Joseph Mallord William Turner Sketches of the Villa Adriana, Tivoli: the Greek Library Seen from the Maritime Theatre 1819
Joseph Mallord William Turner 1775–1851
Folio 35 Recto:
Sketches of the Villa Adriana, Tivoli: the Greek Library Seen from the Maritime Theatre 1819
D14990
Turner Bequest CLXXIX 35
Turner Bequest CLXXIX 35
Pencil on white wove paper, 112 x 186 mm
Inscribed by ?John Ruskin in blue ink ‘35’ top right
Stamped in black ‘CLXXIX 35’ bottom right
Inscribed by ?John Ruskin in blue ink ‘35’ top right
Stamped in black ‘CLXXIX 35’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.528 as ‘Temple of Minerva Medica and other ruins near the Porta Maggiore. (?Ruins of Villa Adriana).
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.173 notes 13 and 14, 355–6 note 32, 410, reproduced pl.97, as ‘Hadrian’s Villa at Tivoli, including sketches of: Greek Library, seen from the Maritime Theatre (two sketches)’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.76 notes 12 and 13, 170 note 14.
Part of Turner’s trip to Tivoli in 1819 included a detour to the elaborate palace and garden complex approximately one mile south-west of the town. Built during the second century for the Roman Emperor Hadrian, it was designed as an imperial summer retreat filled with architectural recreations of celebrated buildings of the world. An important archaeological site, it had long been had been plundered for its statutes and marble, and many of its treasures had been removed during the sixteenth century to decorate the newly built Villa d’Este. During the eighteenth century, extensive excavations had occurred under the direction of the Scottish artist and dealer, Gavin Hamilton (1723–1798) who sold many of his finds to British clients, and the Villa became a popular attraction for British travellers on the Grand Tour. Its ruins and treasures were also made famous through the prints of Giovanni Battista Piranesi (1720–1778) who worked and studied at the Villa for many years.1
Turner made several swift studies during a brief visit to the Villa Adriana, the imperial summer residence of the Roman Emperor Hadrian, approximately a mile to the south-west of Tivoli, see folio 32 verso (D14985). As Cecilia Powell first identified, the subject of these two sketches is the tall ruins of the Greek Library (Biblioteca Greca, actually a guest hall) seen from within the so-called Maritime Theatre, a small villa on an artificial island, surrounded by a circular pool and portico.2 Alternative views of the Greek Library can be found on folios 35 verso–36 (D14991–D14992).
Nicola Moorby
January 2010
How to cite
Nicola Moorby, ‘Sketches of the Villa Adriana, Tivoli: the Greek Library Seen from the Maritime Theatre 1819 by Joseph Mallord William Turner’, catalogue entry, January 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www