The sketchbooks of Joseph Mallord William Turner

Study of a Candelabrum in Sant'Agnese fuori le mura, Rome
93 (of 94 artworks)

Joseph Mallord William Turner 1775-1851

Study of a Candelabrum in Sant'Agnese fuori le mura, Rome

1819

Graphite and watercolour on paper

support: 255 x 130 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16441

Turner Bequest CXC 31 a

Small Roman Colour Studies Sketchbook [Turner Bequest CXC] 1819-
Context for this sketchbook:

Joseph Mallord William Turner 1775-1851

Two Sketches of the Head of Christ, Then Attributed to Michelangelo, in Sant'Agnese fuori le mura, Rome; the So-Called Sedia del Diavolo; and details from a Bas-Relief

1819

Graphite and watercolour on paper

support: 255 x 130 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16399

Turner Bequest CXC 5

Joseph Mallord William Turner 1775-1851

View of the Muro Torto and the Porta del Popolo from the North of Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16400

Turner Bequest CXC 5 a

Joseph Mallord William Turner 1775-1851

The Vatican, from the North of Rome, near the Muro Torto and the Porto del Popolo

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16401

Turner Bequest CXC 6

Joseph Mallord William Turner 1775-1851

View of Trinità dei Monti and the Spanish Steps, Rome, from the Villa Medici

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16402

Turner Bequest CXC 6 a

Joseph Mallord William Turner 1775-1851

The Arch of Constantine and the Colosseum, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16398

Turner Bequest CXC 4

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16403

Turner Bequest CXC 7

Joseph Mallord William Turner 1775-1851

View of San Francesco di Paolo, Rome, with the Colosseum Beyond

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16404

Turner Bequest CXC 8

Joseph Mallord William Turner 1775-1851

Rome from the Gardens of the Villa Mellini, Monte Mario

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16481

Turner Bequest CXC 64

Joseph Mallord William Turner 1775-1851

Moonlight over the Roman Campagna

1819

Watercolour and gouache on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16482

Turner Bequest CXC 65

Joseph Mallord William Turner 1775-1851

The Roman Campagna and Distant Mountains

1819

Watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16469

Turner Bequest CXC 54

Joseph Mallord William Turner 1775-1851

St Peter's and the Castel Sant'Angelo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16405

Turner Bequest CXC 9

Joseph Mallord William Turner 1775-1851

St Peter's and the Vatican, Rome, from the Gardens of the Villa Medici

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16406

Turner Bequest CXC 10

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16407

Turner Bequest CXC 11

Joseph Mallord William Turner 1775-1851

The Arch of Septimius Severus, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16408

Turner Bequest CXC 11 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16409

Turner Bequest CXC 12

Joseph Mallord William Turner 1775-1851

Statue of the Dea Roma in the gardens of the Villa Medici, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16410

Turner Bequest CXC 12 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16411

Turner Bequest CXC 13

Joseph Mallord William Turner 1775-1851

The Roman Forum, Looking South, with the Arch of Septimius Severus and the Column of Phocas

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16412

Turner Bequest CXC 13 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16413

Turner Bequest CXC 14

Joseph Mallord William Turner 1775-1851

Inside the Colosseum, Rome

1819

Graphite and watercolour on paper

support: 255 x 130 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16414

Turner Bequest CXC 14 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16415

Turner Bequest CXC 15

Joseph Mallord William Turner 1775-1851

Arch of Constantine, Rome, seen from the Colosseum

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16416

Turner Bequest CXC 15 a

Joseph Mallord William Turner 1775-1851

The Roman Forum with the Temple of Venus and Roma, seen from the Arcades of the Colosseum

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16417

Turner Bequest CXC 16

Joseph Mallord William Turner 1775-1851

Ruins of the Palace of the Caesars on the Palatine Hill, Rome, looking towards the Aventine Hill

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16418

Turner Bequest CXC 16 a

Joseph Mallord William Turner 1775-1851

Ruins of the Palace of the Caesars on the Palatine Hill, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16419

Turner Bequest CXC 17

Joseph Mallord William Turner 1775-1851

Interior of the Colosseum, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16420

Turner Bequest CXC 18

Joseph Mallord William Turner 1775-1851

Temple of Venus and Roma, from the Colosseum, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16421

Turner Bequest CXC 19

Joseph Mallord William Turner 1775-1851

Ruins on the Palatine Hill, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16422

Turner Bequest CXC 20

Joseph Mallord William Turner 1775-1851

The Arch of Titus and the Basilica of Constantine, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16395

Turner Bequest CXC 1

Joseph Mallord William Turner 1775-1851

Arch of Constantine and the Temple of Venus and Roma, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16396

Turner Bequest CXC 2

Joseph Mallord William Turner 1775-1851

The Forum, Rome, with the Temples of Vespasian and Saturn

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16397

Turner Bequest CXC 3

Joseph Mallord William Turner 1775-1851

Details from a Bas-Relief, ?Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16423

Turner Bequest CXC 21

Joseph Mallord William Turner 1775-1851

View of the Roman Campagna with the So-called Sedia del Diavolo and the Villa Chigi

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16424

Turner Bequest CXC 21 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16425

Turner Bequest CXC 22

Joseph Mallord William Turner 1775-1851

The So-Called Sedia del Diavolo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16426

Turner Bequest CXC 22 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16427

Turner Bequest CXC 23

Joseph Mallord William Turner 1775-1851

The So-Called Sedia del Diavolo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16428

Turner Bequest CXC 23 a

Joseph Mallord William Turner 1775-1851

The River Tiber and the Torre Lazzaroni, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16442

Turner Bequest CXC 32

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16443

Turner Bequest CXC 33

Joseph Mallord William Turner 1775-1851

The Tiber and the Ponte Molle, Rome, from the Villa Madama on Monte Mario

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16444

Turner Bequest CXC 33 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16445

Turner Bequest CXC 34

Joseph Mallord William Turner 1775-1851

View of Rome from Tasso's Oak on the Janiculum Hill

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16446

Turner Bequest CXC 34 a

Joseph Mallord William Turner 1775-1851

View of Rome from Tasso's Oak on the Janiculum Hill

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16447

Turner Bequest CXC 35

Joseph Mallord William Turner 1775-1851

?Distant View of the Aventine Hill, Rome with the Arsenale

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16448

Turner Bequest CXC 35 a

Joseph Mallord William Turner 1775-1851

The Southern End of the Janiculum, Rome, with the Villa Lante

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16449

Turner Bequest CXC 36

Joseph Mallord William Turner 1775-1851

View from the Isola Tiberina, Rome, with the Ponte Rotto and the Palatine Hill

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16450

Turner Bequest CXC 37

Joseph Mallord William Turner 1775-1851

Inside the Colosseum, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16451

Turner Bequest CXC 38

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16452

Turner Bequest CXC 39

Joseph Mallord William Turner 1775-1851

View of the Forum, Rome, with the Capitol and San Lorenzo in Miranda

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16453

Turner Bequest CXC 39 a

Joseph Mallord William Turner 1775-1851

Santa Costanza and the Basilica of Constantina, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16454

Turner Bequest CXC 40

Joseph Mallord William Turner 1775-1851

Arch of Constantine, Rome, seen from the Via San Gregorio

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16455

Turner Bequest CXC 41

Joseph Mallord William Turner 1775-1851

Study of Acanthus Leaves, near the Arch of Constantine and the Colosseum, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16456

Turner Bequest CXC 42

Joseph Mallord William Turner 1775-1851

Ruins on the Palatine Hill, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16457

Turner Bequest CXC 43

Joseph Mallord William Turner 1775-1851

The So-Called Sedia del Diavolo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16458

Turner Bequest CXC 44

Joseph Mallord William Turner 1775-1851

The Confluence of the Tiber and Aniene Rivers with the Torre Salaria, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16459

Turner Bequest CXC 45

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16460

Turner Bequest CXC 46

Joseph Mallord William Turner 1775-1851

?The River Tiber outside Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16461

Turner Bequest CXC 46 a

Joseph Mallord William Turner 1775-1851

The So-Called Sedia del Diavolo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16462

Turner Bequest CXC 47

Joseph Mallord William Turner 1775-1851

The So-Called Sedia del Diavolo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16463

Turner Bequest CXC 48

Joseph Mallord William Turner 1775-1851

View of the River Tiber, Rome, looking towards Monte Mario with the Villa Madama and the Villa Mellini

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16464

Turner Bequest CXC 49

Joseph Mallord William Turner 1775-1851

?Distant View of Santa Maria Maggiore, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D40584

Joseph Mallord William Turner 1775-1851

View of the Roman Campagna with the Ponte Nomentano and the Sedia del Diavolo

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16465

Turner Bequest CXC 50

Joseph Mallord William Turner 1775-1851

The River Tiber and the Torre Lazzaroni, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16466

Turner Bequest CXC 51

Joseph Mallord William Turner 1775-1851

Distant View of Rome from the Ponte Molle

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16467

Turner Bequest CXC 52

Joseph Mallord William Turner 1775-1851

View of Rome from the North, with St Peter's and the Castel Sant'Angelo

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D40577

Joseph Mallord William Turner 1775-1851

View of Rome from the North, with St Peter's and the Castel Sant'Angelo

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16468

Turner Bequest CXC 53

Joseph Mallord William Turner 1775-1851

View of Rome from the North, with St Peter's and Monte Mario

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16470

Turner Bequest CXC 55

Joseph Mallord William Turner 1775-1851

View of the River Tiber with Sant'Andrea in Via Flaminia, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16471

Turner Bequest CXC 56

Joseph Mallord William Turner 1775-1851

Details from a Bas-Relief, ?Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16472

Turner Bequest CXC 56 v

Joseph Mallord William Turner 1775-1851

View of the River Tiber with Sant'Andrea in Via Flaminia, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16473

Turner Bequest CXC 57

Joseph Mallord William Turner 1775-1851

View of the River Tiber, with Sant'Andrea in Via Flaminia and the Castel Sant'Angelo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16474

Turner Bequest CXC 58

Joseph Mallord William Turner 1775-1851

Ponte Molle, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16475

Turner Bequest CXC 59

Joseph Mallord William Turner 1775-1851

Ponte Molle, Rome, with St Peter's and Monte Mario in the Distance

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16476

Turner Bequest CXC 60

Joseph Mallord William Turner 1775-1851

View of the River Tiber from near the Porto di Ripetta, with the Castel Sant'Angelo and St Peter's in the Distance

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16477

Turner Bequest CXC 61

Joseph Mallord William Turner 1775-1851

View of the River Tiber from the North, with the Castel Sant'Angelo and St Peter's in the Distance

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16478

Turner Bequest CXC 62

Joseph Mallord William Turner 1775-1851

Distant View of a Villa, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16479

Turner Bequest CXC 62 v

Joseph Mallord William Turner 1775-1851

View of the River Tiber from the North, with the Castel Sant'Angelo and St Peter's in the Distance

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16480

Turner Bequest CXC 63

Joseph Mallord William Turner 1775-1851

Distant View of Rome from the North with the Ponte Molle

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16483

Turner Bequest CXC 66

Joseph Mallord William Turner 1775-1851

Ponte Molle, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16484

Turner Bequest CXC 67

Joseph Mallord William Turner 1775-1851

View of the River Tiber, North of Rome, with Ponte Molle

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16485

Turner Bequest CXC 68

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16429

Turner Bequest CXC 24

Joseph Mallord William Turner 1775-1851

Sant'Agnese fuori le mura, Santa Costanza and the Basilica Constantiniana, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16430

Turner Bequest CXC 24 a

Joseph Mallord William Turner 1775-1851

Interior of Santa Costanza, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16431

Turner Bequest CXC 25

Joseph Mallord William Turner 1775-1851

Santa Costanza and the Basilica Constantiniana, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16432

Turner Bequest CXC 25 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16433

Turner Bequest CXC 26

Joseph Mallord William Turner 1775-1851

?Distant View of the Aventine Hill, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16434

Turner Bequest CXC 26 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16435

Turner Bequest CXC 27

Joseph Mallord William Turner 1775-1851

View of the Aurelian Walls, Rome, with the Temple of Minerva Medica and the Porta San Lorenzo

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16436

Turner Bequest CXC 27 a

Joseph Mallord William Turner 1775-1851

View of the Aurelian Walls, Rome, with the Temple of Minerva Medica, Porta San Lorenzo and Basilica of Santa Maria Maggiore

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16437

Turner Bequest CXC 28

Joseph Mallord William Turner 1775-1851

View of the Aurelian Walls, Rome, with the Temple of Minerva Medica and the Porta San Lorenzo

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16438

Turner Bequest CXC 29

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16439

Turner Bequest CXC 30

Joseph Mallord William Turner 1775-1851

?View outside the City Walls, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16440

Turner Bequest CXC 31

Joseph Mallord William Turner 1775-1851

Study of a Candelabrum in Sant'Agnese fuori le mura, Rome

1819

Graphite and watercolour on paper

support: 255 x 130 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16441

Turner Bequest CXC 31 a

Joseph Mallord William Turner 1775-1851

Inscription by Turner

1819

Graphite and watercolour on paper

support: 137 x 257 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D40578

S-book IBC