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With the sketchbook turned horizontally, Turner filled the centre of this page with a view of the Seine as it flows out of Paris. The scene has been identified as Passy, a little to the east of the city.1 In his 1909 inventory, A.J. Finberg transcribed the note in the upper right-hand quadrant of the page as ‘Cyp’, implicitly suggesting that Turner wished to connect his impressions of the scene with the landscapes of the seventeenth-century Dutch painter Aelbert Cuyp.2 Several art historians subsequently connected this note to multiple comparable notes on Cuyp in other sketchbooks.3
Ian Warrell, Turner on the Loire, exhibition catalogue, Tate Gallery, London 1997, p. 237.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.758.
Jack Lindsay, J.M.W. Turner: His Life and Work: A Critical Biography, London 1966, pp.54, 226 note 25; Evelyn Joll, Martin Butlin and Luke Herrmann (eds.), The Oxford Companion to J.M.W. Turner, Oxford 2001, p.69.