Joseph Mallord William Turner The Interior of the Crossing and North Transept of Fountains Abbey 1816
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Joseph Mallord William Turner 1775–1851
Folio 43 Recto:
The Interior of the Crossing and North Transept of Fountains Abbey 1816
D09865
Turner Bequest CXXXIV 64
Turner Bequest CXXXIV 64
Pencil on white wove paper with gilt edges, 179 x 254 mm
Inscribed by Turner in pencil ‘3 Ho[...]’ towards top right
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CXXXIV – 64’ bottom right
Inscribed by Turner in pencil ‘3 Ho[...]’ towards top right
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CXXXIV – 64’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.383, CXXXIV 64, as ‘Part of Interior of Fountains Abbey’.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.362 under no.546.
1980
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.26, as ‘presumably’ 1815, p.30 under no.35. as c.1815.
1996
David Hill, Turner in the North: A Tour through Derbyshire, Yorkshire, Durham, Northumberland, the Scottish Borders, the Lake District, Lancashire and Lincolnshire in the Year 1797, New Haven and London 1996, pp.38, 199 note 49, as 1816.
2000
Eric Shanes, Evelyn Joll, Ian Warrell and others, Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, p.138 under no.49.
As David Hill has noted, the view is of Abbot Huby’s Tower, which rises from the outer part of the north transept of Fountains Abbey. The viewpoint is the south transept, looking over the crossing with the nave,1 and this sketch2 was closely followed in Turner’s watercolour (private collection), dated by Andrew Wilton to about 1819, the year of its first exhibition.3
The ruined North Yorkshire abbey stands a little to the south-west of Ripon, and about fourteen miles north of Farnley Hall (see under folio 1 verso; D09790). It had been incorporated into the Studley Royal Water Garden in the 1760s, and the whole is now a World Heritage Site in the care of the National Trust.4 There are views of the abbey in both sketchbooks used by Turner on his North of England tour in 1797: North of England (Tate D00927, D01000; Turner Bequest XXXIV 21, 89) and Tweed and Lakes (Tate D01010, D01082; Turner Bequest XXXV 7, 80); there is also a 1798 watercolour of the abbey’s dormitory (York Art Gallery).5
In the present book there are plans of the abbey on folios 40 recto and 41 recto (D09837; Turner Bequest CXXXIV 42, 43), and a distant view of the church on folio 44 recto (D09864; Turner Bequest CXXXIV 63). For other drawings which may have been made on the same occasion, see David Hill’s comments in the present catalogue under Tate D10936 (Turner Bequest CXLIV 37) in the Yorkshire 1 sketchbook, which he dates to 1816;6 see also Tate D11384 (Turner Bequest CXLVI 10) in the contemporary Yorkshire 3 sketchbook. Other Yorkshire subjects in the present book are noted in the Introduction.
Wilton 1979, p.362 no.546, reproduced; unspecified ‘drawings [sic] of the interior of Fountains Abbey’ in this sketchbook are mentioned.
See ‘Fountains Abbey and Studley Royal Water Garden’, National Trust, accessed 27 June 2014, http://www.nationaltrust.org.uk/fountains-abbey/ .
Technical notes:
There is some staining towards the top left.
Verso:
Blank, save for inscription by John Ruskin in red ink ‘927’ bottom right
Matthew Imms
July 2014
How to cite
Matthew Imms, ‘The Interior of the Crossing and North Transept of Fountains Abbey 1816 by Joseph Mallord William Turner’, catalogue entry, July 2014, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www