Presented by Mrs Derwent Wood 1946.
Exh: Leicester Galleries, April–May 1926 (31–8); Works by the late Sir Hamo Thornycroft, R.A., and F. Derwent Wood, R.A., R.A., winter 1927 (19, 20, 21, 29, 35, 38, 43 and 46); Exhibition of Paintings by S. Isabel Dacre, Etchings by Francis Dodd, A.R.A., Statuary, Paintings and Drawings by F. Derwent Wood, R.A., Manchester, November 1927-January 1928 (195–202), as ‘Eight Sketches for a proposed Monument to Sir Joshua Reynolds’.
The studies are listed [N05647-N05654] in what seems to be a possible order of development:
N05648 Inscr. inside hollow cast ‘No.2 1926’ (? founder's mark).
Bronze, 8 1/2×3×3 (21×7·75×7·75), on green marble base, 4 1/2×4 1/2× 1/4 (11×11×1).
Shows Reynolds in almost the same pose as N05647, but as if he has just risen from his chair. His right hand holds brush and is gripping the chair-back. His painting smock is thrown across seat of chair, and under the chair are two large folio volumes. The pedestal is far less elaborate with no scrolls and a simple plaque in front.
According to the R.A. Reports for 1916–17 the Council of the Royal Academy decided 10 April 1916 upon the conditions of the competition for the proposed statue of Sir Joshua Reynolds to be put in the courtyard of Burlington House. Money for this was to come from the Leighton Fund, and two sculptor members, selected by ballot, were to be invited to submit models. Alfred Drury, R.A., and Derwent Wood, A.R.A. (as he then was), headed the poll. Drury submitted one model whilst Wood sent in two. The models were inspected by the Council on the 13 and 15 January 1917 and Drury was given the commission. Derwent Wood received 100 guineas. The scale of the models had to be 2 in.: 1 ft. and an estimate of the cost was also required by the Council. Drury's statue was not finished and put into place until 1931.
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, II
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