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Drawn with the page turned horizontally, like the sketch on folio 91 recto (D04106; Turner Bequest LXIX 92) this shows a sea rather more lively than the flat calm of most of the marine subjects in this book; it is possible that this, too, is related to the 1807 painting The Mouth of the Thames (destroyed).1
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.52 no.67, and see pl.77.
Blank; inscribed in pencil ‘749’.