E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume I: Early Prose Writings 1834–1843, London 1903, pp.233, 244.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.380–1.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XXI: The Ruskin Art Collection at Oxford, London 1906, p.214.
A.J. Finberg, A Complete Inventory of the Drawings in the Turner Bequest, London 1909, vol.II, p.901, as ‘Padua: Moonlight’.
Adele Holcomb, ‘J.M.W. Turner’s Illustrations to the Poets’, unpublished Ph.D thesis, University of California, Los Angeles 1966, pp.38, 41.
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, no.115, as ‘Padua, Moonlight’.
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.440 no.1175, reproduced, as ‘Padua: a villa on the night of the Festa di Ballo’.
Cecilia Powell, ‘Turner’s vignettes and the making of Rogers’s “Italy” ’, Turner Studies, vol.3, no.1, Summer 1983, pp.4, 8.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.280 note 46, 287–8, 520 note 68,.
Ian Warrell, Turner: The Fourth Decade: Watercolours 1820–1830, exhibition catalogue, Tate Gallery, London 1991, no.56, pp.50, 55–6 reproduced.
Susan Phelps Gordon, Anthony Lacy Gully, Robert Hewison and others, John Ruskin and the Victorian Eye, exhibition catalogue, Phoenix Art Museum 1993, no.60, pp.82–3.
Jan Piggott, Turner’s Vignettes, exhibition catalogue, Tate Gallery, London 1993, no.9, pp.37, 82 reproduced, 97.
Katharine Lochnan, Luce Abélès, John House and others, Turner Whistler Monet, exhibition catalogue, Art Gallery of Ontario, Toronto 2004, no.8, pp.74, 84, reproduced (colour).
David Blayney Brown, Turner Watercolours, exhibition catalogue, Tate Britain, London 2007, p.79 reproduced (colour).