after Joseph Mallord William Turner

Loch Katrine

1834

View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms

Artist
After Joseph Mallord William Turner 1775–1851
Medium
Line engraving on paper
Dimensions
Image: 88 x 137 mm
Collection
Tate
Acquisition
Purchased 1988
Reference
T05144

Catalogue entry

[from] Scott's ‘Poetical Works’ pub.1833–4 [T04947-T04960; T05134-T05145; complete]


Twelve line-engravings, by various engravers and in various states, comprising twelve subjects out of a total of twenty-four; various papers and sizes; some stamped with Turner studio blind stamp
Purchased (Grant-in-Aid) 1988
Prov: ...; N.W. Lott and H.J. Gerrish Ltd, from whom bt by Tate Gallery
Lit: Mordechai Omer, Turner and the Poets, exh. cat., Marble Hill House 1975; Gerald Finley, Landscapes of Memory: Turner as Illustrator to Scott, 1980; Turner in Scotland, exh. cat., Aberdeen Art Gallery 1982; Andrew Wilton, Turner in his Time, 1987; John Gage. J.M.W. Turner: 'A Wonderful Range of Mind', 1987

For details of the series see introduction to T04947-T04960. The engravers responsible for the plates in this group were: William Miller (1796–1882), Edward Goodall (1795–1870), Robert Wallis (1794–1878), James Tibbetts Willmore (1800–63) and William John Cooke (1797–1865).


T05144 Loch Katrine engr. W. Miller, pub.1834

Line-engraving 88 × 137 (3 7/16 × 5 3/8) on India paper laid on wove paper 278 × 426 (10 15/16 × 16 3/4); plate-mark 152 × 210 (6 × 8 1/4)
Engraved inscriptions: ‘J.M.W. Turner. R,A’ below image b.l., ‘W, Miller’ below image b.r., ‘Edinburgh, 1834, R Cadell, & Moon, Boys & Graves, Pall Mall, London’ below image at bottom centre
Lit: Rawlinson II 1913, no.507, first published state

Published: Vol.VIII, 1834, ‘The Lady of the Lake’, frontispiece. Original watercolour: British Museum (Wilton 1979, no.1084).

Published in:
Tate Gallery: Illustrated Catalogue of Acquisitions 1986-88, London 1996