Artist
Robert Blake (1762‑1787)
Title
The Preaching of Warning. Verso: An Old Man Enthroned between Two Groups of Figures, by ?William Blake
Date ?c.1785
MediumGraphite on paper. Verso: graphite on paper
Dimensionssupport: 343 x 467 mm
Collection
Tate
Acquisition Presented by Mrs John Richmond 1922
Reference
A00003
On display at Tate Britain
Theme: BP Spotlights
Robert Blake, 'The Preaching of Warning. Verso: An Old Man Enthroned between Two Groups of Figures, by ?William Blake, ?c.1785
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  • Robert Blake The Preaching of Warning. Verso: An … ?c.1785
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Artwork details
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Robert Blake,
'The Preaching of Warning. Verso: An Old Man Enthroned between Two Groups of Figures, by ?William Blake', ?c.1785
William Blake,
'The Pit of Disease: The Falsifiers', 1826-7, reprinted 1892
William Blake,
'Job and his Family', 1828, reprinted 1874
William Blake,
'Satan Smiting Job with Sore Boils', 1825, reprinted 1874
William Blake,
'Job's Comforters', 1825, reprinted 1874
William Blake,
'Job's Despair', 1825, reprinted 1874
William Blake,
'Job's Sacrifice', 1825, reprinted 1874
William Blake,
'Job and his Family Restored to Prosperity', 1825, reprinted 1874
William Blake,
'Songs of Innocence and of Experience: Infant Sorrow', 1794, reprinted 1831 or later
William Blake,
''Songs of Innocence and of Experience': 'Spring'', 1794, reprinted 1831 or later
William Blake,
''Songs of Innocence': Title-Page', 1789, reprinted 1831 or later
William Blake,
'Landscape near Felpham', c.1800
William Blake,
'St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?', ?c.1779-80
Edward Calvert,
'The Bride', 1828
Edward Calvert,
'The Sheep of his Pasture', c.1828
Edward Calvert,
'The Return Home', 1830
Joseph Mallord William Turner,
'The Head and Torso of the Apollo Belvedere', ?1792
Joseph Mallord William Turner,
'Study of the Venus de' Medici', ?1792
Joseph Mallord William Turner,
'Colour Trials', 1791
Joseph Mallord William Turner,
'A Standing Male Nude, holding a Staff and with Left Arm outstretched, in a Landscape Setting', c.1794-5