Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
In this photograph the artist has dressed herself in large crumpled sheets of paper, creating a ghostly form. This is one of a series of similar works by Woodman produced between 1977 and 1978 exploring the theme of angels, in which prolonged exposure is used to create a spectral blur. Taken in a deserted factory in Rome, Woodman uses abandoned debris to create an ethereal, mystical image in the tradition of Surrealism. The mythological theme of the angel is popular with Woodman and suggests a link with American fashion photographer Deborah Turbeville (born 1938). In the photograph she uses a mirror as a prop – it becomes a symbol of artistic self-reflexivity, reflecting the ‘eye’ of the camera back upon itself.