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‘Songs of Innocence’: Title-Page
William Blake
1789, reprinted 1831 or later
Sketch for ‘Tiriel Supporting the Dying Myratana’. Verso: Sketch for ‘Tiriel Supporting the Dying Myratana’
William Blake
c.1786–9
Study of the Head of Tristram for ‘The Madness of Sir Tristram’
Sir Edward Coley Burne-Jones, Bt
c.1862
Two Studies of Tristram for ‘The Madness of Sir Tristram’
Sir Edward Coley Burne-Jones, Bt
c.1862
Composition Study for ‘The Merciful Knight’. Verso: Composition Study for ‘St Valentine’s Day’
Sir Edward Coley Burne-Jones, Bt
c.1863
Nude Study of Knight for ‘The Merciful Knight’
Sir Edward Coley Burne-Jones, Bt
c.1863
Study of Knight for ‘The Merciful Knight’
Sir Edward Coley Burne-Jones, Bt
c.1863
Two Studies for the Head of the King in ‘King Cophetua and the Beggar Maid’
Sir Edward Coley Burne-Jones, Bt
c.1880
Study of Iseult for ‘The Marriage of Sir Tristram’. Verso: Figure of Sir Tristram
Sir Edward Coley Burne-Jones, Bt
c.1862
Thenot Remonstrates with Colinet
William Blake
c.1821, printed 1830
Thenot and Colinet Converse Seated between Two Trees
William Blake
c.1821, printed 1830
Thenot Remonstrates with Colinet; Lightfoot in the Distance
William Blake
c.1821, printed 1830
Thenot, with Colinet Waving his Arms in Sorrow
William Blake
c.1821, printed 1830
The Blighted Corn
William Blake
c.1821, printed 1830
‘Nor Fox, nor Wolf, nor Rat among our Sheep’
William Blake
c.1821, printed 1830
Sabrina’s Silvery Flood
William Blake
c.1821, printed 1830
Colinet’s ‘Fond Desire Strange Lands to Know’
William Blake
c.1821, printed 1830
‘A Rolling Stone is ever Bare of Moss’
William Blake
c.1821, printed 1830
Colinet Rests by a Stream at Night
William Blake
c.1821, printed 1830
Colinet with his Shepherd’s Pipe, Mocked by Two Boys
William Blake
c.1821, printed 1830
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