Joseph Mallord William Turner Studies of Sculptural Fragments from the Vatican Museums, Including an Ossuarium 1819
Joseph Mallord William Turner 1775–1851
Folio 22 Verso:
Studies of Sculptural Fragments from the Vatican Museums, Including an Ossuarium 1819
D15146
Turner Bequest CLXXX 21 a
Turner Bequest CLXXX 21 a
Pencil on white wove paper, 161 x 101 mm
Inscribed by the artist in pencil (see main catalogue entry)
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.532, as ‘An urn, “351” – “Ossuarium” – “Prow of a Ship”.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.414, 476 note 8, as ‘(b) Ossuarium (A, I, GLap, 130a, not ill.)’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.51 note 6.
During his 1819 stay in Rome, one of Turner’s most extensive sketching campaigns was the large number of pencil studies made from the sculpture collections of the Vatican Museums (for a general discussion, see the introduction to the sketchbook). This page contains sketches of five objects, some or all of which were probably found in the Museo Chiaramonti. The studies are numbered from top left to bottom right:
a.
A sketch of an unidentified grave altar, with the accompanying inscription ‘D M | CLUCIFERI AVC | LIB.NVMISIA | COIVC’. The first part translates as ‘D[is] M[anibus]’, ‘To the spirits of the departed’, and is a common phrase found on Roman funerary monuments.
b.
From the accompanying Latin text, Cecilia Powell has identified the top centre sketch as an ossuarium (receptacle for bones), found in the Galleria Lapidaria (Lapidary Gallery) of the Museo Chiaramonti.1 Turner has transcribed the inscription ‘OSSVARIVO’.
c.
A sketch of an unidentified architectural or sculptural fragment, possibly part of a grave altar. The artist has annotated the drawing ‘351’, which presumably relates to an exhibit number displayed on the work. However, it does not appear to correspond to any known lists published within contemporary guide books or catalogues of the Vatican collections.
d.
A sketch of an unidentified architectural fragment decorated with stylised acanthus leaves.
e.
A sketch of an unidentified sculptural fragment decorated with figures and writing sea creatures. Turner has annotated the sketch with the note ‘Prow of a Ship’.
A sketch of an unidentified grave altar, with the accompanying inscription ‘D M | CLUCIFERI AVC | LIB.NVMISIA | COIVC’. The first part translates as ‘D[is] M[anibus]’, ‘To the spirits of the departed’, and is a common phrase found on Roman funerary monuments.
b.
From the accompanying Latin text, Cecilia Powell has identified the top centre sketch as an ossuarium (receptacle for bones), found in the Galleria Lapidaria (Lapidary Gallery) of the Museo Chiaramonti.1 Turner has transcribed the inscription ‘OSSVARIVO’.
c.
A sketch of an unidentified architectural or sculptural fragment, possibly part of a grave altar. The artist has annotated the drawing ‘351’, which presumably relates to an exhibit number displayed on the work. However, it does not appear to correspond to any known lists published within contemporary guide books or catalogues of the Vatican collections.
d.
A sketch of an unidentified architectural fragment decorated with stylised acanthus leaves.
e.
A sketch of an unidentified sculptural fragment decorated with figures and writing sea creatures. Turner has annotated the sketch with the note ‘Prow of a Ship’.
Nicola Moorby
November 2009
How to cite
Nicola Moorby, ‘Studies of Sculptural Fragments from the Vatican Museums, Including an Ossuarium 1819 by Joseph Mallord William Turner’, catalogue entry, November 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www