W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., London 1908 and 1913, p.280 under no.501.
Gerald E. Finley, ‘J.M.W. Turner and Sir Walter Scott: Iconography of a Tour’, Journal of the Warburg and Courtauld Institutes, 1972, vol.35, pp.369–70.
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, pp.100 cat.290, 102 under cat.308.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.121 under cat.121.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.428 no.1078 reproduced in black and white.
Gerald Finley, Landscapes of Memory: Turner as Illustrator to Scott, London 1980, pp.119 reproduced in black and white fig.48, 120, 240–2, 254.
Francina Irwin, Andrew Wilton, Gerald Finley and others, Turner in Scotland, exhibition catalogue, Aberdeen Art Gallery and Museum 1982, p.52 cat.69.
Anne Lyles and Diane Perkins, Colour into Line: Turner and the Art of Engraving, exhibition catalogue, Tate Gallery, London 1989, p.73 cat.73 reproduced in black and white.
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, p.44 cat.5 reproduced in black and white.