E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume I: Early Prose Writings 1834–1843, London 1903, pp.233, 244.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.380–1.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XXI: The Ruskin Art Collection at Oxford, London 1906, p.214.
A.J. Finberg, A Complete Inventory of the Drawings in the Turner Bequest, London 1909, vol.II, p.903, as ‘The Ducal Palace, Venice’.
Adele Holcomb, ‘J.M.W. Turner’s Illustrations to the Poets’, unpublished Ph.D thesis, University of California, Los Angeles 1966, pp.37, 38, 39–40, 48, 51, reproduced fig.7.
Adele Holcomb, ‘A Neglected Classical Phase in Turner’s Art: his vignettes to Rogers’s Italy’, Journal of the Warburg and Courtauld Institutes, vol.32, 1969, p.408, reproduced pl.69e.
Mordechai Omer, Turner and the Poets: Engravings and Watercolours from his Later Period, exhibition catalogue, Marble Hill House, Twickenham 1975, [p.21].
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.438 no.1162, reproduced.
Cecilia Powell, ‘Turner’s Vignettes and the making of Rogers’s “Italy” ’, Turner Studies, vol.3, no.1, Summer 1983, pp.5, 10, reproduced fig.2.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.281 note 52, 292.
Ian Warrell, Turner: The Fourth Decade: Watercolours 1820–1830, exhibition catalogue, Tate Gallery, London 1991, pp.54–5, reproduced, p.21 colour pl.54.
Jan Piggott, Turner’s Vignettes, exhibition catalogue, Tate Gallery, London 1993, p.97.
Jane Farrington, Michael Liversidge (eds.), Canaletto and England, exhibition catalogue, Museum and Art Gallery, Birmingham 1993, no.115 p.177, reproduced (colour).
David B[layney] Brown, Yasuhide Shimbata and Hideko Numata, J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, exhibition catalogue, Yokohama Museum of Art 1997, no.62, reproduced (colour).
Robert K. Wallace, ‘Melville’s “Venice,” Turner’s Vignette, Ruskin’s “Stones”, and Darwin’s “Voyage”, in James E. Caraway (ed.), Mediterranean Perspectives: Philosophy, Literature, History, and Art, Oakdale 1997, pp.22–5.
Ian Warrell, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, no.62, pp.75–9, p.76 reproduced fig.64 (in colour).