Works of art intended to form part of a forthcoming exhibition at Tate that may be covered by immunity from seizure are listed below.

Part 6 of the Tribunals, Courts and Enforcement Act 2007 provides immunity from seizure for cultural objects which are loaned from overseas to temporary public exhibitions in approved museums or galleries in the UK where conditions are met when the object enters the UK.

The conditions are:

  • The object is usually kept outside the UK
  • The object is not owned by a person who is resident in UK
  • Importing the object does not contravene any law
  • The object is brought into UK for the purpose of a temporary public exhibition at an approved museum or gallery
  • The museum or gallery has published information about the object.

All works currently being proposed for or covered by immunity from seizure in the UK are linked to the Arts Council’s website.

If you have any further enquiries, please write to:

Immunity from seizure
Director’s Office
Tate
Millbank
London SW1P 4RG

Any specific enquiries concerning works in private collections included in Tate exhibitions should be directed to Matthew Gale, Head of Displays, Tate Modern.

Artworks currently at Tate

The EY Exhibition: Wifredo Lam

Tate Modern (London, UK) from 14 Sep 2016 until 08 Jan 2017.

Wifredo Lam
(1902-1982, born: Sagua la Grande, died: Paris)

Wifredo Lam, Hanging Houses, III, 1927

X55818
Hanging Houses, III

[Paisaje de Cuenca] 1927
painting
Ink on paper on canvas
support: 940 x 1180 mm frame: 1020 x 1260 mm
The Rudman Trust
Provenance:
The artist;
M. Sánchez-Covisa, Madrid;
Private collection, Spain;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: Spain
Identifying marks: Signed lower right.
Catalogue raisonné no. 27.11

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Still Life, II, 1927

X59134
Still Life, II

[Bodegón, II] 1927
painting
Oil paint on canvas
support: 600 x 800 mm
The Rudman Trust
Provenance:
The artist;
Private collection, New York;
Private collection, Neuss (Germany);
Sotheby’s New York, 19 Nov 1987;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: Spain
Identifying marks: Signed lower right
Catalogue raisonné no. 27.02

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Composition, II, 1931

X55821
Composition, II

[Composición, II] 1931
painting
Oil paint on canvas
support: 760 x 700 mm frame: 845 x 794 x 32 mm
The Rudman Trust
Provenance:
The artist;
Private collection, Vilanova i La Geltrú (Spain);
Private collection, Barcelona;
Collection M.-A. and M. Capriles, Caracas, 1991;
Christie’s, New York, 17-18th November 2004;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: Spain
Identifying marks: Signed and dated lower right.
Catalogue raisonné no. 31.01

This work has a complete provenance for the period 1933-45.

Wifredo Lam, The Window, I, 1935

X55822
The Window, I

[La ventana, I] 1935
painting
Oil paint on canvas
support: 960 x 840 mm frame: 1200 x 1070 x 63 mm
Collection of Pérez Art Museum Miami, gift of Jorge M. Pérez
Provenance:
The artist;
Private collection, Madrid;
Private collection, Geneva (by 1976);
Pérez Art Museum, Miami.

Nationality of the artist: Cuban
Place of manufacture: Spain
Catalogue raisonné no. 35.02

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled (Scene from the Spanish Civil War), 1937

X59700
Untitled (Scene from the Spanish Civil War)

[Sin titulo (Escena de la Guerra Civil española)] 1937
on paper, unique
Gouache on paper mounted on canvas
support: 2155 x 1300 mm frame: 2220 x 1450 x 65 mm
Es Baluard Museu d'Art Modern i Contemporani de Palma, Serra Collection deposit, Mallorca
Provenance:
The artist;
Gifted by the above to a private collection; Private collection, Palma de Mallorca, Spain;
Collection Es Baluard, Museu d'Art Modern i Contemporani de Palma, Serra Collection deposit, Mallorca.

Nationality of the artist: Cuban
Place of manufacture: Spain
Catalogue raisonné no. 37.13

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, circa 1937

X62208
Untitled

[Sans titre] circa 1937
on paper, unique
Watercolour and gouache on paper
support: 1550 x 1260 mm
Private collection
Provenance:
The artist;
Acquired from the above by Fritz Engelhorn Collection in the late 1930s;
Private collection.

Nationality of the artist: Cuban
Place of manufacture: Spain
Catalogue raisonné no. 37.52

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Self-Portrait, II, 1938

X56101
Self-Portrait, II

[Autoportrait, II] 1938
painting
Gouache on paper mounted on canvas
support: 870 x 600 mm frame: 940 x 670 mm
The Rudman Trust
Provenance:
The artist;
Private collection, Barcelona;
Christie's, New York, 19 November 1991;
Private collection, Monterray, Mexico;
Sotheby’s New York, 24 November 2014;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: Spain
Catalogue raisonné no. 38.01

This work has a complete provenance for the period 1933-45.

Wifredo Lam, The Awakening, I, 1938

X56130
The Awakening, I

[Le Réveil, I] 1938
painting
Gouache on paper mounted on canvas
support: 1000 x 710 mm frame: 1150 x 870 mm
Private collection
Provenance:
The artist;
Collection Silvia Luzzatto, Paris (by at least 1976);
Galerie Loeb;
Acquired from the above by a private collection.

Nationality of the artist: Cuban
Place of manufacture: France
Identifying marks: Signed and dated lower left
Catalogue raisonné no. 38.72

This work has a complete provenance for the period 1933-45.

Wifredo Lam, The Offering, 1939

X56133
The Offering

[L'Offrande] 1939
on paper, unique
Charcoal on paper mounted on wood
support: 1040 x 740 mm frame: 1320 x 1010 mm
Private collection, Key Biscayne, Florida
Provenance:
The artist;
Galerie Loeb, Paris (Florence Loeb), 2006;
Private collection;
Cernuda Arte, Coral Gables, Florida;
Private collection, Key Biscayne, Florida.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. D-39.08

This work has a complete provenance for the operative period 1933-45.

Wifredo Lam, The Table, 1939

X56134
The Table

[La Table] 1939
on paper, unique
Charcoal on paper mounted on wood
support: 1050 x 740 mm frame: 1320 x 1010 mm
Cernuda Arte, Coral Gables, Florida
Provenance:
The artist;
Galerie Loeb, Paris;
Cernuda Arte, Coral Gables, Florida;
Latin American Advisors, Florida;
Private collection;
Cernuda Arte, Coral Gables, Florida.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. D-39.09

This work has a complete provenance for the operative period 1933-45.

Wifredo Lam, Reclining Nude, 1939

X56136
Reclining Nude

[Nu couché] 1939
painting
Tempera on paper mounted on canvas
support: 1070 x 1480 mm frame: 1156 x 1556 x 43 mm
Musée de Grenoble, purchased from the artist with the assistance of the FRAM in 1981
Provenance:
The artist;
Acquired directly from the above by Musée de Grenoble, Grenoble (France), 1981.

Nationality of the artist: Cuban
Place of manufacture: France
Identifying marks: Signed and dated lower right, a posteriori
Traces of previous signature lower right
Signed and dated on back: Wi Lam 39
Catalogue raisonné no. 39.35

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Mother and Child, II, 1939

X56138
Mother and Child, II

[Mère et enfant, II] 1939
on paper, unique
Gouache on paper
support: 1041 x 737 mm frame: 1165 x 860 x 38 mm
The Museum of Modern Art, New York. Purchase. Accession number: 652.1939
Provenance:
The artist;
Galerie Pierre, Paris, by 1939 when shown in the exhibition ‘Wifredo Lam, peintures’;
J.D. Rockefeller Jr., New York;
The current owner.

Nationality of artist: Cuban
Identifying marks: not recorded
Place of manufacture: not recorded


This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, 1939

X59135
Untitled

[Sans titre] 1939
painting
Oil paint on canvas
support: 1150 x 800 mm
The Rudman Trust
Provenance:
The artist;
Private collection, Cuba;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: France
Catalogue raisonné no. 39.49

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, circa 1940

X56139
Untitled

[Sans titre] circa 1940
on paper, unique
Gouache on paper
support: 600 x 480 mm frame: 750 x 605 x 38 mm
Private collection
Provenance:
The artist;
Private collection, Paris;
Private collection, since at least 2010.

Nationality of the artist: Cuban
Place of manufacture: France
Identifying marks: Traces of signature lower left
Catalogue raisonné no. 40.27

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, 1940

X58687
Untitled

[Sans titre] 1940
on paper, unique
Ink and watercolour on paper
support: 164 x 156 mm frame: 440 x 435 mm
Private collection
Provenance:
The artist;
Estate of André Breton;
Private collection.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. D-40.01

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Alice, Mermaid of Dreams - Star, 1941

X58688
Alice, Mermaid of Dreams - Star

[Alice, Sirène de rêves - étoile] 1941
on paper, unique
Graphite and ink on paper
support: 326 x 251 mm frame: 430 x 330 x 30 mm
Musée Cantini, Marseille
Provenance:
The artist;
André Breton;
Musée Cantini, Marseille, 2003.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. D-41-J-Alice

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Lautréamont, Genie of Dreams - Star, 1941

X58689
Lautréamont, Genie of Dreams - Star

[Lautréamont, Génie de rêves - étoile] 1941
on paper, unique
Graphite and ink on paper
support: 324 x 251 mm frame: 430 x 330 x 30 mm
Musée Cantini, Marseille
Provenance:
The artist;
André Breton;
Musée Cantini, Marseille, 2003.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. D-41-J.Lautréamont.

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Anamu, 1942

X56160
Anamu

1942
painting
Oil paint on canvas
support: 1524 x 1270 mm frame: 1746 x 1480 x 76 mm
Museum of Contemporary Art, Chicago, gift of Joseph and Jory Shapiro, 1991.26
Provenance:
The artist;
Pierre Matisse Gallery, New York;
F.J. Steegmuller, New York;
J. Shapiro, Chicago, by 1976;
Museum of Contemporary Art, Chicago. Gift of J. Shapiro, Chicago.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Identifying marks: Signed and dated lower right.
Catalogue raisonné no. 42.117

This work has a complete provenance for the period 1933-45.

Wifredo Lam, The Sombre Malembo, God of the Crossroads, 1943

X58544
The Sombre Malembo, God of the Crossroads

[Le Sombre Malembo, Dieu du carrefour] 1943
painting
Oil paint on canvas
support: 1530 x 1264 mm frame: 1692 x 1435 x 70 mm
The Rudman Trust
Provenance:
The artist;
Pierre Matisse Gallery, New York, 1944;
J. Shapiro, Chicago, 1976;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Identifying marks: Signed and dated lower right.
Catalogue raisonné no. 43.06

This work has a complete provenance for the operative period 1933-45.

Wifredo Lam, Untitled, 1943

X58704
Untitled

[Sin titulo] 1943
on paper, unique
Pastel and ink on tracing paper
support: 140 x 115 mm frame: 177.8 x 177.8 mm
Collection of the Lowe Art Museum, University of Miami. Bequest of Lydia Cabrera, 91.0295.15
Provenance:
The artist;
Given by the above to Lydia Cabrera;
Bequested by the above to the Lowe Art Museum, University of Miami.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-43.05

This work has a complete provenance for the period 1933-45.

Wifredo Lam, [Nativity; Nacimiento], 1943

X58705
[Nativity; Nacimiento]

[Sin titulo] 1943
on paper, unique
Ink, graphite and pastel on tracing paper
support: 181 x 219 mm frame: 228.6 x 254 mm
Collection of the Lowe Art Museum, University of Miami. Bequest of Lydia Cabrera, 91.0295.02
Provenance:
The artist;
Given by the above to Lydia Cabrera;
Bequested by the above to the Lowe Art Museum, University of Miami.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-43.10

This work has a complete provenance for the period 1933-45.

Wifredo Lam, [Dog; Perro], 1943

X58706
[Dog; Perro]

[Sin titulo] 1943
on paper, unique
Ink and pastel on tracing paper
support: 171 x 219 mm frame: 228.6 x 254 mm
Collection of the Lowe Art Museum, University of Miami. Bequest of Lydia Cabrera, 91.0295.13
Provenance:
The artist;
Given by the above to Lydia Cabrera;
Bequested by the above to the Lowe Art Museum, University of Miami.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-43.11

This work has a complete provenance for the period 1933-45.

Wifredo Lam, [Caiman Eating an Elephant; Caiman comiéndose un elefante], 1943

X58707
[Caiman Eating an Elephant; Caiman comiéndose un elefante]

[Sin titulo] 1943
on paper, unique
Ink and watercolour on paper
support: 238 x 159 mm frame: 279.4 x 203.2 mm
Collection of the Lowe Art Museum, University of Miami. Bequest of Lydia Cabrera, 91.0295.11
Provenance:
The artist;
Given by the above to Lydia Cabrera;
Bequested by the above to the Lowe Art Museum, University of Miami.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-43.12

This work has a complete provenance for the period 1933-45.

Wifredo Lam, [Annuciation; Anuciacion], 1943

X58708
[Annuciation; Anuciacion]

[Sin titulo] 1943
on paper, unique
Ink, graphite and pastel on tracing paper
support: 187 x 222 mm frame: 228.6 x 279.4 mm
Collection of the Lowe Art Museum, University of Miami. Bequest of Lydia Cabrera, 91.0295.01
Provenance:
The artist;
Given by the above to Lydia Cabrera;
Bequested by the above to the Lowe Art Museum, University of Miami.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-43.13

This work has a complete provenance for the period 1933-45.

Wifredo Lam, [Homage to a Mud Turtle; Homenaje a Jicotea], 1943

X58709
[Homage to a Mud Turtle; Homenaje a Jicotea]

[Sin titulo] 1943
on paper, unique
Ink and pastel on tracing paper
support: 172 x 210 mm frame: 228.6 x 254 mm
Collection of the Lowe Art Museum, University of Miami. Bequest of Lydia Cabrera, 91.0295.21
Provenance:
The artist;
Given by the above to Lydia Cabrera;
Bequested by the above to the Lowe Art Museum, University of Miami.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-43.14

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, 1943

X58901
Untitled

[Sans titre] 1943
on paper, unique
Oil paint on paper
support: 1060 x 840 mm frame: 1270 x 1030 x 40 mm
Private collection, courtesy of Mary-Anne Martin Fine Art, New York
Provenance:
The artist;
Private collection, Havana;
Mary-Anne Martin Fine Art, New York;
Acquired from the above by a private collection.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Catalogue raisonné no. 43.17

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, circa 1944

X59136
Untitled

[Sans titre] circa 1944
on paper, unique
Oil paint on paper
support: 1060 x 840 mm frame: 1320 x 1090 mm
Private collection
Provenance:
The artist;
Private collection, Havana;.
Collection Galleria Ferrari, Treviglio (Italy), 1962;
Cernuda Arte, Coral Gables, Florida;
Private collection, Washington, D.C.;
Cernuda Arte, Coral Gables, Florida;
Private collection, New York.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: Drawing on back.
Catalogue raisonné no. 44.17

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Cover of the exhibition catalogue 'Wifredo Lam' at the Pierre Matisse Gallery, New York, 1945, 1945

X56182
Cover of the exhibition catalogue 'Wifredo Lam' at the Pierre Matisse Gallery, New York, 1945

[Sans titre] 1945
on paper, unique
Gouache and ink on paper
support: 610 x 800 mm frame: 910 x 1100 x 63 mm
Private collection, Chicago
Provenance:
The artist;
Pierre Matisse;
Acquired from the above by the vendor at Christie's New York, 2008;
Christie's New York, 29 May 2008;
Private collection, Chicago.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Estate accession no. D-45.25

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Untitled, 1945

X58546
Untitled

[Sans titre] 1945
on paper, unique
Oil paint on paper mounted on canvas
support: 730 x 940 mm frame: 900 x 1100 mm
Private collection
Provenance:
The artist;
Pierre Loeb, Paris;
Private collection, Paris.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Identifying marks: Signed, dated and dedicated lower left on the side: 'Pour notre chère amie Silvia, La Havane, 1945.'
Catalogue raisonné no. 45.18

This work has a complete provenance for the operative period 1933-45.

Wifredo Lam, Moths and Candles, 1946

X58548
Moths and Candles

1946
on paper, unique
Graphite and ink on paper
support: 510 x 620 mm
The Museum of Modern Art, New York. David Rockefeller Latin American Fund. Accession number: 100.1971
Provenance:
The artist;
[Albert] Loeb and Krugier Gallery, New York.
The current owner. Puchased from the above, 1971.

Nationality of artist: Cuban
Identifying marks: Signed, date and located: "Wifredo Lam / 9-1-46 / Haiti' and inscribed 'Pour le Dr. Wergrof. Wifredo Lam, New York, 1946'
Place of manufacture: Haiti

This work has a complete provenance for the period 1933-45.

Wifredo Lam, Yoruba Ritual, 1946

X58715
Yoruba Ritual

1946
on paper, unique
Ink on paper
support: 318 x 241 mm frame: 686 x 482 x 50 mm
Ann and Douglas Logan Collection, courtesy of Forma Fine Arts
Provenance:
The artist;
Helena Benitez, Saarbruck;
Galerie Albert Loeb, Paris;
Pyramid Gallery, Washington, D.C.;
M. Gutierrez Fine Art, Miami, by 1993;
Ann and Douglas Logan Collection, courtesy of Forma Fine Arts by 2014.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Estate accession no. D-46.28

This work was made after the operative period 1933-45.

Wifredo Lam, Fishing Horn, 1946

X58717
Fishing Horn

[Côr de Pêche] 1946
on paper, unique
Ink on paper mounted on board
support: 511 x 625 mm frame: 810 x 890 mm
Cernuda Arte, Coral Gables, Florida
Provenance:
The artist;
The London Gallery;
Estate of Roland Penrose;
Mayor Gallery, London;
Private collection, San Francisco;
Sotheby’s New York, 17 Nov 2011;
Cernuda Arte, Coral Gables, Florida.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Estate accession no. D-46.40

This work was made after the operative period 1933-45.

Wifredo Lam, Untitled, 1947

X58719
Untitled

[Sans titre] 1947
on paper, unique
Ink on paper
support: 343 x 415 mm support: 540 x 610 mm
Collection Galerie Lelong
Provenance:
The artist;
Collection Galerie Lelong.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-47.01

This work was made after the operative period 1933-45.

Wifredo Lam, Untitled, 1947

X58720
Untitled

[Sans titre] 1947
on paper, unique
Ink and watercolour on paper
support: 315 x 475 mm frame: 540 x 720 mm
Collection MJS, Paris
Provenance:
The artist;
Pierre Matisse Gallery;
Acquavella Galleries, New York;
Gallery Bourdon, 1970s;
Collection MJS (Paris).

Nationality of the artist: Cuban
Place of manufacture: not recorded
Identifying marks: signed and dated lower right.
Estate accession no. D-47.06

This work was made after the operative period 1933-45.

Wifredo Lam, Untitled, 1947

X58721
Untitled

[Sans titre] 1947
on paper, unique
Ink on paper
support: 476 x 317 mm frame: 680 x 545 mm
Collection Galerie Lelong
Provenance:
The artist;
Acquavella Galleries;
Collection Galerie Lelong.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-47.08

This work was made after the operative period 1933-45.

Wifredo Lam, Untitled, 1947

X58722
Untitled

[Sans titre] 1947
on paper, unique
Ink on paper
support: 242 x 317 mm frame: 430 x 506 mm
Collection Galerie Lelong
Provenance:
The artist;
Acquavella Galleries;
Collection Galerie Lelong.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-47.12

This work was made after the operative period 1933-45.

Wifredo Lam, Untitled, 1947

X58724
Untitled

[Sans titre] 1947
on paper, unique
Watercolour on paper
support: 230 x 318 mm frame: 430 x 518 mm
Collection Galerie Lelong
Provenance:
The artist;
Acquavella Galleries;
Collection Galerie Lelong.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-47.31

This work was made after the operative period 1933-45.

Wifredo Lam, Untitled, 1947

X58725
Untitled

[Sans titre] 1947
on paper, unique
Watercolour and ink on paper
support: 229 x 305 mm frame: 429 x 305 mm
Collection Galerie Lelong
Provenance:
The artist;
Acquavella Galleries;
Collection Galerie Lelong.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Estate accession no. D-47.32

This work was made after the operative period 1933-45.

Wifredo Lam, Rumblings of the Earth, 1950

X56235
Rumblings of the Earth

[La Rumeur de la terre] 1950
painting
Oil paint on canvas
support: 1517 x 2845 mm
Solomon R. Guggenheim Museum, New York, gift of Mr and Mrs Joseph Cantor, 1958
Provenance:
The artist;
Alexandre Iolas Gallery;
J. Cantor Collection, Indianapolis (United States) before 1958;
The Solomon R. Guggenheim Museum, New York, 1959. Gift of J. Cantor, Indianapolis (United States).

Nationality of the artist: Cuban
Place of manufacture: Cuba
Identifying marks: Unsigned, undated
Catalogue raisonne no. 50.53

This work was made after the operative period 1933-45.

Wifredo Lam, Horse-Headed Woman, 1950

X62246
Horse-Headed Woman

[Femme-Cheval] 1950
painting
Oil paint on canvas
support: 1233 x 1080 mm
The Rudman Trust
Provenance:
The artist;
Private collection, Havana;
Ramon G. Osuna, Washington D.C. (by 1964);
Pyramid Galleries, Washington DC;
Marta Gutierrez Fine Arts, Miami;
J. Martinez Cañas, Miami (by 1977);
Donald M. Kendall Sculpture Gardens (Pepsi Cola, United States), Purchase, New York, 1985;
Christie’s New York, 12 November 2015;
The Rudman Trust.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Identifying marks: Signed and dated lower right
Catalogue raisonné no. 50.05

This work was made after the operative period 1933-45.

Wifredo Lam, Crossed Hands, 1951

X58550
Crossed Hands

[Les Mains croisées] 1951
painting
Oil paint on canvas
support: 1300 x 960 mm frame: 1380 x 1030 mm
The Rudman Trust
Provenance:
The artist;
Pierre Matisse Gallery, New York;
Private collection, Mexico;
CDS Gallery, New York;
The Rudman Trust, 1991.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: Signed and dated lower left
Catalogue raisonné no. 51.08

This work was made after the operative period 1933-45.

Wifredo Lam, Fresco, 1951

X58552
Fresco

[Fresque] 1951
relief
Gouache on cement
support: 2055 x 1771 mm frame: 2060 x 1800 mm
Private collection
Provenance:
The artist;
J.A. Vasquez, Havana, 1951;
Private collection, Zaragosa (Spain);
Cernuda Arte, Coral Gables, Florida;
Private collection, New York.

Nationality of the artist: Cuban
Place of manufacture: Cuba
Identifying marks: Signed and dated lower right: LAM-1951
Catalogue raisonné no. 51.05

This work was made after the operative period 1933-45.

Wifredo Lam, Totem to the Moon, 1955

X58553
Totem to the Moon

[Totem à la lune] 1955
painting
Oil paint on canvas
support: 2540 x 670 mm frame: 2610 x 740 mm
The Rudman Trust
Provenance:
The artist;
Bill Copley, New York;
Galerie Albert Loeb, Paris, by 1976;
The Rudman Trust, by 1992.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: Signed and dated lower left, a posteriori: 1957
Catalogue raisonné no. 55.44

This work was made after the operative period 1933-45.

Wifredo Lam, Cardinal Harps, also titled: The Visitors (Nénomita), 1948-1957

X56198
Cardinal Harps, also titled: The Visitors (Nénomita)

[Arpas cardinales; Les visiteurs (Nénomita)] 1948-1957
painting
Oil paint and charcoal on canvas
support: 2121 x 1962 mm
The Menil Collection, Houston
Provenance:
The artist;
Alexandre Iolas, New York;
Private collection, New York;
The Menil Collection, Houston (United States).

Nationality of the artist: Cuban
Place of manufacture: Cuba
Catalogue raisonné no. 48.16

This work was made after the operative period 1933-45.

Wifredo Lam, Totem for the Moon, 1957

X58559
Totem for the Moon

[Totem pour la lune] 1957
painting
Oil paint on canvas
support: 2550 x 680 mm frame: 2630 x 760 mm
The Rudman Trust
Provenance:
The artist;
Bill Copley, New York;
Galerie Albert Loeb, Paris;
Private collection, Paris;
The Rudman Trust, by 1992.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Catalogue raisonné no. 57.01

This work was made after the operative period 1933-45.

Wifredo Lam, The Undesirable, 1962

X56247
The Undesirable

[L'indésirable] 1962
painting
Oil paint on canvas
support: 1460 x 2150 mm frame: 1505 x 2223 x 60 mm
Musée d'Art Moderne de la Ville de Paris
Provenance:
The artist;
Galerie Jan Krugier, Geneva (by 1963, until at least 1966);
Purchased from the above by Musée d'Art Moderne de la Ville de Paris, Paris,1968.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: Signed and dated lower right
Catalogue raisonné no. 62.32

This work was made after the operative period 1933-45.

Wifredo Lam, The Soulless Children, 1964

X56249
The Soulless Children

[Les Enfants sans âme] 1964
painting
Oil paint on canvas
support: 2100 x 2490 mm frame: 2137 x 2538 x 60 mm
Royal Museums of Fine Arts of Belgium, Brussels. Inv. 7722.
Provenance:
The artist;
Galerie Jan Krugier (by 1966);
Collection Musées Royaux des Beaux-Arts de Belgique, Bruxelles, via the artist, Paris, 1969.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: Signed and dated lower right
Catalogue raisonné no. 64.18

This work was made after the operative period 1933-45.

Wifredo Lam, The Witnesses, 1968

X58565
The Witnesses

[Les Témoins] 1968
painting
Oil paint on canvas
support: 1000 x 1200 mm frame: 1340 x 1540 x 95 mm
Private collection
Provenance:
The artist;
Collection A. and P. Tronche, Paris (by 1970, until at least 1996);
Galleria Seno, Milan;
Private collection, 1970s;
Sold Sotheby’s Paris, 5 December 2012;
Private collection.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: Signed and dated lower right
Catalogue raisonné no. 68.11

This work was made after the operative period 1933-45.

Wifredo Lam, The Abalochas Dance for Dhambala, the God of Unity, 1970

X58567
The Abalochas Dance for Dhambala, the God of Unity

[Les Abalochas dansent pour Dhambala, dieu de l'unité] 1970
painting
Oil paint on canvas
support: 2130 x 2440 mm frame: 2206.6 x 2540 x 82.5 mm
Private collection, courtesy of McClain Gallery
Provenance:
The Estate of the artist;
Galerie Leong, Paris;
Private collection, Aspen (United States);
Sotheby's New York, November 2010;
Private collection.

Nationality of the artist: Cuban
Place of manufacture: Not recorded
Identifying marks: signed on back
Catalogue raisonné no. 70.72

This work was made after the operative period 1933-45.

Wifredo Lam
(1902-1982, born: Sagua la Grande, died: Paris)
André Breton
(1896-1966, born: Normandy, died: Paris)
Victor Brauner
(1903-1966)
Jacqueline Lamba
(1910-1993)
Oscar Domínguez
(1906-1957)
Max Ernst
(1891-1976, born: Brühl, died: Paris, active: Sedona, Chinon, New York, Cologne, Paris, Bonn)
Jacques Hérold
(1910 - 1987)
André Masson
(1896-1987, born: Haute-Corse, died: Paris)

Wifredo Lam, André Breton, Victor Brauner, Jacqueline Lamba, Oscar Domínguez, Max Ernst, Jacques Hérold and André Masson, Collective Drawing, 1940

X58684
Collective Drawing

[Dessin collectif] 1940
on paper, unique
Ink, photomontage and colour crayon on paper
support: 298 x 226 mm frame: 430 x 330 x 30 mm
Musée Cantini, Marseille
Provenance:
The artist;
André Breton;
Musée Cantini, Marseille, 2003.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. DCM-40.06

This work has a complete provenance for the period 1933-45.

Wifredo Lam
(1902-1982, born: Sagua la Grande, died: Paris)
André Breton
(1896-1966, born: Normandy, died: Paris)
Oscar Domínguez
(1906-1957)
Max Ernst
(1891-1976, born: Brühl, died: Paris, active: Sedona, Chinon, New York, Cologne, Paris, Bonn)
Jacques Hérold
(1910 - 1987)
Jacqueline Lamba
(1910-1993)
André Masson
(1896-1987, born: Haute-Corse, died: Paris)
Victor Brauner
(1903-1966)

Wifredo Lam, André Breton, Oscar Domínguez, Max Ernst, Jacques Hérold, Jacqueline Lamba, André Masson and Victor Brauner, Collective Drawing, 1940

X58683
Collective Drawing

[Dessin collectif] 1940
on paper, unique
Ink and colour pencil on paper
support: 230 x 298 mm frame: 330 x 430 x 30 mm
Musée Cantini, Marseille
Provenance:
The artist;
André Breton;
Musée Cantini, Marseille, 2003.

Nationality of the artist: Cuban
Place of manufacture: France
Estate accession no. DCM-40.05

This work has a complete provenance for the period 1933-45.

Bhupen Khakhar - You Can't Please All

Tate Modern (London, UK) from 31 May 2016 until 06 Nov 2016.

Bhupen Khakhar
(1934-2003, born: Bombay, died: Baroda)

Bhupen Khakhar, Interior of a Hindu Temple III, 1965

X58589
Interior of a Hindu Temple III

1965
on paper, unique
Printed paper, paint and silver foil on board
frame: 1190 x 930 mm object: 1160 x 900 mm
Courtesy of the Museum of Art & Photography (MAP), Bangalore
Provenance:
The artist; Chemould Gallery, Bombay, India;
Apparao Galleries, Chennai, India.
The current owner. Acquired from the above, 1993.
Nationality of artist: Indian
Identifying marks: signed and dated in English lower right
Place of Manufacture: India
Bibliography:
Catalogue for Bhupen Khakhar, Centre Georges Pompidou, 1986, pg. 34, illustrated.
This work was made after the operative period 1933–45.

Bhupen Khakhar, Man Leaving (Going Abroad), 1970

X57775
Man Leaving (Going Abroad)

1970
painting
Oil paint on canvas
frame: 1087 x 1080 x 30 mm object: 1055 x 1050 mm
Tapi Collection, India
Provenance:
The artist.
Gift of a relative to the current owner in 1998.
Nationality of artist: Indian
Identifying marks: not recorded
Place of manufacture: India
Exhibitions:
Bhupen Khakhar, A Retrospective, National Gallery of Modern Art, New Delhi, Mumbai, India, 2003
This work was made after the operative period 1933–45.

Bhupen Khakhar, Royal Circus, 1974

X57783
Royal Circus

1974
painting
Oil paint on canvas
frame: 850 x 929 x 25 mm object: 840 x 915 mm
Tapi Collection, India
Provenance:
The artist; Sheetal Lakhia, Ahmedabad, India.
The current owner. Acquired from the above in March 2000.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati
Place of manufacture: India
Exhibitions and Bibliography:
Bhupen Khakhar, A Retrospective, National Gallery of Modern Art, New Delhi, Mumbai, India, 2003
Bhupen Khakhar, Madrid, Museo Nacional Centro de Arte Reina Sofia, Exhibition Catalogue, 6 June - 16 September 2002, p. 55, illustrated.
Timothy Hyman, Bhupen Khakhar, Mumbai, 1998, fig. 22, illustrated.
This work was made after the operative period 1933–45.

Bhupen Khakhar, Blind Man Looks in the Mirror and Has Relations With Wanton Woman, 1980

X57880
Blind Man Looks in the Mirror and Has Relations With Wanton Woman

1980
painting
Oil paint on canvas
unconfirmed: 1111 x 1111 mm
The Chester and Davida Herwitz Collection, Peabody Essex Museum, Salem, Massachusetts
Provenance:
The artist; Chester and Davida Herwitz, Worcester, Massachusetts, USA;
Given to the Peabody Essex Museum by the above in 2001.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati
Place of manufacture: India
Bibliography:
Catalogue for Bhupen Khakhar, Centre Georges Pompidou, 1986, pg. 34, illustrated.
This work was made after the operative period 1933–45.

Bhupen Khakhar, Two Men in Banaras, 1982

X57867
Two Men in Banaras

1982
painting
Oil paint on canvas
unconfirmed: 1750 x 1750 mm image: 1750 x 1750 mm
Private Collection
Provenance:
The artist.
The current owner. Acquired from the above 25 April, 1986.
Nationality of artist: Indian
Identifying marks: not recorded
Place of manufacture: India
Bibliography:
Bhupen Khakhar, Madrid, Museo Nacional Centro de Arte Reina Sofia, Exhibition Catalogue, 6 June - 16 September 2002, p. 125, illustrated.
Timothy Hyman, Bhupen Khakhar, Mumbai, 1998, pl. 21, illustrated.
This work was made after the operative period 1933–45.

Bhupen Khakhar, In a Boat, 1984

X57887
In a Boat

1984
painting
Oil paint on canvas
object: 1753 x 1753 mm
Shumita and Arani Bose Collection, New York
Provenance:
The artist; Times of India Group, India;
Christie’s, New York.
The current owner. Acquired from the above in sale ‘Indian and Southeast Asian Art’ 17 September, 2003 [Lot 00183].
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati center right
Place of Manufacture: India
Exhibitions:
Bhupen Khakhar, Madrid, Museo Nacional Centro de Arte Reina Sofia, Exhibition Catalogue, 6 June - 16 September 2002, p. 36, illustrated.
Bibliography:
Timothy Hyman, Bhupen Khakhar, Mumbai, 1998, pl. 26, illustrated.
This work was made after the operative period 1933–45.

Bhupen Khakhar, Eye with Cataracts, 1989

Z05988
Eye with Cataracts

1989
on paper, unique

object: 225 x 280 mm
Courtesy of the Museum of Art & Photography
Provenance:
The artist.
The current owner. Acquired from the above in early 1990s.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati lower right
Place of Manufacture: India
This work was made after the operative period 1933–45.

Bhupen Khakhar, Rati Kunjar, 1992

X58537
Rati Kunjar

1992
painting
Oil paint on canvas
object: 1740 x 1740 mm
Collection: Amit Ambalal
Provenance:
The artist.
The current owner. Acquired from the above in 1992.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati
Place of Manufacture: India
Exhibitions:
Contemporary Art from India – Private Mythology, The Japan Foundation Forum, Tokyo, Japan, 1998
Bhupen Khakhar, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, 2002
Bhupen Khakhar: Retrospective, Lowry Salford Quays Museum in Manchester, UK, 2002
Bhupen Khakhar, A Retrospective, National Gallery of Modern Art, New Delhi, Mumbai, India, 2003
This work was made after the operative period 1933–45.

Bhupen Khakhar, Drawing for Salman Rushdie's Portrait, c.1994

Z05983
Drawing for Salman Rushdie's Portrait

c.1994
on paper, unique

object: 280 x 225 mm
Courtesy of the Museum of Art & Photography
Provenance:
The artist.
The current owner. Purchased from the above in early 1990s.
Nationality of artist: Indian
Identifying marks: titled in English lower right
Place of Manufacture: India
This work was made after the operative period 1933–45.

Bhupen Khakhar, Title not known, 1995

X57891
Title not known

1995
on paper, unique
Watercolour, acrylic paint and graphite on paper
object: 1079.5 x 1079.5 mm
The Chester and Davida Herwitz Collection, Peabody Essex Museum, Salem, Massachusetts
Provenance:
The artist; Chester and Davida Herwitz, Worcester, Massachusetts, USA;
Given to the Peabody Essex Museum by the above in 2001.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati
Place of manufacture: India
This work was made after the operative period 1933–45.

Bhupen Khakhar, Pangat, 1996

X58607
Pangat

1996
sculpture
Ceramic
object: 210 x 460 x 310 mm object: 265 x 265 x 65 mm
Tapi Collection, India
Provenance:
The artist.
The current owner. Acquired from the above in 1996.
Nationality of artist: Indian
Identifying marks: not recorded
Place of manufacture: India
This work was made after the operative period 1933–45.

Bhupen Khakhar, Pangat, 1996

X58627
Pangat

1996
sculpture
Ceramic, glazed
object, each: 210 x 460 x 310 mm object, each: 260 x 260 x 40 mm
Tapi Collection, India
Provenance:
The artist.
The current owner. Acquired from the above in 1996.
Nationality of artist: Indian
Identifying marks: not recorded
Place of manufacture: India
This work was made after the operative period 1933–45.

Bhupen Khakhar, Jatra, 1997

X57790
Jatra

1997
painting
Oil paint on canvas
frame: 1775 x 2410 mm object: 1755 x 2390 mm
Tapi Collection, India
Provenance:
The artist.
The current owner. Acquired from the above in February 1999.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati
Place of manufacture: India
Exhibitions and Bibliography:
Bhupen Khakhar, A Retrospective, National Gallery of Modern Art, New Delhi, Mumbai, India, 2003
Bhupen Khakhar, Madrid, Museo Nacional Centro de Arte Reina Sofia, Exhibition Catalogue, 6 June - 16 September 2002, p. 82-83, illustrated.
Timothy Hyman, Bhupen Khakhar, Mumbai, 1998, pl. 39, illustrated.
This work was made after the operative period 1933–45.

Bhupen Khakhar, Picture Taken on their 30th Wedding Anniversary, 1998

X58539
Picture Taken on their 30th Wedding Anniversary

1998
on paper, unique
Watercolour on paper
frame: 1180 x 1210 x 250 mm object: 1100 x 1100 mm
Estate of Bhupen Khakhar, India
Provenance:
The artist; Estate of the artist, 2003.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati
Place of manufacture: India
Exhibitions and Bibliography:
Bhupen Khakhar, Madrid, Museo Nacional Centro de Arte Reina Sofia, Exhibition Catalogue, 6 June - 16 September 2002, p. 125, illustrated.
Contemporary Art from India – Private Mythology, The Japan Foundation Forum, Tokyo, Japan, 1998
This work was made after the operative period 1933–45.

Bhupen Khakhar, Three Is More than Two, 1998

X58617
Three Is More than Two

1998
on paper, unique
Watercolour on paper
unconfirmed, frame: 635 x 530 mm image: 407 x 306 mm
Private Collection, Amsterdam
Provenance:
The artist; India Art Foundation, Amsterdam, Netherlands.
The current owner. Acquired from the above in 1994.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati, titled in English
Place of manufacture: India
This work was made after the operative period 1933–45.

Bhupen Khakhar, Title not known, 1998

X58623
Title not known

1998
on paper, unique
Watercolour on paper
unconfirmed, frame: 241.3 x 241.3 mm image: 241.3 x 241.3 mm
Sonia Ballaney, Vadehra Art Gallery
Provenance:
The artist.
The current owner. Acquired from the above in 1998.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati
Place of manufacture: India
This work was made after the operative period 1933–45.

Bhupen Khakhar, At the End of the Day Iron Ingots Came Out, 1999

X57879
At the End of the Day Iron Ingots Came Out

1999
painting
Oil paint on canvas
unconfirmed: 1100 x 1100 mm image: 1100 x 1100 mm
Nitin Bhayana
Provenance:
The artist; Sakshi Gallery, Mumbai, India.
The current owner. Acquired from the above in 1999.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati
Place of manufacture: India
This work was made after the operative period 1933–45.

Bhupen Khakhar, Flower Vase, 1999

X58524
Flower Vase

1999
on paper, unique
Watercolour on paper
unconfirmed: 1200 x 1200 mm image: 1200 x 1200 mm
Nitin Bhayana
Provenance:
The artist; Sakshi Gallery, Mumbai, India.
The current owner. Acquired from the above in 1999.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati, titled in English
Place of manufacture: India
This work was made after the operative period 1933–45.

Bhupen Khakhar, He Took Enema Five Times a Day, 1999

X58609
He Took Enema Five Times a Day

1999
painting
Oil paint on canvas
unconfirmed: 1070 x 2600 mm image: 1070 x 2600 mm
Private Collection
Provenance:
The artist; Sakshi Gallery, Mumbai, India.
The current owner. Acquired from the above in 1999.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati
Place of manufacture: India
This work was made after the operative period 1933–45.

Bhupen Khakhar, Yagnya or Marriage, 2000

X57792
Yagnya or Marriage

2000
painting
Oil paint on canvas
frame: 1750 x 3485 mm object: 1735 x 3466 mm
Tapi Collection, India
Provenance:
The artist.
The current owner. Acquired from the above in 2000.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati
Place of manufacture: India
Exhibitions and Bibliography:
Bhupen Khakhar, A Retrospective, National Gallery of Modern Art, New Delhi, Mumbai, India, 2003
Bhupen Khakhar, Madrid, Museo Nacional Centro de Arte Reina Sofia, Exhibition Catalogue, 6 June - 16 September 2002, p. 90-91, illustrated.
This work was made after the operative period 1933–45.

Bhupen Khakhar, Hypnotic Sleep, 2002

X58601
Hypnotic Sleep

2002
on paper, unique
Watercolour on paper
unconfirmed: 660 x 660 mm image: 660 x 660 mm
Sonia Ballaney, Vadehra Art Gallery
Provenance:
The artist.
The current owner. Acquired from the above in 2002.
Nationality of artist: Indian
Identifying marks: signed and dated in Gujarati, titled in English
Place of manufacture: India
Bibliography and Exhibitions:
Bhupen Khakhar, Vadehra Art Gallery, New Delhi, 2002
This work was made after the operative period 1933–45.

Georgia O'Keeffe

Tate Modern (London, UK) from 06 Jul 2016 until 30 Oct 2016.

Ansel Adams
(1902-1984)

Ansel Adams, Ranchos de Taos Church, Front, 1929

X63099
Ranchos de Taos Church, Front

1929
on paper, print
Photograph, gelatin silver print on paper
image: 152 x 187 mm frame: 426 x 527 mm
Gift of Ansel Adams, University of New Mexico Art Museum, Albuquerque, 68.129
Provenance:
The artist; from whom acquired by the University of New Mexico Art Museum, Albuquerque, 1968

This work was produced before the operative period 1933–45 and has a complete provenance.

Ansel Adams, A Man of Taos, Tony Lujan, c.1930

X61035
A Man of Taos, Tony Lujan

c.1930
on paper, print
Photograph, gelatin silver print on paper
image: 313 x 227 mm support, secondary: 507 x 405 mm frame: 457 x 560 mm
Collection Center for Creative Photography, University of Arizona
Provenance:
The artist; by whom donated to the Center for Creative Photography as part of the Ansel Adams Archive

This work was made before the operative period 1933–45 and has a complete provenance.

Ansel Adams, Ghost Ranch Hills, Chama Valley, Northern New Mexico, 1937

X61036
Ghost Ranch Hills, Chama Valley, Northern New Mexico

1937
on paper, print
Photograph, gelatin silver print on paper
image: 351 x 489 mm support, secondary: 558 x 711 mm frame: 610 x 762 mm
Collection Center for Creative Photography, University of Arizona: Ansel Adams Archive 84.92.55
Provenance:
The artist; by whom donated to the Center for Creative Photography as part of the Ansel Adams Archive

This work has a complete provenance for the operative period 1933–45.

Ansel Adams, Thunderstorm, Ghost Ranch, Chama Valley, Northern New Mexico, 1937

X61037
Thunderstorm, Ghost Ranch, Chama Valley, Northern New Mexico

1937
on paper, print
Photograph, gelatin silver print on paper
image: 367 x 499 mm support, secondary: 557 x 709 mm frame: 660 x 762 mm
Collection Center for Creative Photography, University of Arizona: Ansel Adams Archive/Purchase 76.89.96
Provenance:
The artist; by whom donated to the Center for Creative Photography as part of the Ansel Adams Archive

This work has a complete provenance for the operative period 1933–45.

Ansel Adams, Georgia O'Keeffe in the Southwest, 1937

X61039
Georgia O'Keeffe in the Southwest

1937
on paper, print
Photograph, gelatin silver print on paper
image: 297 x 187 mm support, secondary: 507 x 405 mm frame: 457 x 560 mm
Collection Center for Creative Photography, University of Arizona: Ansel Adams Archive 84.89.205
Provenance:
The artist; by whom donated to the Center for Creative Photography as part of the Ansel Adams Archive

This work has a complete provenance for the operative period 1933–45.

Ansel Adams, Georgia O'Keeffe and Orville Cox, Canyon de Chelly National Monument, 1937

X61040
Georgia O'Keeffe and Orville Cox, Canyon de Chelly National Monument

1937
on paper, print
Photograph, gelatin silver print on paper
image: 175 x 262 mm frame: 406 x 508 mm
Collection Center for Creative Photography, University of Arizona: Ansel Adams Archive/Purchase 76.83.12
Provenance:
The artist; by whom donated to the Center for Creative Photography as part of the Ansel Adams Archive

This work has a complete provenance for the operative period 1933–45.

Ansel Adams, Road and the Pedernal, Chama Valley, New Mexico, c.1937

X61041
Road and the Pedernal, Chama Valley, New Mexico

c.1937
on paper, print
Photograph, gelatin silver print on paper
image: 215 x 328 mm support, secondary: 356 x 457 mm frame: 457 x 560 mm
Collection Center for Creative Photography, University of Arizona: Ansel Adams Archive/Purchase 76.89.8
Provenance:
The artist; by whom donated to the Center for Creative Photography as part of the Ansel Adams Archive

This work has a complete provenance for the operative period 1933–45.

Alfred Stieglitz
(1864 - 1946)

Alfred Stieglitz, From the Back-Window - 291, 1915

X60288
From the Back-Window - 291

1915
on paper, print
Photograph, platinum print on paper
image: 240 x 192 mm frame: 566.7 x 439.7 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1949.3.401
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1949

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe at 291, 1917

X60289
Georgia O'Keeffe at 291

1917
on paper, print
Photograph, platinum print on paper
image: 233 x 190 mm frame: 623.9 x 508 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1980.70.1
Provenance:
The artist; Georgia O’Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1980

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe, 1918

X60290
Georgia O'Keeffe

1918
on paper, print
Photograph, platinum print on paper
image: 242 x 192 mm frame: 579.4 x 438.2 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1980.70.12
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1980

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe, 1918, printed 1924/37

X60291
Georgia O'Keeffe

1918, printed 1924/37
on paper, print
Photograph, gelatin silver print on paper
image: 235 x 184 mm frame: 565.2 x 438.2 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1980.70.19
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1980

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe - Torso, 1918

X60297
Georgia O'Keeffe - Torso

1918
on paper, print
Photograph, gelatin silver print on paper
image: 236 x 185 mm frame: 566.7 x 439.7 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1980.70.36
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1980

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe, 1918, printed 1930s

X60300
Georgia O'Keeffe

1918, printed 1930s
on paper, print
Photograph, gelatin silver print on paper
image: 112 x 91 mm frame: 376.2 x 311.2 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1980.70.52
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1980

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe, 1918, printed 1920s

X60302
Georgia O'Keeffe

1918, printed 1920s
on paper, print
Photograph, gelatin silver print on paper
image: 117 x 89 mm frame: 384.2 x 311.2 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1980.70.76
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1980

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe with watercolor paint box, 1918

X60723
Georgia O'Keeffe with watercolor paint box

1918
on paper, print
Photograph, gelatin silver print on paper
image: 90 x 117 mm mount: 254 x 320 mm frame: 355.6 x 431.8 mm
George Eastman Museum, purchase and gift of Georgia O'Keeffe 1974.0052.0045
Provenance:
The artist; George Eastman Museum, purchase and gift of Georgia O’Keeffe, 1951

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe, 1918

X60740
Georgia O'Keeffe

1918
on paper, print
Photograph, palladium print on paper
image: 248 x 203 mm frame: 574.7 x 422.3 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The artist; from whom acquired by Georgia O'Keeffe; Estate of Georgia O'Keeffe, Abiquiu, New Mexico; from whom acquired by the J. Paul Getty Museum, Los Angeles, 1991

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe - Torso, 1918/19

X60299
Georgia O'Keeffe - Torso

1918/19
on paper, print
Photograph, platinum print on paper
image: 239 x 178 mm frame: 611.2 x 514.4 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1980.70.33
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1980

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe - Breasts, 1919

X60303
Georgia O'Keeffe - Breasts

1919
on paper, print
Photograph, gelatin silver print on paper
image: 225 x 172 mm frame: 547.7 x 382.6 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1980.70.109
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1980

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe - Hands, 1919, printed 1920s/30s

X60741
Georgia O'Keeffe - Hands

1919, printed 1920s/30s
on paper, print
Photograph, gelatin silver print on paper
image: 242 x 195 mm frame: 574.7 x 422.3 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The artist; from whom acquired by Georgia O'Keeffe; Estate of Georgia O'Keeffe, Abiquiu, New Mexico; from whom purchased by Daniel Wolf, New York, N.Y., 1992; from whom purchased by the J. Paul Getty Museum, Los Angeles, 1993

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe, 1920

X60306
Georgia O'Keeffe

1920
on paper, print
Photograph, gelatin silver print on paper
image: 237 x 184 mm frame: 623.9 x 515.9 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1980.70.143
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1980

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe, 1920

X60724
Georgia O'Keeffe

1920
on paper, print
Photograph, platinum print on paper
image: 245 x 195 mm frame: 508 x 406.4 mm
George Eastman Museum, purchase and gift of Georgia O'Keeffe
Provenance:
The artist; George Eastman Museum, purchase and gift of Georgia O’Keeffe, 1951

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Paul Rosenfeld, 1920

X60748
Paul Rosenfeld

1920
on paper, print
Photograph, gelatin silver print on paper
image: 233 x 186 mm frame: 542.9 x 425.5 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1949.3.446
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1949

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, John Marin, 1921/2

X60310
John Marin

1921/2
on paper, print
Photograph, gelatin silver print on paper
image: 232 x 185 mm frame: 616 x 520.7 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1949.3.510
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stiegltz Collection, 1949

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Claudia O'Keeffe, 1922

X60311
Claudia O'Keeffe

1922
on paper, print
Photograph, gelatin silver print on paper
image: 184 x 230 mm frame: 520.7 x 623.9 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1949.3.518
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1949

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Rebecca Salsbury Strand, 1922

X60312
Rebecca Salsbury Strand

1922
on paper, print
Photograph, palladium print on paper
image: 237 x 192 mm frame: 617.5 x 482.6 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1949.3.543
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1949

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Apples and Gable, Lake George, 1922

X60725
Apples and Gable, Lake George

1922
on paper, print
Photograph, gelatin silver print on paper
image: 114 x 91 mm frame: 431.8 x 355.6 mm
George Eastman Museum, purchase and gift of Georgia O'Keeffe
Provenance:
The artist; George Eastman Museum, purchase and gift of Georgia O’Keeffe, 1951

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Lake George, 1922/3

X60313
Lake George

1922/3
on paper, print
Photograph, gelatin silver print on paper
image: 237 x 190 mm frame: 542.9 x 411.2 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1949.3.916
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1949

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Barn & Snow, 1923

X60314
Barn & Snow

1923
on paper, print
Photograph, gelatin silver print on paper
image: 245 x 192 mm frame: 593.7 x 500.1 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1949.3.617
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1949

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Portrait of Georgia, No. 2, 1923

X60315
Portrait of Georgia, No. 2

1923
on paper, print
Photograph, gelatin silver print on paper
image: 92 x 119 mm frame: 312.7 x 379.4 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1949.3.889
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1949

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Portrait of Georgia, No. 1, 1923

X60726
Portrait of Georgia, No. 1

1923
on paper, print
Photograph, gelatin silver print on paper
image: 117 x 91 mm frame: 431.8 x 355.6 mm
George Eastman Museum, purchase and gift of Georgia O'Keeffe
Provenance:
The artist; George Eastman Museum, purchase and gift of Georgia O’Keeffe, 1951

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Songs of the Sky, 1923

X60742
Songs of the Sky

1923
on paper, print
Photograph, gelatin silver print on paper
image: 92 x 114 mm frame: 298.5 x 374.7 mm
Ackland Art Museum, The University of North Carolina at Chapel Hill. Ackland Fund, 80.32.1
Provenance:
The artist; from whom purchased by Paul Strand; by whom gifted to Dr Evan Turner, 1974; by whom gifted to Aperture, 1974; from whom purchased by The Ackland Art Museum, 1980

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Ida and Georgia O'Keeffe, 1924

X60316
Ida and Georgia O'Keeffe

1924
on paper, print
Photograph, gelatin silver print on paper
image: 112 x 90 mm frame: 379.4 x 312.7 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1980.70.198
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1980

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Equivalent, 1925

X60727
Equivalent

1925
on paper, print
Photograph, gelatin silver print on paper
image: 93 x 118 mm mount: 275 x 344 mm frame: 355.6 x 431.8 mm
George Eastman Museum, purchase and gift of Georgia O'Keeffe
Provenance:
The artist; George Eastman Museum, purchase and gift of Georgia O’Keeffe, 1951

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Equivalent, 1925

X60733
Equivalent

1925
on paper, print
Photograph, gelatin silver print on paper
image: 118 x 92 mm frame: 431.8 x 355.6 mm
George Eastman Museum, purchase and gift of Georgia O'Keeffe
Provenance:
The artist; George Eastman Museum, purchase and gift of Georgia O’Keeffe, 1951

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Lake George, 1926

X60317
Lake George

1926
on paper, print
Photograph, gelatin silver print on paper
image: 91 x 119 mm frame: 312.7 x 379.4 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1949.3.667
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1949

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, From the Shelton, New York, Looking East, 1926/7

X60318
From the Shelton, New York, Looking East

1926/7
on paper, print
Photograph, gelatin silver print on paper
image: 90 x 117 mm frame: 292.1 x 354 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1949.3.1267
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1949

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, From the Shelton, New York (Room 3003) Looking Southeast, 1927

X60319
From the Shelton, New York (Room 3003) Looking Southeast

1927
on paper, print
Photograph, gelatin silver print on paper
image: 88 x 115 mm frame: 312.7 x 377.8 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection,1949.3.1197
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1949

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, From the Shelton Looking North, 1927

X60743
From the Shelton Looking North

1927
on paper, print
Photograph, gelatin silver print on paper
image: 114 x 89 mm frame: 403.2 x 377.8 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The artist; from whom acquired by an unidentified friend of the artist, it is believed as a gift; Estate of unidentified friend of the artist; from whom acquired by Daniel Wolf, New York, N.Y.; from whom purchased by the J. Paul Getty Museum, Los Angeles, 1984

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe - After Return from New Mexico
Equivalent O1, 1929

X60744
Georgia O'Keeffe - After Return from New Mexico Equivalent O1

1929
on paper, print
Photograph, gelatin silver print on paper
image: 79 x 117 mm frame: 377.8 x 403.2 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The artist; from whom acquired by Georgia O'Keeffe; Estate of Georgia O'Keeffe, Abiquiu, New Mexico; from whom purchased by Daniel Wolf, New York, N.Y., 1992; from whom purchased by the J. Paul Getty Museum, Los Angeles, 1993

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe, 1931

X60320
Georgia O'Keeffe

1931
on paper, print
Photograph, gelatin silver print on paper
image: 238 x 186 mm frame: 563.6 x 431.8 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1980.70.252
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1980

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, New York from An American Place, 1931

X60321
New York from An American Place

1931
on paper, print
Photograph, gelatin silver print on paper
image: 242 x 192 mm frame: 589 x 457.2 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1949.3.1243
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1949

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, From My Window at the Shelton, North, 1931

X60745
From My Window at the Shelton, North

1931
on paper, print
Photograph, gelatin silver print on paper
image: 243 x 191 mm frame: 574.7 x 422.3 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The artist; from whom purchased by Dorothy Norman, 1930s; from whom acquired by Daniel Wolf, New York, N.Y., 1984; from whom purchased by the J. Paul Getty Museum, Los Angeles, 1987

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe - Hands and Horse Skull, 1931

X60746
Georgia O'Keeffe - Hands and Horse Skull

1931
on paper, print
Photograph, gelatin silver print on paper
image: 194 x 241 mm frame: 574.7 x 727.1 mm
The J. Paul Getty Museum, Los Angeles
Provenance:
The artist; from whom acquired by Georgia O'Keeffe; Estate of Georgia O'Keeffe, Abiquiu, New Mexico; from whom purchased by Daniel Wolf, New York, N.Y., 1992; from whom purchased by the J. Paul Getty Museum, Los Angeles, 1993

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Dorothy Norman, 1932

X60734
Dorothy Norman

1932
on paper, print
Photograph, gelatin silver print on paper
image: 114 x 92 mm frame: 431.8 x 355.6 mm
George Eastman Museum, purchase and gift of Georgia O'Keeffe
Provenance:
The artist; George Eastman Museum, purchase and gift of Georgia O’Keeffe, 1951

This work was produced before the operative period 1933–45 and has a complete provenance.

Alfred Stieglitz, Georgia O'Keeffe, 1933

X62188
Georgia O'Keeffe

1933
on paper, print
Photograph, gelatin silver print on paper
frame: 220 x 188 mm
Private collection, Switzerland
Provenance:
The artist; from whom acquired by Georgia O’Keeffe; from whom acquired by Doris Dry, New York; from whom acquired by the Gilman Paper Company, 1976; from whom acquired by The Metropolitan Museum of Art, New York as part of the Gilman Paper Company Collection, 2005; by whom sold at Sotheby’s, New York as part of ‘Important Photographs from The Metropolitan Museum of Art, Including Works from the Gilman Paper Company Collection’, 14 February 2006, sale 8165, lot 20; from which sale acquired by a private collection, Switzerland, the current owner.

This work has a complete provenance for the operative period 1933–45.

Alfred Stieglitz, House and Grape Leaves, 1934

X60719
House and Grape Leaves

1934
on paper, print
Photograph, gelatin silver print on paper
image: 244 x 192 mm mount: 559 x 457 mm
The Cleveland Museum of Art, Gift of Cary Ross, Knoxville, Tennessee 1935.54
Provenance:
The artist; by whom consigned to an exhibition at Cleveland Museum of Art, 12 December 1934–13 January 1935; from which exhibition gifted to Cleveland Museum of Art by Cary Ross, Knoxville, Tennessee, January 1935

This work has a complete provenance for the operative period 1933–45.

Alfred Stieglitz, From the Shelton, Looking West, 1933, 1935

X60735
From the Shelton, Looking West, 1933

1935
on paper, print
Photograph, gelatin silver print on paper
image: 242 x 191 mm frame: 609.6 x 508 mm
George Eastman Museum, purchase and gift of Georgia O'Keeffe
Provenance:
The artist; George Eastman Museum, purchase and gift of Georgia O’Keeffe, 1951

This work has a complete provenance for the operative period 1933–45.

Alfred Stieglitz, Door to Shanty, Lake George, 1934/7

X60322
Door to Shanty, Lake George

1934/7
on paper, print
Photograph, gelatin silver print on paper
image: 116 x 92 mm frame: 354 x 290.5 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, 1949.3.824
Provenance:
The artist; Georgia O'Keeffe; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1949

This work has a complete provenance for the operative period 1933–45.

Mary Austin
(1868-1934)
Ansel Adams
(1902-1984)

Mary Austin and Ansel Adams, Taos Pueblo, Photographed by Ansel Easton Adams and described by Mary Austin, 1930

X63035
Taos Pueblo, Photographed by Ansel Easton Adams and described by Mary Austin

1930
on paper, print
Book; Grabhorn Press, San Francisco, 1930; Number 69 in an edition of 100 plus 8 artist's copies
[20] pp., 1 l., xii pl., 440 mm
The Richard and Ronay Menschel Library, George Eastman Museum
Provenance:
The artist; by whom gifted to George Eastman Museum, 1952

This work was produced before the operative period 1933–45 and has a complete provenance.

Marsden Hartley
(1877-1943)

Marsden Hartley, New Mexico Recollection #14, c.1923

X62259
New Mexico Recollection #14

c.1923
painting
Oil paint on canvas
image: 762 x 1016 mm
Collection of Jan T. and Marica Vilcek, Promised GIft to The Vilcek Foundation
Provenance:
The artist; Estate of the artist; from whom acquired by Paul Rosenberg and Co., July 1945 (from McCausland Papers); from whom acquired by Babcock Gallery, New York; from whom acquired by a private collection; from whom acquired by Sid Deutsch Gallery, New York; from whom acquired by the Harvey and Françoise Rambach Collection; from whom acquired by Gerald Peters Gallery, New York, NY; from whom acquired by a private collection, Texas; from whom acquired by Owings-Dewey Fine Art, Santa Fe, NM; from whom acquired by Jan T. and Marica Vilcek, 17 August 2009

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe
(1887-1986)

Georgia O'Keeffe, Early No. 2, 1915

X57754
Early No. 2

1915
on paper, unique
Charcoal on paper
image: 610 x 470 mm frame: 829 x 689 x 32 mm
The Menil Collection, Houston, Gift of the Georgia O'Keeffe Foundation, 1995
Provenance:
The artist; Estate of the artist, 1986; The Georgia O'Keeffe Foundation, Abiquiu, New Mexico, 1993; by whom gifted to The Menil Foundation, Inc., 1994; The Menil Collection, Houston

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 51

This work was produced before the operative period 1933–45 and has a complete provenance

Georgia O'Keeffe, Special No. 9, 1915

X57755
Special No. 9

1915
on paper, unique
Charcoal on paper
image: 635 x 486 mm frame: 806 x 651 x 25 mm
The Menil Collection, Houston
Provenance:
The artist; from whom acquired by Robert Miller Gallery, New York, N.Y., 1985; from whom acquired by Janie C. Lee Gallery, Houston, Texas, 1985; from whom acquired by The Menil Foundation, Inc., 1985; The Menil Collection, Houston

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 54

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, No. 12 Special, 1916

X57756
No. 12 Special

1916
on paper, unique
Charcoal on paper
image: 610 x 483 mm
The Museum of Modern Art, New York. Gift of The Georgia O’Keeffe Foundation, 1995
Provenance:
The artist; Estate of the artist, 1986; The Georgia O'Keeffe Foundation, 1993; Gifted to The Museum of Modern Art, New York, 1995

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 117

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, No. 14 Special, 1916

X57759
No. 14 Special

1916
on paper, unique
Charcoal on paper
image: 629 x 476 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, Gift of The Georgia O'Keeffe Foundation, 1992.89.9
Provenance:
The artist; Estate of the artist, 1986; The Georgia O'Keeffe Foundation, Abiguiu, New Mexico, 1991; by whom gifted to the National Gallery of Art, Washington as part of the Alfred Stieglitz Collection, 1992

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 61

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Abstraction, 1916

X59663
Abstraction

1916
on paper, unique
Charcoal and wash on paper
image: 632 x 483 mm frame: 778 x 625 x 51 mm
Greenville County Museum of Art, Museum purchase with funds donated by The Museum Association, Mr. and Mrs. Thomas Howard Suitt, Jr., Rich's Department Store; and Mr. and Mrs. C. H. Abbe
Provenance:
The artist; from whom acquired by a private collection, 1970s; from whom acquired by Doris Bry, New York, late 1970s; from whom acquired by Hirschl and Adler Galleries, Inc., 1986; from whom purchased by Greenville County Museum of Art, 1986.

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 98

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, No. 15 Special, 1916–17

X57449
No. 15 Special

1916–17
on paper, unique
Charcoal on paper
image: 479 x 619 mm
Philadelphia Museum of Art: 125th Anniversary Acquisition. Purchased with the gift (by exchange) of Dr. and Mrs. Paul Todd Makler, with funds contributed by Mr and Mrs John J. F. Sherrerd, the Alice Newton Osborn Fund, the Lola Downin Peck Fund, and gift of The Georgia O'Keeffe Foundation, 1997 (1997-39-1)
Provenance:
The artist; Estate of the artist, 1986; The Georgia O'Keeffe Foundation, Abiquiu, New Mexico, 1993; from whom acquired by Philadelphia Museum of Art, 1997

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 154

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Lake George, Coat and Red, 1919

X57413
Lake George, Coat and Red

1919
painting
Oil paint on canvas
image: 696 x 590 mm
The Museum of Modern Art, New York. Gift of The Georgia O’Keeffe Foundation, 1995
Provenance:
The artist; Estate of the artist, 1986; The Georgia O'Keeffe Foundation, 1993; Gifted to The Museum of Modern Art, New York, 1995

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 289

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Red and Orange Streak, 1919

X57453
Red and Orange Streak

1919
painting
Oil paint on canvas
image: 686 x 584 mm
Philadelphia Museum of Art: Bequest of Georgia O'Keeffe for the Alfred Stieglitz Collection, 1987 (1987-70-3)
Provenance:
The artist; Estate of the Artist, 1986; from whom acquired by Philadelphia Museum of Art, bequest of Georgia O'Keeffe for the Alfred Stieglitz Collection, 1987

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 287

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Black Lines, 1919

X57760
Black Lines

1919
on paper, unique
Charcoal on paper
image: 626 x 476 mm frame: 864 x 705 x 25 mm
Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, museum purchase, 1959.22
Provenance:
The artist; from whom acquired by The Downtown Gallery, New York, N.Y.; from whom acquired by the Addison Museum of American Art, Phillips Academy, Andover, Massachusetts, 1959

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 275

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Blue and Green Music, 1919/21

X57427
Blue and Green Music

1919/21
painting
Oil paint on canvas
image: 584 x 483 mm
The Art Institute of Chicago; Alfred Stieglitz Collection, gift of Georgia O'Keeffe, 1969.835
Provenance:
The artist; from whom acquired by Alfred Stieglitz; gifted to The Art Institute of Chicago by Georgia O’Keeffe as part of the Alfred Stieglitz Collection, 1969

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 344

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Lake George, 1922

X57803
Lake George

1922
painting
Oil paint on canvas
image: 413 x 559 mm
San Francisco Museum of Modern Art, Gift of Charlotte Mack
Provenance:
The artist; from whom presumably acquired by Alfred Stieglitz, New York; from whom acquired by Paul Rosenfeld, New York, 1920s; Estate of Paul Rosenfeld, 1946; from whom acquired by bequest by Edna Bryner (Mrs. Arthur) Schwab, New York, 1946; catalogue raisonne states from whom presumably acquired by The Downtown Gallery, New York; catalogue raisonne states from whom presumably acquired by Midtown Galleries, San Francisco, California; ? from whom probably acquired by Mr Kleiser, San Francisco; probably from whom acquired by Charlotte (Mrs. Adolph) Mack, San Francisco, California, 1946; Gifted to San Francisco Museum of Modern Art, San Francisco, California, 1952

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 395

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Pool in the Woods, Lake George, 1922

X57805
Pool in the Woods, Lake George

1922
on paper, unique
Pastel on paper
image: 432 x 699 mm frame: 673 x 940 x 32 mm
Courtesy of Reynolda House Museum of American Art, Winston-Salem, NC, an Affiliate of Wake Forest University. Gift of Barbara B. Milhouse in memory of E. Carter, Nancy Susan Reynolds, and Winifred Babcock
Provenance:
The artist; (The Downtown Gallery, New York, N.Y.); from whom acquired by a private collection, New York, N.Y., 1958; from whom acquired by ACA Galleries, New York, N.Y., before 1969; from whom acquired by Harry Spiro, New York, N.Y., 1969; from whom acquired by M. Knoedler, New York, N.Y., 1975; from whom acquired by Barbara Babcock Millhouse, New York, N.Y., 1975; by whom gifted to Reynolda House, Museum of American Art, December 1984

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 396

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Grey Lines with Black, Blue and Yellow, c.1923

X57471
Grey Lines with Black, Blue and Yellow

c.1923
painting
Oil paint on canvas
image: 1219 x 762 mm
The Museum of Fine Arts, Houston. Museum purchase with funds provided by the Agnes Cullen Arnold Endowment Fund
Provenance:
The artist; (Doris Bry, New York, N.Y.); (Jean Seth, Santa Fe, New Mexico); Private Collection, New York, N.Y., 1971; (Doris Bry, New York, N.Y.); (Joan T. Washburn, New York, N.Y.); The Museum of Fine Arts, Houston, purchase with funds provided by the Agnes Cullen Arnold Endowment Fund, 1977

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 477

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Mask with Golden Apple, 1923

X59085
Mask with Golden Apple

1923
painting
Oil paint on canvas
image: 229 x 406 mm
Courtesy Crystal Bridges Museum of American Art, Bentonville, Arkansas
Provenance:
The artist; from whom acquired by Doris Bry, New York; from whom acquired by a private collection, Elverson, Pennsylvania, 1976; by whom sold at Sotheby’s, New York, N.Y., sale no. 8207, lot no. 146, 24 May 2006; from which sale acquired by a private collector, Texas, 2006

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 408

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Two Figs, 1923

X61461
Two Figs

1923
painting
Oil paint on board
unconfirmed: 196.9 x 146.1 mm frame: 266.7 x 209.6 mm
Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY, bequest of Mrs Arthur Schwab (Edna Bryner, Class of 1907), 1967.31.12
Provenance:
The artist; from whom acquired by Alfred Stieglitz, New York; from whom acquired by Edna Bryner (Mrs Arthur) Schwab, New York, 1924; The Frances Lehman Loeb Art Center, Vassar College, Bequest of Mrs Arthur Schwab (Edna Bryner Class of 1907), 1967

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 411

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, From the Lake, No. 3, 1924

X57452
From the Lake, No. 3

1924
painting
Oil paint on canvas
image: 914 x 762 mm frame: 949 x 800 x 51 cm
Philadelphia Museum of Art: Bequest of Georgia O'Keeffe for the Alfred Stieglitz Collection, 1987 (1987-70-2)
Provenance:
The artist; Estate of the artist, 1986; from whom acquired by Philadelphia Museum of Art, bequest of Georgia O'Keeffe for the Alfred Stieglitz Collection, 1987

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 471

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, From the Lake No. 1, 1924

X57804
From the Lake No. 1

1924
painting
Oil paint on canvas
image: 914 x 762 mm frame: 949 x 797 mm
Purchased with funds from the Coffin Fine Arts Trust; Nathan Emory Coffin Collection of the Des Moines Art Center, 1984.3
Provenance:
The artist; The Downtown Gallery, New York, N.Y.; from whom acquired by Charles Simon, New York, N.Y., 1960; from whom acquired by Jane Wade Ltd., New York, N.Y.; from whom acquired by George M. Irwin, Quincy, Illinois, 1965; from whom purchased by Des Moines Art Center, January 1984

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 470

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Autumn Leaves - Lake George, N.Y., 1924

X57807
Autumn Leaves - Lake George, N.Y.

1924
painting
Oil paint on canvas
image: 514 x 413 mm
Columbus Museum of Art, Ohio, Museum Purchase, Howald Fund II
Provenance:
The artist; from whom acquired by An American Place, New York; from whom acquired by Doris Bry, New York, 1946; from whom acquired by a private collection, New York, 1973; from whom acquired by Doris Bry, New York; from whom acquired by a private collection, New York, 1970s; from whom acquired by Martin Diamond, New York, 1977; from whom acquired by John Berggruen Gallery, San Francisco, California, November 1977; from whom acquired by Coe Kerr Gallery, Inc., New York, October 1978; from whom acquired by a private collection, after 1979; from whom acquired by Coe Kerr Gallery, New York, 1981; from whom purchased by Columbus Museum of Art, Ohio, 1981

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 464

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, A Celebration, 1924

X59448
A Celebration

1924
painting
Oil paint on canvas
image: 886 x 457 mm
Seattle Art Museum. Gift of The Georgia O'Keeffe Foundation, 94.89
Provenance:
The artist; Estate of the artist, 1986; The Georgia O'Keeffe Foundation, Abiquiu, New Mexico, 1993; by whom gifted to Seattle Art Museum, 1994

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 452

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Grey Tree, Lake George, 1925

X57372
Grey Tree, Lake George

1925
painting
Oil paint on canvas
image: 914 x 762 mm frame: 953 x 803 x 44 mm
The Metropolitan Museum of Art, Alfred Stieglitz Collection, Bequest of Georgia O'Keeffe, 1986 (1987.377.2)
Provenance:
The artist; by whom gifted to The Metropolitan Museum of Art, New York by bequest as part of the Alfred Stieglitz Collection, 1986

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 512

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, New York Street with Moon, 1925

X57794
New York Street with Moon

1925
painting
Oil paint on canvas
image: 1220 x 770 mm frame: 1255 x 800 x 60 mm
Carmen Thyssen-Bornemisza Collection, on loan at the Thyssen-Bornemisza Museum
Provenance:
The artist; from whom acquired by The Intimate Gallery, New York; from whom acquired by Mr and Mrs Adolph Meyer, New York, 1926; from whom acquired by Mr and Mrs Peter Meyer; from whom acquired by Arcadia Inc., Washington D.C.; from whom acquired by the Thyssen-Bornemisza Collection, Lugano, 1981; Carmen Thyssen-Bornemisza Collection on loan at the Museo Thyssen-Bornemisza.

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 483

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Lake George Barns, 1926

X57812
Lake George Barns

1926
painting
Oil paint on canvas
image: 538 x 814 mm frame: 571 x 851 mm
Collection Walker Art Center, Minneapolis. Gift of the T.B. Walker Foundation, 1954
Provenance:
The artist; from whom acquired by The Downtown Gallery, New York; from whom acquired by the Collection Walker Art Center, Minneapolis, Gift of the T.B. Walker Foundation, 1954

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 575

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, East River No. 3, 1926

X61463
East River No. 3

1926
painting
Oil paint on canvas
unconfirmed: 305 x 819 mm frame: 336.6 x 841.4 mm
Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY, bequest of Mrs Arthur Schwab (Edna Bryner, Class of 1907), 1967.31.1
Provenance:
The artist; [with] The Intimate Gallery, New York; from whom acquired by Edna Bryner (Mrs Arthur) Schwab, New York, 1927; The Frances Lehman Loeb Art Center, Vassar College, Bequest of Mrs Arthur Schwab (Edna Bryner Class of 1907), 1967

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 533

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Abstraction Blue, 1927

X57414
Abstraction Blue

1927
painting
Oil paint on canvas
image: 1021 x 760 mm
The Museum of Modern Art, New York. Acquired through the Helen Acheson Bequest, 1979
Provenance:
The artist; catalogue raisonne states from whom presumably acquired by The Downtown Gallery, New York,); from whom presumably acquired by a private collection (catalogue raisonne states Dr. Helen Boigon, New York, 1959); from whom acquired by Hirschl and Adler Galleries, Inc., New York, 1977; presumably from whom acquired by Helen Acheson; Acquired through the Helen Acheson Bequest by The Museum of Modern Art, New York, 1979

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 573

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Line and Curve, 1927

X57441
Line and Curve

1927
painting
Oil paint on canvas
image: 812 x 412 mm frame: 838 x 432 x 35 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, Bequest of Georgia O'Keeffe, 1987.58.6
Provenance:
The artist; Estate of the artist, 1986; Bequest to National Gallery of Art, Washington, 1987

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 572

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Dark Iris No. 1, 1927

X62197
Dark Iris No. 1

1927
painting
Oil paint on canvas
image: 813 x 305 mm
Colorado Springs Fine Arts Center, Anonymous gift, FA1954.4
Provenance:
The artist; (An American Place, New York, N.Y.); from whom acquired by Oliver B. James, New York, N.Y., 1938; anonymous gift to Colorado Springs Fine Arts Center, Colorado Springs, Colorado, 1954

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 583

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Abstraction - Alexius, 1928

X57777
Abstraction - Alexius

1928
painting
Oil paint on canvas
image: 921 x 765 mm
Private Collection, Switzerland
Provenance:
The artist; (Robert Miller Gallery, Inc., New York); from whom acquired by Kennedy Galleries, Inc., New York, 1980; from whom acquired by a private collection, 1980; (Gallery Hauser and Wirth, Zürich, Switzerland); from whom acquired by Daros Collection, Switzerland, 1998; from whom acquired by a private collection, Switzerland, the current owner, 2004.

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 616

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, East River from the 30th Story of the Shelton Hotel, 1928

X57801
East River from the 30th Story of the Shelton Hotel

1928
painting
Oil paint on canvas
image: 762 x 1222.4 mm frame: 762 x 1318 x 51 mm
Courtesy of the New Britain Museum of American Art, Stephen B. Lawrence Fund, 1958.09
Provenance:
The artist; from whom acquired by The Downtown Gallery, New York, N.Y; from whom acquired by New Britain Museum of American Art, New Britain, Connecticut, 1958

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 620

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Farmhouse Window and Door, 1929

X57415
Farmhouse Window and Door

1929
painting
Oil paint on canvas
image: 1016 x 762 mm
The Museum of Modern Art, New York. Acquired through the Richard D. Brixey Bequest, 1945
Provenance:
The artist; from whom presumably acquired by An American Place, New York; presumably from whom acquired by Richard D. Brixey; Acquired through the Richard D. Brixey bequest (exchange and purchase) by The Museum of Modern Art, New York, 1945

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 653

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, New York, Night, 1928–9

X57799
New York, Night

1928–9
painting
Oil paint on canvas
image: 1019 x 487 mm
Sheldon Museum of Art, Sheldon Art Association, Thomas C. Woods Memorial, N-107.1958
Provenance:
The artist; from whom acquired by The Downtown Gallery, New York, N.Y.; from whom purchased by Sheldon Museum of Art, University of Nebraska-Lincoln, Nebraska Art Association Collection - Thomas C. Woods Memorial, 1958

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 646

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Soft Gray, Alcalde Hill, 1929–30

X57460
Soft Gray, Alcalde Hill

1929–30
painting
Oil paint on canvas
image: 255 x 612 mm
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Provenance:
The artist; An American Place, New York; from whom acquired by Dr and Mrs Michael Watter, Philadelphia, before 1946–1967; by whom sold at Sotheby Parke Bernet Inc., New York, N.Y., 19 October 1967, sale no.2600, lot no.23; from which sale purchased by Joseph H. Hirshhorn, New York; by whom gifted to the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., 1972

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 691

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Ranchos Church, New Mexico, 1930–1

X57912
Ranchos Church, New Mexico

1930–1
painting
Oil paint on canvas
image: 622 x 914 mm
Amon Carter Museum of American Art, Fort Worth, Texas
Provenance:
The artist; [The Intimate Gallery, An American Place, New York, New York, until 1937]; from whom acquired by Mr & Mrs Philip J. Wickser, Buffalo, New York, 1937; from whom acquired by Mrs. Philip J. (Margaret F.) Wickser, Buffalo, New York, 1949; Estate of Mrs. Philip J. Wickser, with John Wickser (her son), Buffalo, New York until 1971; from whom acquired by Amon Carter Museum, Fort Worth, Texas, 1971

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 705

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Untitled (New York), c.1925–30

X60631
Untitled (New York)

c.1925–30
on paper, unique
Charcoal on paper
image: 623 x 476 mm frame: 890 x 710 x 18 mm
Fine Arts Museums of San Francisco, Gift of Mrs Charlotte S. Mack 1961.48.1
Provenance:
The artist; The Downtown Gallery, New York, N.Y.; from whom acquired by Charlotte S. Mack, San Francisco, California, 1949; by whom gifted to Fine Arts Museums of San Francisco, 1961

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 525

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Horse's Skull on Blue, 1931

X57845
Horse's Skull on Blue

1931
painting
Oil paint on canvas
image: 762 x 406 mm
Collection of Arizona State University Art Museum, Tempe; Gift of Oliver B. James
Provenance:
The artist; from whom acquired by The Downtown Gallery, New York, N.Y.; from whom acquired by Oliver B. James, Phoenix, Arizona; by whom gifted to Arizona State University Art Museum, Tempe, January 1951

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 776

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Another Church, Hernandez, New Mexico, 1931

X61930
Another Church, Hernandez, New Mexico

1931
painting
Oil paint on canvas
image: 254 x 606 mm
American Museum of Western Art --- The Anschutz Collection, Denver Colorado, purchase, 1973
Provenance:
The artist; from whom acquired by The Downtown Gallery, New York; from whom acquired by the Kanoff Collection (Dr Abram Kanoff, New York), 1947; from whom acquired by Bernard Danenberg Galleries, New York, 1972; from whom purchased by the American Museum of Western Art — The Anschutz Collection, Denver, Colorado, March 1973

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 770

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Kachina, 1931

X62258
Kachina

1931
painting
Oil paint on wood panel
image: 524 x 406 mm
Collection of Jan T. and Marica Vilcek, Promised Gift to The Vilcek Foundation
Provenance:
The artist; from whom acquired by An American Place, New York; from whom acquired by Lord Duveen, New York, 1932; from whom acquired by Parke-Bernet Galleries, Inc., New York, sale no.943, lot no.10, 11 March 1948; from whom acquired by Twin Print Editions, New York, 1948; from whom acquired by The Downtown Gallery, New York, date unknown; from whom acquired by Bernard Danenberg Galleries, New York; from whom acquired by Otti Jarislowsky, Long Beach, New York, 1952; from whom acquired by Richard L. Feigen & Co., Inc., New York, and Hirschl and Adler Galleries, Inc., New York, 1978; from whom acquired by Hall Galleries, Dallas, Texas, 1981; from whom acquired by William C. Foxley, Denver, Colorado, 1981; from whom acquired by Fred A. Rosenstock Arts, Denver, Colorado; from whom acquired by Gerald and Kathleen Peters, Santa Fe, NM, 1983; from whom acquired by Jan T. and Marica Vilcek, 7 March 2012, promised gift to The Vilcek Foundation

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 781

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Jimson Weed/White Flower No. 1, 1932

X57832
Jimson Weed/White Flower No. 1

1932
painting
Oil paint on canvas
image: 1219 x 1016 mm
Crystal Bridges Museum of American Art, Bentonville, Arkansas, 2014.35
Provenance:
The artist; Anita O'Keeffe (Mrs. Robert R.) Young, Newport Rhode Island, before 1966; Estate of Anita O'Keeffe (Mrs. Robert R.) Young, 1985; Robert R. Young Foundation, Cincinnati, Ohio, 1985; by whom sold at Sotheby's, New York, N.Y., sale no. 5658, lot no. 7, 3 December 1987; from which sale acquired by Kathleen and Gerald Peters, Santa Fe, New Mexico, 1987; by whom sold at Sotheby's, New York, N.Y., sale no. 6633 lot no. 83, 1 December 1994; from which sale acquired by a private collection, Santa Fe, New Mexico, 1994 (Gerald Peters Gallery, Santa Fe New Mexico); The Burnett Foundation, Fort Worth, Texas, 1996; by whom given to the Georgia O’Keeffe Museum, Santa Fe, NM, 1996; by whom sold at Sotheby’s, New York, NY, November 20, 2014, sale no. 9229, lot no.11; from which sale purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2014

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 815

This work was produced before the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Eagle Claw and Bean Necklace, 1934

X57416
Eagle Claw and Bean Necklace

1934
on paper, unique
Charcoal on paper
image: 485 x 639 mm
The Museum of Modern Art, New York. Given anonymously (by exchange), 1936
Provenance:
The artist; Alfred Stieglitz; Given anonymously (by exchange) to The Museum of Modern Art, New York, 1936

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 829

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Taos Pueblo, 1929/34

X57903
Taos Pueblo

1929/34
painting
Oil paint on canvas
image: 616 x 1022 mm
Courtesy of the Eiteljorg Museum of American Indians and Western Art, Indianapolis
Provenance:
The artist; from whom purchased by Jack O'Grady Galleries, Inc., Chicago, Illinois, March 1975; from whom purchased by Harrison Eiteljorg, Indianapolis, Indiana, 1977; by whom gifted to Eiteljorg Museum of American Indians and Western Art, Indianapolis as part of the founding collection, 1987 (Cat No. 1989.3.55)

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 699

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Purple Hills, 1935

X57925
Purple Hills

1935
painting
Oil paint on canvas
image: 406 x 762 mm
The San Diego Museum of Art, Gift of Mr and Mrs Norton S. Walbridge, 1976
Provenance:
The artist; from whom acquired by Doris Bry, New York, N.Y.; from whom acquired by Mr. and Mrs. Norton S. Walbridge, La Jolla, California, 1971; by whom gifted to San Diego Museum of Art, San Diego, California, 1976

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 870

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Pedernal with Red Hills, 1936

X57938
Pedernal with Red Hills

1936
painting
Oil paint on canvas
image: 502 x 756 mm
Collection of the New Mexico Museum of Art. Bequest of Helen Miller Jones, 1986 (1986.137.18)
Provenance:
The artist; from whom acquired by The Downtown Gallery, New York, N.Y.; by whom sold to Bishop Everett and Helen Miller Jones, San Antonio, Texas, 1962; bequest to the New Mexico Museum of Art, Santa Fe, New Mexico from Helen Miller Jones, 1986

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 900

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Grey Hill Forms, 1936

X57990
Grey Hill Forms

1936
painting
Oil paint on canvas
image: 505 x 757 mm frame: 540 x 795 x 50 mm
Gift of the Estate of Georgia O’Keeffe, University of New Mexico Art Museum, Albuquerque, P87.1
Provenance:
The artist; Estate of the artist, 1986; from whom acquired by the University of New Mexico Art Museum, Albuquerque, 1987

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 895

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, From the Faraway, Nearby, 1937

X57377
From the Faraway, Nearby

1937
painting
Oil paint on canvas
image: 914 x 1019 mm frame: 953 x 1060 x 44 mm
The Metropolitan Museum of Art, Alfred Stieglitz Collection, 1959 (59.204.2)
Provenance:
The artist [on extended loan to The Metropolitan Museum of Art, 1949–59]; by whom gifted to The Metropolitan Museum of Art, New York as part of the Alfred Stieglitz Collection, 1959

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 914

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Chama River, Ghost Ranch, New Mexico, 1937

X57975
Chama River, Ghost Ranch, New Mexico

1937
painting
Oil paint on canvas
image: 775 x 419 mm
Collection of the New Mexico Museum of Art. Gift of the Georgia O'Keeffe Estate, 1987 (1987.312.1)
Provenance:
The artist; Estate of the artist, 1986; by whom gifted to the New Mexico Museum of Art, Santa Fe, New Mexico, 1987

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 933

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Kachina, 1938

X57456
Kachina

1938
painting
Oil paint on canvas
image: 178 x 178 mm
San Francisco Museum of Modern Art. Gift of the Hamilton-Wells Collection
Provenance:
The artist; from whom acquired by Cady Wells, Santa Fe, New Mexico, in exchange for another work, 1936; from whom acquired by bequest by Mason Wells (Cady Wells’ brother), San Francisco, California, 1954; by whom (Mason Wells Collection) gifted to San Francisco Museum of Modern Art, San Francisco, California, 1976

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 942

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Deer Horns, 1938

X63234
Deer Horns

1938
painting
Oil paint on canvas
image: 914 x 406 mm
Private collection
Provenance:
The artist; [with] The Downtown Gallery, New York; from whom acquired by L.D. and Adelle Starr, Mamaroneck, New York, 1961; [with] Bernard Danenberg Galleries, New York; from whom acquired by Phyllis Weil & Co., New York, 1975; [with] Hirschl & Adler Galleries, Inc., New York, 1978; [with] John Berggruen Gallery, San Francisco, California; from whom acquired by a private collection, San Francisco, California, 1980; [with] John Berggruen Gallery, San Francisco, California; from whom acquired by Katherine Tremaine, Santa Barbara, California, 1980; from whom acquired by John Berggruen Gallery, San Francisco and Hirschl & Adler Galleries, Inc., New York; from whom acquired by a private collection, 1986; by whom sold at Christie's, New York, 16 May 2012, sale 2561, lot 13; from which sale acquired by a private dealer, New York, 2012; from whom acquired by a private collection, the current owner, 2012

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 941

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Red and Yellow Cliffs, 1940

X57375
Red and Yellow Cliffs

1940
painting
Oil paint on canvas
image: 610 x 914 mm frame: 648 x 953 x 44 mm
The Metropolitan Museum of Art, Alfred Stieglitz Collection, Bequest of Georgia O'Keeffe, 1986 (1987.377.4)
Provenance:
The artist; by whom gifted to The Metropolitan Museum of Art, New York by bequest as part of the Alfred Stieglitz Collection, 1986

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 997

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Red Hills and Bones, 1941

X57450
Red Hills and Bones

1941
painting
Oil paint on canvas
image: 756 x 1016 mm frame: 794 x 1060 x 4.4 mm
Philadelphia Museum of Art: The Alfred Stieglitz Collection, 1949 (1949-18-109)
Provenance:
The artist; by whom gifted to Philadelphia Museum of Art as part of the Alfred Stieglitz Collection, 1949

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1025

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Blue Sky, 1941

X59064
Blue Sky

1941
painting
Oil paint on canvas
image: 918 x 408 mm frame: 921 x 413 x 32 mm
Worcester Art Museum, Gift of Mr and Mrs Robert W. Stoddard
Provenance:
The artist; from whom presumably acquired by The Downtown Gallery, New York; from whom acquired by Mr. and Mrs. Robert W. Stoddard, Worcester, Massachusetts, June 1961; by whom gifted to Worcester Art Museum, Worcester, Massachusetts, 1981

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1028

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Black Hills with Cedar, 1941–2

X57458
Black Hills with Cedar

1941–2
painting
Oil paint on canvas
image: 400 x 760 mm
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Provenance:
The artist; (Doris Bry, New York, N.Y.); from whom acquired by a private collection, Croton Falls, New York, 1972; (Forum Gallery, New York, N.Y.); from whom acquired by Joseph H. Hirshhorn, Washington, D.C., 1974; Estate of Joseph H. Hirshhorn, 1981–1986; Bequest to Hirshhorn Museum and Sculpture Garden, 1981

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1040

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Black Place No. IV, 1944

X57996
Black Place No. IV

1944
painting
Oil paint on canvas
image: 762 x 914 mm frame: 774 x 927 mm
Private collection
Provenance:
The artist; from whom acquired by Harold Diamond, New York, 1976; from whom acquired by a private collection, Chicago, Illinois, 1977; from whom acquired by Hirschl and Adler Galleries, New York; from whom acquired by Gerald Peters Gallery, Santa Fe, New Mexico, 1985; from whom acquired by Bebe and Crosby Kemper, Kansas City, Missouri, 1985; from whom acquired by Owings-Dewey Fine Art, Santa Fe, New Mexico; from whom acquired by a private collection; from whom acquired by Owings-Dewey Fine Art, Santa Fe, New Mexico; from whom acquired by a private collection, Santa Fe, New Mexico, 2004; from whom acquired by Menconi + Schoelkopf Fine Art, New York; from whom acquired by a private collection, the current owner, May 2011

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1083

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Pelvis I, 1944

X59334
Pelvis I

1944
painting
Oil paint on canvas
image: 914 x 762 mm
Milwaukee Art Museum. Gift of Mrs Harry Lynde Bradley, 1973
Provenance:
The artist; from whom acquired by The Downtown Gallery, New York; from whom purchased by Mrs Harry Lynde Bradley (1894–1978) and her husband Harry Lynde Bradley (1885–1965), Milwaukee, Wisconsin, USA in June 1961; inherited by Mrs Harry Lynde Bradley, 23 June 1965; by whom gifted to Milwaukee Art Museum, 1973

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1075

This work was produced after the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, The Black Place III, 1945

X57999
The Black Place III

1945
on paper, unique
Pastel on paper
image: 705 x 1111 mm
Private collection, courtesy The Owings Gallery, Santa Fe, New Mexico
Provenance:
The artist; from whom acquired by The Downtown Gallery, New York; from whom acquired by Mrs J. Stanley Wolf, Great Neck, New York, 1953; from whom acquired by The Downtown Gallery, New York, 1956; from whom acquired by Tom Slick, San Antonio, Texas, 1956; from whom inherited by the current owner

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1112

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Spring Tree No. 1, 1945

X59321
Spring Tree No. 1

1945
painting
Oil paint on canvas
image: 762 x 914 mm
Collection of the New Mexico Museum of Art. Gift of the Georgia O'Keeffe Estate, 1987 (1987.312.3)
Provenance:
The artist; Estate of the artist, 1986; by whom gifted to the New Mexico Museum of Art, Santa Fe, New Mexico, 1987

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1120

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Black Place II, 1945

X61632
Black Place II

1945
painting
Oil paint on canvas
image: 610 x 762 mm frame: 813 x 959 x 57 mm
The Vilcek Foundation
Provenance:
The artist; from whom acquired by An American Place New York; from whom acquired by The Downtown Gallery, New York; from whom acquired by Catrina McCormick Barnes, Denver, CO; from whom acquired by her son, Medill McCormick Barnes, 1971; from whom acquired by Washburn Gallery, New York; from whom acquired by Hirschl and Adler Galleries, New York; from whom acquired by Daniel Dietrich, Philadelphia, PA, until 1985; from whom acquired by Hirschl and Adler Galleries, New York; from whom acquired by The Owings Gallery, Santa Fe, NM; from whom acquired by a private collection, Santa Fe, NM, 2000; from whom acquired by The Owings Gallery, Santa Fe, NM; from whom acquired by Jan T. and Marica Vilcek, New York, 2011; by whom gifted to The Vilcek Foundation, 2015

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR appendix ii, no.119, p.1107

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, In the Patio No. IV, 1948

X58015
In the Patio No. IV

1948
painting
Oil paint on canvas
image: 356 x 765 mm
Museum of Fine Arts, Boston, Gift of the William H. Lane Foundation, 1990
Provenance:
The artist; by whom consigned to The Downtown Gallery, New York, 1953; from whom purchased by William H. Lane, 16 September 1957; from whom acquired by the William H. Lane Foundation, Leominster, MA, 1961; by whom gifted to Museum of Fine Arts, Boston, 1990

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1161

This work was produced after the operative period 1933–45 and has a complete provenance

Georgia O'Keeffe, Wall with Green Door, 1953

X58020
Wall with Green Door

1953
painting
Oil paint on canvas
image: 762 x 1226 mm
National Gallery of Art, Washington, Corcoran Collection (Gift of the Woodward Foundation) 2015.19.155
Provenance:
The artist; catalogue raisonne states from whom acquired by Doris Bry, New York; catalogue raisonne states from whom acquired by Noah Goldowsky, New York; from whom acquired by the Woodward Foundation, Washington, D.C., 1966; by whom gifted to The Corcoran Gallery of Art, 1977; from whom acquired by the National Gallery of Art, Washington, 2015.

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1265

This work was produced after the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Blue I, 1958

X58021
Blue I

1958
painting
Oil paint on canvas
image: 765 x 664 mm
Permenant Collection, Snite Museum of Art, University of Notre Dame, Gift of Mr Walter R. Beardsley, 1978.073.001
Provenance:
The artist; (The Downtown Gallery, New York, N.Y.); from whom acquired by Walter R. Beardsley, Elkhart, Indiana, 1958; by whom gifted to The Snite Museum of Art, University of Notre Dame, 1978

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1330

This work was produced after the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Drawing III, 1959

X57451
Drawing III

1959
on paper, unique
Charcoal on paper
image: 473 x 629 mm
Philadelphia Museum of Art: 125th Anniversary Acquisition. Purchased with funds contributed by the Arcadia Foundation, and gift of The Georgia O'Keeffe Foundation, 1997 (1997-42-1)
Provenance:
The artist; Estate of the artist, 1986; The Georgia O'Keeffe Foundation, Abiquiu, New Mexico, 1993; from whom acquired by Philadelphia Museum of Art, 1997

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1351

This work was produced after the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Blue B, 1959

X58023
Blue B

1959
painting
Oil paint on canvas
image: 762 x 914 mm
Milwaukee Art Museum. Gift of Mrs Harry Lynde Bradley, 1973
Provenance:
The artist; from whom [catalogue raisonne states purchased through Doris Bry, New York] purchased by Mrs Harry Lynde Bradley (1894–1978), December 1972; by whom gifted to Milwaukee Art Museum, 1973

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1357

This work has a complete provenance for the operative period 1933–45.

Georgia O'Keeffe, Sky with Flat White Cloud, 1962

X58028
Sky with Flat White Cloud

1962
painting
Oil paint on canvas
image: 1524 x 2032 mm frame: 1530 x 2038 x 30 mm
National Gallery of Art, Washington, Alfred Stieglitz Collection, Bequest of Georgia O'Keeffe, 1987.58.8
Provenance:
The artist; Estate of the artist, 1986; Bequest to National Gallery of Art, Washington, 1987

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1473

This work was produced after the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Winter Road I, 1963

X57447
Winter Road I

1963
painting
Oil paint on canvas
image: 559 x 457 mm frame: 564 x 464 mm
National Gallery of Art, Washington, Gift of The Georgia O'Keeffe Foundation, 1995.4.1
Provenance:
The artist; Estate of the artist, 1986; The Georgia O'Keeffe Foundation, Abiquiu, New Mexico, 1993; by whom gifted to the National Gallery of Art, Washington, 1995

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1477

This work was produced after the operative period 1933–45 and has a complete provenance.

Georgia O'Keeffe, Sky Above the Clouds III / Above the Clouds III, 1963

X59741
Sky Above the Clouds III / Above the Clouds III

1963
painting
Oil paint on canvas
image: 1220 x 2134 mm
Private collection, Texas
Provenance:
The artist; from whom acquired by the current owner, 1968

Nationality of artist: American
Catalogue Raisonné: Barbara Buhler Lynes, Georgia O’Keeffe Catalogue Raisonné, vols 1 and 2, New Haven and London 1999, CR 1479

This work was produced after the operative period 1933–45 and has a complete provenance.

Edward Krasinski

Tate Liverpool (Liverpool, UK) from 21 Oct 2016 until 05 Mar 2017.

Edward Krasinski
(1925-2004, born: Lutsk, died: Warsaw)

Edward Krasinski, Untitled, 1962

X61409
Untitled

1962
sculpture
Wood, wire, ping-pong ball and acrylic paint
Object: 855 x 445 x 325 mm
Collection Philipp and Christina Schmitz-Morkramer, Hamburg
Provenance:
Current owner acquired directly from artists' estate via Foksal Gallery Foundation, Warsaw, 2015.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Composition in Space IX, 1963

X61057
Composition in Space IX

1963
sculpture
Acrylic paint, wood, wire
Object: 530 x 540 x 150 mm
Private Collection, Turin, Italy
Provenance:
Current owner acquired directly from artists' estate via Foksal Gallery Foundation, Warsaw, 2014.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Untitled, 1967

X63335
Untitled

1967
sculpture
Wood, paint, wire
Object: 525 x 2270 x 170 mm
Private Collection, Turin, Italy
Provenance:
Current owner acquired directly from artists' estate via Foksal Gallery Foundation, Warsaw, 2016.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, L3, 1969

X64182
L3

1969
sculpture
Book, cables, paint
Object: 175 x 135 x 90 mm
National Gallery, Prague
Provenance:
Artist; Acquired from the artist by the current owner, through ‘Art Center’, by auction at DESA, 1971.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Intervention, c. 1974

X63728
Intervention

c. 1974
painting
Oil paint and adhesive tape on fibreboard
Support: 995 x 695 mm
Signum Foundation, Poznan
Provenance:
Artist; Collection of Mr Gianni Palvarini, Bolzano, Italy; Sold at Auction by Agra Art Warsaw to the current owner, 2007.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Intervention, 1975

X60795
Intervention

1975
installation
Acrylic paint and adhesive tape on fibreboard
Support: 700 x 500 mm
Leon Wyczólkowski District Museum in Bydgoszcz
Provenance:
Artist; current owner acquired from the artist by auction at DESA pp Auction House, Warsaw, 1978.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Intervention I, 1976

X61410
Intervention I

1976
painting
Fibreboard, acrylic, blue adhesive tape
Support: 1000 x 700 mm
Collection Philipp and Christina Schmitz-Morkramer, Hamburg
Provenance:
Artist; Collection of Janusz Zagrodzki; Current owner acquired from Galeria Starmach, Krakow, 2014.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Intervention, 1978

X63726
Intervention

1978
painting
Paint and adhesive tape on hardboard
support: 400 x 300 x 130 mm
Anna and Jerzy Starak Collection
Provenance:
Current owner acquired from Polswiss Art Auction House Warsaw, 2014.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Spatial Intervention, 1990

X63727
Spatial Intervention

1990
painting
Paint and adhesive tape on hardboard
object: 996 x 698 x 195 mm
Anna and Jerzy Starak Collection
Provenance:
Current owner acquired from Polswiss Art Auction House Warsaw, 2013.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Intervention, 1991

X63406
Intervention

1991
painting
Acrylic paint on board
Support: 1000 x 700 mm
Leon Wyczólkowski District Museum in Bydgoszcz
Provenance:
Current owner purchased from the artist, 1993.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Edward Krasinski, Intervention, 1991

X63407
Intervention

1991
painting
Acrylic paint on board
Support: 1000 x 700 mm
Leon Wyczólkowski District Museum in Bydgoszcz
Provenance:
Current owner purchased from the artist, 1993.
Nationality of the artist: Polish
Identifying marks: not recorded
This work was made after the operative period 1933-45.

Yves Klein: Theatre of the Void

Tate Liverpool (Liverpool, UK) from 21 Oct 2016 until 05 Mar 2017.

Yves Klein
(1928-1962, born: Nice, died: Paris)

Yves Klein, Untitled Pink Sponge Sculpture (SE 207), 1959

X62396
Untitled Pink Sponge Sculpture (SE 207)

1959
sculpture
Pure pigment and synthetic resin on natural sponge with metal stem and stone base
Object: 450 x 280 mm
Private Collection
Provenance:
Artist; Private Collection, Sao Paulo; Anon. sale, Sotheby’s London, 26 June 1986, lot 640; Private Collection, Japan; Galerie Bonnier, Geneva; Private Collection, Europe 1998; Sold to the current owner, Anon. sale, Christie's King Street London, 11 February 2015.
Nationality of the artist: French
Identifying Marks: Signed and dated on the underside.
This work was made after the operative period 1933-45.

Paul Nash

Tate Britain (London, UK) from 26 Oct 2016 until 05 Mar 2017.

Paul Nash
(1889-1946, born: London, died: Dorset)

Paul Nash, Mineral Objects, 1935

X61333
Mineral Objects

1935
painting
Oil on canvas
object: 508 x 610 mm
Yale Center for British Art, Paul Mellon Fund
Provenance:
Margaret Nash; her sale Sotheby's 6 April 1960 (no. 86); purchased by Matthiesen; Redfern Gallery; Governor and Company of the Bank of England, 1960; Ivor Braka Ltd.; Purchased by The Yale Center for British Art in 1998.
Nationality of artist: British
Identifying marks: signed with monogram, centre right
Place of manufacture: not recorded
Catalogue raisonné: Andrew Causey, 'Paul Nash' (Oxford, 1980), no. 815.

Robert Rauschenberg

Tate Modern (London, UK) from 30 Nov 2016 until 02 Apr 2017.

John Chamberlain
(1927-2011, born: Rochester, died: New York)
David Novros
(born 1941)
Claes Oldenburg
(born 1929, born: Stockholm)
Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)
Andy Warhol
(1928-1987, born: Pittsburgh, died: New York)
Forrest Myers
(born 1941)

John Chamberlain, David Novros, Claes Oldenburg, Robert Rauschenberg, Andy Warhol and Forrest Myers, The Moon Museum, 1969

X63843
The Moon Museum

1969
on paper, print
Lithograph of tantalum nitride film on ceramic wafer
image: 14 x 19 mm support: 10 x 19 mm
The Museum of Modern Art, New York. Gift of Ruth Waldhauer
Provenance:
The artists;
Billy Klüver;
Gift of Ruth Waldhauer to The Museum of Modern Art, New York, 1993.
Nationality of Artists: American
Identifying marks: Unknown
Place of manufacture: USA
Exhibition history: Adding it Up: Print Acquisitions 1970- 1995, The Museum of Modern Art, New York, Paul J. Sachs and Tatyana Grosman Galleries, 27 May – 5 September 1995; 1969, P.S.1, 25 October 2009 – 5 April 2010.
This work was made after the operative period 1933-45.

Robert Rauschenberg
(1925-2008, born: Port Arthur, died: Captiva Island)

Robert Rauschenberg, Erased de Kooning Drawing, 1953

X56095
Erased de Kooning Drawing

1953
on paper, unique
Traces of drawing media on paper with label and gilded frame
object: 641.4 x 552.5 x 12.7 mm
San Francisco Museum of Modern Art. Purchase through a gift of Phyllis C. Wattis
Provenance:
The artist;
Purchased by the San Francisco Museum of Modern Art, through a gift of Phyllis Wattis, 1998.

Nationality of Artist: American
Identifying marks: Willem de Kooning drawing on reverse of paper, framed
Place of manufacture: USA

Catalogue Raisonné (select): Robert Rauschenberg Werke 1950 – 1980, Staatliche Kunsthalle Berlin, 23 March – 4 May 1980, exh.cat. no. 99, Robert Rauschenberg, Fundaciōn Juan March, Madrid, 8 February – March 1985, plate 4; Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 63, p.92; SFMOMA website https://www.sfmoma.org/artwork/98.298.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Automobile Tire Print, 1953

X56096
Automobile Tire Print

1953
on paper, unique
Paint on 20 sheets of paper mounted on fabric
support: 419.1 x 6718.3 mm
San Francisco Museum of Modern Art. Purchase through a gift of Phyllis C. Wattis
Provenance:
The artist;
Purchased by the San Francisco Museum of Modern Art, through a gift of Phyllis Wattis, 1998.

Nationality of Artist: American
Identifying marks: Willem de Kooning drawing on reverse of paper, framed
Place of manufacture: USA

Catalogue Raisonné (select): Robert Rauschenberg Werke 1950 – 1980, Staatliche Kunsthalle Berlin, 23 March – 4 May 1980, exh.cat. no. 99, Robert Rauschenberg, Fundaciōn Juan March, Madrid, 8 February – March 1985, plate 4; Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 63, p.92; SFMOMA website https://www.sfmoma.org/artwork/98.296.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Untitled (Elemental Sculpture) [steel flange and stone], 1953

X56218
Untitled (Elemental Sculpture) [steel flange and stone]

1953
sculpture
Hinged steel flange, stone, steel strap, and iron bolt
unconfirmed: 346.1 x 463.6 x 231.8 mm
San Francisco Museum of Modern Art. Purchase through a gift of Phyllis C. Wattis
Provenance:
The artist;
Purchased by the San Francisco Museum of Modern Art, through a gift of Phyllis Wattis, 1998.

Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA

Catalogue Raisonné (select): Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 50, p.80; SFMOMA website https://www.sfmoma.org/artwork/98.305.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Bed, 1955

X56098
Bed

1955
painting
Oil paint and graphite on pillow, quilt, and sheet on wood supports
unconfirmed: 1911 x 800 x 203 mm
The Museum of Modern Art, New York. Gift of Leo Castelli in honor of Alfred H. Barr, Jr.
Provenance:
The artist, 1955–9;
Acquired by Leo Castelli, New York, July 1959;
Gifted to The Museum of Modern Art, New York, 1989.
Nationality of Artist: American
Identifying marks: Pillow and quilt
Place of manufacture: USA
Catalogue Raisonné (select): Robert Rauschenberg, Leo Castelli Gallery, New York, 3 – 29 March 1958; Festival of Two Worlds, Spoleto, Italy, 17 April – 10 September 1958; … Robert Rauschenberg: Paintings, Drawings and Combines, 1949 – 1964, Whitechapel Gallery, London 4 February – 8 March 1964, exh.cat. plate no.7; Robert Rauschenberg: paintings 1953–1964, Walker Art Center, Minneapolis, 3 May – 6 June 1965, no.2; Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998; The Menil Collection, Contemporary Arts Museum, and the Museum of Fine Arts, Houston, 12 February – 17 May 1998;
Paul Schimmel, Robert Rauschenberg: Combines, The Metropolitan Museum of Art, New York, 20 December 2005 – 2 April 2006; The Museum of Contemporary Art, Los Angleles, 21 May – 11 September 2006; Musee national d’art moderne, Centre Georges Pompidou, Paris 25 October 2006 – 21 January 2007; Moderna Museet, Stockholm 17 February – 6 May 2007, exh.cat. p.39, plate 23.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Factum II, 1957

X56220
Factum II

1957
painting
Oil paint, ink, graphite, crayon, paper, fabric, newspaper, printed reproductions, and painted paper on canvas
support: 1559 x 902 mm
The Museum of Modern Art, New York. Purchase and an anonymous gift and Louise Reinhardt Smith Bequest (both by exchange)
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York;
Acquired by Morton G. Neumann, Chicago;
Transferred to The Morton G. Neumann Trust, Chicago;
Purchased by The Museum of Modern Art, New York, and an anonymous gift and Louise Reinhardt Smith Bequest (both by exchange), 1999.
Nationality of Artist: American
Identifying marks: None
Place of manufacture: USA
Catalogue Raisonné (select): Robert Rauschenberg, Leo Castelli Gallery, New York, 3 – 29 March 1958; Festival of Two Worlds, Spoleto, Italy, 17 April – 10 September 1958; Collage Show, Douglas College, New Brunswick, New Jersey, 20 November – 22 December 1959; School of New York: Some Younger Artists, The Stable Gallery, New York, 15 December 1959 – 9 January 1960; travel funded by American Federation of Arts; Six Painters and the Object, Solomon R. Guggenheim Museum, New York, 14 March – 12 June 1963; New York Painting and Sculpture: 1940–1970, The Metropolitan Museum of Art, New York, 18 October 1969–8 February 1970; The Morton G. Neumann Family Collection, National Museum of Art, Washington, D.C., 31 August 1980 – 11 January 1981; Robert Rauschenberg, Fundaciōn Juan March, Madrid, 8 February – March 1985; High & Low: Modern Art and Popular Culture, The Museum of Modern Art, New York, 7 October 1990 – 15 January 1991, The Art Institute Chicago, 20 February – 12 May 1991, The Museum of Contemporary Art, Los Angeles, 21 June – 15 September 1991; Making Choices, The Museum of Modern Art, New York, 16 March – 26 September 2000; Open Ends, The Museum of Modern Art, New York, 28 September 2000 – 4 March 2001; A Room of Their Own: From Rothko to Rauschenberg, The Museum of Contemporary Art, Los Angeles, 11 February 2001 – 31 March 2002; Mid-Century Masterworks from the Collection, The Museum of Contemporary Art, Los Angeles, 20 July 2003 – 26 January 2004; Paul Schimmel, Robert Rauschenberg: Combines, The Metropolitan Museum of Art, New York, 20 December 2005 – 2 April 2006; The Museum of Contemporary Art, Los Angleles, 21 May – 11 September 2006; Musee national d’art moderne, Centre Georges Pompidou, Paris 25 October 2006 – 21 January 2007; Moderna Museet, Stockholm 17 February – 6 May 2007, exh.cat. plate 70.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno, 1958

X57513
Canto I: The Dark Wood of Error from the series Thirty-Four Illustrations for Dante's Inferno

1958
on paper, print
Solvent transfer, graphite, gouache, and colored pencil on paper
framed: 565 mm x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, 1958

X60602
Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno

1958
on paper, unique
Solvent transfer, graphite, gouache, and colored pencil on cut-and-pasted paper on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno, 1958

X60603
Canto III: The Vestibule of Hell, The Opportunists from the series Thirty-Four Illustrations for Dante's Inferno

1958
on paper, unique
Transfer drawing, torn and pasted paper, watercolor, graphite and wash on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno, 1958

X60604
Canto IV: Limbo, Circle One, The Virtuous Pagans from the series Thirty-Four Illustrations for Dante's Inferno

1958
on paper, unique
Transfer drawing, cut and pasted paper, graphite, gouache, and watercolor on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno, 1958

X60605
Canto V: Circle Two, The Carnal from the series Thirty-Four lIlustrations for Dante's Inferno

1958
on paper, unique
Transfer drawing, watercolor, graphite, crayon, and gouache on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno, 1958

X60606
Canto VI: Circle Three, The Gluttons from the series Thirty-Four Illustrations for Dante's Inferno

1958
on paper, unique
Transfer drawing, gouache, graphite, watercolor, and wash on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto VII: Circle Four, The Hoarders and The Wasters: Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60607
Canto VII: Circle Four, The Hoarders and The Wasters: Circle Five, The Wrathful and The Sullen from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, graphite, watercolor, and colored pencil on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60608
Canto VIII: Circle Five, The Styx, The Wrathful; Circle Six, Dis, Capital of Hell, The Fallen Angels from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, graphite, watercolor, gouache, and crayon on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60609
Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, cut and pasted paper, watercolor, gouache, and crayon
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60610
Canto X: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, graphite, gouache, and crayon on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60611
Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, wash, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60612
Canto XII: Circle Seven, Round 1, The Violent Against Neighbors from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, wash, colored pencil, graphite, gouache, and black chalk on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno, 1959-1960

X60613
Canto XIII: Circle Seven, Round 2, The Violent Against Themselves from the series Thirty- Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, graphite, colored pencil, watercolor, and black chalk on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60614
Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, gouache, graphite and red chalk on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60615
Canto XV: Circle Seven, Round 3, The Violent Against Nature from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, watercolor, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60616
Canto XVI: Circle Seven, Round 3, The Violent Against Nature and Art from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, wash, graphite, colored pencil, and gouache on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, 1959-1960

X60617
Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, wash, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60618
Canto XVIII: Circle Eight, Malebolge, The Evil Ditches, The Fraudulent and Malicious: Bolgia 1, The Panderers and Seducers; Bolgia 2, The Flatterers from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, wash, pencil, gouache, and crayon on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60619
Canto XIX: Circle Eight, Bolgia 3, The Simoniacs from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, graphite and wash on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XX: Circle Eight, Bolgia 4, The Fortune Tellers and Diviners from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60620
Canto XX: Circle Eight, Bolgia 4, The Fortune Tellers and Diviners from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, wash, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60621
Canto XXI: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, cut and pasted paper, graphite, colored pencil, wash on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60622
Canto XXII: Circle Eight, Bolgia 5, The Grafters from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, graphite and wash on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60623
Canto XXIII: Circle Eight, Bolgia 6, The Hypocrites from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, graphite, gouache, watercolor, and wash on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60624
Canto XXIV: Circle Eight, Bolgia 7, The Thieves from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, watercolor, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60625
Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, wash, watercolor, colored pencil, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60626
Canto XXVI: Circle Eight, Bolgia 8, The Evil Counselors, from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, wash, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60627
Canto XXVII: Circle Eight, Bolgia 8, The Evil Counselors from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, gouache, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60628
Canto XXVIII: Circle Eight, Bolgia 9, The Sowers of Discord: The Sowers of Religious and Political Discord Between Kinsmen from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, graphite, watercolor, gouache, and colored pencil on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60633
Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, pastel, gouache, watercolor, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno, 1959-1960

X60634
Canto XXX: Circle Eight, Bolgia 10, The Falsifiers: The Evil Impersonators, Counterfeiters, and False Witnesses from the series Thirty- Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, gouache, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, 1959-1960

X60635
Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, colored pencil, gouache, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60636
Canto XXXII: Circle Nine, Cocytus, Compound Fraud: Round 1, Caina, Treacherous to Kin; Round 2, Antenora, Treacherous to Country from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, watercolor, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60638
Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, watercolor, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno, 1959-1960

X60639
Canto XXXIV: Circle Nine, Cocytus, Compound Fraud: Round 4, Judecca, Treacherous to their Masters, from the series Thirty-Four Illustrations for Dante's Inferno

1959-1960
on paper, unique
Transfer drawing, gouache, watercolor, and graphite on paper
frame: 565 x 476 mm
The Museum of Modern Art, New York; anonymous donation
Provenance:
The artist;
Acquired by Leo Castelli Gallery, New York.
Anonymous donation to The Museum of Modern Art, New York, 1963.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Illustrasjoner Til Dantes Inferno, Kunstnernes Hus-Oslo, 20 February – 14 March 1965, Stedelijk Museum, Amsterdam, 25 May – 28 June 1965; Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 128–161.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Shades, 1964

X58388
Shades

1964
sculpture
Multiple with six lithographs on Plexiglas panels: one mounted permanently and five interchangeably in a slotted aluminium frame, and illuminated by an intermittant light bulb
displayed: 384 x 368 x 299 mm
The Museum of Modern Art, New York. Gift of the Celeste and Armand Bartos Foundation
Provenance:
The artist;
Universal Limited Art Editions, West Islip, New York.
Acquired by The Museum of Modern Art, New York, 1964 by gift from Celeste and Armand Bartos Foundation.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 245.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Nabisco (Shredded Wheat), 1971

X58055
Nabisco (Shredded Wheat)

1971
sculpture
Cardboard
unconfirmed: 1778 x 2413 x 279 mm
The Museum of Modern Art, New York. Gift of Robert Rauschenberg Foundation, and Committee on Painting and Sculpture Funds
Provenance:
The artist;
Gift of Robert Rauschenberg Foundation, and Committee on Painting and Sculpture Funds to The Museum of Modern Art, New York, 2013.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Cardboards and Related Pieces, The Menil Collection, Houston, 23 February – 13 May 2007, pp.31, 83.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Mint (Hoarfrost), 1974

X58128
Mint (Hoarfrost)

1974
sculpture
Solvent transfer on silk, cotton, synthetic fabric, and paper bags
object: 2019 x 1092 x 114 mm

Provenance:
The artist;
Acquired by the Leo Castelli Gallery, New York;
Acquired by Mr. and Mrs. Walter Hochschild and Kay Sage Tanguy Funds for The Museum of Modern Art, New York, 1977.
Nationality of Artist: American
Identifying marks: Unknown
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: A Retrospective, Guggenheim Museum, 19 September 1997 – 7 January 1998, cat. 293.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Stop Side Early Winter Glut, 1987

X58049
Stop Side Early Winter Glut

1987
sculpture
Assembled metal
displayed: 1099 x 1168 x 864 mm

Provenance:
The artist;
Gift of Robert Rauschenberg Foundation and Marie-Josée and Henry R. Kravis to The Museum of Modern Art, New York, 2013.
Nationality of Artist: American
Identifying marks: Not known
Place of manufacture: USA
Catalogue Raisonné: Robert Rauschenberg: Gluts, Peggy Guggenheim Collection, Venice, 30 May – 20 September 2009, pp.76–7.
This work was made after the operative period 1933-45.

Robert Rauschenberg, Cy + Roman Steps (I-V), 1952, printed c.1997

X58288
Cy + Roman Steps (I-V)

1952, printed c.1997
on paper, print
5 photographs, gelatin silver prints on paper
unconfirmed: 508 x 2032 mm frame: 728.6 x 574.7 mm
San Francisco Museum of Modern Art. Purchase through a gift of Phyllis C. Wattis
Provenance:
The artist;
Purchased by the San Francisco Museum of Modern Art, through a gift of Phyllis Wattis, 1998.

Nationality of Artist: American
Identifying marks: 5 photographs, framed
Place of manufacture: USA

Catalogue Raisonné (select): Richard Gruber, Robert Rauschenberg: Through the Lens, University of Missouri, Kansas City 1997; Robert Rauschenberg: A Retrospective, Solomon R. Guggenheim Museum, New York, 19 September 1997 – 7 January 1998, plate 39, pp.72– 3; Yve-Alain Bois, Robert Rauschenberg Fotografie 1949–1985, Galleria Lawrence Rubin, 1999; SFMOMA website https://www.sfmoma.org/artwork/98.297.A-E.

This work was made after the operative period 1933-45.

Robert Rauschenberg, Port of Entry [Anagram (A Pun)], 1998

X62214
Port of Entry [Anagram (A Pun)]

1998
painting
Pigmented ink transfer on paper on aluminum panels
unconfirmed, each: 3143.3 x 4572 mm
San Francisco Museum of Modern Art. Purchase through a gift of Phyllis C. Wattis
Provenance:
The artist;
Purchased by the San Francisco Museum of Modern Art, through a gift of Phyllis Wattis, 1999.

Nationality of Artist: American
Identifying marks: Made up of three panels with cleats
Place of manufacture: USA

Catalogue Raisonné (select):Rauschenberg: Anagrams (A Pun), Pace Wildenstein, New York, 19 March – 17 April 1999, exh.cat. no.4; SFMOMA website https://www.sfmoma.org/artwork/99.360.A-C.

This work was made after the operative period 1933-45.