Joseph Mallord William Turner Alnwick Castle, with the Lion Bridge 1797
Joseph Mallord William Turner 1775–1851
Folio 46 Recto:
Alnwick Castle, with the Lion Bridge 1797
D00951
Turner Bequest XXXIV 44
Turner Bequest XXXIV 44
Pencil on white wove paper, 210 x 270 mm
Watermark ‘1794 | J Whatman’
Blind-stamped with Turner Bequest monogram towards bottom right
Inscribed by John Ruskin in red ink ‘44’ bottom left, descending vertically
Stamped in black ‘XXXIV 44’ bottom left, descending vertically
Watermark ‘1794 | J Whatman’
Blind-stamped with Turner Bequest monogram towards bottom right
Inscribed by John Ruskin in red ink ‘44’ bottom left, descending vertically
Stamped in black ‘XXXIV 44’ bottom left, descending vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.71, as ‘Alnwick Castle and bridge’.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.395 under no.818.
1979
Eric Shanes, Turner’s Picturesque Views in England and Wales 1825–1838, London 1979, p.155.
1993
Harry Madgwick, ‘Turner in Northumberland in 1797’, Turner Society News, no.63, March 1993, p.9.
1996
David Hill, Turner in the North: A Tour through Derbyshire, Yorkshire, Durham, Northumberland, the Scottish Borders, the Lake District, Lancashire and Lincolnshire in the Year 1797, New Haven and London 1996, pp.70, 191.
2000
Eric Shanes, Evelyn Joll, Ian Warrell and others, Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, p.208.
Made with the page turned horizontally, this is the only drawing that Turner made of the castle at Alnwick. He returned here on his road north in 1801 – see the Helmsley sketchbook (Tate D40776; Turner Bequest LIII, inside back cover), where ‘Alnwick’ appears in a list of towns between Helmsley and Inveraray – but made no further note of the building. However, he put this one to good use in the striking nocturne that he created in about 1829 for the Picturesque Views in England and Wales (Art Gallery of South Australia, Adelaide),1 engraved by J.T. Willmore in 1830 (Tate impression: T05084).
The house had been neglected in the earlier eighteenth century, but was extensively restored in the 1770s by Robert Adam, who designed a new bridge to replace one destroyed in a flood in 1770. It takes its name from the cast lead lion, the Percy family crest, designed by John Knowles and placed over the central of the three arches in 1773. The lion is inconspicuous in Turner’s rendering of the bridge, both in this drawing and more so in his later watercolour. One might infer that he indeed drew the scene at night and was unable to make out salient details.
Verso:
Blank; stamped in brown ink with Turner Bequest monogram.
Andrew Wilton
January 2013
How to cite
Andrew Wilton, ‘Alnwick Castle, with the Lion Bridge 1797 by Joseph Mallord William Turner’, catalogue entry, January 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2014, https://www