Artist
Title
Light and Colour (Goethe's Theory) - the Morning after the Deluge - Moses Writing the Book of Genesis
Date exhibited 1843
MediumOil paint on canvas
Dimensionssupport: 787 x 787 mm
Collection
Tate
Acquisition Accepted by the nation as part of the Turner Bequest 1856
Reference
N00532
Not on display
Joseph Mallord William Turner, 'Light and Colour (Goethe's Theory)  - the Morning after the Deluge - Moses Writing the Book of Genesis, exhibited 1843
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  • Joseph Mallord William Turner Light and Colour (Goethe's Theory) … exhibited 1843
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Joseph Mallord William Turner,
'Light and Colour (Goethe's Theory)  - the Morning after the Deluge - Moses Writing the Book of Genesis', exhibited 1843
Frederic, Lord Leighton,
'An Athlete Wrestling with a Python', 1877
Joseph Mallord William Turner,
'The Golden Bough', exhibited 1834
John William Waterhouse,
'The Magic Circle', 1886
Joseph Mallord William Turner,
'The Angel Standing in the Sun', exhibited 1846
Pierre Roy,
'A Naturalist's Study', 1928
Eric Gill,
'Epiphany, Palm Sunday, and Adam & Eve'date not known
John Martin,
'Plate from 'Illustrations to the Bible': Belshazzar's Feast', published 1835
Joseph Mallord William Turner,
'Vision of Medea', 1828
Eric Gill,
'Eve', 1926
Joseph Mallord William Turner (after),
'The Deluge, engraved by J.P. Quilley', 1828
Paul Nash,
'Landscape at Iden', 1929
William Westall,
'The Commencement of the Deluge', exhibited 1848
John St John Long,
'The Temptation in the Wilderness', 1824
William Blake,
'Satan Exulting over Eve', c.1795
Albertus Seba,
'Two Snakes'date not known
Joseph Mallord William Turner (after),
'The Deluge', 1828
Robert Mapplethorpe,
'Snakeman', 1981
William Blake,
'The Spiritual Form of Nelson Guiding Leviathan', c.1805-9
William Strang,
'The Temptation', 1899