Joseph Mallord William Turner Sidmouth Beach and the Coast to the West 1811
Joseph Mallord William Turner 1775–1851
Folio 208 Recto:
Sidmouth Beach and the Coast to the West 1811
D08737
Turner Bequest CXXIII 205
Turner Bequest CXXIII 205
Pencil on white wove writing paper, 75 x 117 mm
Inscribed by John Ruskin in red ink ‘205’ top left, ascending vertically
Stamped in black ‘CXXIII – 205’ top right, ascending vertically
Inscribed by John Ruskin in red ink ‘205’ top left, ascending vertically
Stamped in black ‘CXXIII – 205’ top right, ascending vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.351, CXXIII 205, as ‘Coast’.
1981
Eric Shanes, Turner’s Rivers, Harbours and Coasts, London 1981, p.37 under no.77, ill.10, p.152.
1984
Craig Hartley, Turner Watercolours in the Whitworth Art Gallery, exhibition catalogue, Whitworth Art Gallery, Manchester 1984, p.47 under no.37.
1990
Eric Shanes, Turner’s England 1810–38, London 1990, p.138 under no.110, ill.16.
1997
Charles Nugent and Melva Croal, Turner Watercolors from Manchester, exhibition catalogue, Memphis Brooks Museum of Art, Memphis 1997, p.74 under no.43.
2003
James Hamilton, Turner’s Britain, exhibition catalogue, Gas Hall, Birmingham Museums & Art Gallery 2003, p.163.
Eric Shanes has suggested that this drawing and that on folio 206 verso (D08734; CXXIII 203a) were ‘synthesized’ to form the composition of the watercolour of Sidmouth of about 1824 (Whitworth Art Gallery, Manchester),1 engraved for The Ports of England in 1828 (but not published until 1856 in The Harbours of England).2 The present sketch shows a view from the beach west towards High Peak, in the opposite direction to the other one, which forms the basis of the watercolour’s composition.
The feature Turner did take from the present drawing is the prominent rock in the sea to the left, transformed in the watercolour into what Shanes has described as a phallic visual pun on the 1823 marriage of the ageing Viscount Sidmouth to a much younger woman.3 James Hamilton has supported this interpretation, since the rock in the watercolour is ‘overwhelmingly larger’ than it appears in the present drawing,4 although the idea has been disputed elsewhere.5
Technical notes:
There is some offsetting from the ink inscription on folio 207 verso opposite (D08736; CXXIII 204a).
Matthew Imms
June 2011
How to cite
Matthew Imms, ‘Sidmouth Beach and the Coast to the West 1811 by Joseph Mallord William Turner’, catalogue entry, June 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www