Joseph Mallord William Turner The Mosel from the Hillside at Pallien, Looking Upstream with the Roman Bridge in the Distance and Trier Hidden behind the Trees on the Left 1824

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Artwork details

Title
The Mosel from the Hillside at Pallien, Looking Upstream with the Roman Bridge in the Distance and Trier Hidden behind the Trees on the Left
From Trèves and Rhine Sketchbook
Turner Bequest CCXVIII
Date 1824
Medium Graphite, watercolour, gouache and chalk on paper
Dimensions Support: 220 x 291 mm
Collection
Tate
Acquisition Accepted by the nation as part of the Turner Bequest 1856
Reference
D20148
Turner Bequest CCXVIII 10
View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms

Display caption

This sketchbook and another used on the Mosel in 1824 were the first ones with soft covers Turner took on a foreign tour. In these he made his more ambitious sketches in the towns where he stopped, sometimes finishing his work in colour. In both sketchbooks he prepared the pages with a grey wash so that his coloured drawings show a strong continuity, in technique as well as vision, with his depictions of the Rhine in 1817. In this distant view of Trier from across the Mosel Turner contrasts the vivid energy of nature - clouds and cliffs, trees and bushes - with the stability of Germany's oldest city, lying placidly at the centre.

September 2004

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