After Joseph Mallord William TurnerThe Thames at Mortlake 1836

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Artwork details

Artist
After Joseph Mallord William Turner (1775‑1851)
Title
The Thames at Mortlake
Date 1836
MediumLine engraving on paper
Dimensionsimage: 60 x 80 mm
Collection
Tate
Acquisition Purchased 1986
Reference
T04787
View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms

Catalogue entry

T04787 The Thames at Mortlake, from ‘The Book of Gems’ engr. W.J. Cooke

Line-engraving 60 × 80 (2 3/8 × 3 1/8) on India paper laid on wove paper 286 × 212 (11 1/4 × 8 5/16); plate-mark 230 × 152 (9 1/16 × 6)
Inscribed: see below
Purchased (Grant-in-Aid) 1986
Prov: ...; Sir Henry Theobald, sold Sotheby's 12 May 1925 (? in 180); ...; N.W. Lott and H.J. Gerrish Ltd, from whom bt by Tate Gallery
Lit: Rawlinson II 1913, no.644, engraver's proof (a)

Engraver's proof of plate published in vol.I, 1836, p.249, pl.42. Original oil painting: National Gallery of Art, Washington (Butlin and Joll 1984, no.239). For publication details of The Book of Gems, see T05203. The first volume of The Book of Gems included plates after Martin, Lawrence and Reynolds besides the Turner engraving. ‘The Thames at Mortlake’ was used to illustrate a poem describing the beauties of the Thames, ‘From Cooper's Hill’, by Sir John Denham. This early engraver's proof is listed as being unfinished in Rawlinson and is indeed inscribed in pencil ‘(before clouds below sun) etc.’… (read more)

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