The Camden Town Group in Context

Introducing The Camden Town Group in Context 
Helena Bonett, Ysanne Holt and Jennifer Mundy

Acknowledgements
Jennifer Mundy

Artists
Biographies of key Camden Town artists and their associates by Heather Birchall, Helena Bonett, David Fraser Jenkins, Tom Furness, Ysanne Holt and Nicola Moorby.

Artworks
Catalogue entries by Heather Birchall, Helena Bonett, David Fraser Jenkins, Ysanne Holt, Tom Furness, Nicola Moorby and Robert Upstone, with technique and condition texts by Maureen Cross, Jo Gracey, Stephen Hackney, Tomoko Kawamura, Kate Jennings, Annette King, Sarah Morgan, Roy Perry, Joyce H. Townsend, Piers Townshend, Natasha Walker and Simone Wernitznig.

Wendy Baron, Camden Town Recalled

Rebecca Beasley, ‘A Definite Meaning’: The Art Criticism of T.E. Hulme

Jonathan Black, Fiona Fisher and Penny Sparke,
Leisure Interiors in the Work of the Camden Town Group

Helena Bonett, ‘In these English farms, if anywhere, one might see life steadily and see it whole’: Representations of the Countryside in the Paintings of Robert Bevan and E.M. Forster’s Howards End

Christopher Breward, London’s Fashion Culture and the Camden Town Group Painters

Maurizio Cinquegrani, Empire and the City: Early Films of London

Emma Chambers, Slade School Influences on the Camden Town Group 1896–1910

Meaghan Clarke, Sex and the City: The Metropolitan New Woman

Malcolm Easton, The Camden Town Group into the London Group: Some Intimate Glimpses of the Transition 1911–14

Anna Gruetzner Robins, Walter Sickert: Art Critic for the New Age

Stephen Hackney, The Evolution of Painting Technique among Camden Town Group Artists

Martin Hammer, After Camden Town: Sickert’s Legacy since 1930

David Hayes, A History of Camden Town 1895–1914

Anne Helmreich, The Socio-Geography of Art Dealers and Commercial Galleries in Early Twentieth-Century London

Ysanne Holt, The Camden Town Group and Early Twentieth-Century Ruralism

Ysanne Holt, The Camden Town Group, Then and Now

Simon J. James, Signs of the Times and Flights of Fantasy: Fiction and Theatre in the 1900s

Juliet Kinchin, From Drawing Room to Scullery: Reading the Domestic Interior in the Paintings of Walter Sickert and the Camden Town Group

Deborah Longworth, The Urban Observer

Nicola Moorby, Her Indoors: Women Artists and Depictions of the Domestic Interior

Sarah Morgan, Joyce H. Townsend, Stephen Hackney and Roy Perry, Canvas and its Preparation in Early Twentieth-Century British Paintings

David Peters Corbett, City Visions: The Urban Scene in Camden Town Group and Ashcan School Painting

William Rough, Walter Sickert and Contemporary Drama

Samuel Shaw, Carfax Gallery and the Camden Town Group

Alistair Smith, Walter Sickert’s Drawing Practice and the Camden Town Ethos

Andrew Stephenson, Questions of Artistic Identity and Self-Fashioning in the Work of the Camden Town Group

Lisa Tickner, Walter Sickert: The Camden Town Murder and Tabloid Crime

Robert Upstone, Painters of Modern Life: The Camden Town Group

Valerie Williams, London Narratives in Photography 1900–35

Barnaby Wright, Walter Sickert: ‘The naked and the Nude’