View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
Matthieu Pinette identifies this sketch as an easterly view away from Le Tréport towards the beach at Mers-les-Bains.1 Two sets of high chalk cliffs are divided by the Bois-de-Cise, indicated by calligraphic, liquid blue watercolour. Ian Warrell speculates that the large red angular structure in the middle distance is a temporary fortification associated with the Queen Victoria’s contemporary visit to nearby Eu.2 For the possible connection between Turner’s final trip and this royal event see the Introduction to this tour.
Blank; except for patches of watercolour and endorsement marks. ‘45’ is inscribed in blue pencil at the centre of the sheet and ‘JR’ in pencil towards the bottom left.
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