Artist
Joseph Mallord William Turner (1775‑1851)
Title
The Golden Bough
Date exhibited 1834
MediumOil paint on canvas
Dimensionssupport: 1041 x 1638 mm frame: 1455 x 2046 x 110 mm
Collection
Tate
Acquisition Presented by Robert Vernon 1847
Reference
N00371
On loan to The University Art Museum (Toyko, Japan)
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Joseph Mallord William Turner, 'The Golden Bough, exhibited 1834
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  • Joseph Mallord William Turner The Golden Bough exhibited 1834
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Joseph Mallord William Turner, 'The Golden Bough', exhibited 1834
John William Waterhouse, 'The Magic Circle', 1886
James Ward, 'Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale)', ?1812-14, exhibited 1815
Gilbert & George, 'Death Hope Life Fear', 1984
Joseph Mallord William Turner, 'Tivoli: Tobias and the Angel', c.1835
George Stubbs, 'A Grey Hunter with a Groom and a Greyhound at Creswell Crags', c.1762-4
Raoul Dufy, 'The Baou de Saint-Jeannet', 1923
Briton Riviere, 'The Miracle of the Gaderene Swine', 1883
Peter Prendergast, 'Bethesda Quarry', 1980-81
Joseph Mallord William Turner, 'Imaginary Landscape ?on the River Teifi, with a Cluster of Houses in the Foreground, a Church Spire Beyond, and Windsor Castle on a Cliff above a Distant Plain', 1798-9
Joseph Mallord William Turner, 'The Upper Falls of the Reichenbach', 1802
Frederic George Stephens, 'Morte d'Arthur', c.1850-55
Joseph Mallord William Turner, 'Alum Bay, Isle of Wight', 1795
David Bomberg, 'The City on the Rock, Evening, Ronda, Spain', 1935
George Frederic Watts, 'Life's Illusions', 1849
Lilian Holt, 'Tajo, Ronda', 1956
Edward Dayes (after), 'The Grotto at Oatlands, engraved by Angus', published 1799
Joseph Mallord William Turner (attributed to), 'Lucerne near Altdorf, after John Robert Cozens', ?c.1794-7
Thomas Jones, 'Naples: Buildings on a Cliff Top', 1782
Joseph Mallord William Turner, 'The Rising Squall - Hot Wells from St Vincent's Rock, Bristol', exhibited 1793