Artist
Title
Mariana
Date 1851
MediumOil paint on mahogany
Dimensionssupport: 597 x 495 x 15 mm frame: 876 x 767 x 55 mm
Collection
Tate
Acquisition Accepted by HM Government in lieu of tax and allocated to the Tate Gallery 1999
Reference
T07553
Not on display
Sir John Everett Millais, Bt, 'Mariana, 1851
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  • Sir John Everett Millais, Bt Mariana 1851
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Sir John Everett Millais, Bt,
'Mariana', 1851
Robert Braithwaite Martineau,
'The Last Day in the Old Home', 1862
Arthur Hughes,
'The Eve of St Agnes', 1856
William Morris,
'Guinevere and Iseult: Cartoon for Stained Glass', 1862
John Martin,
'The Coronation of Queen Victoria', 1839
Sir Frank Dicksee,
'Harmony', 1877
Joseph Mallord William Turner,
'Choir of Salisbury Cathedral', exhibited 1797
Joseph Mallord William Turner,
'Drawing Room, Farnley', 1818
Joseph Mallord William Turner,
'Oxford: The Interior of New College Chapel, Looking through the Organ Screen towards Reynolds's West Window', c.1798-1800
Joseph Mallord William Turner,
'Oxford; The Interior of Christ Church Cathedral, Looking past the Crossing and Organ Screen into the Chancel', ?c.1798
John Piper,
'10. Rudbaxton, Pembrokeshire: 17th Century Monument, 19th Century Furnishing', 1964
Joseph Mallord William Turner,
'Inside View of the East End of Merton College Chapel', 1801
William Morris (attributed to),
'The Archangel Raphael'date not known
William Morris (attributed to),
'The Archangel Gabriel'date not known
Joseph Mallord William Turner,
'Interior of a Large Church with a Monument on a Pillar and a Stained Glass Window behind a Tall Reredos', 1796-7
Joseph Mallord William Turner,
'Oxford: The Interior of New College Chapel, Looking East', c.1798-1800
Joseph Mallord William Turner,
'Interior of a Romanesque Church', c.1795-1800
Joseph Mallord William Turner,
'Oak Panelled Hall, with General Fairfax's Chair, Farnley', c.1818
Henry Monro,
'The Disgrace of Wolsey', exhibited 1814
Joseph Mallord William Turner (after),
'East End of Merton College Chapel, engraved by Skelton', published c.1820-3