Piper's landscapes never include people, and the figures in his stained glass designs are almost always copied from other artists, but he has always drawn from the nude. Later he also photographed nudes and from 1967 published collages of these as screenprints. This wartime drawing is unusually large for his life studies. The figure was drawn out of doors, and she is given the illumination of an extensive landscape before a storm, or even during a storm. As with Moore's carvings of reclining nudes, there is a sense that woman as source of life is a part of the structure of the earth.