View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
The drawing continues across folio 6 recto opposite (D14498). The Turner scholar C.F. Bell annotated Finberg’s 1909 Inventory entry (‘View from Riva degli Schiavone; with Isola di S. Giorgio Maggiore and the Salute in the distance on the left’), crossing out ‘and the Salute in the distance’, adding: ‘Ponte del Vin & small houses to r.’1 Bell similarly annotated Finberg’s 1930 In Venice with Turner (‘View from the Riva degli Schiavoni, with S. Giorgio and Salute on the left’): ‘Ponte del Vin & small houses on the right’.2
This view is from a little further east along the Riva degli Schiavoni than in previous double-page drawings (folios 3 verso–5 recto; D14493–D14496). Beyond figures and shipping at the quay on the left, the campanile and dome of the church on the Isola di San Giorgio Maggiore are prominent to the south, with the dome and twin bell turrets of the Zittelle church beyond on the Isola della Giudecca to the south-west.
For other drawings made in the vicinity, see the sketchbook’s Introduction.
Undated MS note by C.F. Bell (died 1966) in copy of Finberg 1909, Tate Britain Prints and Drawings Room, I, p.516.
Undated MS note by Bell (before 1936) in copy of Finberg 1930, Prints and Drawings Study Room, British Museum, London, p.167, as transcribed by Ian Warrell (undated notes, Tate catalogue files).