Joseph Mallord William Turner Studies of Figures, at ?Terni 1819
Joseph Mallord William Turner 1775–1851
Folio 44 Verso:
Studies of Figures, at ?Terni 1819
D14739
Turner Bequest CLXXVII 44 a
Turner Bequest CLXXVII 44 a
Pencil on white wove paper, 186 x 110 mm
Inscribed in pencil by the artist ‘R’ and ‘Red Stocks’ either side of male figure top left and ‘W Hat’ and ‘Green Cap | Hides the Hair’ along lower right-hand side and ‘Green’ lower centre and ‘Blue’ to left of third figure from bottom right
Inscribed in pencil by the artist ‘R’ and ‘Red Stocks’ either side of male figure top left and ‘W Hat’ and ‘Green Cap | Hides the Hair’ along lower right-hand side and ‘Green’ lower centre and ‘Blue’ to left of third figure from bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.522, as ‘Various figures; peasants, tourists, &c.’.
1968
Giovanni Carandente, ‘Un Viaggio di Turner in Umbria’, Spoletium: Rivista di arte, storia e cultura, no.13, April 1968, p.21 note 23, reproduced p.18 fig.9, as ‘Contadini e viandanti spoletini’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp. 101, 469 note 143.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.34.
The majority of this page is devoted to nineteen studies of various female and male figures, with accompanying notes on costume and colour. Despite the rough and free manner of these drawings, Turner has nevertheless managed to convey a considerable sense of character, particularly in the ample lady at the top with the large bonnet, the priest-like figure in profile on the right-hand side and the man riding a donkey in the centre. There are also a couple of back views of women wearing a distinctive type of folded cloth headdress. These garments, which Samuel Rogers described as ‘flat as a tile’,1 were characteristic of peasant women, or contadine, and were a popular subject for artists painting Italian genre scenes, see for example, Charles Eastlake’s painting, Italian Scene in the Anno Santo, Piilgrims Arriving in Sight of Rome and St. Peter’s Evening 1827 (Philadelphia Museum of Art).2 The social assortment of people represented here indicates that Turner must have been sketching within a fairly large urban centre and the geographical location suggested by the position of the page within the sketchbook suggests that this might have been the town of Terni. Other figure studies can be found on folios 1 (D14653) and 40 verso (D14731).
At the top of the page are two slight sketches of buildings within a mountainous landscape. The location has not been identified but they probably depict views on the road between Spoleto and Terni, see folios 43 verso–44 (D14737–8). At the bottom of the page, near the spine of the sketchbook is part of sketch which has spilled over from the opposite sheet, see folio 45 (D14770).
Nicola Moorby
November 2008
How to cite
Nicola Moorby, ‘Studies of Figures, at ?Terni 1819 by Joseph Mallord William Turner’, catalogue entry, November 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www