Joseph Mallord William Turner Church near the Via Posillipo, with a Distant View of Vesuvius 1819
Joseph Mallord William Turner 1775–1851
Folio 83 Verso:
Church near the Via Posillipo, with a Distant View of Vesuvius 1819
D16070
Turner Bequest CLXXXVI 81 a
Turner Bequest CLXXXVI 81 a
Pencil on white wove paper, 113 x 189 mm
Inscribed by the artist in pencil ‘Boy [?flying] Kite | some without [?coats]’ and ‘Children drawing each | other in [square shaped diagram] Baskets | covered with vine leaves’ bottom left
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.554, as ‘On the coast. “Boy flying (?) Kite. Some without coats. Children drawing each other in (square shaped diagram) Basket covered with vine leaves.” ’.
1966
Jack Lindsay, J.M.W. Turner: His Life and Work: A Critical Biography, London 1966, pp.17, 220 note 14.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.193 note 100.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.[86] note 76.
In 1812, the King of Naples, Joachim Murat, ordered the construction of a new road designed to make Posillipo accessible from Naples. The result was the long and winding thoroughfare of Via Posillipo which took twelve years to build and opened up the picturesque landscape of this part of the Gulf of Naples for extensive urban development. The road stretches the length of the coast from Mergellina at the eastern foot of the Posillipo Hill, to the Capo di Posillipo in the west, and for much of this distance runs parallel with the shoreline. This sketch is one of a number of views of the Posillipo coast which includes sections of the new road, visible here in the left-hand foreground as a viaduct bridging the steep cliffs above the sea. The precise location remains unidentified but it appears to be a point near a small town with a church. The silhouette of Vesuvius and Monte Somma is visible in the far distance. For further views from the Via Posillipo see folios 83 verso–87 (D16070–D16077; Turner Bequest CLXXXVI 81a–85), as well as the Gandolfo to Naples sketchbook (Tate D15669; Turner Bequest 56a) and the Naples: Rome C. Studies sketchbook (Tate D16094–6; Turner Bequest CLXXXVII 7–9).
Turner has made a written note in the bottom left-hand corner recording some observations of daily life. Jack Lindsay has cited is as evidence of the artist’s interest in scenes of work and play, particularly games of wind and water such as kites.1
Nicola Moorby
August 2010
How to cite
Nicola Moorby, ‘Church near the Via Posillipo, with a Distant View of Vesuvius 1819 by Joseph Mallord William Turner’, catalogue entry, August 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www