Date 1851
MediumOil paint on mahogany
Dimensionssupport: 597 x 495 x 15 mm frame: 876 x 767 x 55 mm
Acquisition Accepted by HM Government in lieu of tax and allocated to the Tate Gallery 1999
On loan to Palazzo Chiablese (Turin, Italy)
Sir John Everett Millais, Bt, 'Mariana, 1851
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  • Sir John Everett Millais, Bt Mariana 1851
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Artwork details
Sir John Everett Millais, Bt,
'Mariana', 1851
Robert Braithwaite Martineau,
'The Last Day in the Old Home', 1862
William Morris,
'Guinevere and Iseult: Cartoon for Stained Glass', 1862
Arthur Hughes,
'The Eve of St Agnes', 1856
John Martin,
'The Coronation of Queen Victoria', 1839
Sir Frank Dicksee,
'Harmony', 1877
Joseph Mallord William Turner,
'Interior of a Large Church with a Monument on a Pillar and a Stained Glass Window behind a Tall Reredos', 1796-7
Joseph Mallord William Turner,
'Interior of a Romanesque Church', c.1795-1800
William Morris (attributed to),
'The Archangel Gabriel'date not known
William Morris (attributed to),
'The Archangel Raphael'date not known
William Hogarth,
'Benjamin Hoadly, Bishop of Winchester', 1741
Joseph Mallord William Turner,
'Drawing Room, Farnley', 1818
Simeon Solomon,
'Self-Portrait', 1859
Joseph Mallord William Turner,
'Choir of Salisbury Cathedral', exhibited 1797
Henry Monro,
'The Disgrace of Wolsey', exhibited 1814
William Hogarth (prints after),
'Dr Benjamin Hoadly, Bishop of Winchester, engraved by Thomas Cook', c.1800
British School 19th century,
'Design for a Stained Glass Window, the Last Supper and the Resurrection'date not known
Joseph Mallord William Turner,
'Oak Panelled Hall, with General Fairfax's Chair, Farnley', c.1818
Joseph Mallord William Turner,
'Oxford; The Interior of Christ Church Cathedral, Looking past the Crossing and Organ Screen into the Chancel', ?c.1798
John Piper,
'7. Llan-y-Blodwell, Shropshire: Mid 19th Century Furnishing and Painting', 1964