on canvas
object: 1829 x 1829 mm
Collection Stedelijk Museum, Amsterdam
Provenance:
The Artist;
Robert Elkon Gallery, New York;
Purchased from the above by the Stedelijk Museum, Amsterdam, on 23 January 1974.

Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #8, 1974

X51870
Untitled #8

1974
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection Courtesy Pace Gallery
Provenance:
The artist;
Pace Gallery, New York;
Private collection;
Private collection;
Pace Gallery, New York;
Purchased from the above by Private collection in 1989.
Nationality of Artist: American, born Canada (1912 – 2004)
Identifying Marks: Signed, titled, and dated, on the reverse, u.r.: a. martin/ 1974 #8; and inscribed, u.l.
and u.r.: Top Top [two arrows]
Place of Manufacture: Cuba, New Mexico
This work was made after the operative period 1933-45.
Exhibition History:
To the Islands: Agnes Martin's Paintings 1974-79, Dia:Beacon, New York, 2 December, 2005 – 26 June, 2006.
Agnes Martin/Richard Tuttle, Modern Art Museum of Fort Worth, Texas, 26 April – 2 August, 1998.
Traveled to SITE Santa Fe, New Mexico, 15 August – 18 October, 1998.
Seven from the Seventies, Knoedler & Company, New York, 8 February – 4 March, 1995.

Agnes Martin, Untitled #3, 1974

X52670
Untitled #3

1974
painting
acrylic, graphite and gesso on canvas
object: 1830 x 1830 mm
Purchased with funds from the Coffin Fine Arts Trust, and partial gift of Arnold and Mildred Glimcher; Nathan Emory Coffin Collection of the Des Moines Art Center, 1992.12
Provenance:
The artist;
Pace Gallery, New York;
Purchased by Des Moines Art Center with funds from the Coffin Fine Arts Trust, and partial gift of Arnold and Mildred Glimcher; Iowa in 1992.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #10, 1975

X51874
Untitled #10

1975
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection, New York
Provenance:
The artist;
Barbara Gladstone Gallery, New York;
Robert M.Kaye, New York;
PaceWildenstein, New York;
Christie's, New York;
Purchased from the above by Private Collection, New York, on 16 November 2000 (Lot 22 Contemporary)
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #14, 1977

X51886
Untitled #14

1977
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Solomon R. Guggenheim Museum, New York Mr. and Mrs. Werner Dannheisser, 1977 77.2336
Provenance:
The artist;
Pace Gallery, New York;
Acquired from the above by Solomon R. Guggenheim Museum, as a Gift of Mrs. Elaine and Mr. Werner Dannheisser, New York, in 1977.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1977

X51904
Untitled

1977
on paper, unique
watercolour and graphite on paper
object: 229 x 229 mm frame: 305 x 305 mm
Foundation Hubert Looser, Zurich (C.H)
Provenance:
The artist;
Timothy Taylor Gallery, London;
Acquired from the above by Fondation Hubert Looser, Zurich, on 20th June 2006.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1977

X54448
Untitled

1977
on paper, unique
Watercolor and graphite on paper
object: 229 x 229 mm
Private Collection
Provenance:
The artist;
Purchased from the above by Private collection in 1987.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: N/A.
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1978

X51905
Untitled

1978
on paper, unique
watercolour and ink on paper
object: 304 x 304 mm
Collection Stedelijk Museum, Amsterdam
Provenance:
The Artist;
Pace Gallery, New York;
Galerie Yvon Lambert, Paris;
Purchased from the above by the Stedelijk Museum, Amsterdam, on 19 June 1987.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1978

X53975
Untitled

1978
on paper, unique
Watercolour, pencil and ink on rice paper
object: 229 x 229 mm
Maxine and Stuart Frankel Private Collection
Provenance:
The artist;
Pace Gallery, New York;
Private Collection, Los Angeles;
PaceWildenstein, New York;
Acquired from the above by Maxine and Stuart Frankel Private Collection, Michigan, in 1995.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: unknown.
Place of Manufacture: United States.
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #12, 1984

X51889
Untitled #12

1984
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection
Provenance:
The artist;
Pace Gallery, New York;
Purchased from the above by Private collection in 1997.

Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and dated, on the reverse, u.r.: a martin/ 84; and inscribed, on center vertical stretcher bar, u.: 12 [encircled].
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.
Exhibition History:
Agnes Martin, The '80s Grey Paintings, The Pace Gallery, 534 West 25th Street, New York, 16 September-29 October, 2011.
Agnes Martin: Trajectories, Dia:Beacon, New York, 1 December, 2007 – 1 September, 2008.
Then and Now: Art Since 1945 at Yale, Yale University Art Gallery, New Haven, Connecticut, 10 February-31 July, 1998.

Agnes Martin, Fiesta, 1985

X51890
Fiesta

1985
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Solomon R. Guggenheim Museum, New York Gift, American Art Foundation, 1992 92.4025
Provenance:
The artist;
Acquired by Solomon R. Guggenheim Museum, as a Gift of Arnold and Milly Glimcher, New York, 1992.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #15, 1988

X51895
Untitled #15

1988
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Museum of Fine Arts, Boston. Gift of The American Art Foundation in honor of Charlotte and Irving Rabb, 1997.117
Provenance:
The Artist;
American Art Foundation, New York, 1988;
Acquired by Museum of Fine Art Boston, as a Gift of the American Art Foundation, through PaceWildenstein, New York, in honor of Charlotte and Irving Rabb, Boston, on 25 June 1997.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #1, 1989

X51896
Untitled #1

1989
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection, Courtesy Pace Gallery
Provenance:
Acquired from the artist;
The Pace Gallery, New York;
Daniel Weinberg Gallery, Los Angeles;
Private collection;
The Pace Gallery;
Purchased from the above by Private collection in 2011.
Nationality of Artist: American, born Canada (1912 – 2004)
Identifying Marks: a. martin 1989; On stretcher bar it is written: This one
Place of Manufacture: Galisteo, NM
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #8, 1989

X51900
Untitled #8

1989
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection
Provenance:
The artist;
The Pace Gallery, New York;
Private collection, San Francisco;
Purchased from the above by Private collection in 2007.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and dated, on reverse, u.r.: a martin/1989.
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.
Exhibition History:
Agnes Martin, The '80s Grey Paintings, The Pace Gallery, 534 West 25th Street, New York, 16 September – 29 October, 2011.

Agnes Martin, Untitled #10, 1990

X53968
Untitled #10

1990
on paper, unique
Ink on paper
object: 229 x 229 mm
Courtesy Pace Gallery
Provenance:
Acquired from the artist;
PaceWildenstein, New York;
Private collection, San Francisco;
Timothy Taylor Gallery, London;
Purchased from the above by Pace Gallery in 2007.

Nationality of Artist: American, born Canada (1912-2004)
Identifying Marks: Inscribed recto "A. Martin," signature covered by mat
Place of Manufacture: Galisteo, NM (USA)
This work was made after the operative period 1933-45.
Exhibition History:
Carte Blanche, Pace at Chesa Büsin, Zuoz, Switzerland, February 20–March 30, 2014.
Beijing Voice: Leaving Realism Behind, The Pace Gallery, Beijing, November 19, 2011–February 12, 2012.
Painting, Drawings, Sculpture: Joseph Albers, Donald Judd, Agnes Martin, Dunn & Brown Contemporary,

Agnes Martin, Untitled #2, 1992

X51882
Untitled #2

1992
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection
Provenance:
The Artist;
The Pace Gallery, New York;
Private collection, Los Angeles;
The Pace Gallery;
Purchased from the above by Private Collection in 1997.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: signed "a. martin" "1992".
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.
Exhibition History:
50 Years at Pace, The Pace Gallery, 545 West 22nd Street, New York, 17 September–23 October, 2010. Illustrated in catalogue, p. 199, no. 110.
Agnes Martin: Homage to [a] Life, Paintings 1990–2004, Dia: Beacon, New York, 6 April–26 November, 2007.

Agnes Martin, Untitled, 1995

X53970
Untitled

1995
on paper, unique
Ink, graphite and watercolour on paper
object: 279 x 279 mm
Douglas Baxter
Provenance:
The artist;
Pace Gallery, New York;
Acquired from the above by Douglas Baxter
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, I Love the Whole World, 2000

X54946
I Love the Whole World

2000
painting
Acrylic and graphite on canvas
object: 1524 x 1524 mm
Courtesy of The Artworkers Retirement Society
Provenance:
The artist;
Pace Wildenstein, New York;
Acquired from the above by Private collection, Washington, D.C;
Acquired from the above by Pace gallery, New York;
Acquired from the above by Private Collector.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Blessings, 2000

X57103
Blessings

2000
painting
Acrylic and graphite on canvas
object: 1524 x 1524 mm
Private Collection
Provenance:
The Artist;
Estate of the artist;
Acquired from the above by Private collection in 2006.

Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and dated, on the reverse, u.r.: a.martin/ 2000; titled, on horizontal stretcher bar, m.r.: blessings; beautiful life [crossed out].
Place of Manufacture: Galisteo, NM
This work was made after the operative period 1933-45.

Agnes Martin, Gratitude, 2001

X51911
Gratitude

2001
painting
acrylic paint and graphite on canvas
object: 1524 x 1524 mm
Glimcher Family Collection
Provenance:
The artist;
PaceWildenstein, New York;
Purchased from the above by Private Collection in 2006.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and dated, on the reverse, u.r.: a martin/ 2001; and titled, on the stretcher bar: Gratitude.
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.
Exhibition History:
Kindred Spirits: Native American Influences on 20th Century Art, Peter Blum SoHo, New York, 29 October, 2011 – 28 January, 2012.
Artist Rooms: Agnes Martin, Scottish National Gallery of Modern Art, Edinburgh, United Kingdom,
6 August, 2009 – 10 July, 2010. Traveled to Kettle's Yard, Cambridge, U.K., 15 May – 10 July, 2010, and Tate Modern, London, 1 August, 2010 – 1 April, 2011.
Agnes Martin, Thomas Ammann Fine Art, Zurich, 2 June – 30 September, 2008.
Agnes Martin: Closing the Circle, Early and Late, PaceWildenstein, 32 East 57th Street, New York, 10 February– 4 March, 2006.

Agnes Martin, Untitled #4, 2002

X51912
Untitled #4

2002
painting
acrylic paint and graphite on canvas
object: 1524 x 1524 mm
Private Collection
Provenance:
The artist;
Pace Gallery, New York;
Purchased from the above by Private collection in 2008.
Nationality of Artist: American, born Canada (1912 – 2004)
Identifying Marks: N/A
Place of Manufacture: Galisteo, NM
This work was made after the operative period 1933-45.
Exhibition History: Artist Rooms: Agnes Martin, Scottish National Gallery of Modern Art, Edinburgh, United Kingdom, August 6, 2009 – July 10, 2010. Traveled to Kettle's Yard, Cambridge, U.K., May 15 – July 10, 2010, and Tate Modern, London, August 1, 2010 – April 1, 2011.
Agnes Martin, Thomas Ammann Fine Art, Zurich, June 2 – September 30, 2008.

Agnes Martin, Untitled #12, 2002

X57102
Untitled #12

2002
painting
Acrylic and graphite on canvas
object: 1524 x 1524 mm
Private Collection Courtesy Pace Gallery
Provenance:
The artist;
PaceWildenstein, New York;
Purchased from the above by Private collection in 2006.

Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and titled, on the reverse, u.r.: a. martin/ 2002.
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.
Exhibition History:
Agnes Martin, Thomas Ammann Fine Art, Zurich, June 2 – September 30, 2008.

Agnes Martin, The Sea, 2003

X51916
The Sea

2003
painting
acrylic paint and graphite on canvas
object: 1524 x 1524 mm
Private Collection
Provenance:
The artist;
Purchased from the above by Private collection in 2008.

Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and dated, on the reverse: a.m./2003.
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.
Exhibition History:
Homage to [a] Life: Agnes Martin's Paintings, 1990-2004, Dia:Beacon, New York, 6 April - 26 November 2007.

Agnes Martin, Untitled #1, 2003

X51918
Untitled #1

2003
painting
acrylic paint and graphite on canvas
object: 1524 x 1524 mm
Fondation Louis Vuitton, Paris
Provenance:
The Artist;
PaceWildenstein, 2006;
Acquired from the above by Private Collection, Paris.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 2004

X51919
Untitled

2004
painting
acrylic paint and graphite on canvas
object: 1524 x 1524 mm
Collection of Mitzi and Warren Eisenberg
Provenance:
The Artist;
Tilton Gallery, New York;
Purchased from the above by Maxine and Warren Eisenberg, New York, on 31 January 2006.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 2004

X51920
Untitled

2004
painting
acrylic wash on linen
object: 1524 x 1524 mm
Frances F. Bowes
Provenance:
The artist;
Pace Gallery, New York;
Acquired from the above by Frances F. Bowes, San Francisco, on 20th March 2012.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 2004

X53971
Untitled

2004
on paper, unique
Ink on paper
image: 89 x 70 mm
Private Collection
Provenance:
The artist;
Acquired from the above by Private collection in 2008.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: N/A.
Place of Manufacture: Taos, NM.
This work was made after the operative period 1933-45.
Exhibition History:
Agnes Martin: Works on Paper, Peter Blum SoHo, New York, 18 January – 15 March 2008.

Barbara Hepworth: Sculpture for a Modern World

Tate Britain (London, UK) from 24 Jun 2015 until 25 Oct 2015.

Dame Barbara Hepworth
(1903-1975, born: Wakefield, died: Saint Ives)

Dame Barbara Hepworth, Two Forms, 1935

X50976
Two Forms

1935
sculpture
Snakewood
object: 178 x 385 x 186 mm

Provenance:
Joseph H. Hirshhorn Bequest, 1981; Previous: Mark Tobey, USA, by 1961; Gimpel Fils, London, to 22 December 1967; Joseph H. Hirshhorn, 22 December 1967 - 31 August 1981.
Nationality of artist: British
Place of manufacture: London, UK
Catalogue Raisonné: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC ‘Selections from the Joseph H. Hirshhorn Bequest’ 7 August - 16 November 1986, unpublished checklist, no. 46; Galerie nationale du Jeu de Paume, Paris ‘Un Siecle de Sculpture Anglaise’ 6 June - 15 September 1996, ill. p. 94; Institut Valencia d’Art Modern, Spain ‘Barbara Hepworth’ 2 September - 14 November 2004.

Dame Barbara Hepworth, Discs in Echelon, Version 1, 1935

X50978
Discs in Echelon, Version 1

1935
sculpture
Padouk wood
object: 311 x 491 x 225 mm
The Museum of Modern Art, New York. Gift of W.B. Bennet, 1936
Provenance:
Gift of W. B. Bennett, Sheffield, to The Museum of Modern Art, 1936. Previous: the artist.
Nationality of artist: British
Place of manufacture: London, UK
Catalogue Raisonné: 7&5 exhibition, Zwemmer Gallery, London, October 1935, illus. cat. 3; Tate Gallery Liverpool, 14 September to 4 December 1994, Yale Center for British Art, New Haven, 4 February to 9 April 1995, Art Gallery of Ontario, Toronto, 19 May to 7 August 1995, ‘Barbara Hepworth: a retrospective’ illus. p.66. Reproduced: Gibson (1946), pl.27; Read (1952), pl.40; Hammacher (1968), p.66.

Dame Barbara Hepworth, Conoid, Sphere and Hollow I, 1937

X50985
Conoid, Sphere and Hollow I

1937
sculpture
Marble
object: 305 x 406 mm
The Museum of Modern Art, New York. Bequest of Virginia C. Field, 2004.
Provenance:
Bequest of the estate of Virginia C. Field to The Museum of Modern Art, 2004. Previous: the artist; Alastair Morton, UK; Sotheby’s, London, 15 April 1964, lot 176; Gimpel Fils.
Nationality of artist: British
Place of manufacture: London, UK
Catalogue Raisonné: Alex, Reid and Lefevre Gallery, London, 1937, cat.22; Reproduced: Gibson (1948), pl.35.

Dame Barbara Hepworth, Pendour, 1947

X51487
Pendour

1947
sculpture
Painted plane wood
object: 306 x 745 x 238 mm

Provenance:
Gift of Joseph H. Hirshhorn, 1966. Previous: the artist, Cornwall, 1947-48 to 1954-55; Martha Jackson Gallery, NY, by April 1955--at least June 1958; Galerie Chalette, NY, by October 1959 - 3 November 1959; JHH Purchased From Galerie Chalette, New York, 3 November 1959 - 17 May 1966.
Nationality of artist: British
Place of manufacture: Cornwall, UK
Catalogue Raisonné: Alex Reid and Lefevre Gallery, London ‘New Sculpture and Drawings by Barbara Hepworth’ February 1950, no. 10 (as 1948); XXV Biennale Internzionale D'Arte, Venice ‘British Pavilion’, June - September 1950, no. 75, p. 335 (as 1947-48); Riverside Museum, NY ‘Abstract Artists of Three Nations’ March- April 1951; Wakefield City Art Gallery, London ‘Barbara Hepworth: Sculpture and Drawings’ 19 May - 7 July 1951, no. 32 (as 1947-8), touring to York City Art Gallery 14 July - 12 August 1951, Manchester Art Galleries 24 September - 21 October 1951; Whitechapel Art Gallery, London ‘Barbara Hepworth: A Retrospective Exhibition of Carvings and Drawings from 1927 to 1954’ 8 April - 6 June 1954, no. 82, p.21, plate J (as 1947-8); Walker Art Center, Minneapolis ‘Barbara Hepworth: Carvings and Drawings 1937-1954’ 15 April-29 May 1955, no. 11, ill., touring to the University of Nebraska Art Galleries, 15 June-15 August 1955, San Francisco Museum of Art, 1 September-16 October 1955, The Albright Art Gallery, 9 November-15 December 1955, The Art Gallery of Toronto, 1 January-15 February 1956, The Montreal Museum of Fine Arts, 1 March-31 March 1956, The Baltimore Museum of Art, 15 April- 30 June 1956; Martha Jackson Gallery, New York, December 1956- January 1957; Cleveland Museum of Art, ‘Some Contemporary Works of Art’ June 1958, no. 23, ill. (lent by Martha Jackson Gallery). Reproduced: Read (1952), pl.95, 96a, 96b, 97a, 97b; Hammacher (1968), pl.8a, 8b.

Geta Bratescu

Tate Liverpool (Liverpool, UK) from 30 Jun 2015 until 18 Oct 2015.

Geta Bratescu
(born 1926, born: Ploiesti, active: Bucuresti)

Geta Bratescu, The Studio, 1971

X55207
The Studio

[Atelierul] 1971
on paper, print
3 works on paper, lithographs
support: 360 x 700 mm
Courtesy of the artist, Ivan Gallery, Bucharest and Galerie Barbara Weiss, Berlin
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Pre-Medeic Drawing (The Pattern), 1978

X56333
Pre-Medeic Drawing (The Pattern)

1978
on paper, unique
Charcoal on paper
frame: 1150 x 890 mm
Private Collection, courtesy Galerie Barbara Weiss, Berlin; Ivan Gallery, Bucharest
Provenance:
Acquired from the artist 2012
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Documentation on the Mediterranean Sea, 1978

X56334
Documentation on the Mediterranean Sea

1978
on paper, unique
10 works on paper, ink
support, each: 250 x 345 mm
Courtesy of the artist and Ivan Gallery, Bucharest
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Portraits of Medea, 1979

X55213
Portraits of Medea

1979
on paper, print
10 works on paper, lithographs
support, each: 550 x 400 mm frame, each: 610 x 470 x 20 mm
Courtesy of the artist, Ivan Gallery, Bucharest and Galerie Barbara Weiss, Berlin
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: each sheet 2/10 A.P. (l.l.) and Geta Bratescu 1979 (l.r.)
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Costume for Ephemeral Celebrations, 1987

X55217
Costume for Ephemeral Celebrations

1987
on paper, unique
Collage, tempera on paper
frame: 940 x 610 x 65 mm
Private Collection, courtesy Galerie Barbara Weiss Berlin; Ivan Gallery, Bucharest
Provenance:
Acquired from the artist 2012
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Costume for Ephemeral Celebrations, 1987

X55849
Costume for Ephemeral Celebrations

1987
on paper, unique
Collage, tempera on paper
frame: 940 x 610 x 65 mm
Private Collection, courtesy Galerie Barbara Weiss, Berlin; Ivan Gallery, Bucharest
Provenance:
Acquired from the artist 2012
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Costume for Ephemeral Celebrations, 1987

X55850
Costume for Ephemeral Celebrations

1987
on paper, unique
Collage, tempera on paper
frame: 940 x 610 x 65 mm
Petra Hubertus, Berlin
Provenance:
Galerie Barbara Weiss, Berlin (acquired from the artist 2012)
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Costume for Ephemeral Celebrations, 1987

X56336
Costume for Ephemeral Celebrations

1987
on paper, unique
Collage, tempera on paper
frame: 940 x 610 x 65 mm
Petra Hubertus, Berlin
Provenance:
Galerie Barbara Weiss, Berlin (acquired from the artist 2012)
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Costume for Ephemeral Celebrations, 1987

X58436
Costume for Ephemeral Celebrations

1987
on paper, unique
Collage, tempera on paper
frame: 940 x 610 x 65 mm
Private Collection, courtesy Galerie Barbara Weiss, Berlin; Ivan Gallery, Bucharest
Provenance:
Acquired from the artist 2012
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Women, 2007

X58271
Women

2007
on paper, unique
Tempera on paper
support: 1720 x 510 mm
Courtesy of the artist; Ivan Gallery, Bucharest and Galerie Barbara Weiss, Berlin
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, The Theatre of Forms, 2011

X55219
The Theatre of Forms

[Le Theatre des Formes] 2011
on paper, unique
6 works on paper, paper and ink
support, each: 260 x 340 mm frame, each: 330 x 410 x 30 mm
Courtesy of the artist and Galerie Barbara Weiss, Berlin
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: signed Geta Bratescu 2011 on first page
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Alteritate, 2002/2011

X55220
Alteritate

2002/2011
on paper, print
9 photographs, gelatin silver prints on paper
support, each: 500 x 500 mm frame, each: 550 x 550 x 40 mm
Courtesy of the artist and Galerie Barbara Weiss, Berlin
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Game of Forms, 2009–15

X55218
Game of Forms

[Jeu des Formes] 2009–15
on paper, unique
33 works on paper, cut paper
Overall display dimensions variable
Courtesy of the artist and Ivan Gallery, Bucharest
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Jackson Pollock: Blind Spots

Tate Liverpool (Liverpool, UK) from 30 Jun 2015 until 18 Oct 2015.

Jackson Pollock
(1912-1956, born: Cody, died: East Hampton)

Jackson Pollock, Untitled, 1949

X54936
Untitled

1949
sculpture
Wire dipped in plaster and paint
79mm height
The Museum of Fine Arts, Houston, Museum purchase funded by Louisa Stude Sarofim in memory of Alice Pratt Brown.
Provenance:
Estate of the Artist; Lee Krasner Pollock, New York; (Sale, Jason McCoy Inc., New York, 1996); The Museum of Fine Arts, Houston, Museum, purchase funded by Louisa Stude Sarofim in memory of Alice Pratt Brown, 1996, 96. 1758.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1049, p.127.

Jackson Pollock, Number 34, 1949, 1949

X58345
Number 34, 1949

1949
painting
Oil and enamel paint on white paperboard mounted on masonite
Support: 559 x 775 mm
Edward W. Root Bequest, Munson-Williams-Proctor Arts Institute, Museum of Art, Utica, New York
Provenance:
(Betty Parsons Gallery, New York); Edward W. Root (purchased from Betty Parsons Gallery, December 1949); Munson-Williams Proctor Institute, Utica, New York (Edward W. Root bequest, 1961)
Nationality of artist: American
Identifying marks: Signed and dated lower left: 49 Jackson Pollock.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings, 1948–1955, New Haven and London, 1978, cat.no. 235, pp.56-7.

Jackson Pollock, Number 3, 1949, Tiger, 1949

X58434
Number 3, 1949, Tiger

1949
painting
Oil, enamel, metallic enamel, and cigarette fragment on canvas, mounted on fibreboard
Support: 1575 x 946 mm
Hirshhorn Museum and Sculpture Garden. Gift of Joseph Hirshhorn, 1972.
Provenance:
Betty Parsons Gallery, New York, to 12 June 1951; Richard Romney, New York, acquired 12 June, 1951; Betty Parsons Gallery, New York, 1961; Sotheby & Co., London, Sale, 6 December 1961, no. 42, ill. facing p. 27; Frank Perls Gallery, Beverly Hills, CA, 1961; Mr. and Mrs. David E. Bright, Beverly Hills, CA, 1964; Frank Perls Gallery, Beverly Hills, CA, to 28 October 1967; Joseph H. Hirshhorn, New York, 28 October 1967-1972; Hirshhorn Museum and Sculpture Garden, Gift of Joseph H. Hirshhorn, 1972.
Nationality of artist: American
Identifying marks: Signed lower left: Jackson Pollock and dated lower right 49.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings, 1948–1955, New Haven and London, 1978, cat.no. 250, p.72.

Jackson Pollock, Untitled (Black and White Polyptych), c.1950

X54885
Untitled (Black and White Polyptych)

c.1950
painting
Oil on canvas
support: 609 x 2032 mm
Benesse Holdings, Inc.
Provenance:
(Sidney Janis Gallery, New York); Collection Mr and Mrs I. Donald Grossman; Mr. and Mrs. Albert Rock, San Francisco; (Akira Ikeda Gallery, Tokyo); acquired by the current owner from the above, January 1983.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 298, p.120.

Jackson Pollock, Silver Square, c.1950

X54886
Silver Square

c.1950
painting
Oil on the rough side of masonite
support: 565 x 565 mm
Courtesy Washburn Gallery, New York and The Pollock-Krasner Foundation, Inc.
Provenance:
Estate of the artist; Lee Krasner Pollock (1908–1984); The Pollock-Krasner Foundation, Inc. (acquired by descent in 1984).
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 291, p.112.

Jackson Pollock, Untitled, c. 1950

X57718
Untitled

c. 1950
on paper, unique
Ink on paper
Support: 619 x 479 mm
Collection of Susanne and William E. Pritchard III, Houston, Texas
Provenance:
Estate of the artist; Lee Krasner Pollock (d.1984); Anthony d’Offay Gallery, London; Private Collection, San Francisco [Schwab], acquired in 1989; Anthony Grant, Inc., New York; Private Collection, Purchase, New York; Sotheby’s Contemporary Morning Sale, New York, 11 May 2011, Lot 119; acquired at the above auction by the present owners.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 791, p.274.

Jackson Pollock, Number 4, 1950

X58316
Number 4

1950
painting
Oil, enamel, and aluminum paint on canvas
Support: 1241 x 962 mm
Carnegie Museum of Art, Pittsburgh; Gift of Frank R. S. Kaplan, 54.15
Provenance:
(Betty Parsons Gallery, New York); (Sidney Janis Gallery, New York); Frank R. S. Kaplan; gifted to Carnegie Museum of Art, Pittsburgh, 1954
Nationality of artist: American
Identifying marks: Signed upper right: Jackson Pollock and dated upper left 50.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings, 1948–1955, New Haven and London, 1978, cat.no. 250, p.93.

Jackson Pollock, Number 23, 1951, 1951

X49559
Number 23, 1951

1951
painting
Oil on canvas
support: 1486 x 1194 mm frame: 1543 x 1261 x 57 mm
Chrysler Museum of Art, Norfolk, Virginia. Gift of Walter P. Chrysler, Jr.
Provenance:
Martha Jackson (acquired from the artist, 1954); (Martha Jackson Gallery for the Estate of Martha Jackson); (Parke-Bernet Galleries, sale, 18 November 1970); Harry W. Anderson, Atherton, California; (M. Knoedler & Co.); Walter P. Chrysler, Jr.; acquired from whom in 1983.
Nationality of artist: American
Identifying marks: Signed and dated lower right: Jackson Pollock 51.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 335, p.153.

Jackson Pollock, Brown and Silver I, c.1951

X49560
Brown and Silver I

c.1951
painting
Enamel and silver paint on canvas
support: 1447 x 1079 mm frame: 1540 x 1160 x 70 mm
Museo Thyssen-Bornemisza, Madrid
Provenance:
Estate of the artist; Lee Krasner Pollock (d. 1984); (Marlborough Fine Art, London); (Toninelli Arte Moderna, Milan); Baron Thyssen-Bornemisza, Lugano, Switzerland; Museo Thyssen-Bornemisza, Madrid, by bequest, 1992.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 317, p.130.

Jackson Pollock, Untitled, 1951

X53860
Untitled

1951
on paper, unique
Ink on Japan paper
support: 445 x 565 mm
Susan and Larry Marx, Aspen, CO (Courtesy of Neal Meltzer Fine Art, New York)
Provenance:
Mr and Mrs Morton Feldman, New York (gift of the artist); Sotheby’s Contemporary Art Day Sale, New York, 11 May 2011, Lot #115; acquired at the above auction by the present owners.
Nationality of artist: American
Identifying marks: Signed and dated lower left: Jackson Pollock 51.
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 846, p.318.

Jackson Pollock, Untitled, 1951

X53900
Untitled

1951
on paper, unique
Black ink [India?] and watercolour on Japanese paper
support: 635 x 997 mm
The Menil Collection, Houston
Provenance:
Ivan von Auw, New York (gift of the artist, 1954); Robert Elkon; Sotheby’s, New York (9 November 1983, lot 016); Menil Foundation, Inc., acquired at the above auction, 1983
Nationality of artist: American
Identifying marks: Signed lower right ‘Pollock’ and inscribed bottom left. The inscription at the bottom left reads: ‘for – / Paul Peters / and Ivan von Auw / with admiration / Nov. 18, 1954 Jackson Pollock.’ The date is the date of the gift, not of execution.
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 812, p.291, illustrated.

Jackson Pollock, Number 3, 1951

X53902
Number 3

1951
on paper, unique
Ink on Japanese paper
image: 622 x 984 mm
Gift of the Virginia Wright Fund, Collection of the Washington Art Consortium: Henry Art Gallery, University of Washington, Seattle; Museum of Art, Washington State University, Pullman; Northwest Museum of Arts and Culture, Spokane; Seattle Art Museum; Tacoma Art Museum; Western Gallery, Western Washington University, Bellingham; Whatcom Museum of History and Art, Bellingham.
Provenance:
(Betty Parsons Gallery, New York); Mr and Mrs Alexander Lieberman, Philadelphia; (André Emmerich Gallery, New York); Virginia Wright Foundation, Seattle, Washington; Washington Art Consortium, Gift of the Virginia Wright Fund, 1 May 1974.
Nationality of artist: American
Identifying marks: Signed and dated lower left: Jackson Pollock 51.
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 818, p.297, illustrated.

Jackson Pollock, Untitled, 1951

X53903
Untitled

1951
on paper, unique
Black and sepia ink on mulberry paper
image: 635 x 984 mm
The Museum of Modern Art, New York. Gift of Lee Krasner in memory of Jackson Pollock, 1983.
Provenance:
Estate of the artist; Lee Krasner Pollock (d.1984); The Museum of Modern Art, New York (Gift of Lee Krasner in memory of Jackson Pollock, 1983).
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 820, p.299, illustrated.

Jackson Pollock, Untitled, 1951

X54833
Untitled

1951
on paper, unique
Ink and watercolour on Japanese paper
support: 622 x 864 mm
Solomon R. Guggenheim Museum, New York Fractional Gift, Barbara and Donald Jonas, 1992 92.3984
Provenance:
Estate of the artist; Lee Krasner Pollock; B. H. Friedman (gift of Lee Krasner Pollock); […]; Barbara and Donald Jonas, New York; Solomon R. Guggenheim Museum, New York, Fractional Gift, Barbara and Donald Jonas, 1992.
Nationality of artist: American
Identifying marks: Signed and dated upper right ‘Jackson Pollock 51.’
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 824, p.303, illustrated.

Jackson Pollock, Untitled (Black and White Painting I), c.1951

X54898
Untitled (Black and White Painting I)

c.1951
painting
Black paint on unprimed cotton canvas attached to canvas strips
support: 495 x 927 mm
Courtesy Washburn Gallery, New York and The Pollock-Krasner Foundation, Inc.
Provenance:
Estate of the artist; Lee Krasner Pollock (1908–1984); The Pollock-Krasner Foundation, Inc. (acquired by descent in 1984).
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 325, p.140.

Jackson Pollock, Number 8, 1951 / "Black Flowing'", 1951

X54903
Number 8, 1951 / "Black Flowing'"

1951
painting
Enamel on canvas
support: 1400 x 1850 mm
National Museum of Western Art, Tokyo. Donated by Yamamura Family.
Provenance:
(Betty Parsons Gallery, New York); (Michel Tapié, Paris); Comte Philippe Dotremont, Brussels; Haru and Takutaro Yamamura, Nishinomiya, Japan; gift of Yamamura Collection to National Museum of Western Art, Tokyo in 1966.
Nationality of artist: American
Identifying marks: Signed and dated lower right: Jackson Pollock 51.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 327, pp.142-3.

Jackson Pollock, Black and White No. 15, 1951, 1951

X54917
Black and White No. 15, 1951

1951
painting
Enamel on canvas
support: 1422 x 1677 mm
Museum Ludwig, Cologne
Provenance:
Estate of the artist; Lee Krasner Pollock; Marlborough Gallery, New York; Collection of Young Merrit Smith Jr., Hillsborough, North Carolina; Noah Goldowsky Gallery, New York; acquired WRM, 1972; Museum Ludwig, Cologne, 1976
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 339, p.158, illustrated.

Jackson Pollock, Untitled, 1951

X55478
Untitled

1951
on paper, unique
Black and coloured inks on Japanese paper
Support: 628 x 991 mm
Richard Lang and Jane M. Lang Collection
Provenance:
Clement Greenberg (gift of the artist); (Mrs Virginia Kondratiev, Dwan Gallery, Los Angeles); [?]; Mr and Mrs J. O. Lambert, Dallas, Texas; (Janie C. Lee Gallery, Houston, Texas); (André Emmerich Gallery, New York); Richard E. Lang, Medina, Washington, acquired from the above, 29 March 1974.
Nationality of artist: American
Identifying marks: This work was a birthday present from the artist to Clement Greenberg and is inscribed in the lower right corner: 1951 / For Clem / Jan. 16 / Jackson Pollock.
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 813, p.292.

Jackson Pollock, Untitled, 1951

X57580
Untitled

1951
on paper, unique
Ink on pink Howell paper
457 x 548 mm
Guild Hall Museum, East Hampton, New York, gift of Mr and Mrs Valentine E. Macy, Jr.
Provenance:
Mr and Mrs Valentine E. Macy (acquired from the artist); Guild Hall, East Hampton, New York (gift of Mr and Mrs Valentine E. Macy Jr., 1959).
Nationality of artist: American
Identifying marks: Signed and dated upper left: Jackson Pollock 51.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 834, p.311.

Jackson Pollock, Untitled, 1951

X57586
Untitled

1951
on paper, unique
Ink on Japanese paper
431 x 558 mm
Parrish Art Museum, Water Mill, New York. Gift of Edward F. Dragon in memory of Alfsonso Ossorio, 1993.3
Provenance:
Alfonso A. Ossorio, East Hampton, New York (acquired from the artist); to Edward F. Dragon by bequest; Parrish Art Museum, gift of Edward F. Dragon in memory of Alfonso Ossorio, 1993.
Nationality of artist: American
Identifying marks: Signed and dated lower right ‘Jackson Pollock 51.’
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 845, p.318, illustrated.

Jackson Pollock, Untitled, 1951

X57710
Untitled

1951
on paper, print
Screenprint in black on white laminated Strathmore paper
Overall: 585 x 737 mm
National Gallery of Art, Washington, Patrons’ Permanent Fund, 2001
Provenance:
Jackson Pollock (d. 1956); to Sanford McCoy (d. 1963); by descent to Family of Sanford McCoy; Margrit Ramme, by November 4, 1971; Private collection, U.S.A.; David Tunick, Inc., New York, summer 2000; purchased by NGA, 2001.
Nationality of artist: American
Identifying marks: Lower right, screened: Jackson Pollock 51 (barely decipherable)
Place of Manufacture: Deep River, Connecticut, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1091 (P27), p.154.

Jackson Pollock, Untitled, 1951

X57711
Untitled

1951
on paper, print
Screenprint in black on white laminated Strathmore paper
Overall: 585 x 737 mm
National Gallery of Art, Washington, Patrons’ Permanent Fund, 2001
Provenance:
Jackson Pollock (d. 1956); to Sanford McCoy (d. 1963); by descent to Family of Sanford McCoy; Margrit Ramme, by November 4, 1971; Private collection, U.S.A.; David Tunick, Inc., New York, summer 2000; purchased by NGA, 2001.
Nationality of artist: American
Identifying marks: BS: Strathmore (upper right)
Place of Manufacture: Deep River, Connecticut, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1092 (P28), p.154.

Jackson Pollock, Untitled, 1951

X57712
Untitled

1951
on paper, print
Screenprint in black on white laminated Strathmore paper
Overall: 737 x 585 mm
National Gallery of Art, Washington, Patrons’ Permanent Fund, 2001
Provenance:
Jackson Pollock (d. 1956); to Sanford McCoy (d. 1963); by descent to Family of Sanford McCoy; Margrit Ramme, by November 4, 1971; Private collection, U.S.A.; David Tunick, Inc., New York, summer 2000; purchased by NGA, 2001.
Nationality of artist: American
Identifying marks: BS: Strathmore (upper left)
Place of Manufacture: Deep River, Connecticut, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1093 (P29), p.154.

Jackson Pollock, Untitled, 1951

X57713
Untitled

1951
on paper, print
Screenprint in black on white laminated Strathmore paper
Overall: 737 x 585 mm
National Gallery of Art, Washington, Patrons’ Permanent Fund, 2001
Provenance:
Jackson Pollock (d. 1956); to Sanford McCoy (d. 1963); by descent to Family of Sanford McCoy; Margrit Ramme, by November 4, 1971; Private collection, U.S.A.; David Tunick, Inc., New York, summer 2000; purchased by NGA, 2001.
Nationality of artist: American
Identifying marks: BS: Strathmore (upper left)
Place of Manufacture: Deep River, Connecticut, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1094 (P30), p.154.

Jackson Pollock, Untitled, 1951

X57714
Untitled

1951
on paper, print
Screenprint in black on white laminated Strathmore paper
Overall: 737 x 585 mm
National Gallery of Art, Washington, Patrons’ Permanent Fund, 2001
Provenance:
Jackson Pollock (d. 1956); to Sanford McCoy (d. 1963); by descent to Family of Sanford McCoy; Margrit Ramme, by November 4, 1971; Private collection, U.S.A.; David Tunick, Inc., New York, summer 2000; purchased by NGA, 2001.
Nationality of artist: American
Identifying marks: Lower left centre, screened: Jackson Pollock, 51
Place of Manufacture: Deep River, Connecticut, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1095 (P31), p.154.

Jackson Pollock, Untitled, 1951

X57715
Untitled

1951
on paper, print
Screenprint in black on white laminated Strathmore paper
Overall: 585 x 737 mm
National Gallery of Art, Washington, Patrons’ Permanent Fund, 2001
Provenance:
Jackson Pollock (d. 1956); to Sanford McCoy (d. 1963); by descent to Family of Sanford McCoy; Margrit Ramme, by November 4, 1971; Private collection, U.S.A.; David Tunick, Inc., New York, summer 2000; purchased by NGA, 2001.
Nationality of artist: American
Identifying marks: BS: Strathmore (upper right)
Place of Manufacture: Deep River, Connecticut, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1096 (P32), p.154.
.

Jackson Pollock, Untitled, c.1951

X57716
Untitled

c.1951
on paper, unique
Black and blue ink on Japanese paper
Overall: 633 x 995 mm
National Gallery of Art, Washington, Anonymous Gift, 1985
Provenance:
The artist (d. 1956); by descent to Lee Krasner Pollock, 1962; Pollock-Krasner Estate, New York, NY; gift to NGA, 1985.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. S/l, pp.164-5.

Jackson Pollock, Untitled, c.1951

X57717
Untitled

c.1951
on paper, unique
Black and blue ink on Japanese paper
Overall: 630 x 998 mm
National Gallery of Art, Washington, Anonymous Gift, 1985
Provenance:
The artist (d. 1956); by descent to Lee Krasner Pollock, 1962; Pollock-Krasner Estate, New York, NY; gift to NGA, 1985.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. S/m, pp.164-5.

Jackson Pollock, Number 7, 1951

X57977
Number 7

1951
on paper, unique
Ink on Japanese paper
Support: 635 x 972 mm
Thomas H. Lee and Ann Tenenbaum, New York
Provenance:
(Betty Parsons Gallery, New York); Philip Goodwin; (Sidney Janis Gallery, New York); Dr and Mrs Robert Stockton, Cleveland, Ohio; Private collection, Cleveland, Ohio; Virginia S. Serra et al, San Diego, California; Jason McCoy Gallery, New York; acquired from the above by the present owners, 18 December 1995.
Nationality of artist: American
Identifying marks: Signed and dated lower right: Jackson Pollock 51.
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 815, p.294.

Jackson Pollock, Brown and Silver II, c. 1951

X58354
Brown and Silver II

c. 1951
painting
Enamel and silver paint on unprimed canvas
Support: 1448 x 1083 mm
Kunstmuseum Bern, Schenkung Walter und Gertrud Hadorn, Bern
Provenance:
Estate of the artist; Lee Krasner Pollock; (Marlborough Gallery, New York); Professor Walter Hadorn, Berne, Switzerland; contract 17 July 1977: gift from Walter and Gertrud Hadorn, Bern, to the Kunstmuseum Bern, August 1977.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 318, p.130.

Jackson Pollock, Untitled (Betty Parsons Invitation), 1951

X58407
Untitled (Betty Parsons Invitation)

1951
on paper, print
Offset lithograph in black on wove paper
Support: 432 x 559 mm
National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
Provenance:
(Sotheby’s, New York); Dave and Reba Williams, Greenwich, CT, 1990; gift to NGA, 2008
Nationality of artist: American
Identifying marks: Lower left in the print: Jackson Pollock; vers in black ink: Jackson Pollock/ Betty Parsons Gallery/ 15 East 57th ST/ Nov. 26/ Dec. 15 1951/ Opening/ 4 to 7
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1090 (P26) [Poster], p.154, illustrated p.155.

Jackson Pollock, Number 7, 1952

X54827
Number 7

1952
painting
Enamel and oil on canvas
support: 1349 x 1016 mm
The Metropolitan Museum of Art, New York. Purchase, Emilio Azcarraga Gift, in honor of William S. Lieberman, 1987
Provenance:
The artist’s wife, Lee Krasner Pollock, New York (1952 – d. 1984; gift of the artist in 1952; her estate, 1984–85); The Pollock–Krasner Foundation, Inc., New York (1985–87; sold to MMA).
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 354, pp.176-7.

Jackson Pollock, Number 8, 1952

X54934
Number 8

1952
painting
Oil on canvas
1095 x 1457mm
Wadsworth Atheneum Museum of Art, Hartford, CT. The Philip L. Goodwin Collection, Gift of James L. Goodwin, Henry Sage Goodwin, and Richmond L. Brown.
Provenance:
(Sidney Janis Gallery, New York); Philip L. Goodwin; Wadsworth Atheneum, Hartford, Connecticut, Philip L. Goodwin Collection (Gift of James L. Goodwin, Henry Sage Goodwin and Richmond L. Brown, 1959).
Nationality of artist: American
Identifying marks: Signed and dated lower left: J. Pollock 52.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 355, pp.178-9.

Jackson Pollock, Portrait and a Dream, 1953

X54935
Portrait and a Dream

1953
painting
Oil and enamel on canvas
Support: 1486 x 3423 mm
Dallas Museum of Art, gift of Mr and Mrs Algur H. Meadows and the Meadows Foundation, Incorporated, 1967.
Provenance:
Lee Krasner Pollock (gift of the artist); (Marlborough-Gerson Gallery, New York); Dallas Museum of Art, Texas (gift of Mr and Mrs Algur H. Meadows and the Meadows Foundation, Inc., 1967)
Nationality of artist: American
Identifying marks: Signed lower right: Jackson Pollock 53 and on back: Jackson Pollock 53.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 368, pp.200-1, illustrated pp.202-3.

The EY Exhibition: The World Goes Pop

Tate Modern (London, UK) from 15 Sep 2015 until 24 Jan 2016.

Evelyne Axell
(1935 - 1972)

Evelyne Axell, Valentine, 1966

X50801
Valentine

1966
painting
Oil paint on canvas, zipper and helmet
unconfirmed: 1330 x 830 mm
Collection of Philippe Axell
Provenance:
The artist, 1972
To the present owner, son and heir of the artist
This work was made after the operative period 1933-45

Uwe Lausen
(1941 - 1970)

Uwe Lausen, Geometer, 1965

X50888
Geometer

1965
painting
Acrylic paint on canvas
object: 1805 x 2210 mm frame: 18400 x 22450 x 550 mm, 10 kg
DASMAXIMUM, Traunreut
Provenance:
CFA Berlin, 2006
Prof. Murken
1972 from Galerie Heiner Friedrich, Munich, to Lausen Family Estate; 2005 from Galerie Schlichtenmaier, Stuttgart, to Galerie Michael Haas, Berlin; CFA, Berlin; from 2006 Prof. Murken.
Signature on the right: "LAUSEN / DEZ 65"
Exhibitions: 1966, Galerie Friedrich & Dahlem, Munich; 'Junge Generation', Berlin; 1967, 'Figurationen', Stuttgart; 1971, Galerie Ruth Berner, Stuttgart; 1984, Lenbachhaus, Munich; 1986, Galerie Lore Saussele, Bietigheim-Bissingen; 2005, Galerie Schilchtenmaier, Grafenau; 2006, CFA, Berlin; 2007, Akademie der bildenden Kunste, Wien; 2010, Schirn, Frankfurt am Main.

Teresinha Soares
(born 1927)

Teresinha Soares, So Many Men Die and I Am Here So Lonely (series Vietnam), 1968

X50855
So Many Men Die and I Am Here So Lonely (series Vietnam)

[Morrem tantos homens e eu aqui tão só (Série Vietnã)] 1968
painting
Mixed media
object: 1175 x 1525 mm

Provenance:
27 November 1970, from the artist
Work directly donated by artist Teresinha Soares for Culture's Association (Associação Amigas da Cultura - MG) in order to compose the non effective UFMG (Universidade Federal de Minas Gerais) Museum of Art.
Participation in the 23rd Municipal Salon of fine arts eprformed by the city of Belo Horizonte in 1968 at the Art Museum of Pampulha (Museu de Arte de Pampulha). The work was submitted along with two other: Guerra é Guerra - vamos sambar: Morra usando a legítima alpargata, this last one reaching in the awards of the same Salon.