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This is Turner’s most detailed drawing of Sunderland’s cast-iron bridge, made from downstream on the south bank of the Wear and looking north-east through its single arch. Inspired by the 1779 Iron Bridge at Coalbrookdale, Wearmouth Bridge opened in 1796, when it was the largest single span of its type at about 75 metres (250 feet), with a high arch to allow sailing ships to pass underneath. It was partially rebuilt by Robert Stephenson in the 1850s, and replaced on the same site by the current bridge, an arch with a suspended deck, in 1929.1 By then a railway bridge of a similar type had been built in parallel, just upstream.
The stone abutments had several storeys built into them; one full row of windows is marked in Turner’s drawing. The arch allowing access along the bank through the northern range is also lightly indicated beyond the sails on the right. There is a brief continuation of the toll house high on the southern approach to the bridge on folio 2 verso opposite (D12320). A wood engraving by Robert Johnson after Abraham Hunter shows the bridge from the same viewpoint, and a watercolour of 1849 by James Wood shows this downstream side in its wider context (both Tyne & Wear Museums).2
There are sketches of the bridge from upstream on folios 4 recto and 5 recto (D12323, D12325), and views of Sunderland Harbour on folios 1 recto and 2 recto (D12318, D12319). Finberg mistakenly identified the bridge’s setting as Newcastle;3 the correct identification has been made independently of the present author by Juliet Horsley of Tyne & Wear Museums.4
See R.W. Rennison, Northern England, Civil Engineering Heritage, 2nd ed. London 1996, pp.63–4, and ‘Local Studies Factsheet Number 7: The Wearmouth Bridge’, Sunderland City Council, accessed 10 August 2009, http://www
.sunderland. .gov .uk /libraries /Leaflets /Wearmouth%20Bridge .pdf
For images and captions, see Imagine: Tyne & Wear Collections online, accessed 11 August 2009, http://www
.imagine and http://www .org .uk /details /index .php ?id =TWCMS:E3482 .imagine respectively. .org .uk /details /index .php ?id =TWCMS:C12817
Finberg is followed by Eric Shanes, Turner’s England 1810–38, London 1990, pp.103, 284 note 75.
Email correspondence with Ian Warrell, 18 June 2008, Tate catalogue files.