Turner’s Liber Studiorum. Photographs from the Thirty Original Drawings by J.M.W. Turner, R.A. in the South Kensington Museum. Published under the Authority of the Department of Science and Art, London and Manchester 1861, reproduced pl..
John Burnet and Peter Cunningham, Turner and his Works: Illustrated with Examples from his Pictures, and Critical Remarks on his Principles of Painting, 2nd ed., revised by Henry Murray, London 1859, p.121 no.13.
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians, London 1862 , vol.II, p.388 no.38.
[J.E. Taylor and Henry Vaughan], Exhibition Illustrative of Turner’s Liber Studiorum, Containing Choice Impressions of the First States, Etchings, Touched Proofs, together with the Unpublished Plates, and a Few Original Drawings for the Work, exhibition catalogue, Burlington Fine Arts Club, London 1872, p.35 under no.45.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue, London 1878, p.93 under no.45.
Rev. Stopford [Augustus] Brooke, Notes on the Liber Studiorum of J.M.W. Turner, R.A., revised ed., London 1885, pp.–54.
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians: A New Edition, London 1897, p.584 no.38.
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume VII: Modern Painters: Volume V, London 1903, pp.432, 433.
Ibid., Volume V: Modern Painters: Volume III, London 1904, p.399.
Ibid., Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.632 no.498.
Ibid., Volume XXI: The Ruskin Art Collection at Oxford: Catalogues, Notes, and Instructions, London 1906, p.219 (‘Catalogue of the Rudimentary Series’ in Instructions in Practice of Elementary Drawing ...).
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue. Second Edition, Revised Throughout, London 1906, p.109 under no.45.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.320, CXVII T.
Untitled typescript list of works relating to 1921 and 1922 Liber Studiorum exhibitions, [circa 1921], Tate exhibition files, Tate Archive TG 92/9/2, p.3.
Alexander J. Finberg, The History of Turner’s Liber Studiorum with a New Catalogue Raisonné, London 1924, reproduced p., p179 under no.45.
Martin Hardie, The Liber Studiorum Mezzotints of Sir Frank Short, R.A., P.R.E. after J.M.W. Turner, R.A. Catalogue & Introduction, London 1938, p.53.
Charles Clare, J.M.W. Turner: His Life and Work, British Painters, London 1951, reproduced p.88.
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.62.
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, p.111, p.114 reproduced.
Jean Selz, Turner, Naefels 1977, reproduced p.56.
Gerald Wilkinson, Turner Sketches 1789–1820, London 1977, reproduced p.125.
Andrew Wilton, Turner and the Sublime, exhibition catalogue, Art Gallery of Ontario, Toronto 1980, p..
Peter Egri, ‘Axiology and Romanticism: Shelley and Turner’, Acta litteraria Acad. Sci. Hung., vol.33, nos.1–4, 1991, p.140.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, pp.24 note 77, 32, reproduced p.84 pl.7 colour, pp.106–7 no.45i, reproduced p.106, p.162.
Gillian Forrester, David Hill, Matthew Imms and others, Reisen mit William Turner: J.M.W. Turner: Das Liber Studiorum, exhibition catalogue, Galerie Stihl, Waiblingen 2008, p.128.