E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.280 no.114, as ‘Study of a Storm’, 635 no.572, as ‘Study of Storm Clouds’.
W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., vol.II, London 1913, p.387 under no.803, ‘Ship in a Storm’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.838, CXLXIII 309 (a), as ‘Study of storm clouds’.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.389 no.772, reproduced, as circa 1825.
Andrew Wilton, Turner and the Sublime, exhibition catalogue, Art Gallery of Ontario, Toronto 1980, reproduced p.149 no.61, reproduced, as circa 1825.
Marcel-Etienne Dupret, ‘Turner’s Little Liber’, Turner Studies, vol.9, no.1, Summer 1989, p.38 under no.5.
Anne Lyles and Diane Perkins, Colour into Line: Turner and the Art of Engraving, exhibition catalogue, Tate Gallery, London 1989, p.60 no.51, reproduced, as circa 1826.
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, pp.151–2.
Ian Warrell, Turner: The Fourth Decade: Watercolours 1820–1830, exhibition catalogue, Tate Gallery, London 1991, p.38 under no.24.
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, p.98 under ‘“Liber Studiorum” and “Little Liber” Series’, as ‘Study for “Ship in a storm”’.
Katharine Lochnan, Luce Abélès, John House and others, TurnerWhistlerMonet, exhibition catalogue, Art Gallery of Ontario, Toronto 2004, p.83.