Works of art intended to form part of a forthcoming exhibition at Tate that may be covered by immunity from seizure are listed below.

Part 6 of the Tribunals, Courts and Enforcement Act 2007 provides immunity from seizure for cultural objects which are loaned from overseas to temporary public exhibitions in approved museums or galleries in the UK where conditions are met when the object enters the UK.

The conditions are:

  • The object is usually kept outside the UK
  • The object is not owned by a person who is resident in UK
  • Importing the object does not contravene any law
  • The object is brought into UK for the purpose of a temporary public exhibition at an approved museum or gallery
  • The museum or gallery has published information about the object.

All works currently being proposed for or covered by immunity from seizure in the UK are linked to the Arts Council’s website.

If you have any further enquiries, please write to:

Immunity from seizure
Director’s Office
Tate
Millbank
London SW1P 4RG

Any specific enquiries concerning works in private collections included in Tate exhibitions should be directed to Matthew Gale, Head of Displays, Tate Modern.

Artworks currently at Tate

Glenn Ligon: Encounters and Collisions

Tate Liverpool (Liverpool, UK) from 30 Jun 2015 until 18 Oct 2015.

Felix Gonzalez-Torres
(1957-1996, born: Guaimaro, died: Miami)

Felix Gonzalez-Torres, "Untitled" (USA Today), 1990

X57652
"Untitled" (USA Today)

1990
installation
Candies, individually wrapped in red, silver, and blue cellophane (endless supply)
Dimensions vary with installation. Ideal weight: 300 lbs (136 kg)
The Museum of Modern Art, New York. Gift of the Dannheisser Foundation.
Provenance:
Dannheisser Foundation; gift to The Museum of Modern Art, 1996.
Nationality of artist: American, born Cuba
Identifying marks: Neither signed nor dated
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Dietmar Elgar (ed), Felix Gonzalez-Torres: Catalogue Raisonné, two volumes, Ostfildern-Ruit, 1997, cat.no. 106.

Jasper Johns
(born 1930, born: Augusta)

Jasper Johns, Painting with Two Balls II, 1962

X57658
Painting with Two Balls II

1962
on paper, print
Lithograph
support: 777 x 573 mm
The Museum of Modern Art, New York. Gift of the Celeste and Armand Bartos Foundation.
Provenance:
Universal Limited Art Editions, West Islip, NY; The Museum of Modern Art, New York, 1962 (acquired the year it was made directly from the printer)
Nationality of artist: American
Identifying marks: Signed bottom right
Place of Manufacture: West Islip, New York, United States of America

Willem de Kooning
(1904-1997, born: Rotterdam, died: East Hampton, active: New York)

Willem de Kooning, Valentine, 1947

X57661
Valentine

1947
painting
Oil and enamel and paper on board
support: 922 x 615 mm
The Museum of Modern Art, New York. Gift of Mr. and Mrs. Gifford Phillips.
Provenance:
Charles Egan Gallery, New York, by 1948; Mr. Albert Lazar, Easton, CT; purchased from the above; Mr. and Mrs. Gifford Phillips, Los Angeles, CA; The Museum of Modern Art, New York; gift of the above, 1969.
Nationality of artist: American
Identifying marks: Signed top left: de Kooning
Place of Manufacture: New York, United States of America

Willem de Kooning, Black Untitled, 1948

X52168
Black Untitled

1948
painting
Oil and enamel on paper, mounted on wood
support: 759 x 1016 mm
The Metropolitan Museum of Art, New York. From the Collection of Thomas B. Hess, Gift of the heirs of Thomas B. Hess, 1984
Provenance:
The artist; Thomas B. Hess, New York (until d. 1978); his heirs (1978–84; joint ownership with MMA until 1992; their gift to MMA)
Nationality of artist: American
Identifying marks: Signed top left: de Kooning
Place of Manufacture: New York, United States of America

Glenn Ligon
(born 1960, born: Bronx)

Glenn Ligon, Untitled (I Lost My Voice I Found My Voice), 1991

X57338
Untitled (I Lost My Voice I Found My Voice)

1991
painting
Oil stick, gesso and graphite on panel
2032 x 762 mm
Emily Fisher Landau / Amart Investments LLC
Provenance:
The artist; Max Protetch Gallery, New York; purchased from the above, July 1991
Nationality of artist: American
Identifying marks: None
Place of Manufacture: New York, United States of America

Martin Wong
(1946 -1999)

Martin Wong, Stanton near Forsyth Street, 1983

X53747
Stanton near Forsyth Street

1983
painting
Synthetic polymer paint on canvas
overall: 1219 x 1626 mm
The Museum of Modern Art, New York. Gift of the Contemporary Arts Council of The Museum of Modern Art; Steven Johnson and Walter Sudol; and James Keith Brown and Eric Diefenbach
Provenance:
The artist; private collection, New Jersey, 1984-2008; private collection, London, from 2008; PPOW Gallery, New York; sold to The Museum of Modern Art, 2011.
Nationality of artist: American
Identifying marks: None
Place of Manufacture: New York, United States of America

Agnes Martin

Tate Modern (London, UK) from 03 Jun 2015 until 11 Oct 2015.

Agnes Martin
(1912-2004, born: Canada)

Agnes Martin, Untitled, 1952

X53950
Untitled

1952
on paper, unique
Ink on paper
support: 381 x 276 mm
Private Collection
Provenance:
The Artist;
Acquired from the artist by Private Collector in 2006.

Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, c. 1954

X51798
Untitled

c. 1954
painting
oil paint on canvas
object: 1219 x 1829 mm
Private Collection
Provenance:
The artist;
Purchased from the above by Private Collection in 1992.
Nationality of Artist: American, born Canada (1912-2004).
Identifying Marks: Signed, lower right: martin.
Place of Manufacture: Taos, New Mexico.
This work was made after the operative period 1933-45.
Exhibition History: Agnes Martin: Before the Grid, Harwood Museum of Art, University of New Mexico, Taos, 25 February –17 June 2012.

Agnes Martin, Untitled, c. 1955

X51794
Untitled

c. 1955
painting
oil paint on canvas
object: 1181 x 1683 mm
Private Collection
Provenance:
The artist;
Purchased from the above by Private Collection in 1997.
Nationality of Artist: American, born Canada (1912 – 2004)
Identifying Marks: Signed, lower left: martin
Place of Manufacture: Taos, New Mexico
This work was made after the operative period 1933-45.

Exhibition History: Agnes Martin: Before the Grid, Harwood Museum of Art, University of New Mexico, Taos, 25 February- 17 June, 2012.

Agnes Martin, Untitled, c. 1955

X51795
Untitled

c. 1955
painting
oil paint on canvas
object: 838 x 1346 mm
Private Collection, Houston, Texas
Provenance:
The Artist;
Eliot Porter Estate, Santa Fe, NM;
Washburn Gallery, New York;
Acquired from the above by Private Collection, Houston, Texas on 1st April 1997.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Harbor No. 1, 1957

X51800
Harbor No. 1

1957
painting
oil paint on canvas
object: 1264 x 1016 mm
Museum of Modern Art, New York. Gift of Agnes Gund and Committee of Painting and Sculpture Funds, 1996 469.1996
Provenance:
The Artist;
Robert Elkon Gallery, New York;
Joan T. Washburn Gallery, New York;
Purchased from the above by The Museum of Modern Art, New York, 1996.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Heather, 1958

X51803
Heather

1958
painting
oil paint on canvas
object: 1778 x 1778 mm
Private Collection
Provenance:
The artist;
Purchased from the above by Private Collection in 1997.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed on the reverse, c.l: a. martin; and inscribed, u.r. (arrow pointing up).
Place of Manufacture: New York, NY.
This work was made after the operative period 1933-45.
Exhibition History:
On the Square, PaceWildenstein, 32 East 57th Street, New York, 8 January – 13 February, 2010.
Agnes Martin: Trajectories, Dia:Beacon, New York, 1 December, 2007 – 1 September, 2008.
Agnes Martin: Closing the Circle, Early and Late, PaceWildenstein, 32 East 57th Street, New York, 10 February– 4 March, 2006.
Agnes Martin:"…unknown territory…" Paintings from the 1960s, Dia:Beacon, New York, 14 April –7 November, 2005.
…going forward into unknown territory… Agnes Martin's Early Paintings 195767,
Dia:Beacon, New York, 16 May, 2004 – 18 April, 2005.

Agnes Martin, Rain (Study), 1958

X51809
Rain (Study)

1958
painting
oil paint on canvas
object: 635 x 635 mm
Parrish Art Museum, Water Mill, New York, Gift of Robert Elkon, 1979.26
Provenance:
The Artist;
Betty Parsons, New York;
Frederick Ossario, New York
;Acquired from the above by Archives of American Art, Washington;
Acquired from the above by Parrish Art Museum, as Gift of Robert Elkon, New York, in 1979.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1958

X51812
Untitled

1958
painting
oil paint on canvas
object: 1651 x 1651 mm
Private Collection
Provenance:
The artist;
Purchased from the above by Private Collection in 1997.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: N/A.
Place of Manufacture: New York, NY.
This work was made after the operative period 1933-45.
Exhibition History: Agnes Martin, Thomas Ammann Fine Art, Zurich, 2 June - 30 September, 2008.

Agnes Martin, The Garden, 1958

X51817
The Garden

1958
sculpture
mixed medai (oil paint and found objects on wood)
object: 1346 x 254 x 51 mm
Des Moines Art Center's Louise Noun Collection of Art by Women, 2001.29
Provenance:
The artist;
Betty Parsons Foundation;
Christies, New York, 13 November 1986;
Louise Noun, Iowa, 1986;
Acquired from the above by Des Moines Art Center's, Iowa in 2001.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, The Laws, 1958

X51818
The Laws

1958
sculpture
mixed media: boat spikes and oil on wood
object: 2369 x 457 x 51 mm
Private Collection, Switzerland
Provenance:
The artist;
Pace Wildenstein Gallery, New York;
Acquired from the above by Private Collection, Switzerland, in 2003.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, Beach, 1958

X57101
Beach

1958
painting
Oil on canvas
object: 1219 x 965 mm
Private Collection, San Francisco
Provenance:
The artist;
Acquired from the artist by Rolf Nelson, Coentis Slip/Los Angeles, in 1960;
Kent Gallery, New York;
Purchased from Kent Gallery by Private Collector, San Francisco, on 10 October 1997.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, The Book, 1959

X51823
The Book

1959
painting
oil paint and paper mounted on canvas
object: 608 x 454 mm
The Menil Collection, Houston
Provenance:
The artist;
Betty Parsons Gallery, New York;
Acquired from the above by Christie's (Sale 5434/5436, 11/9/83, lot 167);
Acquired by the Menil Foundation, Inc., Houstan, in 1983.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1959

X52662
Untitled

1959
painting
oil paint on linen
object: 305 x 305 mm
Courtesy Pace Gallery
Provenance:
Acquired from the artist;
Purchased from the above by Pace Gallery in 1999.
Nationality of Artist: American, born Canada (1912-2004)
Identifying Marks: Inscribed verso "a. martin 1959"
Place of Manufacture: New York, NY
This work was made after the operative period 1933-45.
Exhibition History:
In the Round, Pace Gallery, 32 East 57th Street, New York, July 16–August 15, 2014.
Carte Blanche, Pace at Chesa Büsin, Zuoz, Switzerland, February 20–March 30, 2014.
Grisaille: Part II New York, Luxembourg & Dayan, New York, January 10–14, 2012.
50 Years at Pace, The Pace Gallery, 32 East 57th Street, New York, September 17–October 23, 2010.
3x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz and Agnes Martin. The Drawing Center, New York, March 19–May 21, 2005. Illustrated in catalogue, pp. 18 and 213, no. 87.

Agnes Martin, Untitled, 1959

X52666
Untitled

1959
painting
oil paint and ink on linen
image: 305 x 305 mm
Maxine and Stuart Frankel Private Collection
Provenance:
The Artist;
PaceWildenstein, New York;
Acquired from the above by Maxine and Stuart Frankel Foundation for Art, Michigan, in 2003.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: signed and dated verso, a martin 1959.
Place of Manufacture: United States.
This work was made after the operative period 1933-45.

Agnes Martin, The Heavenly Race (Running), ca. 1959

X54291
The Heavenly Race (Running)

ca. 1959
painting
Oil paint on canvas
object: 305 x 902 mm
Private Collection
Provenance:
The Artist;
Arne and Milly Glimcher, New York;
Acquired from the above by Private Collector in 2004.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1960

X52663
Untitled

1960
painting
oil paint and ink on linen
image: 305 x 305 mm
The Rachofsky collection
Provenance:
The Artist;
Pace Wildenstein Gallery, New York;
Purchased from the above by The Rachofsky Collection, Dallas, in 2001.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Aspiration, 1960

X53951
Aspiration

1960
on paper, unique
Pen and black ink on paper
object: 280 x 240 mm
Private Collection, New York
Provenance:
The artist;
Christie's, New York, 12 November 1991;
Acquired from the above by Sarah-Ann and Werner Kramarsky, New York, on 14 November 1991.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1960

X53954
Untitled

1960
on paper, unique
Ink on paper
object: 210 x 210 mm
Maxine and Stuart Frankel Private Collection
Provenance:
The artist;
Robert Elkon Gallery, New York;
James Corcoran Gallery, Los Angeles;
Vivian Horan Collection;
Private Collection, Santa Fe;
Hirschl and Adler, New York;
Acquired from the above by Maxine and Stuart Frankel, Private Collection, Michigan in 1997.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and dated verso, A Martin ’60.
Place of Manufacture: United States.
This work was made after the operative period 1933-45.

Agnes Martin, The Islands, 1961

X51816
The Islands

1961
painting
oil paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection
Provenance:
The artist;
Pace Gallery, New York;
Purchased from the above by Private Collection in 1991.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed, lower left: martin.
Place of Manufacture: New York, NY.
This work was made after the operative period 1933-45.
Exhibition History:
Agnes Martin: Before the Grid, Harwood Museum of Art, University of New Mexico, Taos, 25 February – 17 June 2012.
Elemental Form, L & M Arts, New York, 19 October- 9 December 2006.
New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, 14 July – 10 September 2006.
Agnes Martin:"…unknown territory…" Paintings from the 1960s, Dia:Beacon, New York, 14 April-7 November 2005.
…going forward into unknown territory… Agnes Martin's Early Paintings 1957-67, Dia:Beacon, New York,16 May 2004-8 April 2005.

Agnes Martin, Untitled, 1961

X53956
Untitled

1961
on paper, unique
Black ink on paper
image: 210 x 210 mm
Whitney Museum of American Art, New York; Promised gift of Emily Fisher Landau. P.2010.203
Provenance:
The Artist;
Robert Elkon Gallery, New York;
James Corcoran Gallery, Los Angeles;
Jeffrey Hoffeld & Co., New York;
Acquired from the above by Emily Fisher Landau, New York, in May 1985.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, c. 1961

X54445
Untitled

c. 1961
on paper, unique
ink and graphite on paper
image: 279 x 279 mm
Private Collection courtesy Pace Gallery
Provenance:
The artist;
Purchased from the above by Private Collection in 2003.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed, l.r.: a. martin.
Place of Manufacture: New York, NY.
This work was made after the operative period 1933-45.
Exhibition History:
Agnes Martin: Before the Grid, Harwood Museum of Art, University of New Mexico, Taos, February 25 –June 17, 2012.
Agnes Martin: Works on Paper, Peter Blum SoHo, New York, January 18 – March 15, 2008.
Felix GonzalezTorres and Agnes Martin, Andrea Rosen Gallery, New York, November 6 – December 20, 2006.
Agnes Martin: Closing the Circle, Early and Late, PaceWildenstein, 32 East 57th Street, New York, February 10 – March 4, 2006.
3 X Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz, and Agnes Martin, March 19 – May 21, 2005. Travelled to Santa Monica Museum of Art, California, June 10 – August 13, 2005 and Irish Museum of Modern Art, Dublin, January 24 – March 26, 2006.

Agnes Martin, Untitled, 1961

X57105
Untitled

1961
on paper, unique
Ink and wash on paper
object: 203 x 203 mm
Collection of Joel Wachs
Provenance:
The Artist;
Robert Elkon Gallery, New York;
Acquired from the above by Joel Wachs, New York, in c.1980.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Walking, 1962

X53960
Walking

1962
on paper, unique
Ink on paper
object: 229 x 229 mm
Collection of Mary and Harold Zlot
Provenance:
Lenore Tawney, New York;
Private Collection, New York;
PaceWildenstein, New York,
Acquired from the above by Mary and Harold Zlot, San Francisco.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Friendship, 1963

X51856
Friendship

1963
painting
incised gold leaf and gesso on canvas
object: 1905 x 1905 mm
Museum of Modern Art, New York. Gift of Celeste and Armand P. Bartos, 1984 502.1984
Provenance:
The artist;
Robert Elkon Gallery, New York;
Purchased from the above by Celeste and Armand P. Bartos;
Gift of the above to The Museum of Modern Art, New York, 1984.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, A Grey Stone, 1963

X51857
A Grey Stone

1963
painting
oil paint on canvas
object: 1905 x 1905 mm
Private Collection
Provenance:
The Artist;
Robert Elkon Gallery, New York;
Acquired from the above by the Paula Cooper Gallery, New York, in 1968;
Private collection, New York;
Sotheby’s, New York, 2nd May 1995 (Contemporary Art Part I, Sale 6694, Lot 24);
Acquired from the above by Private collection;
Private Collection, New York;
Purchased from the above by Private Collection in 2012.

Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Exhibitions:
Hartford, Wadsworth Atheneum, Black, White and Grey, January 9-February 9, 1964.
Venice, Palazzo Grassi, Where Are We Going? Selections from the François Pinault Collection, April 30-October 1, 2006, p. 158 (illustrated).
Dinard, Palais des Arts, Qui a peur des artistes?, June 13-September 13, 2009, pp. 28-29 (illustrated).

Agnes Martin, Untitled, 1963

X53961
Untitled

1963
on paper, unique
Red ink and wash on paper
object: 210 x 210 mm
Emily Fisher Landau/Amart Investments LLC
Provenance:
The Artist;
Robert Elkon Gallery, New York;
James Corcoran Gallery, Los Angeles;
Jeffrey Hoffeld & Co., New York;
Acquired from the above by Emily Fisher Landau, New York, in May 1985.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, The Tree, 1964

X51860
The Tree

1964
painting
oil paint and pencil on canvas
object: 1829 x 1829 mm
Museum of Modern Art, New York. Larry Aldrich Foundation Fund, 1965 5.1965
Provenance:
The Artist;
Robert Elkon Gallery, New York;
Purchased from the above by The Museum of Modern Art, New York, in January 1965.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Drift of Summer, 1964

X53963
Drift of Summer

1964
on paper, unique
Ink on paper mounted on board
object: 305 x 305 mm
Courtesy Pace Gallery
Provenance:
Acquired from the artist;
Purchased from the above by Pace Gallery in 1999.
Nationality of Artist: American, born Canada (1912-2004)
Identifying Marks: Signed and dated on verso, top right
Place of Manufacture: New York, NY
This work was made after the operative period 1933-45.
Exhibition History:
Paper Band, Jason McCoy Gallery, New York, July 11–August 24, 2012.
Agnes Martin: Works on Paper, Peter Blum Gallery, New York, January 18–March 15, 2008.
Felix Gonzalez-Torres and Agnes Martin, Andrea Rosen Gallery, New York, November 10–December 20, 2006.
3x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz and Agnes Martin. The Drawing Center, New York, March 19–May 21, 2005. Traveled to: Santa Monica Museum of Art, California, June 10–August 13, 2005; Irish Museum of Modern Art, Dublin, January 24–March 26, 2006.
Agnes Martin Recent Works, Anthony d’Offay Gallery, London, March 1–April 6, 2001

Agnes Martin, The Peach, 1964

X54441
The Peach

1964
on paper, unique
Graphite and ink on paper mounted on board
object: 305 x 305 mm
The Greenberg Gallery, St.Louis, Mo
Provenance:
The artist;
Pace Gallery, New York;
Acquired from the above by the Greenberg Gallery, St. Louis, on 1st September 2014

Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Summer, 1964

X54447
Summer

1964
on paper, unique
Watercolor, ink and gouache on paper
object: 234 x 234 mm
Collection Patricia Lewy Gidwitz
Provenance:
The Artist;
Pace Gallery, 1989;
Acquired from the above by Private Collection, New York.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, The Rose, 1965

X51862
The Rose

1965
painting
acrylic paint, graphite and coloured pencil on canvas
object: 1829 x 1829 mm
Philadelphia Museum of Art: Centennial gift of the Woodward Foundation, 1975
Provenance:
The Artist;
Woodward Foundation, Washington, DC, 1975;
Acquired from the above by the Philadelphia Museum of Art, as a Centennial gift of the Woodward Foundation, in 1975.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, White Stone, 1965

X51863
White Stone

1965
painting
oil paint and graphite on canvas
object: 1829 x 1829 mm
Solomon R. Guggenheim Museum, New York Gift, Mr. Robert Elkon, 1969 69.1911
Provenance:
The artist;
Robert Elkon Gallery, New York;
Aquired from the above by the Solomon R. Guggenheim Museum, New York, in 1969.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Adventure, 1967

X51866
Adventure

1967
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection, Baltimore MD U.S.A
Provenance:
The artist;
Pace Wildenstein, New York;
Locksley-Shea Gallery, Minneapolis;
Acquired from the above by private collector, Baltimore, M.D. USA, in February 1988.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, Grass, 1967

X51867
Grass

1967
painting
acrylic and graphite on canvas
object: 1829 x 1829 mm
Collection Stedelijk Museum, Amsterdam
Provenance:
The Artist;
Robert Elkon Gallery, New York;
Purchased from the above by the Stedelijk Museum, Amsterdam, on 23 January 1974.

Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #8, 1974

X51870
Untitled #8

1974
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection Courtesy Pace Gallery
Provenance:
The artist;
Pace Gallery, New York;
Private collection;
Private collection;
Pace Gallery, New York;
Purchased from the above by Private collection in 1989.
Nationality of Artist: American, born Canada (1912 – 2004)
Identifying Marks: Signed, titled, and dated, on the reverse, u.r.: a. martin/ 1974 #8; and inscribed, u.l.
and u.r.: Top Top [two arrows]
Place of Manufacture: Cuba, New Mexico
This work was made after the operative period 1933-45.
Exhibition History:
To the Islands: Agnes Martin's Paintings 1974-79, Dia:Beacon, New York, 2 December, 2005 – 26 June, 2006.
Agnes Martin/Richard Tuttle, Modern Art Museum of Fort Worth, Texas, 26 April – 2 August, 1998.
Traveled to SITE Santa Fe, New Mexico, 15 August – 18 October, 1998.
Seven from the Seventies, Knoedler & Company, New York, 8 February – 4 March, 1995.

Agnes Martin, Untitled #3, 1974

X52670
Untitled #3

1974
painting
acrylic, graphite and gesso on canvas
object: 1830 x 1830 mm
Purchased with funds from the Coffin Fine Arts Trust, and partial gift of Arnold and Mildred Glimcher; Nathan Emory Coffin Collection of the Des Moines Art Center, 1992.12
Provenance:
The artist;
Pace Gallery, New York;
Purchased by Des Moines Art Center with funds from the Coffin Fine Arts Trust, and partial gift of Arnold and Mildred Glimcher; Iowa in 1992.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #10, 1975

X51874
Untitled #10

1975
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection, New York
Provenance:
The artist;
Barbara Gladstone Gallery, New York;
Robert M.Kaye, New York;
PaceWildenstein, New York;
Christie's, New York;
Purchased from the above by Private Collection, New York, on 16 November 2000 (Lot 22 Contemporary)
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #14, 1977

X51886
Untitled #14

1977
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Solomon R. Guggenheim Museum, New York Mr. and Mrs. Werner Dannheisser, 1977 77.2336
Provenance:
The artist;
Pace Gallery, New York;
Acquired from the above by Solomon R. Guggenheim Museum, as a Gift of Mrs. Elaine and Mr. Werner Dannheisser, New York, in 1977.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1977

X51904
Untitled

1977
on paper, unique
watercolour and graphite on paper
object: 229 x 229 mm frame: 305 x 305 mm
Foundation Hubert Looser, Zurich (C.H)
Provenance:
The artist;
Timothy Taylor Gallery, London;
Acquired from the above by Fondation Hubert Looser, Zurich, on 20th June 2006.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1977

X54448
Untitled

1977
on paper, unique
Watercolor and graphite on paper
object: 229 x 229 mm
Private Collection
Provenance:
The artist;
Purchased from the above by Private collection in 1987.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: N/A.
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1978

X51905
Untitled

1978
on paper, unique
watercolour and ink on paper
object: 304 x 304 mm
Collection Stedelijk Museum, Amsterdam
Provenance:
The Artist;
Pace Gallery, New York;
Galerie Yvon Lambert, Paris;
Purchased from the above by the Stedelijk Museum, Amsterdam, on 19 June 1987.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 1978

X53975
Untitled

1978
on paper, unique
Watercolour, pencil and ink on rice paper
object: 229 x 229 mm
Maxine and Stuart Frankel Private Collection
Provenance:
The artist;
Pace Gallery, New York;
Private Collection, Los Angeles;
PaceWildenstein, New York;
Acquired from the above by Maxine and Stuart Frankel Private Collection, Michigan, in 1995.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: unknown.
Place of Manufacture: United States.
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #12, 1984

X51889
Untitled #12

1984
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection
Provenance:
The artist;
Pace Gallery, New York;
Purchased from the above by Private collection in 1997.

Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and dated, on the reverse, u.r.: a martin/ 84; and inscribed, on center vertical stretcher bar, u.: 12 [encircled].
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.
Exhibition History:
Agnes Martin, The '80s Grey Paintings, The Pace Gallery, 534 West 25th Street, New York, 16 September-29 October, 2011.
Agnes Martin: Trajectories, Dia:Beacon, New York, 1 December, 2007 – 1 September, 2008.
Then and Now: Art Since 1945 at Yale, Yale University Art Gallery, New Haven, Connecticut, 10 February-31 July, 1998.

Agnes Martin, Fiesta, 1985

X51890
Fiesta

1985
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Solomon R. Guggenheim Museum, New York Gift, American Art Foundation, 1992 92.4025
Provenance:
The artist;
Acquired by Solomon R. Guggenheim Museum, as a Gift of Arnold and Milly Glimcher, New York, 1992.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #15, 1988

X51895
Untitled #15

1988
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Museum of Fine Arts, Boston. Gift of The American Art Foundation in honor of Charlotte and Irving Rabb, 1997.117
Provenance:
The Artist;
American Art Foundation, New York, 1988;
Acquired by Museum of Fine Art Boston, as a Gift of the American Art Foundation, through PaceWildenstein, New York, in honor of Charlotte and Irving Rabb, Boston, on 25 June 1997.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #1, 1989

X51896
Untitled #1

1989
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection, Courtesy Pace Gallery
Provenance:
Acquired from the artist;
The Pace Gallery, New York;
Daniel Weinberg Gallery, Los Angeles;
Private collection;
The Pace Gallery;
Purchased from the above by Private collection in 2011.
Nationality of Artist: American, born Canada (1912 – 2004)
Identifying Marks: a. martin 1989; On stretcher bar it is written: This one
Place of Manufacture: Galisteo, NM
This work was made after the operative period 1933-45.

Agnes Martin, Untitled #8, 1989

X51900
Untitled #8

1989
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection
Provenance:
The artist;
The Pace Gallery, New York;
Private collection, San Francisco;
Purchased from the above by Private collection in 2007.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and dated, on reverse, u.r.: a martin/1989.
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.
Exhibition History:
Agnes Martin, The '80s Grey Paintings, The Pace Gallery, 534 West 25th Street, New York, 16 September – 29 October, 2011.

Agnes Martin, Untitled #10, 1990

X53968
Untitled #10

1990
on paper, unique
Ink on paper
object: 229 x 229 mm
Courtesy Pace Gallery
Provenance:
Acquired from the artist;
PaceWildenstein, New York;
Private collection, San Francisco;
Timothy Taylor Gallery, London;
Purchased from the above by Pace Gallery in 2007.

Nationality of Artist: American, born Canada (1912-2004)
Identifying Marks: Inscribed recto "A. Martin," signature covered by mat
Place of Manufacture: Galisteo, NM (USA)
This work was made after the operative period 1933-45.
Exhibition History:
Carte Blanche, Pace at Chesa Büsin, Zuoz, Switzerland, February 20–March 30, 2014.
Beijing Voice: Leaving Realism Behind, The Pace Gallery, Beijing, November 19, 2011–February 12, 2012.
Painting, Drawings, Sculpture: Joseph Albers, Donald Judd, Agnes Martin, Dunn & Brown Contemporary,

Agnes Martin, Untitled #2, 1992

X51882
Untitled #2

1992
painting
acrylic paint and graphite on canvas
object: 1829 x 1829 mm
Private Collection
Provenance:
The Artist;
The Pace Gallery, New York;
Private collection, Los Angeles;
The Pace Gallery;
Purchased from the above by Private Collection in 1997.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: signed "a. martin" "1992".
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.
Exhibition History:
50 Years at Pace, The Pace Gallery, 545 West 22nd Street, New York, 17 September–23 October, 2010. Illustrated in catalogue, p. 199, no. 110.
Agnes Martin: Homage to [a] Life, Paintings 1990–2004, Dia: Beacon, New York, 6 April–26 November, 2007.

Agnes Martin, Untitled, 1995

X53970
Untitled

1995
on paper, unique
Ink, graphite and watercolour on paper
object: 279 x 279 mm
Douglas Baxter
Provenance:
The artist;
Pace Gallery, New York;
Acquired from the above by Douglas Baxter
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, I Love the Whole World, 2000

X54946
I Love the Whole World

2000
painting
Acrylic and graphite on canvas
object: 1524 x 1524 mm
Courtesy of The Artworkers Retirement Society
Provenance:
The artist;
Pace Wildenstein, New York;
Acquired from the above by Private collection, Washington, D.C;
Acquired from the above by Pace gallery, New York;
Acquired from the above by Private Collector.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Blessings, 2000

X57103
Blessings

2000
painting
Acrylic and graphite on canvas
object: 1524 x 1524 mm
Private Collection
Provenance:
The Artist;
Estate of the artist;
Acquired from the above by Private collection in 2006.

Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and dated, on the reverse, u.r.: a.martin/ 2000; titled, on horizontal stretcher bar, m.r.: blessings; beautiful life [crossed out].
Place of Manufacture: Galisteo, NM
This work was made after the operative period 1933-45.

Agnes Martin, Gratitude, 2001

X51911
Gratitude

2001
painting
acrylic paint and graphite on canvas
object: 1524 x 1524 mm
Glimcher Family Collection
Provenance:
The artist;
PaceWildenstein, New York;
Purchased from the above by Private Collection in 2006.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and dated, on the reverse, u.r.: a martin/ 2001; and titled, on the stretcher bar: Gratitude.
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.
Exhibition History:
Kindred Spirits: Native American Influences on 20th Century Art, Peter Blum SoHo, New York, 29 October, 2011 – 28 January, 2012.
Artist Rooms: Agnes Martin, Scottish National Gallery of Modern Art, Edinburgh, United Kingdom,
6 August, 2009 – 10 July, 2010. Traveled to Kettle's Yard, Cambridge, U.K., 15 May – 10 July, 2010, and Tate Modern, London, 1 August, 2010 – 1 April, 2011.
Agnes Martin, Thomas Ammann Fine Art, Zurich, 2 June – 30 September, 2008.
Agnes Martin: Closing the Circle, Early and Late, PaceWildenstein, 32 East 57th Street, New York, 10 February– 4 March, 2006.

Agnes Martin, Untitled #4, 2002

X51912
Untitled #4

2002
painting
acrylic paint and graphite on canvas
object: 1524 x 1524 mm
Private Collection
Provenance:
The artist;
Pace Gallery, New York;
Purchased from the above by Private collection in 2008.
Nationality of Artist: American, born Canada (1912 – 2004)
Identifying Marks: N/A
Place of Manufacture: Galisteo, NM
This work was made after the operative period 1933-45.
Exhibition History: Artist Rooms: Agnes Martin, Scottish National Gallery of Modern Art, Edinburgh, United Kingdom, August 6, 2009 – July 10, 2010. Traveled to Kettle's Yard, Cambridge, U.K., May 15 – July 10, 2010, and Tate Modern, London, August 1, 2010 – April 1, 2011.
Agnes Martin, Thomas Ammann Fine Art, Zurich, June 2 – September 30, 2008.

Agnes Martin, Untitled #12, 2002

X57102
Untitled #12

2002
painting
Acrylic and graphite on canvas
object: 1524 x 1524 mm
Private Collection Courtesy Pace Gallery
Provenance:
The artist;
PaceWildenstein, New York;
Purchased from the above by Private collection in 2006.

Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and titled, on the reverse, u.r.: a. martin/ 2002.
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.
Exhibition History:
Agnes Martin, Thomas Ammann Fine Art, Zurich, June 2 – September 30, 2008.

Agnes Martin, The Sea, 2003

X51916
The Sea

2003
painting
acrylic paint and graphite on canvas
object: 1524 x 1524 mm
Private Collection
Provenance:
The artist;
Purchased from the above by Private collection in 2008.

Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: Signed and dated, on the reverse: a.m./2003.
Place of Manufacture: Galisteo, NM.
This work was made after the operative period 1933-45.
Exhibition History:
Homage to [a] Life: Agnes Martin's Paintings, 1990-2004, Dia:Beacon, New York, 6 April - 26 November 2007.

Agnes Martin, Untitled #1, 2003

X51918
Untitled #1

2003
painting
acrylic paint and graphite on canvas
object: 1524 x 1524 mm
Fondation Louis Vuitton, Paris
Provenance:
The Artist;
PaceWildenstein, 2006;
Acquired from the above by Private Collection, Paris.
Nationality of Artist: American, born Canada (1912-2004).
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 2004

X51919
Untitled

2004
painting
acrylic paint and graphite on canvas
object: 1524 x 1524 mm
Collection of Mitzi and Warren Eisenberg
Provenance:
The Artist;
Tilton Gallery, New York;
Purchased from the above by Maxine and Warren Eisenberg, New York, on 31 January 2006.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 2004

X51920
Untitled

2004
painting
acrylic wash on linen
object: 1524 x 1524 mm
Frances F. Bowes
Provenance:
The artist;
Pace Gallery, New York;
Acquired from the above by Frances F. Bowes, San Francisco, on 20th March 2012.
Nationality of Artist: American, born Canada (1912-2004)
This work was made after the operative period 1933-45.

Agnes Martin, Untitled, 2004

X53971
Untitled

2004
on paper, unique
Ink on paper
image: 89 x 70 mm
Private Collection
Provenance:
The artist;
Acquired from the above by Private collection in 2008.
Nationality of Artist: American, born Canada (1912 – 2004).
Identifying Marks: N/A.
Place of Manufacture: Taos, NM.
This work was made after the operative period 1933-45.
Exhibition History:
Agnes Martin: Works on Paper, Peter Blum SoHo, New York, 18 January – 15 March 2008.

Barbara Hepworth: Sculpture for a Modern World

Tate Britain (London, UK) from 24 Jun 2015 until 25 Oct 2015.

Dame Barbara Hepworth
(1903-1975, born: Wakefield, died: Saint Ives)

Dame Barbara Hepworth, Two Forms, 1935

X50976
Two Forms

1935
sculpture
Snakewood
object: 178 x 385 x 186 mm
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, The Joseph H. Hirshhorn Bequest, 1981
Provenance:
Joseph H. Hirshhorn Bequest, 1981; Previous: Mark Tobey, USA, by 1961; Gimpel Fils, London, to 22 December 1967; Joseph H. Hirshhorn, 22 December 1967 - 31 August 1981.
Nationality of artist: British
Place of manufacture: London, UK
Catalogue Raisonné: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC ‘Selections from the Joseph H. Hirshhorn Bequest’ 7 August - 16 November 1986, unpublished checklist, no. 46; Galerie nationale du Jeu de Paume, Paris ‘Un Siecle de Sculpture Anglaise’ 6 June - 15 September 1996, ill. p. 94; Institut Valencia d’Art Modern, Spain ‘Barbara Hepworth’ 2 September - 14 November 2004.

Dame Barbara Hepworth, Discs in Echelon, Version 1, 1935

X50978
Discs in Echelon, Version 1

1935
sculpture
Padouk wood
object: 311 x 491 x 225 mm
The Museum of Modern Art, New York. Gift of W.B. Bennet, 1936
Provenance:
Gift of W. B. Bennett, Sheffield, to The Museum of Modern Art, 1936. Previous: the artist.
Nationality of artist: British
Place of manufacture: London, UK
Catalogue Raisonné: 7&5 exhibition, Zwemmer Gallery, London, October 1935, illus. cat. 3; Tate Gallery Liverpool, 14 September to 4 December 1994, Yale Center for British Art, New Haven, 4 February to 9 April 1995, Art Gallery of Ontario, Toronto, 19 May to 7 August 1995, ‘Barbara Hepworth: a retrospective’ illus. p.66. Reproduced: Gibson (1946), pl.27; Read (1952), pl.40; Hammacher (1968), p.66.

Dame Barbara Hepworth, Conoid, Sphere and Hollow I, 1937

X50985
Conoid, Sphere and Hollow I

1937
sculpture
Marble
object: 305 x 406 mm
The Museum of Modern Art, New York. Bequest of Virginia C. Field, 2004.
Provenance:
Bequest of the estate of Virginia C. Field to The Museum of Modern Art, 2004. Previous: the artist; Alastair Morton, UK; Sotheby’s, London, 15 April 1964, lot 176; Gimpel Fils.
Nationality of artist: British
Place of manufacture: London, UK
Catalogue Raisonné: Alex, Reid and Lefevre Gallery, London, 1937, cat.22; Reproduced: Gibson (1948), pl.35.

Dame Barbara Hepworth, Pendour, 1947

X51487
Pendour

1947
sculpture
Painted plane wood
object: 306 x 745 x 238 mm
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, Gift of Joseph H. Hirshhorn, 1966
Provenance:
Gift of Joseph H. Hirshhorn, 1966. Previous: the artist, Cornwall, 1947-48 to 1954-55; Martha Jackson Gallery, NY, by April 1955--at least June 1958; Galerie Chalette, NY, by October 1959 - 3 November 1959; JHH Purchased From Galerie Chalette, New York, 3 November 1959 - 17 May 1966.
Nationality of artist: British
Place of manufacture: Cornwall, UK
Catalogue Raisonné: Alex Reid and Lefevre Gallery, London ‘New Sculpture and Drawings by Barbara Hepworth’ February 1950, no. 10 (as 1948); XXV Biennale Internzionale D'Arte, Venice ‘British Pavilion’, June - September 1950, no. 75, p. 335 (as 1947-48); Riverside Museum, NY ‘Abstract Artists of Three Nations’ March- April 1951; Wakefield City Art Gallery, London ‘Barbara Hepworth: Sculpture and Drawings’ 19 May - 7 July 1951, no. 32 (as 1947-8), touring to York City Art Gallery 14 July - 12 August 1951, Manchester Art Galleries 24 September - 21 October 1951; Whitechapel Art Gallery, London ‘Barbara Hepworth: A Retrospective Exhibition of Carvings and Drawings from 1927 to 1954’ 8 April - 6 June 1954, no. 82, p.21, plate J (as 1947-8); Walker Art Center, Minneapolis ‘Barbara Hepworth: Carvings and Drawings 1937-1954’ 15 April-29 May 1955, no. 11, ill., touring to the University of Nebraska Art Galleries, 15 June-15 August 1955, San Francisco Museum of Art, 1 September-16 October 1955, The Albright Art Gallery, 9 November-15 December 1955, The Art Gallery of Toronto, 1 January-15 February 1956, The Montreal Museum of Fine Arts, 1 March-31 March 1956, The Baltimore Museum of Art, 15 April- 30 June 1956; Martha Jackson Gallery, New York, December 1956- January 1957; Cleveland Museum of Art, ‘Some Contemporary Works of Art’ June 1958, no. 23, ill. (lent by Martha Jackson Gallery). Reproduced: Read (1952), pl.95, 96a, 96b, 97a, 97b; Hammacher (1968), pl.8a, 8b.

Geta Bratescu

Tate Liverpool (Liverpool, UK) from 30 Jun 2015 until 18 Oct 2015.

Geta Bratescu
(born 1926, born: Ploiesti, active: Bucuresti)

Geta Bratescu, The Studio, 1971

X55207
The Studio

[Atelierul] 1971
on paper, print
3 works on paper, lithographs
support: 360 x 700 mm
Courtesy of the artist, Ivan Gallery, Bucharest and Galerie Barbara Weiss, Berlin
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Pre-Medeic Forms, 1978

X56333
Pre-Medeic Forms

[Forme pre-medeice] 1978
on paper, unique
Charcoal on paper
frame: 1150 x 890 mm
Private Collection, courtesy Galerie Barbara Weiss, Berlin; Ivan Gallery, Bucharest
Provenance:
Acquired from the artist 2012
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Documentation on the Mediterranean Sea, 1978

X56334
Documentation on the Mediterranean Sea

1978
on paper, unique
11 works on paper, ink
support, each: 250 x 345 mm
Courtesy of the artist and Ivan Gallery, Bucharest
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Portraits of Medea, 1979

X55213
Portraits of Medea

[Portrete ale Medeii] 1979
on paper, print
10 works on paper, lithographs
support, each: 550 x 400 mm frame, each: 610 x 470 x 20 mm
Courtesy of the artist, Ivan Gallery, Bucharest and Galerie Barbara Weiss, Berlin
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: each sheet 2/10 A.P. (l.l.) and Geta Bratescu 1979 (l.r.)
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Costume for Ephemeral Celebrations, 1987

X55217
Costume for Ephemeral Celebrations

[Costume pentru sarbatori efemere] 1987
on paper, unique
Collage, tempera on paper
frame: 940 x 610 x 65 mm
Private Collection, courtesy Galerie Barbara Weiss Berlin; Ivan Gallery, Bucharest
Provenance:
Acquired from the artist 2012
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Costume for Ephemeral Celebrations, 1987

X55849
Costume for Ephemeral Celebrations

[Costume pentru sarbatori efemere] 1987
on paper, unique
Collage, tempera on paper
frame: 940 x 610 x 65 mm
Private Collection, courtesy Galerie Barbara Weiss, Berlin; Ivan Gallery, Bucharest
Provenance:
Acquired from the artist 2012
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Costume for Ephemeral Celebrations, 1987

X55850
Costume for Ephemeral Celebrations

[Costume pentru sarbatori efemere] 1987
on paper, unique
Collage, tempera on paper
frame: 940 x 610 x 65 mm
Petra Hubertus, Berlin
Provenance:
Galerie Barbara Weiss, Berlin (acquired from the artist 2012)
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Costume for Ephemeral Celebrations, 1987

X56336
Costume for Ephemeral Celebrations

[Costume pentru sarbatori efemere] 1987
on paper, unique
Collage, tempera on paper
frame: 940 x 610 x 65 mm
Petra Hubertus, Berlin
Provenance:
Galerie Barbara Weiss, Berlin (acquired from the artist 2012)
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Costume for Ephemeral Celebrations, 1987

X58436
Costume for Ephemeral Celebrations

[Costume pentru sarbatori efemere] 1987
on paper, unique
Collage, tempera on paper
frame: 940 x 610 x 65 mm
Private Collection, courtesy Galerie Barbara Weiss, Berlin; Ivan Gallery, Bucharest
Provenance:
Acquired from the artist 2012
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Otherness, 2002, printed 2011

X55220
Otherness

[Alteritate] 2002, printed 2011
on paper, print
9 photographs, gelatin silver prints on paper
support, each: 500 x 500 mm frame, each: 550 x 550 x 40 mm
Courtesy of the artist and Galerie Barbara Weiss, Berlin
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Women, 2007

X58271
Women

2007
on paper, unique
Tempera on paper
support: 1720 x 510 mm
Courtesy of the artist; Ivan Gallery, Bucharest and Galerie Barbara Weiss, Berlin
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Geta Bratescu, The Theatre of Forms, 2011

X55219
The Theatre of Forms

[Le Theatre des Formes] 2011
on paper, unique
6 works on paper, paper and ink
support, each: 260 x 340 mm frame, each: 330 x 410 x 30 mm
Courtesy of the artist and Galerie Barbara Weiss, Berlin
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: signed Geta Bratescu 2011 on first page
Place of Manufacture: Bucharest, Romania

Geta Bratescu, Game of Forms, 2009–15

X55218
Game of Forms

[Jocul formelor] 2009–15
on paper, unique
Cut paper, 38 components
Overall display dimensions variable
Courtesy of the artist and Ivan Gallery, Bucharest
Provenance:
Collection of the artist
Nationality of artist: Romanian
Identifying marks: none
Place of Manufacture: Bucharest, Romania

Jackson Pollock: Blind Spots

Tate Liverpool (Liverpool, UK) from 30 Jun 2015 until 18 Oct 2015.

Jackson Pollock
(1912-1956, born: Cody, died: East Hampton)

Jackson Pollock, Untitled, 1949

X54936
Untitled

1949
sculpture
Wire dipped in plaster and paint
79mm height
The Museum of Fine Arts, Houston, Museum purchase funded by Louisa Stude Sarofim in memory of Alice Pratt Brown.
Provenance:
Estate of the Artist; Lee Krasner Pollock, New York; (Sale, Jason McCoy Inc., New York, 1996); The Museum of Fine Arts, Houston, Museum, purchase funded by Louisa Stude Sarofim in memory of Alice Pratt Brown, 1996, 96. 1758.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1049, p.127.

Jackson Pollock, Number 34, 1949, 1949

X58345
Number 34, 1949

1949
painting
Oil and enamel paint on white paperboard mounted on masonite
Support: 559 x 775 mm
Edward W. Root Bequest, Munson-Williams-Proctor Arts Institute, Museum of Art, Utica, New York
Provenance:
(Betty Parsons Gallery, New York); Edward W. Root (purchased from Betty Parsons Gallery, December 1949); Munson-Williams Proctor Institute, Utica, New York (Edward W. Root bequest, 1961)
Nationality of artist: American
Identifying marks: Signed and dated lower left: 49 Jackson Pollock.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings, 1948–1955, New Haven and London, 1978, cat.no. 235, pp.56-7.

Jackson Pollock, Number 3, 1949, Tiger, 1949

X58434
Number 3, 1949, Tiger

1949
painting
Oil, enamel, metallic enamel, and cigarette fragment on canvas, mounted on fibreboard
Support: 1575 x 946 mm
Hirshhorn Museum and Sculpture Garden. Gift of Joseph Hirshhorn, 1972.
Provenance:
Betty Parsons Gallery, New York, to 12 June 1951; Richard Romney, New York, acquired 12 June, 1951; Betty Parsons Gallery, New York, 1961; Sotheby & Co., London, Sale, 6 December 1961, no. 42, ill. facing p. 27; Frank Perls Gallery, Beverly Hills, CA, 1961; Mr. and Mrs. David E. Bright, Beverly Hills, CA, 1964; Frank Perls Gallery, Beverly Hills, CA, to 28 October 1967; Joseph H. Hirshhorn, New York, 28 October 1967-1972; Hirshhorn Museum and Sculpture Garden, Gift of Joseph H. Hirshhorn, 1972.
Nationality of artist: American
Identifying marks: Signed lower left: Jackson Pollock and dated lower right 49.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings, 1948–1955, New Haven and London, 1978, cat.no. 250, p.72.

Jackson Pollock, Untitled (Black and White Polyptych), c.1950

X54885
Untitled (Black and White Polyptych)

c.1950
painting
Oil on canvas
support: 609 x 2032 mm
Benesse Holdings, Inc.
Provenance:
(Sidney Janis Gallery, New York); Collection Mr and Mrs I. Donald Grossman; Mr. and Mrs. Albert Rock, San Francisco; (Akira Ikeda Gallery, Tokyo); acquired by the current owner from the above, January 1983.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 298, p.120.

Jackson Pollock, Silver Square, c.1950

X54886
Silver Square

c.1950
painting
Oil on the rough side of masonite
support: 565 x 565 mm
Courtesy Washburn Gallery, New York and The Pollock-Krasner Foundation, Inc.
Provenance:
Estate of the artist; Lee Krasner Pollock (1908–1984); The Pollock-Krasner Foundation, Inc. (acquired by descent in 1984).
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 291, p.112.

Jackson Pollock, Untitled, c. 1950

X57718
Untitled

c. 1950
on paper, unique
Ink on paper
Support: 619 x 479 mm
Collection of Susanne and William E. Pritchard III, Houston, Texas
Provenance:
Estate of the artist; Lee Krasner Pollock (d.1984); Anthony d’Offay Gallery, London; Private Collection, San Francisco [Schwab], acquired in 1989; Anthony Grant, Inc., New York; Private Collection, Purchase, New York; Sotheby’s Contemporary Morning Sale, New York, 11 May 2011, Lot 119; acquired at the above auction by the present owners.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 791, p.274.

Jackson Pollock, Number 4, 1950

X58316
Number 4

1950
painting
Oil, enamel, and aluminum paint on canvas
Support: 1241 x 962 mm
Carnegie Museum of Art, Pittsburgh; Gift of Frank R. S. Kaplan, 54.15
Provenance:
(Betty Parsons Gallery, New York); (Sidney Janis Gallery, New York); Frank R. S. Kaplan; gifted to Carnegie Museum of Art, Pittsburgh, 1954
Nationality of artist: American
Identifying marks: Signed upper right: Jackson Pollock and dated upper left 50.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings, 1948–1955, New Haven and London, 1978, cat.no. 250, p.93.

Jackson Pollock, Number 23, 1951, 1951

X49559
Number 23, 1951

1951
painting
Oil on canvas
support: 1486 x 1194 mm frame: 1543 x 1261 x 57 mm
Chrysler Museum of Art, Norfolk, Virginia. Gift of Walter P. Chrysler, Jr.
Provenance:
Martha Jackson (acquired from the artist, 1954); (Martha Jackson Gallery for the Estate of Martha Jackson); (Parke-Bernet Galleries, sale, 18 November 1970); Harry W. Anderson, Atherton, California; (M. Knoedler & Co.); Walter P. Chrysler, Jr.; acquired from whom in 1983.
Nationality of artist: American
Identifying marks: Signed and dated lower right: Jackson Pollock 51.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 335, p.153.

Jackson Pollock, Brown and Silver I, c.1951

X49560
Brown and Silver I

c.1951
painting
Enamel and silver paint on canvas
support: 1447 x 1079 mm frame: 1540 x 1160 x 70 mm
Museo Thyssen-Bornemisza, Madrid
Provenance:
Estate of the artist; Lee Krasner Pollock (d. 1984); (Marlborough Fine Art, London); (Toninelli Arte Moderna, Milan); Baron Thyssen-Bornemisza, Lugano, Switzerland; Museo Thyssen-Bornemisza, Madrid, by bequest, 1992.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 317, p.130.

Jackson Pollock, Untitled, 1951

X53860
Untitled

1951
on paper, unique
Ink on Japan paper
support: 445 x 565 mm
Susan and Larry Marx, Aspen, CO (Courtesy of Neal Meltzer Fine Art, New York)
Provenance:
Mr and Mrs Morton Feldman, New York (gift of the artist); Sotheby’s Contemporary Art Day Sale, New York, 11 May 2011, Lot #115; acquired at the above auction by the present owners.
Nationality of artist: American
Identifying marks: Signed and dated lower left: Jackson Pollock 51.
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 846, p.318.

Jackson Pollock, Untitled, 1951

X53900
Untitled

1951
on paper, unique
Black ink [India?] and watercolour on Japanese paper
support: 635 x 997 mm
The Menil Collection, Houston
Provenance:
Ivan von Auw, New York (gift of the artist, 1954); Robert Elkon; Sotheby’s, New York (9 November 1983, lot 016); Menil Foundation, Inc., acquired at the above auction, 1983
Nationality of artist: American
Identifying marks: Signed lower right ‘Pollock’ and inscribed bottom left. The inscription at the bottom left reads: ‘for – / Paul Peters / and Ivan von Auw / with admiration / Nov. 18, 1954 Jackson Pollock.’ The date is the date of the gift, not of execution.
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 812, p.291, illustrated.

Jackson Pollock, Number 3, 1951

X53902
Number 3

1951
on paper, unique
Ink on Japanese paper
image: 622 x 984 mm
Gift of the Virginia Wright Fund, Collection of the Washington Art Consortium: Henry Art Gallery, University of Washington, Seattle; Museum of Art, Washington State University, Pullman; Northwest Museum of Arts and Culture, Spokane; Seattle Art Museum; Tacoma Art Museum; Western Gallery, Western Washington University, Bellingham; Whatcom Museum of History and Art, Bellingham.
Provenance:
(Betty Parsons Gallery, New York); Mr and Mrs Alexander Lieberman, Philadelphia; (André Emmerich Gallery, New York); Virginia Wright Foundation, Seattle, Washington; Washington Art Consortium, Gift of the Virginia Wright Fund, 1 May 1974.
Nationality of artist: American
Identifying marks: Signed and dated lower left: Jackson Pollock 51.
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 818, p.297, illustrated.

Jackson Pollock, Untitled, 1951

X53903
Untitled

1951
on paper, unique
Black and sepia ink on mulberry paper
image: 635 x 984 mm
The Museum of Modern Art, New York. Gift of Lee Krasner in memory of Jackson Pollock, 1983.
Provenance:
Estate of the artist; Lee Krasner Pollock (d.1984); The Museum of Modern Art, New York (Gift of Lee Krasner in memory of Jackson Pollock, 1983).
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 820, p.299, illustrated.

Jackson Pollock, Untitled, 1951

X54833
Untitled

1951
on paper, unique
Ink and watercolour on Japanese paper
support: 622 x 864 mm
Solomon R. Guggenheim Museum, New York Fractional Gift, Barbara and Donald Jonas, 1992 92.3984
Provenance:
Estate of the artist; Lee Krasner Pollock; B. H. Friedman (gift of Lee Krasner Pollock); […]; Barbara and Donald Jonas, New York; Solomon R. Guggenheim Museum, New York, Fractional Gift, Barbara and Donald Jonas, 1992.
Nationality of artist: American
Identifying marks: Signed and dated upper right ‘Jackson Pollock 51.’
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 824, p.303, illustrated.

Jackson Pollock, Untitled (Black and White Painting I), c.1951

X54898
Untitled (Black and White Painting I)

c.1951
painting
Black paint on unprimed cotton canvas attached to canvas strips
support: 495 x 927 mm
Courtesy Washburn Gallery, New York and The Pollock-Krasner Foundation, Inc.
Provenance:
Estate of the artist; Lee Krasner Pollock (1908–1984); The Pollock-Krasner Foundation, Inc. (acquired by descent in 1984).
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 325, p.140.

Jackson Pollock, Number 8, 1951 / "Black Flowing'", 1951

X54903
Number 8, 1951 / "Black Flowing'"

1951
painting
Enamel on canvas
support: 1400 x 1850 mm
National Museum of Western Art, Tokyo. Donated by Yamamura Family.
Provenance:
(Betty Parsons Gallery, New York); (Michel Tapié, Paris); Comte Philippe Dotremont, Brussels; Haru and Takutaro Yamamura, Nishinomiya, Japan; gift of Yamamura Collection to National Museum of Western Art, Tokyo in 1966.
Nationality of artist: American
Identifying marks: Signed and dated lower right: Jackson Pollock 51.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 327, pp.142-3.

Jackson Pollock, Black and White No. 15, 1951, 1951

X54917
Black and White No. 15, 1951

1951
painting
Enamel on canvas
support: 1422 x 1677 mm
Museum Ludwig, Cologne
Provenance:
Estate of the artist; Lee Krasner Pollock; Marlborough Gallery, New York; Collection of Young Merrit Smith Jr., Hillsborough, North Carolina; Noah Goldowsky Gallery, New York; acquired WRM, 1972; Museum Ludwig, Cologne, 1976
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 339, p.158, illustrated.

Jackson Pollock, Untitled, 1951

X55478
Untitled

1951
on paper, unique
Black and coloured inks on Japanese paper
Support: 628 x 991 mm
Richard Lang and Jane M. Lang Collection
Provenance:
Clement Greenberg (gift of the artist); (Mrs Virginia Kondratiev, Dwan Gallery, Los Angeles); [?]; Mr and Mrs J. O. Lambert, Dallas, Texas; (Janie C. Lee Gallery, Houston, Texas); (André Emmerich Gallery, New York); Richard E. Lang, Medina, Washington, acquired from the above, 29 March 1974.
Nationality of artist: American
Identifying marks: This work was a birthday present from the artist to Clement Greenberg and is inscribed in the lower right corner: 1951 / For Clem / Jan. 16 / Jackson Pollock.
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 813, p.292.

Jackson Pollock, Untitled, 1951

X57580
Untitled

1951
on paper, unique
Ink on pink Howell paper
457 x 548 mm
Guild Hall Museum, East Hampton, New York, gift of Mr and Mrs Valentine E. Macy, Jr.
Provenance:
Mr and Mrs Valentine E. Macy (acquired from the artist); Guild Hall, East Hampton, New York (gift of Mr and Mrs Valentine E. Macy Jr., 1959).
Nationality of artist: American
Identifying marks: Signed and dated upper left: Jackson Pollock 51.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 834, p.311.

Jackson Pollock, Untitled, 1951

X57586
Untitled

1951
on paper, unique
Ink on Japanese paper
431 x 558 mm
Parrish Art Museum, Water Mill, New York. Gift of Edward F. Dragon in memory of Alfsonso Ossorio, 1993.3
Provenance:
Alfonso A. Ossorio, East Hampton, New York (acquired from the artist); to Edward F. Dragon by bequest; Parrish Art Museum, gift of Edward F. Dragon in memory of Alfonso Ossorio, 1993.
Nationality of artist: American
Identifying marks: Signed and dated lower right ‘Jackson Pollock 51.’
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 845, p.318, illustrated.

Jackson Pollock, Untitled, 1951

X57710
Untitled

1951
on paper, print
Screenprint in black on white laminated Strathmore paper
Overall: 585 x 737 mm
National Gallery of Art, Washington, Patrons’ Permanent Fund, 2001
Provenance:
Jackson Pollock (d. 1956); to Sanford McCoy (d. 1963); by descent to Family of Sanford McCoy; Margrit Ramme, by November 4, 1971; Private collection, U.S.A.; David Tunick, Inc., New York, summer 2000; purchased by NGA, 2001.
Nationality of artist: American
Identifying marks: Lower right, screened: Jackson Pollock 51 (barely decipherable)
Place of Manufacture: Deep River, Connecticut, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1091 (P27), p.154.

Jackson Pollock, Untitled, 1951

X57711
Untitled

1951
on paper, print
Screenprint in black on white laminated Strathmore paper
Overall: 585 x 737 mm
National Gallery of Art, Washington, Patrons’ Permanent Fund, 2001
Provenance:
Jackson Pollock (d. 1956); to Sanford McCoy (d. 1963); by descent to Family of Sanford McCoy; Margrit Ramme, by November 4, 1971; Private collection, U.S.A.; David Tunick, Inc., New York, summer 2000; purchased by NGA, 2001.
Nationality of artist: American
Identifying marks: BS: Strathmore (upper right)
Place of Manufacture: Deep River, Connecticut, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1092 (P28), p.154.

Jackson Pollock, Untitled, 1951

X57712
Untitled

1951
on paper, print
Screenprint in black on white laminated Strathmore paper
Overall: 737 x 585 mm
National Gallery of Art, Washington, Patrons’ Permanent Fund, 2001
Provenance:
Jackson Pollock (d. 1956); to Sanford McCoy (d. 1963); by descent to Family of Sanford McCoy; Margrit Ramme, by November 4, 1971; Private collection, U.S.A.; David Tunick, Inc., New York, summer 2000; purchased by NGA, 2001.
Nationality of artist: American
Identifying marks: BS: Strathmore (upper left)
Place of Manufacture: Deep River, Connecticut, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1093 (P29), p.154.

Jackson Pollock, Untitled, 1951

X57713
Untitled

1951
on paper, print
Screenprint in black on white laminated Strathmore paper
Overall: 737 x 585 mm
National Gallery of Art, Washington, Patrons’ Permanent Fund, 2001
Provenance:
Jackson Pollock (d. 1956); to Sanford McCoy (d. 1963); by descent to Family of Sanford McCoy; Margrit Ramme, by November 4, 1971; Private collection, U.S.A.; David Tunick, Inc., New York, summer 2000; purchased by NGA, 2001.
Nationality of artist: American
Identifying marks: BS: Strathmore (upper left)
Place of Manufacture: Deep River, Connecticut, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1094 (P30), p.154.

Jackson Pollock, Untitled, 1951

X57714
Untitled

1951
on paper, print
Screenprint in black on white laminated Strathmore paper
Overall: 737 x 585 mm
National Gallery of Art, Washington, Patrons’ Permanent Fund, 2001
Provenance:
Jackson Pollock (d. 1956); to Sanford McCoy (d. 1963); by descent to Family of Sanford McCoy; Margrit Ramme, by November 4, 1971; Private collection, U.S.A.; David Tunick, Inc., New York, summer 2000; purchased by NGA, 2001.
Nationality of artist: American
Identifying marks: Lower left centre, screened: Jackson Pollock, 51
Place of Manufacture: Deep River, Connecticut, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1095 (P31), p.154.

Jackson Pollock, Untitled, 1951

X57715
Untitled

1951
on paper, print
Screenprint in black on white laminated Strathmore paper
Overall: 585 x 737 mm
National Gallery of Art, Washington, Patrons’ Permanent Fund, 2001
Provenance:
Jackson Pollock (d. 1956); to Sanford McCoy (d. 1963); by descent to Family of Sanford McCoy; Margrit Ramme, by November 4, 1971; Private collection, U.S.A.; David Tunick, Inc., New York, summer 2000; purchased by NGA, 2001.
Nationality of artist: American
Identifying marks: BS: Strathmore (upper right)
Place of Manufacture: Deep River, Connecticut, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1096 (P32), p.154.
.

Jackson Pollock, Untitled, c.1951

X57716
Untitled

c.1951
on paper, unique
Black and blue ink on Japanese paper
Overall: 633 x 995 mm
National Gallery of Art, Washington, Anonymous Gift, 1985
Provenance:
The artist (d. 1956); by descent to Lee Krasner Pollock, 1962; Pollock-Krasner Estate, New York, NY; gift to NGA, 1985.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. S/l, pp.164-5.

Jackson Pollock, Untitled, c.1951

X57717
Untitled

c.1951
on paper, unique
Black and blue ink on Japanese paper
Overall: 630 x 998 mm
National Gallery of Art, Washington, Anonymous Gift, 1985
Provenance:
The artist (d. 1956); by descent to Lee Krasner Pollock, 1962; Pollock-Krasner Estate, New York, NY; gift to NGA, 1985.
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. S/m, pp.164-5.

Jackson Pollock, Number 7, 1951

X57977
Number 7

1951
on paper, unique
Ink on Japanese paper
Support: 635 x 972 mm
Thomas H. Lee and Ann Tenenbaum, New York
Provenance:
(Betty Parsons Gallery, New York); Philip Goodwin; (Sidney Janis Gallery, New York); Dr and Mrs Robert Stockton, Cleveland, Ohio; Private collection, Cleveland, Ohio; Virginia S. Serra et al, San Diego, California; Jason McCoy Gallery, New York; acquired from the above by the present owners, 18 December 1995.
Nationality of artist: American
Identifying marks: Signed and dated lower right: Jackson Pollock 51.
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 3: Drawings, 1930–1956, New Haven and London, 1978, cat.no. 815, p.294.

Jackson Pollock, Untitled (Betty Parsons Invitation), 1951

X58407
Untitled (Betty Parsons Invitation)

1951
on paper, print
Offset lithograph in black on wove paper
Support: 432 x 559 mm
National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
Provenance:
(Sotheby’s, New York); Dave and Reba Williams, Greenwich, CT, 1990; gift to NGA, 2008
Nationality of artist: American
Identifying marks: Lower left in the print: Jackson Pollock; vers in black ink: Jackson Pollock/ Betty Parsons Gallery/ 15 East 57th ST/ Nov. 26/ Dec. 15 1951/ Opening/ 4 to 7
Place of Manufacture: New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 4: Other Works, 1930–1956, New Haven and London, 1978, cat.no. 1090 (P26) [Poster], p.154, illustrated p.155.

Jackson Pollock, Number 7, 1952

X54827
Number 7

1952
painting
Enamel and oil on canvas
support: 1349 x 1016 mm
The Metropolitan Museum of Art, New York. Purchase, Emilio Azcarraga Gift, in honor of William S. Lieberman, 1987
Provenance:
The artist’s wife, Lee Krasner Pollock, New York (1952 – d. 1984; gift of the artist in 1952; her estate, 1984–85); The Pollock–Krasner Foundation, Inc., New York (1985–87; sold to MMA).
Nationality of artist: American
Identifying marks: Neither signed nor dated
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 354, pp.176-7.

Jackson Pollock, Number 8, 1952

X54934
Number 8

1952
painting
Oil on canvas
1095 x 1457mm
Wadsworth Atheneum Museum of Art, Hartford, CT. The Philip L. Goodwin Collection, Gift of James L. Goodwin, Henry Sage Goodwin, and Richmond L. Brown.
Provenance:
(Sidney Janis Gallery, New York); Philip L. Goodwin; Wadsworth Atheneum, Hartford, Connecticut, Philip L. Goodwin Collection (Gift of James L. Goodwin, Henry Sage Goodwin and Richmond L. Brown, 1959).
Nationality of artist: American
Identifying marks: Signed and dated lower left: J. Pollock 52.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 355, pp.178-9.

Jackson Pollock, Portrait and a Dream, 1953

X54935
Portrait and a Dream

1953
painting
Oil and enamel on canvas
Support: 1486 x 3423 mm
Dallas Museum of Art, gift of Mr and Mrs Algur H. Meadows and the Meadows Foundation, Incorporated, 1967.
Provenance:
Lee Krasner Pollock (gift of the artist); (Marlborough-Gerson Gallery, New York); Dallas Museum of Art, Texas (gift of Mr and Mrs Algur H. Meadows and the Meadows Foundation, Inc., 1967)
Nationality of artist: American
Identifying marks: Signed lower right: Jackson Pollock 53 and on back: Jackson Pollock 53.
Place of Manufacture: East Hampton, New York, United States of America
Catalogue Raisonné: Francis V. O’Connor and Eugene V. Thaw (eds), Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948 – 1955, New Haven and London, 1978, cat.no. 368, pp.200-1, illustrated pp.202-3.

The EY Exhibition: The World Goes Pop

Tate Modern (London, UK) from 15 Sep 2015 until 24 Jan 2016.

Evelyne Axell
(1935-1972)

Evelyne Axell, Valentine, 1966

X50801
Valentine

1966
painting
Oil paint on canvas, zipper and helmet
object: 1330 x 830 mm
Collection of Philippe Axell
Provenance:
The artist;
By descent from the above, Philippe Axell, Han-sur-Hess, in 1972
Nationality of Artist: Belgian (1935-1972)
Identifying marks: ‘Axell’ written on the bottom left corner of the work
Place of manufacture: not recorded
This work was made after the operative period 1933-45.
Exhibition History: Axell, Palais des Beaux-Arts de Brussels, Beligum, 1962; Axell. Le Pop Art jusqu’au Paradis, Maison de la Culture de la province de Namur, Musée Provincial Félicien-Rops, Namur, Galerie Détour, Jambes, 2004; Evelyne Axell, du viol d’Ingres au retour de Tarzan, Musée d’art Roger-Quillot, Clermont-Ferrand, 2006; Evelyne Axell, le Pop Art en Wallonie, Centre Wallon d’Art Contemporain, Flémalle, 2009; Power-Up – Female Pop Art, Kunsthalle Wien, Austria, 2010 and Städtische Galerie, Bietigheim-Bissingen, 2011; The Great Journey Into Space, Broadway 1602 Gallery, New York, 2012; Warhol, Axell, un double regard sur les Sixties, Cornette de Saint Cyr, Brussels, 2013.

Cornel Brudascu
(born 1937)

Cornel Brudascu, Composition, 1970

X51220
Composition

[Compozitie] 1970
painting
Oil paint on canvas
unconfirmed: 1178 x 1650 mm frame: 1255 x 1710 x 43 mm, 7.8 kg
The Art Museum of Cluj-Napoca, Romania
Provenance:
The artist;
The County Committee of Socialist Culture and Education;
Acquired from the above by The Art Museum of Cluj-Napoca, Romania in January 1972.
Nationality of Artist: Romanian
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Cornel Brudascu, Youth on the building yard, 1970

X51221
Youth on the building yard

[Tineri pe santier] 1970
painting
Oil paint on canvas
unconfirmed: 1504 x 1572 mm frame: 1570 x 1645 x 40 mm, 9 kg
The Art Museum of Cluj-Napoca, Romania
Provenance:
The artist;
The County Committee of Socialist Culture and Education;
Acquired from the above by The Art Museum of Cluj-Napoca, Romania in October 1972.
Nationality of Artist: Romanian
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Teresa Burga
(born 1935)

Teresa Burga, Cubes, 1968

X51414
Cubes

[Cubos] 1968
sculpture
6 objects, painted plywood
unconfirmed, each: 400 x 400 x 400 mm Dimensions variable
Mr. Eduardo Hochschild Collection
Provenance:
The artist;
Barbara Thumm Gallery, Berlin, 2001;
Acquired from the above by Eduardo Hochschild, in 2014.
Nationality of Artist: Peruvian.
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Rafael Canogar
(born 1935)

Rafael Canogar, The Punishment, 1969

X54153
The Punishment

[El castigo] 1969
sculpture
Polyester and wood
object: 390 x 1650 x 840 mm, 110 kg object: 850 x 760 x 1740 mm, 70 kg object: 1960 x 1040 x 250 mm, 56 kg mount: 1950 x 1510 x 700 mm, 75 kg
Private collection
Provenance:
The artist;
Purchased from the above by Private collection c/o Cordeiros Galeria, (Rua António Cardoso, 170, Apartado 1079, 4101-001 Porto, Portugal) in 2008.
Nationality of Artist: Spanish
Identifying Marks: ‘EL CASTIGO’ written on the bottom right at the back of the canvas
Place of Manufacture: Madrid, Spain
This work was made after the operative period 1933-45.
Exhibitions History:
‘Rafael Canogar. 75 Años/75 Obras.’, Museu dos Transportes e Comunicações (AMTC), Porto, 13 – 28 November 2010
‘Cordeiros Galeria. Modern and Contemporary Art’, Museu dos Transportes e Comunicações (AMTC), Porto 2010 (January)
Art Madrid, 12 – 16 February 2009
FIART Valencia, 21 – 26 September 2009

Mari Chordá

Mari Chordá, The Great Vagina, 1966

X57475
The Great Vagina

[La gran vagina] 1966
painting
Enamel and oil paint on canvas
object: 821 x 997 mm
Private collection
Provenance:
The artist;
Gifted by the above to Private collection in 1966.
Nationality of Artist: Catalonian
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Raymundo Colares
(1944 - 1986)

Raymundo Colares, Untitled, 1969

X50809
Untitled

[Sem Titulo] 1969
sculpture
Enamel paint on folded aluminium plate
unconfirmed: 1000 x 2310 x 150 mm
Coleção João Sattamini, loaned to Museu de Arte Contemporânea de Niterói
Provenance:
The artist;
João Sattamini
Acquired from the above by Museu de Arte Contemporânea de Niterói in 1996.
Nationality of Artist: Brazilian
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Henri Cueco
(born 1929)

Henri Cueco, The Red Men, bas-relief, 1969

X50867
The Red Men, bas-relief

[Les Hommes rouges, bas-relief] 1969
painting
Cold enamel glycerophtallic paint on plywood
object: 2600 x 3100 x 210 mm, 150 kg
Collection of the artist
Provenance:
The artist (from 1969 to present)
Nationality of Artist: French (born 1929)
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Henri Cueco, Large Protest, 1969

X50868
Large Protest

[Grande manifestation] 1969
sculpture
Fixed black iron tubes structure, 8 cut up plywood figures lacquered in white, black, and red with cold enamel glycerophtallic paint
object: 4000 x 6000 x 4000 mm, 260 kg
Collection of the artist
Provenance:
The artist (from 1969 to present)
Nationality of Artist: French (born 1929)
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Beatriz González
(born 1938, born: Bucaramanga)

Beatriz González, The Suicides of Sisga I, 1965

X53237
The Suicides of Sisga I

[Los suicidas del Sisga I] 1965
painting
Oil paint on canvas
unconfirmed: 1200 x 1000 mm
Collection of Diane and Bruce Halle
Provenance:
The artist;
Jorge Arenas Lamus, 1965;
By descent, Paula Arenas, 1990;
Acquired from the above by Private collection in 2015.
Nationality of Artist: Colombian
Identifying marks: signature on the front right bottom corner ‘B. Gonzalez 65’ and at the back lower part of the work: ‘"LOS SUICIDAS DEL SISGA" BEATRIZ GONZALEZ A 1965’.
Place of manufacture: not recorded
This work was made after the operative period 1933-45.
Exhibitions history: Beatriz González La comedia y la tragedia, Museo de Arte Moderno de Medellín, 2011-2012 ; Marca Registrada Salón Nacional de Artistas, Museo Nacional de Colombia, Bogotá, 2006 ; Señor presidente que honore star con usted en este momento histórico 1965-1997, Museo del Barrio, New Yok, 1998; Beatriz González Retrospectiva, Museo de Bellas Artes, Caracas, 1994; Beatriz González Retrospectiva 1962-1984, Museo de Arte Moderno de Bogotá, 1984; XVIII Salón Nacional de Artistas, Bogotá, 1965.

Eulàlia Grau
(born 1946)

Eulàlia Grau, Rich and Famous (Ethnography), 1972

X51011
Rich and Famous (Ethnography)

[Rics i famosos (Etnografia)] 1972
on paper, unique
Photographic emulsion and aniline on canvas
object: 1205 x 1245 mm
Private collection
Provenance:
Rich and Famous (Ethnography), 1972
X51011
-Provenance:
The artist;
From whom acquired by Private collection, 1972
Nationality of Artist: Spanish
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Eulàlia Grau, Miss and Gangsters (Ethnography), 1973

X51010
Miss and Gangsters (Ethnography)

[Misses i gàngsters (Etnografia)] 1973
painting
Photographic emulsion and paint on canvas
object: 1085 x 1158 mm
MACBA Collection. MACBA Consortium
Provenance:
The artist;
Purchased from the above by Consortium MACBA, 2009.
Nationality of Artist: Spanish
Identifying marks: not recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.
Exhibition history: Collecció MACBA. The Shadow of Speech. MACBA Collection, MACBA – Museu d’Art Contemporani de Barcelona at the National Museum of Contemporary Art in Korea (Seoul), 13/07/2010 – 03/10/2010; Modern i present. Canvi de segle a la Collecció MACBA, MACBA – Museu d’Art Contemporani de Barcelona, 11/02/2011 – 04/09/2011; Volum! Obres de les colleccions de la Fundació ‘la Caixa’ i del MACBA, MACBA – Museu d’Art Contemporani de Barcelona, 09/11/201 – 23/04/2012; Genealogías feministas en el arte del territorio español: 1960-2010, MUSAC, Museo de Arte Contemporáneo de Castilla t León, 01/06/2012 – 31/01/2013.

Eulàlia Grau, Nixon (Ethnography), 1973

X51013
Nixon (Ethnography)

[Nixon (Etnografia)] 1973
painting
Photographic emulsion on canvas
object: 1125 x 570 mm
Private collection
Provenance:
The artist;
From whom acquired by Private collection, 1973
Nationality of Artist: Spanish
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Eulàlia Grau, Office (Ethnography), 1973

X51014
Office (Ethnography)

[Oficina (Etnografia)] 1973
painting
Photographic emulsion and aniline on canvas
object: 1635 x 1025 mm
Private collection
Provenance:
The artist;
From whom acquired by Private collection, 1973
Nationality of Artist: Spanish
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Eulàlia Grau, Panic (Ethnography), 1973

X51024
Panic (Ethnography)

[Pànic (Etnografia)] 1973
painting
Photographic emulsion, aniline and acrylic paint on canvas
object: 9850 x 1200 mm
Private collection
Provenance:
The artist;
From whom acquired by Private collection, 1973
Nationality of Artist: Spanish
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Eulàlia Grau, Vacuum cleaner (Ethnography), 1973

X51027
Vacuum cleaner (Ethnography)

[Aspiradora (Etnografia)] 1973
painting
Photographic emulsion and paint on canvas
object: 1640 x 1100 mm
MACBA Collection. MACBA Consortium
Provenance:
The artist;
Purchased from the above by Consortium MACBA, 2009.
Nationality of Artist: Spanish
Identifying marks: not recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.
Exhibition history: Collecció MACBA, MACBA – Museu d’Art Contemporani de Barcelona, 29/04/2009 – 31/08/2009; Collecció MACBA. The Shadow of Speech. MACBA Collection, MACBA – Museu d’Art Contemporani de Barcelona at the National Museum of Contemporary Art in Korea (Seoul), 13/07/2010 – 03/10/2010; Eulàlia Grau. Mai no he pintat àngels daurats, MACBA – Museu d’Art Contemporani de Barcelona, 07/02/2013 – 30/06/2010.

Eulàlia Grau, Chicks and Cops (Ethnography), 1973

X51028
Chicks and Cops (Ethnography)

[Donetes i polis (Etnografia)] 1973
painting
Photographic emulsion, aniline and acrylic paint on canvas
object: 1705 x 1205 mm
Private Collection
Provenance:
The artist;
From whom acquired by Private collection, 1973
Nationality of Artist: Spanish
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Jozef Jankovic
(born 1937)

Jozef Jankovic, Private Manifestation, 1968

X57210
Private Manifestation

[Súkromná manifestácia] 1968
sculpture
Wood, plaster, fabric and polyester
object: 2410 x 900 x 500 mm, less than 100 kg
Meulensteen Collection
Provenance:
The artist;
Purchased from the above by Gerard Meulensteen in 2007.
Nationality of Artist: Slovakian
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.
Bibliography: Mojžiš, J., Jozef Jankovič, Arcus Edtion Danubiana, 2007, p. 133.
Exhibition history: Jankovič, Galéria mesta Bratislavy, Bratislava, 1968; Jankovič, Stará radnica, Brno, 1990; Jankovič, Stredoslovenská galéria, Banská Bystrica, 1990; Jankovič, Ernst museum, Budapest, 1990; Jankovič, Galéria mesta Bratislavy, Bratislava, 1990; Jankovič, Slovenská národná galéria, Bratislava, 1997; Jankovič, Státní hrad Bítov, 2003; Jankovič, Pamätník SNP, Banská Bystrica, 2004; Jankovič, Bunkier sztuki, Krakow, 2005; Od sadry k žuvačke, Nitrianská galéria, 2009; Jozef Jankovič. Testimony on the Edge, Danubiana Meulensteen Art Museum, Bratislava, 2010; The Collectors Sho, Van Abbemuseum, Eindhoven, 2011-2; Jankovič. Beautiful Art, Danubiana Meulensteen Art Museum, Bratislava, 2012.

Nicola L
(born 1932)

Nicola L, Red Coat, 1969

X51071
Red Coat

1969
sculpture
Vinyl, eleven slits and eleven nodded jackets
object: 500 x 300 mm
Collection of the artist
Provenance:
The artist (from 1969 to present)
Nationality of Artist: French
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Nicola L, Little TV Woman: 'I Am the Last Woman Object', 1969

X51206
Little TV Woman: 'I Am the Last Woman Object'

1969
installation
Vinyl, wood and a television
object: 1115 x 500 x 450 mm, 30 kg
Collection Xavier Gellier
Provenance:
The artist;
Alain Grizot (Galerie 1950), 1980
Purchased by Xavier Gellier from Etude Binoche et Godeau, Paris, 1991.
Nationality of Artist: French
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Uwe Lausen
(1941 - 1970)

Uwe Lausen, Geometer, 1965

X50888
Geometer

1965
painting
Synthetic resin paint on canvas
object: 1805 x 2210 mm frame: 18400 x 22450 x 550 mm, 10 kg
DASMAXIMUM, Traunreut
Provenance:
The artist;
Galerie Heiner Friedrich, Munich, 1972;
Galerie Schlichtenmaier, Stuttgart, 2005;
Galerie Michael Haas, Berlin;
CFA, Berlin;
Acquired from the above by Das Maximum in 2006.
Nationality of Artist: German (1941-1970)
Identifying marks: Signature on the right front of the work: ‘LAUSEN / DEZ 65’, label at the back and stamp of Staatsgalerie Stuttgart, CFA, Berlin and of Galerie Michael Haas, Berlin.
Place of manufacture: not recorded
This work was made after the operative period 1933-45.
Exhibitions history: Galerie Friedrich & Dahlem, Munich, 1966; Junge Generation, Berlin, 1966; Figurationen, Stuttgart, 1967; Galerie Ruth Berner, Stuttgart, 1971; Lenbachhaus, Munich, 1984; Galerie Lore Saussele, Bietigheim-Bissingen, 1968; Galerie Schlichtenmaier, Grafenau, 2005; CFA, Berlin, 2006; Akademie der bildenden Künste, Vienna, 2007; Schirn, Frankfurt am Main, 2010.

Isabel Oliver

Isabel Oliver, Surgery (from the series The Woman), 1970-1973

X51048
Surgery (from the series The Woman)

[Cirurgía (serie La Mujer )] 1970-1973
painting
Acrylic paint on canvas
object: 980 x 980 x 20 mm frame: 1060 x 1060 x 4.3 mm
Collection of the artist
Provenance:
The artist (from 1970 to present)
Nationality of Artist: Spanish, born 1946 in Valencia.
Identifying Marks: none recorded
Place of Manufacture: Valencia, Spain.
This work was made after the operative period 1933-45.

Isabel Oliver, Beauty Products (from the series The Woman), 1970-1973

X51049
Beauty Products (from the series The Woman)

[Cosmética (serie La Mujer)] 1970-1973
painting
Acrylic paint on canvas
object: 980 x 980 x 20 mm frame: 1020 x 1020 x 35 mm, 2.5 kg
Collection of the artist
Provenance:
The artist (from 1970 to present)
Nationality of Artist: Spanish, born 1946 in Valencia.
Identifying Marks: none recorded
Place of Manufacture: Valencia, Spain.
This work was made after the operative period 1933-45.
Exhibitions history: ‘Genealogías feministas en el arte español: 1960-2010’, Museo de Arte Contemporáneo de Castilla y León (MUSAC), 23 June 2012 – 24 February 2013.

Isabel Oliver, Happy Reunion (from the series The Woman), 1971-1973

X51050
Happy Reunion (from the series The Woman)

[Reunión feliz (serie La Mujer)] 1971-1973
painting
Acrylic paint on canvas
object: 980 x 980 x 20 mm frame: 1000 x 1000 x 20 mm, 3.1 kg
Collection of the artist
Provenance:
The artist (from 1970 to present)
Nationality of Artist: Spanish, born 1946 in Valencia.
Identifying Marks: none recorded
Place of Manufacture: Valencia, Spain.
This work was made after the operative period 1933-45.
Exhibitions history: 100 años en femenino. Una historia de las mujeres en España, Centro Cultural Conde Duque, Madrid (8 March – 20 May 2012).

Isabel Oliver, The Family (from the series The Woman), 1971-1973

X51051
The Family (from the series The Woman)

[La Familia (serie La Mujer)] 1971-1973
painting
Acrylic paint on canvas
object: 980 x 980 x 20 mm frame: 1060 x 1060 x 30 mm, 4.3 kg
Collection of the artist
Provenance:
The artist (from 1970 to present)
Nationality of Artist: Spanish, born 1946 in Valencia.
Identifying Marks: none recorded
Place of Manufacture: Valencia, Spain.
This work was made after the operative period 1933-45.

Isabel Oliver, It is a Girl (from the series The Woman), 1970-1973

X57479
It is a Girl (from the series The Woman)

[Es niña (serie La Mujer)] 1970-1973
painting
Acrylic paint on canvas
object: 980 x 980 x 20 mm frame: 1080 x 1080 x 30 mm, 3.5 kg
Collection of the artist
Provenance:
The artist (from 1970 to present)
Nationality of Artist: Spanish, born 1946 in Valencia.
Identifying Marks: none recorded
Place of Manufacture: Valencia, Spain.
This work was made after the operative period 1933-45.

Joe Overstreet
(born 1933)

Joe Overstreet, The New Jemima, 1964, 1970

X53637
The New Jemima

1964, 1970
sculpture
Acrylic paint on fabric over plywood construction
object: 2600 x 1543 x 438 mm
The Menil Collection, Houston
Provenance:
The artist;
Acquired by Menil Foundation, Inc. in 1970.
Nationality of Artist: American
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Maria Pininska-Beres
(1931 - 1999)

Maria Pininska-Beres, Love Machine, 1969

X53648
Love Machine

[Maszynka milosci] 1969
sculpture
Wood, plywood, papier mâché, metal handle, tempera, assemblage
object: 940 x 635 x 710 mm
Muzeum Narodowe we Wroclawiu (The National Museum in Wroclaw)
Provenance:
The artist;
Purchased from the above by the National Museum in Wrocław in 1986.
Nationality of Artist: Polish
Identifying marks: Signature underneath: ‘M. Maria Pinińska-Bereś’
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Maria Pininska-Beres, Screen, 1973

X53650
Screen

[Parawan] 1973
sculpture
Plywood, canvas, tempera, assemblage
object: 1940 x 1320 x 630 mm
Muzeum Narodowe we Wroclawiu (The National Museum in Wroclaw)
Provenance:
The artist;
Purchased from the above by the National Museum in Wrocław in 1974.
Nationality of Artist: Polish
Identifying marks: Signature bottom right, back side: ‘Maria Pinińska-Bereś 1973’
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Joan Rabascall
(born 1935)

Joan Rabascall, Atomic Kiss, 1968

X51029
Atomic Kiss

1968
painting
Acrylic paint on canvas
object: 1620 x 970 mm
MACBA Collection. Barcelona City Council Fund
Provenance:
The artist;
Ajuntament de Barcelona;
Long term loan from Ajuntament de Barcelona to MABCA, 2008.
Nationality of Artist: Spanish
Identifying marks: signature front-side, bottom left corner: ‘Rabascall’
Place of manufacture: not recorded
This work was made after the operative period 1933-45.
Exhibition history: Temps com a matèria. Collecció MACBA, MACBA – Museu d’Art Contemporani de Barcelona, 15/05/2009 – 31/08/2009; Joan Rabascall. Produktion 1964-1982, Studienzentrum, Museum für moderne Kunst, Weserburg, 31/10/2009 – 14/02/2010; Genealogías feministas en el arte del territorio español: 1960-2010, MUSAC, Museo de Arte Contemporáneo de Castilla t León, 01/06/2012 – 31/01/2013; Art Dos Punts. Barcelona viu l’Art Contemporani, MACBA – Museu d’Art Contemporani de Barcelona, 18/07/2013 – 31/08/2014.

Dorothée Selz
(born 1946)

Dorothée Selz, Relative Mimetism - Woman with Boots and Lamp, 1973

X51030
Relative Mimetism - Woman with Boots and Lamp

[Mimétisme relatif - Femme avec bottes et lampadaire] 1973
sculpture
Gelatine silver print and coloured mortar on wood
object, each: 300 x 360 x 30 mm
MACBA Collection. MACBA Consortium
Provenance:
The artist;
Purchased from the above by Consortium MACBA, 2011.
Nationality of Artist: French
Identifying marks: signature at the back on the work, top right corner: ‘Dorothée Selz. Mimétisme Relatif 1973-1976 Femme avec bottes et lampadaire’
Place of manufacture: not recorded
This work was made after the operative period 1933-45.
Exhibitions history: Modern i present. Canvi de segle a la Collecció MACBA, MACBA – Museu d’Art Contemporani de Barcelona, 11/02/2011 – 04/09/2011; Episodis Crítics (1957-2011), MACBA – Museu d’Art Contemporani de Barcelona, 08/11/2012 – 06/01/2013.

Dorothée Selz, Relative Mimetism - Panther Woman, 1973

X51031
Relative Mimetism - Panther Woman

[Mimétisme relatif - Femme panthère] 1973
sculpture
Gelatine silver print and coloured mortar on wood
object, each: 300 x 360 x 30 mm
MACBA Collection. MACBA Consortium
Provenance:
The artist;
Purchased from the above by Consortium MACBA, 2011.
Nationality of Artist: French
Identifying marks: signature at the back on the work: ‘Dorothée Selz. Mimétisme Relatif 1973-1976 Femme panthère’
Place of manufacture: not recorded
This work was made after the operative period 1933-45.
Exhibitions history: Modern i present. Canvi de segle a la Collecció MACBA, MACBA – Museu d’Art Contemporani de Barcelona, 11/02/2011 – 04/09/2011; Genealogías feministas en el arte del territorio español: 1960-2010, MUSAC, Museo de Arte Contemporáneo de Castilla t León, 01/06/2012 – 31/01/2013.

Dorothée Selz, Relative Mimetism - 'The Vargas Girl' Woman after Vargas, 1973

X51032
Relative Mimetism - 'The Vargas Girl' Woman after Vargas

[Mimétisme relatif - Femme "The Vargas Girl" d'après Vargas] 1973
sculpture
Gelatine silver print and coloured mortar on wood
object, each: 360 x 300 mm
MACBA Collection. MACBA Consortium
Provenance:
The artist;
Purchased from the above by Consortium MACBA, 2011.
Nationality of Artist: French
Identifying marks: signature at the back on the work, top: ‘Dorothée Selz. "Mimétisme Relatif" The Vargas Girl 1973-1976’
Place of manufacture: not recorded
This work was made after the operative period 1933-45.
Exhibitions history: Episodis Crítics (1957-2011), MACBA – Museu d’Art Contemporani de Barcelona, 08/11/2012 – 06/01/2013.

Teresinha Soares
(born 1927)

Teresinha Soares, So Many Men Die and I Am Here So Lonely (from the series Vietnam), 1968

X50855
So Many Men Die and I Am Here So Lonely (from the series Vietnam)

[Morrem tantos homens e eu aqui tão só (Série Vietnã)] 1968
painting
Mixed media
object: 1175 x 1525 mm
Collection Universidade Federal de Minas Gerais (UFMG)
Provenance:
The artist;
Gift from the above to Universidade Federal de Minas Gerais (UFMG), November 1970.
Nationality of Artist: Brazilian (born 1927)
Identifying marks: none recorded
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Joe Tilson
(born 1928, born: London)

Joe Tilson, Page 9 Black Dwarf, 1969

X58417
Page 9 Black Dwarf

1969
sculpture
Screenprint on canvas on wood relief
object: 1867 x 1250 mm
Private collection
Provenance:
The artist;
Waddington Custot Galleries, April 2010;
Purchased from the above by Private collection in 2015.
Nationality of Artist: British
Identifying marks: stencilled ‘JOE TILSON’ and signed, dated and titled on revers ‘Joe Tilson 1969’ ‘Page 9 BLACK DWARF’
Place of manufacture: not recorded
This work was made after the operative period 1933-45.

Joe Tilson, Page 18 Muhammad Speaks, 1969-1970

X54180
Page 18 Muhammad Speaks

1969-1970
sculpture
Screenprint and oil paint on canvas on wood relief
object: 1870 x 1260 mm
Courtesy Galleria Tega, Milano, Italy
Provenance:
The artist;
Waddington Custot Galleries
Acquired from the above by Galleria Tega, Milano, in July 2008.
Nationality of Artist: British.
Identifying marks: Signed, dated and titled on the reverse 'Joe Tilson 1969' 'Page 18: Muhammad speaks' and stenciled 'JOE TILSON'
Place of manufacture: not recorded
This work was made after the operative period 1933-45.
Exhibitions history:
Marlborough New London Gallery, London, 'Joe Tilson: Pages', March-April 1970, cat. n. 18; Museum Boymans-van Beuningen, Rotterdam, 'Tilson', November 1973-January 1974, cat. n 51; Salone delle Scuderie in Pilotta, Istituto di storia dell'arte, Universita di Parma, 'Joe Tilson', December 1974-January 1975, cat. fig. 103; Centre national d'art et de culture Georges Pompidou, Paris, 'Face a l'Histoire 1933-1996', December 1996-April 1997, pp. 410 & 610; Peter Gwyther Gallery, London, 'Joe Tilson: Pop paintings and prints', November-December 1999; Royal Academy of Arts, London, 'Tilson: Pop to Present', March-April 2002, cat. n. 19; Museo de Bellas artes de Bilbao, 'British Pop', October 2005-February 2006, cat. n. 107, pp.319-320; Waddington Galleries, London, 'Tilson', March-April 2007, cat. 9

Frank Auerbach

Tate Britain (London, UK) from 09 Oct 2015 until 13 Mar 2016.

Frank Auerbach
(born 1931, born: Berlin, active: London)

Frank Auerbach, E.O.W., S.A.W. and J.J.W. in the Garden II, 1964

X48026
E.O.W., S.A.W. and J.J.W. in the Garden II

1964
painting
Oil on board
support: 1905 x 1524 mm
Private collection
Provenance:
Beaux Arts Gallery, London;
Marlborough Fine Art, London;
Private collection, London (acquired from above 1978);
Private collection, Connecticut (acquired from above)
Nationality of artist: British, born Germany (1931)
Identifying marks: Not recorded
Place of Manufacture: London, UK
This work was made after the operative period 1933-45.

Frank Auerbach, Mornington Crescent, 1967

X48031
Mornington Crescent

1967
painting
Oil paint on board
support: 1219 x 1473 mm frame: 1270 x 1524 x 64 mm
Lent by The Metropolitan Museum of Art, Anonymous Gift, 1978 (1978.152)
Provenance:
The Metropolitan Museum of Art, New York (anonymous gift 1978)
Nationality of artist: British, born Germany (1931)
Identifying marks: Not recorded
Place of Manufacture: London, UK
This work was made after the operative period 1933-45.

Frank Auerbach, Portrait of Catherine Lampert, 1981-82

X48044
Portrait of Catherine Lampert

1981-82
painting
Oil on board
support: 714 x 613 mm
Private collection, New York
Provenance:
Marlborough Fine Art, London
Private collection, New York (acquired from above c.1983)
Nationality of artist: British, born Germany (1931)
Identifying marks: Not recorded
Place of Manufacture: London, UK
This work was made after the operative period 1933-45.

Frank Auerbach, J.Y.M. Seated in the Studio II, 1988

X50719
J.Y.M. Seated in the Studio II

1988
painting
Oil paint on canvas
support: 660 x 711 mm
Private collection, courtesy Marlborough Fine Art
Provenance:
Marlborough Fine Art, London;
Private collection, Switzerland (acquired from above 1988)
Nationality of artist: British, born Germany (1931)
Identifying marks: Not recorded
Place of Manufacture: London, UK
This work was made after the operative period 1933-45.

Frank Auerbach, Head of J.Y.M., 1990

X57674
Head of J.Y.M.

1990
on paper, unique
Charcoal, chalk and Indian ink on paper
unconfirmed: 575 x 765 mm
Private collection
Provenance:
Marlborough Fine Art, London;
Private collection, USA (acquired from above 1990)
Nationality of artist: British, born Germany (1931)
Identifying marks: Signed lower left: Auerbach 90
Place of Manufacture: London, UK
This work was made after the operative period 1933-45.

Frank Auerbach, Mornington Crescent Looking South, 1996

X53992
Mornington Crescent Looking South

1996
painting
Oil paint on canvas
support: 1403 x 1276 mm
Private collection
Provenance:
Marlborough Fine Art, London;
Ivor Braka, London (acquired from above 2001);
Private collection, USA (acquired from above)
Nationality of artist: British, born Germany (1931)
Identifying marks: Not recorded
Place of Manufacture: London, UK
This work was made after the operative period 1933-45.

Frank Auerbach, Reclining Head of Julia II, 1997

X48408
Reclining Head of Julia II

1997
painting
Acrylic on board
support: 546 x 685 mm
Private collection
Provenance:
Marlborough Fine Art, London;
Private collection, USA (acquired from above 2001)
Nationality of artist: British, born Germany (1931)
Identifying marks: Not recorded
Place of Manufacture: London, UK
This work was made after the operative period 1933-45.

Frank Auerbach, Next Door III, 2011-12

X49290
Next Door III

2011-12
painting
Oil paint on canvas
support: 1324 x 1175 mm
Private collection
Provenance:
Marlborough Fine Art, London;
Private collection, USA (acquired from above 2012)
Nationality of artist: British, born Germany (1931)
Identifying marks: Not recorded
Place of Manufacture: London, UK
This work was made after the operative period 1933-45.

Frank Auerbach, Self-Portrait, 2014

X53993
Self-Portrait

2014
on paper, unique
Graphite on paper
image: 781 x 571 mm
Private collection, courtesy Marlborough Fine Art
Provenance:
Marlborough Fine Art, London;
Private collection, Switzerland (acquired from above 2014)
Nationality of artist: British, born Germany (1931)
Identifying marks: Signed lower left: Auerbach 2014
Place of Manufacture: London, UK
This work was made after the operative period 1933-45.

Alexander Calder: Performing Sculpture

Tate Modern (London, UK) from 09 Nov 2015 until 03 Apr 2016.

Alexander Calder
(1898-1976, born: Philadelphia, died: New York)

Alexander Calder, The Brass Family, 1929

X53195
The Brass Family

1929
sculpture
Brass wire and painted wood
unconfirmed: 1702 x 1045 x 225 mm
Whitney Museum of American Art, New York; Gift of the artist 69.255
Provenance:
The artist;
Gifted to the Whitney Museum of American Art,1969.

Nationality of Artist: American
Identifying marks:
Place of manufacture: France
Catalogue Raisonné: Joan Simon and Brigitte Leal ‘Alexander Calder: The Paris Years 1926-1933, Whitney Museum of American Art, New York, Centre Pompidou, Paris, Yale University Press, New Haven and London, 2008, p. 168/282

Alexander Calder, Varèse, c. 1930

X53196
Varèse

c. 1930
sculpture
Wire
unconfirmed: 381 x 298 x 318 mm
Whitney Museum of American Art, New York; 50th Anniversary Gift of Mrs. Louise Varèse in honor of Gertrude Vanderbilt Whitney 80.25
Provenance:
The artist;
Gifted to the collection of Louise Varèse, New York by the artist;
Gifted to the Whitney Museum of American Art by Louise Varèse, 1980.
Nationality of the artist: American
Identifying marks:
Place of manufacture: France
Catalogue Raisonné: Joan Simon and Brigitte Leal ‘Alexander Calder: The Paris Years 1926-1933’, Whitney Museum of American Art, New York, Centre Pompidou, Paris, Yale University Press, New Haven and London, 2008, p. 85/283.

Alexander Calder, Many, 1931

X53176
Many

1931
on paper, unique
Ink on paper
unconfirmed: 497 x 648 mm
The Museum of Modern Art, New York; Gift of Mr. and Mrs. Klaus G. Perls, 1968
Provenance:
The artist;
Acquired by the Museum of Modern Art, New York through Mr. and Mrs. Klaus G. Perls, 1968.
Nationality of the artist: American
Identifying marks:
Place of manufacture: not recorded
Catalogue Raisonné: Marla Prather ‘Alexander Calder, 1898-1976’, National Gallery of Art Washington, National Gallery of Art, 1998, p. 95.

Alexander Calder, Sphérique I, 1931

X53212
Sphérique I

1931
sculpture
Steel wire and brass with painted wood base
unconfirmed: 1005 x 324 x 318 mm
Whitney Museum of American Art, New York; Purchase, with funds from the Howard and Jean Lipman Foundation, Inc. 70.12
Provenance:
The artist;
Gifted to the collection of Georges Hugnet, 1932;
Acquired by the Whitney Museum of American Art through Perls Gallery, New York, 1970.
Nationality of the artist: American
Identifying marks:
Place of manufacture: France
Catalogue Raisonné: Joan Simon and Brigitte Leal ‘Alexander Calder: The Paris Years 1926-1933’, Whitney Museum of American Art, New York, Centre Pompidou, Paris, Yale University Press, New Haven and London, 2008, p. 241/283

Alexander Calder, On the High Wire, 1932

X53191
On the High Wire

1932
on paper, unique
Pen and ink on paper
unconfirmed: 510 x 629 mm
Whitney Museum of American Art, New York; Gift of Howard and Jean Lipman 81.23.3
Provenance:
The artist;
Acquired by the collection of Howard and Jean Lipman through Perls Gallery, New York, 1963;
Gifted to the Whitney Museum of American Art by Howard and Jean Lipman, 1981.
Nationality of the artist: American
Identifying marks:
Place of manufacture: not recorded
Catalogue Raisonné: Joan Simon and Brigitte Leal ‘Alexander Calder: The Paris Years 1926-1933’, Whitney Museum of American Art, New York, Centre Pompidou, Paris, Yale University Press, New Haven and London, 2008, p. 173/284.

Alexander Calder, A Universe, 1934

X53169
A Universe

1934
sculpture
Painted iron pipe, steel wire, motor, and wood with string
unconfirmed: 1029 x 762 mm
The Museum of Modern Art, New York; Gift of Abby Aldrich Rockefeller (by exchange), 1934 Accession number: 163.1934
Provenance:
The artist;
Gifted to the Museum of Modern Art, New York by Abby Aldrich Rockefeller, 1934.
Nationality of Artist: American
Identifying marks:
Place of manufacture: United States
Catalogue Raisonné: Marla Prather ‘Alexander Calder, 1898-1976’, National Gallery of Art Washington, National Gallery of Art, 1998, p. 109.

Alexander Calder, Hourglass, 1941

X53437
Hourglass

1941
sculpture
Wire, lead and paint
unconfirmed: 1524 x 559 x 419 mm
The Lipman Family Foundation
Provenance:
The artist;
Acquired by the collection of Howard and Jean Lipman through Perls Gallery, New York, 1980;
Bequeathed to the Lipman Family Foundation, 1998.
Nationality of the artist: American
Identifying marks:
Place of manufacture: not recorded
Catalogue Raisonné: Marla Prather ‘Alexander Calder, 1898-1976’, National Gallery of Art Washington, National Gallery of Art, 1998, p. 188, Joan Simon and Brigitte Leal ‘Alexander Calder: The Paris Years 1926-1933, Whitney Museum of American Art, New York, Centre Pompidou, Paris, Yale University Press, New Haven and London, 2008, p. 173/284.

Alexander Calder, Morning Star, 1943

X53170
Morning Star

1943
sculpture
Painted sheet steel, steel wire, and painted and unpainted wood
unconfirmed: 1948 x 1228 x 1160 mm
The Museum of Modern Art, New York; Gift of the artist, 1966 Accession number: 848.1966
Provenance:
The artist;
Gifted to the Museum of Modern Art, New York by the artist, 1966.
Nationality of the artist: American
Identifying marks:
Place of manufacture: United States
Catalogue Raisonné: Marla Prather ‘Alexander Calder, 1898-1976’, National Gallery of Art Washington, National Gallery of Art, 1998, p. 203.

Alexander Calder, Snow Flurry I, 1948

X53177
Snow Flurry I

1948
sculpture
Painted steel sheet and steel wire
unconfirmed: 2387 x 2088 mm
The Museum of Modern Art, New York; Gift of the artist, 1966 Accession number: 390.1966.a-c
Provenance:
The artist;
Gifted to the Museum of Modern Art, New York by the artist, 1966.
Nationality of the artist: American
Identifying marks:
Place of manufacture: United States