View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
Having sketched Canty Bay and Bass Rock from above (folio 16; D13611; CLXVII 15), Turner then stepped down the bank to sketch the rocks at the west side of the bay. Bass Rock is again visible in the drawing at the far right, sketched in faint outline, and beyond the rocks is the conical-shaped North Berwick Law. The careful, detailed nature of the picture is comparable with some of Turner’s architectural studies in this sketchbook (for example folio 12; D13605; CLXVII 11), and demonstrates how he paid particular attention to novel features, while being much more economical with objects that had been recorded already. The sketch continues at the left with a few faint lines on folio 17 verso (D13613; CLXVII 16a).
Turner’s inscription, ‘Glen Beach’ is a name no longer used for the area, though there is a glen nearby, and the golf course to the west has been known as Glen Golf Club since 1930.