John Burnet and Peter Cunningham, Turner and his Works: Illustrated with Examples from his Pictures, and Critical Remarks on his Principles of Painting, 2nd ed., revised by Henry Murray, London 1859, p.121 no.24.
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians, London 1862 , vol.II, p.388 no.4.
Turner’s Liber Studiorum. Photographs from the Thirty Original Drawings by J.M.W. Turner, R.A. in the South Kensington Museum. Published under the Authority of the Department of Science and Art, London and Manchester 1861, reproduced pl., as ‘Bridge in Middle Distance’.
[J.E. Taylor and Henry Vaughan], Exhibition Illustrative of Turner’s Liber Studiorum, Containing Choice Impressions of the First States, Etchings, Touched Proofs, together with the Unpublished Plates, and a Few Original Drawings for the Work, exhibition catalogue, Burlington Fine Arts Club, London 1872, p.22 under no.13, ‘Classical Composition (Bridge in Middle Distance, Sun between Trees)’.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue, London 1878, p.33 under no.13, ‘The Bridge in Middle Distance. ... (Also called “The Sun between Trees.”)’.
Rev. Stopford [Augustus] Brooke, Notes on the Liber Studiorum of J.M.W. Turner, R.A., revised ed., London 1885, pp.–8, as ‘Bridge in Middle Distance; or, The Sun between Trees’.
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians: A New Edition, London 1897, p.584 no.4.
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume V: Modern Painters: Volume III, London 1904, p.399.
Ibid., Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.631 no.464, as ‘Bridge in Middle Distance. ... Otherwise known as “The Sun between Trees.”’.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue. Second Edition, Revised Throughout, London 1906, p.40 under no.13, ‘The Bridge in Middle Distance. (Also called “The Sun between Trees.”)’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.317, CXVI P, as ‘The bridge in middle-distance. ... Also called “The Sun between Trees.”’.
J[ohn] E[rnest] Phythian, Turner, London , p.126, reproduced opposite.
Untitled typescript list of works relating to 1921 and 1922 Liber Studiorum exhibitions, [circa 1921], Tate exhibition files, Tate Archive TG 92/9/2, p.1.
Alexander J. Finberg, The History of Turner’s Liber Studiorum with a New Catalogue Raisonné, London 1924, reproduced p., p.51 under no.13.
Douglas Cooper, William Turner 1775–1851, Paris 1949, reproduced pl.26.
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.67.
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, reproduced p.45 pl.28, p..
Andrew Wilton and Rosalind Mallord Turner, Painting and Poetry: Turner’s ‘Verse Book’ and his Work of 1804–1812, exhibition catalogue, Tate Gallery, London 1990, p.128.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, pp.32, 60 no.13i, reproduced, pp., 160, 161.
David B[layney] Brown, Yasuhide Shimbata and Hideko Numata, J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, exhibition catalogue, Yokohama Museum of Art 1997, p.35.
Gillian Forrester, David Hill, Matthew Imms and others, Reisen mit William Turner: J.M.W. Turner: Das Liber Studiorum, exhibition catalogue, Galerie Stihl, Waiblingen 2008, p.64.