Joseph Mallord William Turner The Garden and Villa at St Anne's Hill, near Chertsey c.1827
Joseph Mallord William Turner 1775–1851
Folio 26 Recto:
The Garden and Villa at St Anne’s Hill, near Chertsey c.1827
D20589
Turner Bequest CCXXV 26
Turner Bequest CCXXV 26
Pencil on white wove paper, 116 x 222 mm
Stamped in black ‘CCXXV – 26’ bottom right
Stamped in black ‘CCXXV – 26’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1878
Oxford Loan Collection, University Galleries, Oxford, 1878–1909 or later (123; renumbered 99a, as ‘[Poems] Pencil sketch for the Lawn’).
References
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.564 (Oxford loans catalogue, 1878) no.99, as ‘(Poems) Pencil sketch for the Lawn’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.695, CCXXV 26, as ‘St. Anne’s Hill. See Vignette, Rogers’s Poems 1834’.
1975
Mordechai Omer, Turner and the Poets: Engravings and Watercolours from his Later Period, exhibition catalogue, Marble Hill House [Greater London Council], Twickenham 1975, p.[25] under no.50.
1975
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.113 under no.181.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.441 under no.1188.
1976
Mordechai Omer, Turner und die Dichtkunst: Aquarelle; Graphik, exhibition catalogue, Bayerische Staatsgemäldesammlungen, Munich 1976, p.29 under no.50.
This view is from the garden towards Charles James Fox’s villa at St Anne’s Hill, near Chertsey in Surrey. It was the basis of a vignette watercolour (Tate D27687; Turner Bequest CCLXXX 1701),1 engraved for page 91 of the 1834 edition of Samuel Rogers’s Poems (Tate impression: T06167)2 set within the text of the long poem ‘Human Life’; the engraving is generally referred to as St Anne’s Hill (I). Among the trees to the left of the house, which does not survive, is Fox’s classical Temple of Friendship, which does. The statue drawn horizontally at the bottom left appears to be the same as that shown towards the right in the main drawing. For more on Fox, St Anne’s Hill and Rogers, see the sketchbook’s Introduction. There is a similar view on folio 27 recto (D20591).
Rogers addressed his late friend Fox in a passage of ‘Human Life’ (pages 91–2):
Thee at St. Anne’s so soon of Care beguiled,
Playful, sincere, and artless as a child!
Thee, who wouldst watch a bird’s nest in the spray,
Through the green leaves exploring, day by day.
How oft from grove to grove, from seat to seat,
With thee conversing in thy loved retreat,
I saw the sun go down!
Playful, sincere, and artless as a child!
Thee, who wouldst watch a bird’s nest in the spray,
Through the green leaves exploring, day by day.
How oft from grove to grove, from seat to seat,
With thee conversing in thy loved retreat,
I saw the sun go down!
Turner introduced a chair and books on the lawn in the foreground of the vignette. Another engraving, St Anne’s Hill (II), was based on the drawing on folio 25 verso opposite (D20588).
Technical notes:
As in most other cases in this sketchbook, John Ruskin’s customary red ink page number is not immediately apparent adjacent to the later stamp.
Matthew Imms
August 2014
How to cite
Matthew Imms, ‘The Garden and Villa at St Anne’s Hill, near Chertsey c.1827 by Joseph Mallord William Turner’, catalogue entry, August 2014, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, April 2015, https://www