A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.594, CXCV 151, as ‘Two views of the top of Wren’s Monument, London Bridge, seen from below’.
Judy Egerton [and Clifford Ellis], ‘JMWT PP’: A Selection of Drawings Made by Turner to Illustrate his Royal Academy Lectures as Professor of Perspective, exhibition catalogue, Tate Gallery, London 1980, p..
Maurice Davies, Turner as Professor: The Artist and Linear Perspective, exhibition catalogue, Tate Gallery, London 1992, p.32 reproduced in colour fig.18.
Diane Perkins, The Third Decade, Turner Watercolours 1810–1820, exhibition catalogue, Tate Gallery, London 1990, p.22 reproduced.
Maurice William Davies, ‘J.M.W. Turner’s Approach to Perspective in His Royal Academy Lectures of 1811’, unpublished Ph.D thesis, Courtauld Institute of Art, London 1994, pp.252, 271.
David Blayney Brown, Klaus Albrecht Schröder, Evelyn Benesch and others, Joseph Mallord William Turner, exhibition catalogue, Bank Austria Kunstforum, Vienna 1997, p.188 reproduced in colour.
David B[layney] Brown, Yasuhide Shimbata and Hideko Numata, J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, exhibition catalogue, Yokohama Museum of Art 1997, p.85 reproduced in colour.