Joseph Mallord William Turner Studies of Sculptural Fragments from the Vatican Museums, Including a Statue Group of a Satyr and a Faun, and Silenuses Supporting a Fountain 1819
Joseph Mallord William Turner 1775–1851
Folio 49 Verso:
Studies of Sculptural Fragments from the Vatican Museums, Including a Statue Group of a Satyr and a Faun, and Silenuses Supporting a Fountain 1819
D15199
Turner Bequest CLXXX 48 a
Turner Bequest CLXXX 48 a
Pencil on white wove paper, 161 x 101 mm
Inscribed by the artist in pencil (see main catalogue entry)
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.533, as ‘Faun and Satyr – “1383” (Visconti, xlix., vol.i.); also Nos. “1430”, “533”, “1375”, &c.’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.418, 476 note 8, as ‘(c) Statue group of satyr and faun (RS, pl.726, 1742) (d) Silenuses supporting a fountain (RS, pl.726D, 1770A)’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.51 note 6.
During his 1819 stay in Rome, one of Turner’s most extensive sketching campaigns was the large number of pencil studies made from the sculpture collections of the Vatican Museums (for a general discussion, see the introduction to the sketchbook). This page includes sketches of objects found in the Museo Pio-Clementino. The studies are numbered from top to bottom:
a.
The subject of the rough sketch in the top left-hand corner appears to be a sculpture of a forked tree supporting nests filled with the figures of children. This object is found in the first bay of the Galleria dei Candelabri (Gallery of Candelabra, formerly known as the Galleria delle Miscellanee).1 The drawing is annotated with the number ‘1430’.
b.
The subject of the two sketches in the top right-hand corner appears to be variant views of the entwined figures of children from a sculpture of a tree supporting a nest.2 Like the object above (see a.), it is found in the first bay of the Galleria dei Candelabri. The drawing is annotated with the number ‘535’.
c.
The second sketch from the top appears to depict a sculptural fragment, probably the base of a candelabra, adorned with a portrait medallion. The source is currently unidentified. The drawing is annotated with part of a Latin inscription ‘SOLI V’, as well as the number ‘1375’.
d.
Finberg first identified the subject of the sketch second from the bottom as a statue group with a satyr and faun.3 The object, known today as a Satyr removing a thorn from the foot of Pan, is found in the second bay of the Galleria dei Candelabri.4 The drawing is annotated with the number ‘1383’.
e.
Cecilia Powell identified the subject of the bottom sketch as three Silenuses supporting a cup or fountain.5 The object is found in the second bay of the Galleria dei Candelabri.6
The subject of the rough sketch in the top left-hand corner appears to be a sculpture of a forked tree supporting nests filled with the figures of children. This object is found in the first bay of the Galleria dei Candelabri (Gallery of Candelabra, formerly known as the Galleria delle Miscellanee).1 The drawing is annotated with the number ‘1430’.
b.
The subject of the two sketches in the top right-hand corner appears to be variant views of the entwined figures of children from a sculpture of a tree supporting a nest.2 Like the object above (see a.), it is found in the first bay of the Galleria dei Candelabri. The drawing is annotated with the number ‘535’.
c.
The second sketch from the top appears to depict a sculptural fragment, probably the base of a candelabra, adorned with a portrait medallion. The source is currently unidentified. The drawing is annotated with part of a Latin inscription ‘SOLI V’, as well as the number ‘1375’.
d.
Finberg first identified the subject of the sketch second from the bottom as a statue group with a satyr and faun.3 The object, known today as a Satyr removing a thorn from the foot of Pan, is found in the second bay of the Galleria dei Candelabri.4 The drawing is annotated with the number ‘1383’.
e.
Cecilia Powell identified the subject of the bottom sketch as three Silenuses supporting a cup or fountain.5 The object is found in the second bay of the Galleria dei Candelabri.6
Turner’s annotations presumably relate to exhibit numbers displayed on the individual works. However, they do not appear to correspond to any known lists published within contemporary guide books or catalogues of the Vatican collections.
Nicola Moorby
November 2009
Ercole Massi, Sculptures and Galleries in the Vatican Palace, New York 2005, reprint of 1873 edition, p.191; see also http://sights.seindal.dk/photo/9119,s1034f.html >, accessed November 2009.
See also Powell 1984, p.418; Salomon Reinach, Répertoire de la Statuaire Grecque et Romaine, vol. I, Paris 1897, p.412, no.1742, reproduced pl.726.
Giandomenico Spinola, Il Museo Pio-Clementino, vol.III, Vatican City 1999, no.GCSII 9, p.124, reproduced fig.17.
How to cite
Nicola Moorby, ‘Studies of Sculptural Fragments from the Vatican Museums, Including a Statue Group of a Satyr and a Faun, and Silenuses Supporting a Fountain 1819 by Joseph Mallord William Turner’, catalogue entry, November 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www