View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
Across this and the facing page on folio 28 recto (D17411), Turner produces a panoramic view of Rochester from a position on the northern bank of the River Medway, near Strood. Keenly recording the breadth of the landscape as well as its evocative details, the result is a neatly realised and elaborate composition.
The present page considers Rochester itself. Beyond the waterway in the foreground, which is populated with several lightly rendered craft, the town sprawls across the full width of the sheet. At left, the Cathedral is distinguished by its tall spire. To the right of centre, the tower of Rochester Castle sits as a broad cube before the river. At far right, and crossing the gutter onto the facing folio, is Rochester Bridge. In the background, gently undulating rural topography rolls into the distance, dipping towards the gutter of the page.
For more information about Turner’s ongoing relationship with Rochester, and how and where he described it within the pages of this sketchbook, see the entry for folio 18 recto (D17394).
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After Joseph Mallord William Turner Rochester on the River Medway, engraved by T. Lupton
After Joseph Mallord William Turner Rochester, on the River Medway, engraved by T. Lupton