Joseph Mallord William Turner Egglestone Abbey from the East 1816
Joseph Mallord William Turner 1775–1851
Folio 31 Verso:
Egglestone Abbey from the East 1816
D11492
Turner Bequest CXLVII 31a
Turner Bequest CXLVII 31a
Pencil on white wove paper, 125 x 206 mm
Watermarked ‘[WHA]TMAN | [18]14’
Inscribed by Turner in pencil ‘Rock’ left, and ‘do this’ bottom centre
Watermarked ‘[WHA]TMAN | [18]14’
Inscribed by Turner in pencil ‘Rock’ left, and ‘do this’ bottom centre
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1990
Turner’s Papers: A Study of the Manufacture, Selection and Use of his Drawing Papers 1787–1820, Tate Gallery, London, October 1990–January 1991 (40).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.425, CXLVII 31a, as ‘Ruins of Egglestone Abbey’.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.365, no.565.
1980
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.86, no.136.
1982
Stanley Warburton, Turner and Dr. Whitaker, exhibition catalogue, Towneley Hall Art Gallery & Museums, Burnley 1982, no.48.
1984
David Hill, In Turner’s Footsteps: Through the Hills and Dales of Northern England, London 1984, pp.31, 70–1, 107, 127.
1990
Eric Shanes, Turner’s England 1810–38, London 1990, pp.59, 283 (note 56).
1996
David Hill, Turner in the North: A Tour through Derbyshire, Yorkshire, Durham, Northumberland, the Scottish Borders, the Lake District, Lancashire and Lincolnshire in the Year 1797, New Haven and London 1996, pp.46, 191, XXXIV 29, 199 (note 60).
1990
Peter Bower, Turner’s Papers: A Study of the Manufacture, Selection and Use of his Drawing Papers 1787–1820, exhibition catalogue, Tate Gallery, London 1990, p.98 no.40 reproduced.
This sketch records the view across the River Tees from the Barnard Castle road, with the remains of Egglestone Abbey (see folio 30 verso; D11490) above and Egglestone Mill by the river towards the left. Some building work appears to be taking place just beyond the mill to the left. In this sketch Turner is revisiting almost exactly the same viewpoint as a sketch made in 1797 in the North of England sketchbook (Tate D00933; Turner Bequest XXXIV 27). The present sketch formed the basis of a studio watercolour Egglestone Abbey, near Barnard Castle (private collection),1 engraved for Thomas Dunham Whitaker’s History of Richmondshire, part of the projected seven-volume General History of the County of York (see Introduction to the sketchbook), and published in 1822.
In 1816 Egglestone Mill was a paper mill under the proprietorship of Henry Cooke. Peter Bower has given a full account of the Cooke family’s work there.2 The finished watercolour develops more clearly the building work noted in the sketch. The 1891 edition of the History of Richmondshire3 claimed that the building work was the result of a fire in the drying shed, but an investigation by the BBC programme The House Detectives in 19994 concluded that it was probably undertaken to create more accommodation to house Cooke’s ever-expanding family.
David Hill
February 2009
How to cite
David Hill, ‘Egglestone Abbey from the East 1816 by Joseph Mallord William Turner’, catalogue entry, February 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2013, https://www