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Artwork
Joseph Mallord William Turner Loch Awe from near Dalmally 1831
Joseph Mallord William Turner 1775–1851
Folio 85 Recto:
Loch Awe from near Dalmally 1831
D26908
Turner Bequest CCLXXIII 85
Turner Bequest CCLXXIII 85
Pencil on white wove paper, 116 x 186 mm
Inscribed in blue ink by John Ruskin ‘85’ top left running vertically
Stamped in black ‘CCLXXIII 85’ top right running vertically
Inscribed in blue ink by John Ruskin ‘85’ top left running vertically
Stamped in black ‘CCLXXIII 85’ top right running vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.878, CCLXXIII 85, as ‘Sound, with mountains.’.
1991
David Wallace-Hadrill and Janet Carolan, ‘Turner in Argyll in 1831: Inveraray to Oban’, Turner Studies, vol. 11, no.1, Summer 1991, pp.21 reproduced in black and white fig.2 as Loch Awe with foothills of Ben Cruachan and approach to Pass of Brander, 29.
1997
Martin F. Krause, Turner in Indianapolis: The Pantzer Collection of Drawings and Watercolors by J.M.W. Turner and his Contemporaries at the Indianapolis Museum of Art, Indianapolis 1997, p.182 under cat.55.
This sketch and another on 85 verso (D26909) of Dalmally and the north end of Loch Fyne seem to have been the first sketches that Turner made after a forty-mile break from sketching. During his journey up the length of Loch Fyne from East Tarbert (Kintyre) to Inverary, and from thence north to Loch Awe, Turner seems to have made no sketches, a fact that David Wallace-Hadrill and Janet Carolan explain is justified by him having sketched much of the route during a tour of 1801.1
The present sketch, according to Wallace-Hadrill and Carolan, shows a view down Loch Awe from a point near Dalmally, with a bridge crossing the River Orchy in the foreground. The foothills of Ben Cruachan are to the right, with the hills surrounding the western fork of the loch beyond them. The promontory in the middle distance at the left is presumably the one at the head of the loch, with Kilchurn Castle represented by a few box shapes. Folio 85 verso (D26909) shows a similar view. Turner made no further sketches of Loch Awe in 1831.
Thomas Ardill
January 2010
Wallace-Hadrill and Carolan, ‘Turner in Argyll in 1831: Inveraray to Oban’, 1991, p.21; a later unpublished article by the same authors shows that Turner did not approach Inveraray via Loch Awe as assumed in ‘Turner in Argyll in 1831: Inveraray to Oban’; David Wallace-Hadrill and Janet Carolan, ‘Turner Round the Clyde and in Islay – 1831’, 1991, Tate catalogue files, folio 11.
How to cite
Thomas Ardill, ‘Loch Awe from near Dalmally 1831 by Joseph Mallord William Turner’, catalogue entry, January 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www