This picture shows the lake of Llyn-y-Cau, on the mountain of Cader Idris in North Wales. The ‘discovery’ of such rugged and uncultivated scenery was greatly stimulated by the taste for the sublime: previously it would have seemed only raw and disorderly. Richard Wilson was one of the first to adapt the conventions of landscape painting to this sort of scenery, and was a major influence on other artists, including Turner. However, Wilson has still invented landscape features and heightened the precipice at the rear of the composition (Craig-y-Cau) to create a more simplified and balanced composition.
How to cite
Richard Wilson, Llyn-y-Cau, Cader Idris ?exhibited 1774, in Nigel Llewellyn and Christine Riding (eds.), The Art of the Sublime, Tate Research Publication, January 2013, https://www.tate.org.uk/art/research-publications/the-sublime/richard-wilson-llyn-y-cau-cader-idris-r1105618, accessed 30 April 2017.