Art Term

Kinetic art

Kinetic art is art that depends on motion for its effects

Alexander Calder, ‘Antennae with Red and Blue Dots’ c.1953
Alexander Calder
Antennae with Red and Blue Dots c.1953
Tate
© ARS, NY and DACS, London 2017

The word kinetic means relating to motion. Since the early twentieth century artists have been incorporating movement into art. This has been partly to explore the possibilities of movement, partly to introduce the element of time, partly to reflect the importance of the machine and technology in the modern world and partly to explore the nature of vision.

Movement has either been produced mechanically by motors, as in kinetic art pioneer Naum Gabo’s Standing Wave of 1919–20; or by exploiting the natural movement of air in a space – referred to as mobiles. Alexander Calder began to create mobiles from around 1930.

Kinetic art became a major phenomenon of the late 1950s and the 1960s. In the 1960s artists such as Bridget Riley and Victor Vasarely experimented with geometric shapes that distort the viewer’s perception, creating artworks which, although static, give the impression of movement. (See the glossary definition for op art)

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selected artists in the collection

selected artworks in the collection

kinetic art at tate

Tate St Ives Exhibition

Naum Gabo

8 Jul – 13 Oct 2002
Naum Gabo past Tate St Ives exhibition, a selected survey of sculptures from the Tate Collection
Tate Modern Exhibition

Alexander Calder: Performing Sculpture

11 Nov 2015 – 3 Apr 2016

American sculptor Alexander Calder was a radical figure who pioneered kinetic sculpture, bringing movement to static objects